Introduction
Tucked away in the Hebrew Bible at the end of 1 Samuel and then resumed near the end of 2 Samuel is a provocative tale recounting the final fate of Saul, Israel's first king.Footnote 1 At the beginning of this two-part narrative (1 Sam 31:1), we find Saul atop Mount Gilboa, badly wounded by Philistine archers and nearly dead. Fearing the Philistine armies will rush upon him and continue the humiliation—perhaps by stabbing him repeatedly while still alive, as Saul suggests in 31:4, or something worseFootnote 2—Saul commits suicide. As the rest of the chapter recounts, upon finding his corpse, the enemy army abuses him in a different but perhaps not less dreadful manner, i.e., by beheading the king and hanging the remainder of his body on the wall of Beth Shan (along with the bodies of his sons, who died with their father in the battle). The residents of Jabesh Gilead, however, hear of these events and abscond with the bodies, burying the bones in their own territory and thus ending this particular episode of conflict between Israel and Philistia.
The story does not end here, however, as the international context gives way to inter-Israelite strife in the second part of the drama. Saul's past mistreatment of the Gibeonites (not described in the biblical text) comes back to haunt his family: we are informed that a three-year famine during the time of King David came as the result of Saul's attempt to annihilate these non-Israelites who had nonetheless lived peacefully within Israel's borders (see Joshua 9). The solution to this famine—initiated by David and carried to fruition by the Gibeonites—is to impale seven of Saul's sons, resulting in a grisly mountaintop scene (2 Sam 21:9) mirroring the site of Saul's death along with his own heirs in battle. Rizpah, mother of two of the impaled sons of Saul, proceeds to hold a long vigil over the bodies, prompting David to reclaim the bones of Saul and Jonathan from Jabesh Gilead and re-bury them in the tomb of Saul's family in the land of Benjamin. Only after this bone transferal is accomplished do the famine and its accompanying bloody conflict come to an end.
There are many odd and noteworthy features of this story, just as Saul's place within the narratives of 1–2 Samuel is shot through with the marks of divine election, un-election, loopholes, disaster, and redemption. All of this suggests a deep and creative ambivalence regarding the status of Saul as king and casts a series of questions over his final place in the narrative.Footnote 3 To put a turn on a phrase, throughout 1 Samuel the narrator seems repeatedly to praise Saul by faint damnation, presenting his disqualification from kingship through a series of infractions that seem trivial or unfair, while at the same time damning him (and eventually, several of his sons) nonetheless. Indeed, Saul seems to embody a distinctly tragic pathos, and there have been limited but notable attempts to imagine him along the lines of Greek models—either as a figure in a Hebrew tragedyFootnote 4 or as a full-blown Mediterranean “hero.”Footnote 5
Following in this tradition of comparative studies linking Saul with Greek heroic themes, in this paper I attempt to read the narratives recounting the fate of Saul's body in light of what is known about heroic relics—specifically the bones of the hero—and the politics of hero cults in the Iron Age Western Mediterranean. Saul's status as an Israelite hero is a hitherto underexplored lens through which to investigate the meaning and power of Saul's dead body, and I shall argue that by comparing the biblical account of the transferal of Saul's bones with classical Greek texts of heroic bone transfer, we are able to see the political import of David's actions in the Bible more clearly and thus better understand the dynamics of civil strife in this disconcerting text. There have been no attempts, as far as I know, to compare this or any other tale of bone transfer within the Hebrew Bible with the very well-known phenomenon of heroic bone transfer in ancient Greece. Moreover, there seem to be equally few studies of the way body parts or other physical items are conceived of as relics or objects of power in the Hebrew Bible, and by considering Saul's bones as just such objects I hope to make a contribution to this realm of scholarship.
