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Power of the eyes: deterring sexual harassment in Tokyo subways using images of watchful eyes

Published online by Cambridge University Press:  17 March 2020

KIKI K. CHU*
Affiliation:
London School of Economics and Political Science, London, UK
*
*Correspondence to: London School of Economics and Political Science, Houghton St, Holborn, London WC2A 2AE, UK. Email: k.chu@alumni.lse.ac.uk
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Abstract

Sex crime in subways poses an ever-present threat to Japanese commuters. This paper proposes a simple and viable adjunct to the current tactics by harnessing the potential of the watching eyes effect to deter sexual harassment. It attempts to observe the human biological sensitivity to gaze and to explore its application to the specific Japanese context where powerful informal control exists. The paper also identifies the possible advantages and limitations of such measure, with the goal of stimulating more discussion over evidence-based behavioural interventions in deterring crimes. A tentative proposal is composed to summarize and demonstrate a number of behaviourally informed suggestions regarding the practical implementation and configuration of the proposed measure.

Information

Type
New Voices
Copyright
Copyright © Cambridge University Press 2020
Figure 0

Figure 1. (a) A poster of a pair of male eyes used in a bicycle theft study by Nettle et al. (2012). (b) A stylized eye-like graphic displayed as the desktop background in a study on generosity by Haley and Fessler (2005).

Figure 1

Figure 2. Badges designed for a Japanese anti-molestation campaign (Shukan Josei PRIME, 2016).

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Figure 3. A tentative proposal of a design to deter groping via electronic implementation of the watching eyes effect. This proposed design suggests a smoke-based foreground to maximize attention, while yellow-hued eyes are used in order to mimic a predatory gaze. Caption: ‘男性女性問わず、日本の約 95% の人が痴漢は不快で病的だと考えています。貴方は監視されている!’ translating to ‘95% of Japanese males and females alike find chikan to be distasteful and abnormal. You are being monitored!’ © Chu Ka Ki 2018.