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Chapter 7 - The Origins of Human Stigmergic Problem Solving

Published online by Cambridge University Press:  03 February 2022

Rolf K. Baltzersen
Affiliation:
Ostfold University

Summary

Chapter 7 traces the origin of human stigmergic problem-solving back to the invention of writing. Knowledge could now be stored, reused and made accessible to others. A human collective memory was established which also made it possible to develop more complex societies. However, it is the “copy-revolution” of the printing press that enables human stigmergy to be used at full scale throughout society. The reduced cost of making a book allowed for a much more flexible reuse and sharing of existing knowledge across wider geographical distances. All types of written knowledge could easily be copied and made accessible to many more readers. Human stigmergy evolved into new forms. Frozen stigmergic problem solving describes how existing solutions in book format were copied and reused at an unprecedented scale. The mass production of identical copies made it possible to spread the same message to everyone across large geographical areas. This led to a radical increase in available knowledge; people began to learn faster from each other because knowledge sharing was amplified. In addition, fluid stigmergic problem-solving describes how knowledge products were not only copied, but they were improved through new book editions and translated, which further spurred collective knowledge advancement.

Information

Figure 0

Figure 7.1Inscribed clay tablet from third millennium BC. Proto-Cuneiform clay tablet with seal impressions: administrative account of barley distribution with cylinder seal impression of a male figure, hunting dogs, and boars ca. 3100–2900 BC. Sumerian, Mesopotamia, probably from Uruk (modern Warka).

photo Raymond and Beverly Sackler Gift, 1988/The Metropolitan Museum of Art
Figure 1

Figure 7.2Egyptian scribes managing granaries when reaping the corn. The scribes record quantities of harvest wheat, probably for tax purposes. Tomb of Menna. Detail from the frescoes in the vestibule, XVIII dynasty of Amenhotep III in Luxor. Original ca. 1400–1352 BC.

photo Z. Radovan/Bible Land Pictures/AKG/NTB
Figure 2

Figure 7.3The Printer’s Workshop, 1568. One of 133 woodcut book illustrations, showing the interior of a printing press. In the foreground, two men working at the press, the right man applying ink onto the letterpress matrix, the left man taking off a freshly printed sheet. In the background, two men seated in front of type drawers, holding a composition stick. In the foreground, two piles of printed and blank sheets of paper.

Credit: From Panoplia by Hartmann Schopper. (Frankfurt-am-Main, 1568), Photo © The Trustees of the British Museum
Figure 3

Figure 7.4Martin Luther’s translation of the New Testament, 1524. Luther’s first translation of the New Testament arrived in September 1522. This 1524 edition was printed by Melchior Lotter in Wittenberg, Germany. Its most stunning distinction is the 44 woodcuts made by Georg Lemberger in what is known as Fürstenkolorit. In this type of illumination, the woodcuts are colored and heightened with gold, suggesting this Bible was created for an aristocrat. Luther downplayed the importance of priests, arguing that the divine text was straightforward enough for everyone to read and understand.

Image Courtesy Museum of the Bible Collection. All rights reserved. © Museum of the Bible, 2021
Figure 4

Figure 7.5Book frontispiece from 1679. Portrait of Jean-Baptiste Tavernier (1605–1689). Tavernier was a seventeenth-century French gem merchant and traveler. In 1675, he published Les Six Voyages de Jean-Baptiste Tavernier from his six voyages to Persia and India between the years 1630 and 1668.

Credit: State Library Victoria, Australia
Figure 5

Figure 7.6Printed illustrations in John Gerard’s Herbal History of Plants from 1633. This is the most famous English herbal, first published in 1597.

Credit: Gerard, J., Davyes, R., Johnson, T., Priest, R., Dodoens, R. & Katherine Golden Bitting Collection on Gastronomy (1633). The herball: or, Generall historie of plantes. London, Printed by Adam Islip, Joice Norton and Richard Whitakers. Retrieved from the Library of Congress, Washington, DC, United States. www.loc.gov/item/44028884/
Figure 6

Figure 7.7Theatre of the World, 1570. Theatrum Orbis Terrarum (Theatre of the World), is considered to be the first true modern atlas, written by Abraham Ortelius and originally printed on May 20, 1570, in Antwerp, World Map. Credit: Ortelius, A., Diesth, A. C. & Llwyd, H. (1570) Theatrvm Orbis Terrarvm. Antverpiae: Apud Aegid. Coppenium Diesth.

[Map] Retrieved from the Library of Congress, Washington, DC, United States, www.loc.gov/item/98687183/
Figure 7

Figure 7.8An overview of human stigmergic evolution through three different phases, author: own work.

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