Interpretations and Sources
Before proceeding to an examination of selected Greek stories of bone transfer, in combination with a more detailed examination of our Saul narrative on this front, I would like briefly to review something of the history of scholarship devoted to the specific biblical passages at hand. In the late nineteenth- and early twentieth-century theological context, several scholars seized upon the gruesome weirdness of the solution to the famine in the second part of our story, either to apologetically quell concerns that the story evinces some demonic vengeance or, alternatively, to highlight and promote these exact features as evidence of the benefit of historical criticism in pointing up “primitive” features of a bygone layer of Israelite religion represented in the killings.Footnote 6
Modern studies have continued to focus on various religious or legal aspects of the scene in 2 Sam 21:10–14 involving Rizpah and David's bone transfer.Footnote 7 Saul Olyan has illuminatingly analyzed the actions of the Gileadites in terms of honor and shame categories played out through the socio-legal sphere of covenant relationships, as well as the concept of burial at the patrimonial tomb;Footnote 8 David's acts of re-burial in 2 Sam 21:11–14 echo an earlier scene in 2 Sam 4:12, where David had previously interred a Saulide heir, Ish-bosheth, in a family grave.Footnote 9 Mark Hamilton has recently begun a discussion about Saul's royal body, both physical and metaphorical, pointing out the ways in which “royal bodies reflect the culture's ideas, values, hopes, and fears, in short, its cosmology.”Footnote 10
In a very thorough and mostly convincing investigation, Simeon Chavel has conducted an “internal literary analysis” of the passage, focusing on the source-critical problem instead of the supposed literary “unity” of the chapter suggested by its appearance at the end of 2 Samuel.Footnote 11 Chavel identifies two sources—one in 2 Sam 21:1–11, 13a, and 14b and the other in vv. 12, 13b, and 14a—and points to the seemingly “alternate set of assumptions and approaches” to the dead bodies in each source: in the former narrative, David and Saul stand in antagonistic terms, with David's vow contravening Saul's quest to annihilate the Gibeonites—instead, Saul's descendants are shamed; in the latter source, David, “in the throes of his attempt to establish his credentials as king,”Footnote 12 acts with loyalty toward Saul. The source in which the Gibeonites are featured resonates with themes and vocabulary appearing throughout 2 Samuel 2–6, while the bone transfer story has nothing to do with the Gibeonites and rather seems to continue the narrative in 1 Sam 31:8–18, where Saul's bones are stolen in the first place.Footnote 13 For Chavel, David's calm and controlling command over the transfer of the Saulide heirs to the Gibeonites betrays a situation in David's reign after David has assumed total control of the country, whereas the bone transfer story—which uses David's personal name (
) and never “the king” (
), unlike the other source, which uses both—reflects a situation wherein the author is still trying to show David's careful involvement in not looking like a villain who takes advantage of Saul's misfortune for his own advancement.Footnote 14 For Chavel, the text as we have it in 2 Sam 21:1–14 not only exhibits internal discontinuities, but the reference to the bone transfer is out of step with the earlier narrative action in 1 Samuel 13, wherein Saul seems to be buried with some finality.Footnote 15 I will return to this seeming dichotomy of tones later in this study, but suffice it to say that, on thematic grounds, and particularly on the basis of the bone transfer accounts by which I will analyze this text, there is no strong reason to accept that David's actions in either supposedly discrete “source” stand in clear contradiction to the other, even if we find in this narrative a push and pull of conflicting motivations and political calculation.
Heroic Bone Transfer in the Western Mediterranean and Beyond
Indeed, stories of the relocation of important bodies are fraught with indications that these bone transferals are transactions of political power, as demonstrated by several well-known examples in classical Greek texts. Narratives of heroic bone transfer in the Western Mediterranean appear in a variety of sources, as texts spanning from Herodotus through the Roman period contain no less than thirteen different examples of this distinct and (nearly) formally uniform type of account.Footnote 16 In these stories, we find a generic pattern of action: a population learns via oracle that heroic bones are needed to secure some benefit; the bones are then procured, either by a miraculous discovery, by a clue from the oracle, or by outright theft; and the subsequent transfer of the bones to the city in need brings victory or some other blessing.Footnote 17 Since the religious importance of bone transfer deeply relies upon, and interacts with, notions of hero cult generally, and since the religious power of the hero cult relies upon both a political claim to legitimation and personal, spiritual benefits to the citizenry,Footnote 18 I find the debate regarding whether the bones themselves as physical objects were thought to contain some sort of numinous power—as opposed to viewing them only as “symbolic” political tokens—to be misguided, insofar as the two views are presented as mutually exclusive.Footnote 19 Clearly both dynamics were in play whenever the bodies of heroes were involved.
