One goal of this essay is to offer an exploratory, historiographical analysis of the conquest account in the book of Joshua, an analysis that focuses upon the sociocultural milieu of ancient Judah. I propose to show how this narrative of conquest might have contributed to discourse(s) among the literate Judean community that perpetuated the text, and I will offer a few thoughts on the potential relationship between the narrative and the supposed cultic reforms of the late seventh century b.c.e. A number of biblical scholars have argued that the late monarchic period gave rise to the conquest story as recounted in Joshua. In this essay, I would like to pay special attention to precisely how this narrative might have functioned within the milieu of the late monarchic period, thus refining our understanding of the narrative's contribution to the discourses of this era and our knowledge of its relationship to other narratives that were probably extant at the same time. In other words, what particular features of the narrative might have had special import in this period? Specifically, I will argue that the narrative reveals certain discursive statements about Yahweh's cultic supremacy and about important cultic sites in late monarchic Judah, and that this is evident in particular narratival features that are present in the text.
However, I would also like to discuss the theory and method that informs and guides this type of analysis. This exploration, therefore, is as much about methods of reading the text as it is about the text itself. How should one approach such an endeavor? Can one even use a text like Joshua, with its seemingly complicated history of composition, to access a particular historical community? There is widespread disagreement over the date of composition, contents, purpose, and almost all other aspects of Deuteronomistic literature, and so a forthright and careful discussion of one's theoretical and methodological underpinnings is apposite to this sort of exploration. In addition, in recent years biblical scholarship has shown an increased interest in bridging the gap between historical and literary approaches to the Hebrew Bible.Footnote 1 Therefore, in this essay I offer an approach to the text that attempts to integrate historical and literary concerns in order to probe the narrative as an artifact from ancient Judah. I hope to show that this type of approach can yield fruitful results. That said, given the lack of consensus concerning Deuteronomistic literature and the debates over methodology during the last few decades, my study begins with an extended discussion of these issues before turning to the narrative itself.
My starting point for this study is Mario Liverani's dictum, “Let us . . . try to view the document as a source for the knowledge of itself.”Footnote 2 By this he means that we should view historical documents as sources for understanding the authors of the documents, and not as sources for the events depicted in them. However, one can take Liverani's suggestion a step further, making one minor modification. Michel Foucault (in)famously argued that an “author” is no more than a function of the discourses at play in his or her contemporary “episteme,” the governing system of knowledge in the period.Footnote 3 In Foucault's view, to know the “author” of a document is really to know the discourses of the historical community or society in which the document was composed. Foucault probably overstates his case.Footnote 4 But his emphasis upon sociocultural discourses and their impact on an author is important, and it nicely supplements Liverani's emphasis on the actual authors of documents, who are extremely difficult to conjure up from ancient texts like those of the Hebrew Bible. Therefore, in this study I view the document as a source for the community that gave rise to and subsequently read the document, that is, as a source for knowledge of discourses in the document's primary milieu. The thought patterns and deep narrative structures of the text, to use Liverani's expressions, tell us something about the people who composed and read these texts, who made them an integral part of their intellectual repertoire.
This methodological starting point, when applied to the text of Joshua, raises at least two questions: 1) exactly which Judean community are we talking about? and 2) how does one go about reading a historical document as a source for the knowledge of itself; that is, precisely how does one analyze the “thought patterns and deep narrative structures” of the document?
Reading Joshua in Late Monarchic Judah
In response to the first question, I read the conquest account as a source for the late monarchic period in Judah, nevertheless recognizing that the compositional history of the book of Joshua and that of the larger corpus of Deuteronomistic literature remains a significant point of scholarly debate.
