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Carolingian Doubt?

Published online by Cambridge University Press:  16 June 2016

Jinty Nelson*
Affiliation:
King's College London
*
*Kings College London, Strand, London, WC2R 2LS. E-mail: jinty.nelson23@gmail.com.
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Abstract

This essay seeks to refute the idea that doubt is an essentially modern phenomenon and to show that doubt was also a feature of earlier medieval existence. It argues that in the Carolingian period, for both individuals and groups, debate, disturbance and religious doubt coexisted uneasily with religious faith and cultic community. Religious experience is examined at the level of individuals, groups, and larger social organizations. Three case studies focus on the noblewoman Dhuoda, unique in having left a detailed record of a spiritual life lived out within a family and in social and political relationships at once collaborative and conflictual; the heretic Gottschalk, whose voluminous works reveal something of his spirituality and much about the religious and political pressures that taxed his faith; and Archbishop Elipand of Toledo, a Church leader living under Muslim rule, and accused of heresy by Christian scholars themselves uncertain of their ground. Two further sections discuss particular contexts in which doubts were harboured: conversion from paganism, in a world of Christian mission; and local cults of relics which depended on the establishing of authenticity where there had been doubt, and then the forming of believer-solidarities. Finally the figure of Doubting Thomas is considered in a period when faith and cult sustained individual identities in dyadic relationships founded on oaths of fidelity and mutual trust but also on collective solidarities.

Information

Type
Research Article
Copyright
Copyright © Ecclesiastical History Society 2016 
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Figure 1. Ivory panel, Aachen, early ninth century, Domschatzkammer, Inv.-Nr. G 8, reproduced in Frank Pohle and Peter van den Brink, eds, Karl Charlemagne der Grosse, Kurzführer (Dresden, 2014), 106, panel top left. I am very grateful indeed to Frank Pohle for help in enabling me to use this image, and to Gertraut Sofia Mockel on behalf of the Director of the Domschatzkammer, Dr Georg Minkenberg, for kindly supplying me with a CD scan and granting permission to reproduce it.

Figure 1

Figure 2. Ivory Diptych, probably Trier, late tenth century, Bode Museum, Berlin, on Wikimedia Commons, online at: <http://commons.wikimedia.org/wiki/File:Trier_10_Jh_Diptychon_Moses_Thomas.jpg>, last accessed 29 May 2015.