The parade example of heroic body movement in classical literature is the late-fifth-century Sophoclean Oedipus cycle, where the fate of heroic bones is a standing concern through a three-part dramatic movement (Oedipus Tyrannus, Oedipus at Colonus, Antigone). The second part of this drama, Oedipus at Colonus, is of primary significance for our discussion here, since the final resting place of Oedipus's heroic body—the object of both intense horror and powerful reverence—is the central narrative concern.Footnote 20 Having become a pariah to Thebes, his homeland, Oedipus travels a path from curse to blessing, from ritual pollution to stability and welcome in a new home (near Athens). The power of the body (highlighted, e.g., in Oed. col. 385) has implications for Oedipus's homeland, as various claimants to the throne of Thebes, such as Creon, wish to commandeer Oedipus's dangerous body as a boon for their own political ventures. Indeed, Creon seeks to bring Oedipus near—but not into—Thebes, so as to avoid an oracular pronouncement stating that the Theban army would suffer a defeat if Oedipus were to be buried outside of his hometown. Oedipus rejects Creon's efforts, and, conversely, assures Creon that his spirit will act as an agent of harm toward those who had once rejected him (Oed. col. 765–784). Thus we see the power of the heroic body, in conjunction with an oracular threat combined in a narrative, demonstrated through the body of the figure who is perhaps the most compelling locus of ritual and political ambivalence of all heroic actors in Greek drama.
More succinct examples of bone transfer occur in Herodotus (Hist. 1.66–68), where we learn of the theft and transfer of Orestes's bones from Tegea to Sparta, and in Plutarch, regarding the movement of Theseus's bones from Skyros to Athens (Thes. 36.1–2; Cim. 8.3–6). The political crises addressed by the bone transferal vary; most common are battles—e.g., the Trojan War apparently could not end until the shoulder blade of Pelops was brought to the Greeks (Pausanias, Descr. 5.13.4)Footnote 21—or rival territorial claims. Other transfers occur as the result of oracular instruction specifically for blessing (e.g., Hector's bones brought from Ilium to Thebes [Descr. 9.18.5]) or from seemingly unmotivated Delphic commands (as in Descr. 8.9.3–4). One particularly extended account, recorded by Pausanias, tells of the transfer of Hesiod's bones in a time of disaster, which I quote here because it is a lesser-known story and because of the parallel motif of famine/plague followed by an oracle and bone relocation found in 2 Sam 21:1–14:
And there are graves of Minyas and Hesiod. They say that they recovered the bones of Hesiod in the following way. A plague had fallen on man and beast, so they sent envoys to the god. The Pythian priestess, they say, answered the envoys that their only remedy was to bring back the bones of Hesiod from the land of Naupactus to the land of Orchomenus. The envoys next inquired in what part of the Naupactian territory they should find the bones, and the Pythian priestess answered them again that a crow would show them the spot. So when the messengers had landed, they saw, it is said, a rock not far from the road with the bird perched on it; and they found the bones of Hesiod in a cleft of the rock. (Descr. 9.38.3)Footnote 22
Common to so many of these references (but lacking from the account just cited) are the distinct political motivations of those who find, reclaim, or steal the heroic bodies. In the case of the Spartan theft of Orestes's bones, regional territorial claims over and against Tegea were at stake, as well as genealogical legitimation for the historically late-coming Spartans. For the Athenian statesman Cimon, commandeering the bones of Theseus, patron hero of Athens, was an extremely popular move among the citizenry, if not a bald act of deception for his own political advantage; by bringing Theseus's bones to Athens, Cimon was simultaneously drawing on the association of the supposed miraculous appearance of Theseus at the battle of Marathon to lead the Greeks to victory and on his own father's notable role in the same battle.Footnote 23 As McCauley rightly argues, these bone transfers function on many levels, and, as crass as the political manipulation may appear in any given account, we should not think we have exhausted the meaning of the act by only applying the reductionist category of “propaganda” and simply moving on; ancient actors—both leaders and broader audiences—seem to have deeply believed in the religious and psychological power of these acts.Footnote 24