Despite disagreement over the book of Joshua's literary history, there is a strong contingent of scholarship that places much of the conquest account within a monarchic-period context.Footnote 5 For instance, Ernst Axel Knauf, following Konrad Schmid, submits that the conquest account originally provided the conclusion to a monarchic-period exodus narrative.Footnote 6 This narrative, in Knauf's view, has its roots in the northern kingdom of Israel but was adapted for a Judean audience ca. 600 b.c.e. For Knauf, having an exodus narrative without an account of entrance into the promised land is unthinkable, and so the narrative, in its original Judean form, must have concluded with parts of Joshua 6–10, thus emphasizing Judah's claim to the economically important territory of Benjamin at the close of the seventh century. Thomas Römer, unlike Knauf, does not emphasize the connection between the books of Exodus and Joshua but nevertheless also places the conquest account in a late monarchic-period setting. He sees the original version as part of an early collection of Deuteronomistic literature that emerged as royal propaganda in Josiah's court. He argues that Joshua chapters 5–11, in particular, have a high concentration of late monarchic-period, Deuteronomistic material.Footnote 7 These chapters are among a number of Deuteronomistic narratives that have a decidedly optimistic view of Israel's unfolding history, and that do not foresee the destruction of Jerusalem and the end of Judah's monarchy.Footnote 8
Furthermore, the conquest account in Joshua has strong literary parallels with conquest accounts found in Neo-Assyrian inscriptions, suggesting that the Deuteronomistic writer(s)/redactor(s) to some extent modeled the work after Assyrian accounts, which stand in a long tradition of ancient Near Eastern conquest literature.Footnote 9 These parallels lend additional credence to the idea of a late monarchic date for reading this portion of Joshua. The story of Joshua's conquest, indeed, has been understood as a sort of imperial mimesis, in which the vassal kingdom Judah adopts elements of its overlord's literary style in order to tout the goals and aspirations of its own leadership.Footnote 10 There is no doubt that Assyrian imperialism in the eighth and seventh centuries b.c.e. had considerable influence on the sociocultural identity of the Judeans and the other people groups of the Levant.Footnote 11
In this essay, following Römer's recent redaction-critical work, I focus on content in Joshua 5–11 that one can situate in the late monarchic-period milieu in Judah.Footnote 12 The text that I analyze is roughly as follows: 5:1; 5:13–6:27; [7:1–26?]; 8:1–29; 9:1–11:23.Footnote 13 Here I have relied on Römer as a redaction-critical guide, yet I occasionally differ with his suggestions. To be sure, placing layers of text within a particular historical time frame (and deciding what those layers are in the first place) is tricky. Unfortunately, in biblical studies we are often forced to make judgments on the dates of sources, redaction, etc., that are informed by the text itself, a process that lends itself to circular argumentation.Footnote 14 With this in mind, I agree with Römer and others who understand the conquest account as part of Josianic-era Deuteronomistic literature, but, like Knauf, I also see a strong connection between the account and early stories of Moses and the exodus—in either case, there is good evidence for reading the majority of the account in a late monarchic-period setting.
The conquest account, even from the perspective of seventh-century Judean literati, depicts events from a distant past; it narrates the story of Israel's entrance into and subsequent dominance over the land of Canaan. As a narrative about a distant past—indeed, as a narrative about a distant past that informed aspects of Judah's identity—it offers a window into the historical consciousness of Judean society, how Judeans thought about history. If the primary sociocultural context of this narrative was indeed the late monarchic period, as many scholars submit, then one should be able to utilize it for exploring Judean historical discourse at that time.Footnote 15 As stated above, one goal of the textual exploration below is to refine our understanding of exactly how this narrative and its literary features contributed to the discourses of the historical period in which many scholars situate it.
Narrative and Historical Discourse in an Ancient Context
This brings us back to our second question regarding methodology: How does one go about reading a text in order to open a window into the historical consciousness of the society that produced and maintained it? In the last several decades the historical critic Hayden White has done much to increase our awareness of the interplay between historical consciousness and narrative in historiography. Embedded in a document's “narrativity” (i.e., how a document narrativizes events), White argues, is a discursive statement about historical consciousness. He states, “When the reader recognizes the story being told in a historical narrative as a specific kind of story—for example, as an epic, romance, tragedy, comedy, or farce—he can be said to have comprehended the meaning produced by the discourse. This comprehension is nothing other than the recognition of the form of the narrative.”Footnote 16 The form (narrative) therefore has content (narrativity), which operates within and reveals something of the document's historical discourse. To get at this discourse, White emphasizes the means by which the (hi)story is told: the structure of the plot, the modes of argumentation employed, and the worldviews embedded in the document. Like Foucault, White perhaps at times overstates his case.Footnote 17 His analysis of historiography nevertheless provides an excellent vantage point for viewing a document as a “source for the knowledge of itself.” White's writings, of course, have focused mostly on historiography in the nineteenth and twentieth centuries of our own era, but much of his theory of narrativity, which arises out of his analysis of modern historiography, may be applied to the analysis of ancient texts and communities as well.
However, utilizing White's work to analyze ancient communities is not without its limitations. White's ultimate interest is the problem of historical knowledge as it relates to representations of historical reality.Footnote 18 In other words, he wants to analyze a historian's prefigured ideas concerning one's ability to represent the past. In his book Metahistory, White identifies four major tropes of historical representation, epistemologies of historical reality: Metaphor, Metonymy, Synecdoche, and Irony. The dominant trope of historical discourse in ancient Judah was not Irony (the most skeptical of the tropes) but was one of the three “naive” categories (Metaphor, Metonymy, or Synecdoche), which reflect belief in “language's capacity to grasp the nature of things in figurative terms.”Footnote 19 For the purpose of studying ancient Judah, though, we lack rich source materials on historical philosophy like those White was able to analyze for nineteenth-century Europe, so one would have a hard time taking an analysis of the biblical texts as far as White took his study.Footnote 20
In what follows, then, I offer a preliminary exploration of Joshua 5–11, drawing on White's concepts of narrativity and historiography, but also recognizing the limitations of this exploration, which fuses aspects of synchronic and diachronic analysis. One problem with this approach is how to understand the text's narrativity within the larger discursive setting of a particular historical time frame. Obviously, those who disagree with a monarchic date for this text will disagree with my conclusions regarding the discourse(s) at play. Another problem is the attempt to offer a discursive analysis of a narrative that is potentially incomplete or fragmentary. To wed redaction criticism and a narratival approach is indeed problematic. Even if one is confident in constructing redactions of narratives from particular historical periods, there is no way to know what narratives (or parts of narratives) might not have survived, and lost narratives could have a dramatic effect on one's conclusions.Footnote 21 Moreover, this essay, for the most part, only deals with the Masoretic text, another problematic aspect of my exploration, since Joshua is known for its text-critical issues.Footnote 22 Nevertheless, it should be noted that these problems—whether one acknowledges them or not—plague any historical discussion of ancient Israel that utilizes the Hebrew Bible as its primary source; placing the text in the Persian and/or Hellenistic period(s), for instance, does not entirely remove text- and redaction-critical problems.Footnote 23 That said, I proceed with caution, with an awareness of the weaknesses in my approach, and I hope that those who disagree with the late monarchic setting of Joshua 5–11 will still find something useful in my analysis of the text itself.
One final comment, however, before proceeding: The following discussion is not interested per se in the historicity of the Joshua account, which purports to relay events from the Late Bronze/Early Iron Age, nor is it concerned with proving or disproving any proposed date of composition;Footnote 24 the discussion at hand is specifically interested in how the conquest account in Joshua might have contributed to particular sociocultural discourses in late monarchic Judah.
Yahweh's Army
The opening verse of Joshua 5 sets the tone for the entire narrative that follows: it says that all the kings of the Amorites and Canaanites completely lost their spirit (
) and their “heart” (i.e., courage) melted away (
; see Josh 2:11; 7:5; Isa 13:7; 19:1; Nah 2:11) when they heard about Yahweh's power, about how he dried up the Jordan so that the Israelites could cross the river.Footnote 25 This proclamation recalls the military laws of Deuteronomy 20.Footnote 26 In Deut 20:8, any Israelite soldier who is weak of heart is commanded to go home, lest he cause the hearts of his fellow soldiers to “melt” (
). The Israelite army, accompanied and guided by Yahweh, shall have no fear (Deut 20:1). Therefore the fearful Amorites and Canaanites, whose courage has left them before the battles even start, stand no chance against Joshua, his men, and their god. The motif of the deity fighting for the people and empowering the people continually resurfaces throughout the conquest narrative.Footnote 27 The narrative, however, is keenly aware of the people's dependence upon Yahweh for their might (e.g., Josh 7:5; see below).