The politically charged reclamation and movement of bones is, of course, not only an ancient phenomenon, as many examples could show; one recent and compelling anecdote may suffice.Footnote 25 On December 17, 2007, the anniversary of Venezuelan hero Simón Bolívar's death (in 1830), president Hugo Chávez suggested that Bolívar was murdered and did not die of tuberculosis, as had always been thought. This charge of assassination carried with it a loaded political parallel for Chávez, as the then-current president, stymied with economic woes and waning popular appeal, first announced his theory just days after a major referendum defeat (on constitutional reform).Footnote 26 Ahead of the September elections in 2010, Chávez ordered the body of Bolívar to be exhumed in July, with parts of the body (skull, teeth, and vertebrae) extracted and tested for the poisoning theory. In the process of testing these body parts for authenticity, Chávez claimed that the bones of Bolívar spoke to him, confirming his identity: “Yes, it's me,” Bolívar said. “That glorious skeleton must be Bolívar,” Chávez wrote on his Twitter page, “for we could feel his spark.” The plan for the transfer of Bolívar's body and the re-interring of the bones, which occurred during the following year's bicentennial celebrations (Venezuela declared its independence on July 5, 1811), served as a capstone to the drama: a new burial would ensure that Bolívar does not lie with various other national heroes of the past, whom Chávez disdained, in his previous grave, but rather in a new, presumably symbolically useful, location.Footnote 27 The association of Bolívar's physical body with Chávez at a charged moment in the latter's career clearly demonstrates the enduring value of the heroic body as a focal point of national hopes and anxiety.
Bone Transfer in the Saul Narrative
Having discussed these examples, let us now return to the narrative of Saul's burial and re-burial. First, we should recognize that the manipulation of Saul's bones for political, or polemical, purposes is not a unique incident in the Hebrew Bible. The transferal of the bodies of Jacob and Joseph are the most famous instances of such acts (Gen 50:2–13, 25–26; Exod 13:19; Josh 24:32); Joseph's bone transfer, in particular, functions along the lines of other stories wherein the bones of a founding hero must be collected and returned to their place of origin.Footnote 28 Elsewhere, bone transferal is an act of desecration, as in 2 Kgs 23:16–20, where we find the collection and burning of bones on the altar to fulfill the prophecy against Jeroboam in 1 Kgs 13:2.Footnote 29 Further, the bones of a powerful figure could possess revivifying powers, such as those of Elisha, which bring a corpse to life in 2 Kgs 13:31–32.
The narrative involving Saul's bones is particularly detailed by biblical standards and can be viewed as a two-part drama.Footnote 30 The first situation of national crisis is the stolen and defiled body of the king; the second is the domestic famine. The first is easily understood in terms of national shock, as the Philistine problem is clearly about the honor of the entire country, while David's motives in the second part are somewhat more difficult to ascertain, and thus will be the main focus of my comments here.
Part One: The Gileadites transfer the body. The residents of Jabesh Gilead, who first retrieve the bodies of Saul and his sons from the wall of Beth Shan and bury them in their own territory, appear in two distinct stories in the Deuteronomistic History, both of which seem to bear importance for the present narrative.Footnote 31
Jabesh Gilead makes a first inauspicious appearance in Judges 21. After the Gileadite residents fail to attend a sacred assembly at Mizpah, the tribes in attendance raise up a 12,000-man army to attack Jabesh Gilead, slaughtering men, women, and children but sparing 400 virgins from the region, whom they then offer as marriage partners for the previously shunned Benjamites. Thus, we find a putatively early (though ignominious) genealogical bond between Benjamin, which is Saul's tribe, and Jabesh Gilead.Footnote 32
Later, in 1 Sam 11:1–9, Jabesh Gilead finds a reason to be zealous for Saul in particular: Saul personally rescues them from the harsh oppression of Nahash the Ammonite. This first part of the bone transfer drama, then, resounds with echoes of past tribal loyalties and political affiliations. When David learns of the actions of Jabesh Gilead in burying Saul's body (2 Sam 2:4–5), he praises them for this act and immediately tries to woo them, simultaneously announcing Saul's death and suggesting, by blessing them, that the Gileadites should accept David's kingship.Footnote 33 The Gileadite response as a whole is uncertain, but the actions of the commander of Saul's army, Abner, are clear: he whisks away Saul's remaining heir in the region, Ishbaal, who then becomes king over not only Gilead but the entirety of the northern part of the country for two years (this after David had already been anointed king in Jerusalem). Consequently, we find a clear and sustained pattern of alliance between Jabesh Gilead and Saul.