Thus, the success of the conquest, which is understood to be absolute in Joshua 5–11 ultimately hinges upon the people's connection with the all-powerful deity and upon their human leader Joshua's obedience to the deity. This motif falls in line with the Hebrew Bible's typical, organicist mode of argument—in other words, its tendency (especially in the historical narratives) to understand historical causality as a function of the people's relationship with Yahweh, their chief deity. Already, at the very beginning of the narrative, the text foreshadows the inevitable victory of the newcomer Israelites, who have the support of mighty Yahweh, over the incumbent Canaanites who dwell in the land. The conquest narrative thus helps to synthesize a worldview in ancient Judah in which historical events are integrated into a teleology centered upon the relationship between Judah and its primary deity.Footnote 28
The narrative's organicist worldview, founded upon this special relationship, works together with a particular ideological outlook in the text.Footnote 29 The Joshua narrative—with its emphasis upon Yahweh's role as ultimate fighter and victor, and with its brief acknowledgments of Israel's potential lack of discernment (e.g., the Achan and Gibeon episodes; see below)—displays an outlook that is, in Hayden White's Mannheimian terminology, “liberally apocalyptic.” The narrative understands the abrupt social change initiated by the conquest as a product of divine intervention (i.e., apocalypticism), yet there is also an understanding that human agency played a limited role in this revolutionary event in Israel's history (i.e., liberalism).Footnote 30 In other words, despite the strong sense of Yahweh's control over history in the narrative, there is still room for human action to affect the outcome of historical events and larger historical processes.
The strength of the relationship between the Israelites, their supreme deity, and their historical trajectory is reinforced by introducing “the commander of Yahweh's army” (
), a supernatural being who appears to Joshua outside of Jericho and whose arrival is meant to reassure Joshua prior to the siege of the city (Josh 5:13–14).Footnote 31 The revelation of the commander's identity prompts Joshua to drop to the ground in reverence, and the commander then tells Joshua to remove his sandals, evoking Moses's divine encounter on Horeb (Exod 3:5). Besides establishing continuity between the figures of Joshua and Moses in the mind of the reader, the encounter with
reassures Joshua that Yahweh and his army will take care of the fighting; after all, it is the heavenly commander who holds a drawn sword, not Joshua. This becomes even clearer when Israel “conquers” Jericho without doing any fighting at all. The beginning of Israel's conquest of Canaan is thus more ritualistic than it is militaristic (more below).
The appearance of this supernatural commander, and his title in particular, also brings to mind the divine epithet “Yahweh of (heavenly) armies” (
).Footnote 32 This divine title occurs frequently in the prophetic booksFootnote 33 but is relatively rare in Deuteronomy to 2 Kings, where it occurs only twelve times.Footnote 34 Significantly, in the earliest layers of Deuteronomistic literature,Footnote 35 the title appears exclusively in the stories of the young David, another extremely successful Israelite warrior-conqueror who had the favor of Yahweh. David, before slaying -Goliath, rebukes the Philistine giant for taunting
, the god of Israel's army (1 Sam 17:45). And later, after David has defeated all his enemies and settled in Jerusalem, his new capital, it is
who promises an everlasting throne for David's descendants (2 Sam 7:8, 26–27). In these memories of Joshua and David—two of ancient Israel's most prominent leaders from a distant past—there is a clear emphasis on the military strength of the god Yahweh, which manifests itself directly in his chosen people, in the conquering army of Joshua, and later in the fighting men of David.Footnote 36
Victory and Failure, Romance and Tragedy
The narrative then launches into two lengthy accounts of how Israel conquered the cities of Jericho and Ai, respectively, promoting further the powerful partnership between Yahweh and the Israelites. As mentioned, Jericho, which shuts its gates in fear of the Israelites (Josh 6:1), is breached without a physical attack from Israel. Joshua and the people, following strict orders from Yahweh himself (Josh 6:2–5), ritualistically march around the city for seven days, and on the seventh day the city wall collapses as the people “shout a great shout” (
; Josh 6:20). The verbal root
(shout a war cry) appears in the David narrative too, where it frames the story of David and Goliath. When David arrives at the army's encampment, the Israelites head out to face the Philistines with a “shout” (1 Sam 17:20), but when Goliath steps out to challenge Israel, the men flee in terror. After David kills Goliath and beheads the giant warrior, however, the Philistines flee and the Israelites pursue them with a “shout” (1 Sam 17:52). David's career begins with a triumphant victory, marked with a war cry from the people, as does the Israelites’ entry into the land of Canaan. Hence the martial language in Joshua 5 and 6 helps establish discursive continuity between the figures of David and Joshua in Israel's social memory.
Israel's entry into the promised land of Canaan thus begins in highly romantic fashion (i.e., romantic in the sense of literary form). The people and their leader Joshua, obeying Yahweh's commands, conquer their initial foes at Jericho in a supernatural manner, without any need for an extended siege of the city. The capture of Ai, by contrast, involves military strategy and leadership from Joshua (Josh 8:10–21). But this story, too, presents itself in a romantic mode in which the hero, Joshua, transcends typical expectations and emerges victorious. Up to this point in the narrative, Yahweh has done all the work for Israel, but in preparation to conquer Ai, the deity commands Joshua to set up an ambush, allowing the Israelite leader and his warriors to conduct and accomplish the attack (Josh 8:2–8). Here, in an absolute (and brutal) victory at Ai, Joshua establishes some military prowess and no doubt furthers the fame of Yahweh, which begins to spread throughout Canaan after the destruction of Jericho (Josh 6:27).
Here I have skipped over Joshua 7. This chapter recounts a premature attack on Ai and the disobedience of Achan, lacing the romantic narrative of Israel's conquest with an element of tragedy.Footnote 37 Critics often see this chapter as a later, post-monarchic interpolation because of the emphasis upon disobedience and its consequences.Footnote 38 However, a post-monarchic date for this chapter is certainly not required.Footnote 39 Notice that the story is not critical of Israelite leadership; it is critical of those within the community who disobey Yahweh's commands. Moreover, it is set within a pre-monarchic historical time frame. In an organicist narrative about the distant past that understands historical causality in terms of interaction between deity and people, such a turn of events is not completely surprising. The narrative, on the whole, is not ignorant of Israelite mistakes (compare also the Gibeon episode; see below). Indeed, a moralizing text about obedience to Yahweh's covenant does not necessarily imply failure of the monarchy and Babylonian conquest and need not be placed in a post-monarchic context. The text is about the potential for disobedience and failure within one's own community, the enemy within. To be sure, this message resonates with the catastrophe of the exile, but it is also timeless. The lesson of Achan's failure would have had great import for a late monarchic-period community in which monolatrous worship of Yahweh was emerging as the norm and in which the cultic primacy of Jerusalem was a pressing issue (more below). Moreover, the tragedy of the episode fits well into the overarching emplotment of the narrative, as I will argue.
A Divine Comedy: Irony and the Gibeonites
After the destruction of Ai, word of Israel's strength spreads throughout the land, as the narrative reiterates in Josh 9:1–2, leading to the formation of a local alliance against Joshua and the Israelites.Footnote 40 At this point, however, the narrative takes a comic turn. The Gibeonites, upon learning about Joshua's violent conquest of Jericho and Ai, decide that they will deceive the Israelites into making an alliance with them, thereby protecting themselves from the seemingly unstoppable conquering force of Israel and its deity, Yahweh (Josh 9:3–15).Footnote 41 As a twist on the mode of romance—a deviation that tends towards irony—comedy typically introduces an absurd character or event that alters the hero's typical, romantic path to victory.Footnote 42 The Gibeonites certainly play the part of comic relief; dressed in worn-out clothes and carrying dry and crumbly bread, they come to Joshua claiming to be sojourners from a far-away land (Josh 9:4–6).Footnote 43 Not only have these apparent sojourners traveled a great distance, they also know of Yahweh's mighty deeds in Egypt and his victories on the other side of the Jordan (Josh 9:9–10). Notice that they do not mention the victories at Jericho and Ai, perhaps shrewdly.
As in any good comedy, this unexpected twist ends up enabling the ultimate success of the protagonist(s) and opens a path towards a “happy” ending. This comic moment, therefore, does not derail the narrative from its generally romantic track. The alliance with Gibeon, indeed, sets in motion a series of events that enable Joshua and the Israelites to conquer all the remaining Canaanite powers. Israel captures all the land to the south and wipes out the armies and kings of Jerusalem, Hebron, Jarmuth, Lachish, and Eglon, who disastrously attack Gibeon in an attempt to disrupt the newly formed alliance between the Israelites and Gibeonites (Joshua 10). The cities and kings to the north, moreover, meet the same fate when they attempt to join forces against Joshua and his divinely assisted army (Joshua 11). These events progress more or less programmatically, with Yahweh continuing his miraculous interventions (Josh 10:8–15)Footnote 44 and Joshua successfully annihilating the Canaanites from the land (with the notable exception of the Gibeonites; Josh 11:18–23). The conclusion of the narrative thus reinforces its organicist worldview and overarching romantic mode of emplotment.
However, from the perspective of the Gibeonites, one could also argue that the outcome of this comic moment is somewhat tragic.Footnote 45 Their conniving helps them avoid immediate annihilation at the hands of Joshua, but it also brings upon them a curse—on account of their trickery, they are to be eternally subservient to the people of Israel (Josh 9:22–27;1 Kgs 9:20–21). Taking into account the entire Deuteronomistic corpus, including later narratives, one could also argue that this event is tragic for Israel, as it ultimately permits an entire Canaanite group to remain in the land.
Nadav Na'aman has recently argued that this story in Joshua is meant to be a satirical polemic against a Gibeonite cultic site, which was probably active in the monarchic period, as the Hebrew Bible itself admits (1 Kgs 3:4), and which might have been shut down during Josiah's putative reforms.Footnote 46 He suggests, too, that Gibeon might have served as Judah's central sanctuary in the latter part of the Iron Age, until the Jerusalem temple eventually became primary.Footnote 47 His argument is that 1 Kgs 3:4 was part of a pre-Deuteronomistic text written in the late eighth or early seventh century b.c.e.; hence the text, which may be understood as a source for understanding its compositional milieu, reflects the cultic importance of the site in the late eighth and early seventh centuries, a time when we know Gibeon thrived. Even if Gibeon was never the central Judean sanctuary in the late Iron Age, it is likely that it was an active and important cult site until the late monarchic period, and the complex emplotment of the narrative in Joshua certainly reinforces Na'aman's thesis. The combination of both the Israelite and Gibeonite perspectives in Joshua 9 creates a comically tragic (or tragically comic) plot in the mind of the reader. Tragedy and comedy represent two fundamentally different takes on the romantic ideal; their combination thus produces satire, an intentional and ironic juxtaposition of antithetical modes of thinking that wishes to express a particular attitude towards its subject.Footnote 48 In this case, the attitude of the narrative perpetuates the ideal of seventh-century cultic centralization in Jerusalem, the Judean capital (Deuteronomy 12).
The attitude of Joshua 9, of course, impacts how one reads other biblical texts that mention Gibeon and the Gibeonites. For example, in 1 Kings 3, mentioned above, Gibeon is an important cultic site where Solomon makes a large offering and encounters Yahweh in a dream. In this episode, after Solomon is granted supreme judicial wisdom from Yahweh, the king proceeds to Jerusalem to offer even more sacrifices and host a feast for his servants. Once Solomon has received divine wisdom, he relocates his cultic activity.Footnote 49 From the perspective of the late monarchic period, this memory reinforces the idea that Jerusalem, the seat of the Davidic monarchy, is the proper place for sacrificial worship, not any cultic center at Gibeon.
Clearly, the plot of the conquest account in Joshua is not entirely straightforward. The Achan and Gibeon episodes provide deviations in the plotline, ones that, to a certain extent, betray the highly romanticized, heroic success story that unfolds throughout much of the narrative.Footnote 50 These deviations emphasize the importance of obedience to Yahweh's commands. Piety is a central theme in the narrative. The modern-day debate over Josiah's reforms (2 Kings 22–23), Israelite aniconism, and the emergence of Yahwistic monolatry during the late monarchic period is (and perhaps always will be) ongoing, but there is good evidence suggesting that the late seventh century b.c.e. was an “axial age” in the history of Judean religion.Footnote 51 At the very least, one can argue that the latter days of the monarchy saw an increased focus on Jerusalem's temple, as well as resistance against some outside influences, a shoring up of Judah and Jerusalem's socio-religious identity in the wake of widespread Assyrian imperialization in the region.Footnote 52 In the Joshua narrative Yahweh's instructions are nonnegotiable, and thus he, as the supreme Israelite deity, is to receive all the conquest's booty. It is not hard to imagine such a story circulating among the literati of late seventh-century Judah, reinforcing emergent monolatrous, Yahwistic ideals and an increased emphasis upon Jerusalem as the supreme cultic center. With that in mind, I now venture some concluding thoughts on the narrative and its specific import for the seventh-century, Jerusalem-centered Judean community.
The Content of the Conquest's Form: Some Concluding Historiographical Thoughts
First of all, we should consider the place of the Joshua narrative within the larger context of seventh-century historical discourse. As mentioned above, the narrative portrays events that happened long ago, even from a seventh-century b.c.e. point of view. How did it contribute to the broader historical discourse of the day, and what might this tell us about Judean historical consciousness? Within the Judean court, from a social memory perspective, this story would have functioned as an epic narrative, seeking to establish continuity within the minds of its readership between the seventh century and one of the “golden ages” of Israelite history.Footnote 53 The narrative is “epic” in that it centers upon heroes whose actions are intimately associated with divine action and whose stories inform the present identity of the group.Footnote 54 Since it informs present identity, moreover, it also looks forward to a future for the group, a future imagined within the realm of past heroes who acted on behalf of and with the power of Yahweh, their primary deity. Other narratives about the distant past that were extant during the late monarchic period (e.g., those about Moses, David, and Solomon) would have made similar contributions to contemporary historical discourse. Indeed, in the preceding discussion I have tried to point out some of the discursive parallels between the figures of Joshua and David, while the connections between Joshua and Moses and the covenantal promise of land are well known.Footnote 55 The Joshua narrative, therefore, makes important historical and theological statements within ancient Judean discourse during the late monarchic period, at a crucial moment in ancient Israel's religious history.
Further, this is not a normal imperialistic conquest, in which populations and resources are exploited for political gain. The Canaanite population and its cities are to be completely annihilated, devoted to Yahweh (
; see Josh 6:17; 7:1, 11–13, 15).Footnote 56 The root
sometimes refers specifically to the militaristic destruction of enemies for the deity (Num 21:2; also the Mesha inscription, KAI 181),Footnote 57 but it also occurs in cultic contexts, in which property is devoted to Yahweh via the priestly class (Lev 27:21–29; Num 18:14; Ezek 44:29). In the Joshua narrative especially, one finds a convergence of the cultic and militaristic usages of the root (especially Joshua 7).Footnote 58 The conquest is thus a holy war, not a war for which political hegemony over the region is the primary purpose.Footnote 59 Again, the emphasis upon piety, and the ritualistic nature of the conquest (especially at Jericho), would have had great theological significance for a community trying to institute religious reforms.Footnote 60 Absolute obedience to Yahweh's commands is paramount in the story of conquest. Israel's military success, its continued presence in the promised land, and its status as Yahweh's chosen people were contingent upon the covenantal relationship between people and deity.Footnote 61 Contemplating this narrative of an age long ago, seventh-century literati with reform in mind would have known that present-day success hinged upon supreme piety and ultimate obedience to the god for which they lobbied.
In the conquest account, the land, its indigenous Canaanite groups, and their possessions—all of which were non-Yahwistic and thus non-Israelite—were
(to be annhilated/devoted) to Yahweh. In the late monarchic period in Judah, therefore, in the minds of those reading the narrative, cultic sites and practices deemed to be anathema were devoted to destruction. The literati of Judah would have imagined non-Jerusalem, non-Yahwistic cultic centers as enemies in a holy war, as it were, enemies to be programmatically wiped out, dedicated to Yahweh. Continuing success in this holy war would have been contingent upon pious obedience to the god's commands.
This is especially interesting when one considers the places in which the majority of the narrative is situated. Although the narrative describes conquests against kings to the south (Joshua 10) and kings to the north (Joshua 11), the most detailed accounts focus on the conquests of Jericho and Ai (Joshua 6–8) and the relationship with Gibeon (Joshua 9). Significantly, each of these locations falls within or has an association with the territory of Benjamin. The liminality of Benjamin as a territory, in the space between South and North, Judah and Israel, was a recurring problem that had its roots in the earliest days of Judean and Israelite history. This, of course, is evident in the complicated and multivocal memories of the territory found throughout the Hebrew Bible's narratives. Benjamin's relationship with Judah, in particular, became increasingly complex in the post-monarchic period. Because Benjamin maintained a viable population after the Babylonian conquests, and because the Benjaminite city of Mizpah had become the major center of the region following the destruction of Jerusalem, tensions arose as the territory of Judah was resettled and Jerusalem reemerged as the center of Judean society and culture.Footnote 62
But these tensions in the Neo-Babylonian and Persian periods did not emerge without precedent. Precisely when Benjamin became subsumed under the territory of Judah is unknown (1 Kings 12 attributes the relationship to the division of Solomon's kingdom).Footnote 63 Recent reevaluations of the archaeological data show that Benjaminite sites such as el-Jib (Gibeon) and Tell en-Naṣbeh (Mizpah) were an integral part of the Judean administration system in the late eighth century and first half of the seventh century b.c.e.Footnote 64 However, the evidence also suggests that, during the latter decades of the seventh century, the Benjaminite sites lost their status as important administrative centers within Judah; the general prosperity of Judah continued to grow throughout the century, but the Benjaminite sites nevertheless lost their administrative connection with the Judean capital.Footnote 65 As noted above, Gibeon was probably also an important cultic site in the late monarchic period; el-Jib was thriving during this period, and 1 Kgs 3:4—a text that may be attributed to the eighth or seventh century—refers to Gibeon as a major cult center.Footnote 66 It is perhaps significant that the decline in Gibeon's administrative importance coincided with the apparent changes in Judah's religious culture and the purported cultic centralization under Josiah. Thus, the tragicomic role of Gibeon and the Gibeonites would have reinforced the cultic and administrative diminution of the site within the minds of Jerusalem-based literati in the latter part of the seventh century and beyond.
Moreover, the ruins of Ai (et-Tell), which was not occupied in the late monarchic period, stood within three kilometers of Bethel, on the border between Benjamin and Ephraim, the dividing line between South and North. Bethel, of course, was another major cultic site in the monarchic period, one that has a direct connection in the biblical texts with Josiah and his reforms (1 Kgs 12:25–13:10; 2 Kgs 23:15).Footnote 67 Given the extremely close geographical proximity of Ai and Bethel, the annihilation of the Canaanites at Ai would undoubtedly have had a symbolic connection with the purging of certain cultic practices and sites in the minds of the Jerusalem court, and perhaps even with the geo-political aspirations of the Jerusalem elite. Bethel's actual connection to the South was never as pronounced as Gibeon's or Mizpah's, but there is evidence of Judean presence and influence at the site during the eighth and seventh centuries b.c.e., which attests to the liminality (and hence ideological importance) of its geographical location.Footnote 68 During the late seventh century, the period of Josiah, Bethel was on the decline, suggesting that any actual Josianic reforms would have taken place in a relatively sparsely populated town,Footnote 69 but this does not diminish the importance of the site within theological and historical discourses of the day. The assault on Ai and its total annihilation functions as a veiled statement of dominance over an ideologically important Israelite site.
In the Joshua narrative, the unclean Canaanites of Ai and other cities were devoted to destruction for Yahweh, and the deceitful Gibeonites were devoted to slavery under the future Davidic monarchy (1 Kgs 9:21). During the latter days of Judah's monarchy, these memories became important discursive symbols of emerging religious trends. In other words, the narrative of Joshua 5–11, with its epic memories of holy war in the territory of Benjamin, contributed to discourse concerning important cultic sites in the late monarchic period and concerning the emergence of Yahwistic ideals during this same time.
To conclude, I return to Hayden White:
Every mimetic text can be shown to have left something out of the description of its object or to have put something into it that is inessential to what some reader, with more or less authority, will regard as an adequate description. On analysis, every mimesis can be shown to be distorted and can serve, therefore, as an occasion for yet another description of the same phenomenon, one claiming to be more realistic, more “faithful to the facts.”Footnote 70
Thus, my own reading of this narrative is itself a product of a particular discursive milieu, namely, twenty-first-century academic biblical discourse. This essay, as I have stated, is preliminary and exploratory, and the analysis herein is meant to probe the biblical narrative in order to further our knowledge of ancient discursive themes and statements by highlighting the text's narrativity, and thus to refine our understanding of the narrative's place within its particular historical milieu. This analysis is one possible description. To be sure, there are others, which evinces the text's multivocality, its importance in academic and popular biblical discourse, and its rich worth for exploring historical discourse in ancient Judah as well as in our own contemporary setting.