Part Two: David and the bone transfer. The onset of a three-year famine (
) during David's reign is a social, political, and religious crisis in the extreme.Footnote 34 Not only is famine a disaster of fertility regarding the land and its produce, but it is also a catastrophic symbol of the failure of monarchic rule; in Psalm 72 (vv. 1–4, 12–16 in particular), for example, we are reminded of the close connection between the ideologies of fertility, justice, and kingship. When the king is upright, the people flourish, and the land produces in turn. Thus, a prolonged famine calls into question the righteous rule of the king; a famine obviously creates the devastating practical problem of starvation, but the problem ripples outward (or upward) and implicates the monarch for abdicating his role in the order of the cosmos. One mid-twentieth-century interpreter, Arvid Kapelrud, seized on just these associations and suggested that the famine of 2 Sam 21:1 could only be broken by “a sacrifice of the highest rank,” viz. a member of Saul's own family (presuming David was not willing to sacrifice himself or one of his own sons).Footnote 35 Kapelrud further proposed that David himself may have suggested to the Gibeonites that the famine was the result of some vague transgression Saul had perpetrated against them in the pastFootnote 36—we may note again here the fact that nowhere is Saul's excessive zeal against the Gibeonites actually recorded in the Bible, though an anecdote like this may well have served the author of 1 Samuel if indeed he had such a story at his disposal. “It was only a man with the intelligence of David,” Kapelrud argues, “who could get such an idea: to use the very sacredness of the royal family to get rid of its members.”Footnote 37 If the author were trying to cover up the idea of a royal, fertility-inducing sacrifice—as he must be if Kapelrud's interpretation is correct, since the biblical narrative gives a distinctly different reason for the slaughter—then why tell the story at all?Footnote 38 Whatever the specific problems with such an argument, we should nonetheless view this fertility failure as an important civil crisis of monarchic authority.
David's action in response to the famine in 2 Sam 21:1—to “inquire of yhwh” (
)—is a common trope in times of disaster, and thus we have two of the three most common and essential elements of the Greek bone transfer narrative already at this point in the story (some disaster or need, followed by oracular inquiry).Footnote 39 The “seeking” action implied by the verb
here, combined with
(literally, “the face[s] of yhwh”), implies a cultic context, in a temple or from some intermediary (see, e.g., Hos 5:15; 2 Chr 7:14).Footnote 40 The oracular answer from yhwh points directly to Saul's alleged mistreatment of the Gibeonites, a group of “resident aliens” (
) who had gained legal access to the land through deception during the conquest (see Joshua 9).Footnote 41 As
, the Gibeonites may have been legally prevented from seeking financial redress for the wrong done to them (2 Sam 21:4), the payment of human life thus being the only available option serious enough to address the issue.Footnote 42
After the killings are accomplished, the mother of two of the victims, Rizpah, embarks upon a mourning ritual in which she protects the bodies from defilement. The reported length of the vigil may have been as long as April–November (i.e., from the beginning of the harvest until the winter rains), unless the phrase “water poured out from the sky” in 2 Sam 21:10 refers to late spring rains.Footnote 43 Whether her vigil lasted an extraordinary six to seven months or only a few days or weeks, her actions seem to motivate David's pity in 2 Sam 21:11, where the narrator explicitly connects David's cognizance of Rizpah's ritual with the reburial effort. To be sure, there is a strong element of shame here for David; the exposed bodies can only reflect badly on the new king in the eyes of any remaining supporters of the Saulide regime, perhaps even garnering sympathy for the fate of Saul's house from those who would not be predisposed to feel this way initially. David's response, in this light, seems non-optional and cannot simply or solely be described as a “personal gesture” of sympathy or other private emotion.Footnote 44 It is also important to note that the recovery of the bones entails a long-distance procession, some 80 kilometers from Jabesh Gilead (east of the Jordan River) all the way down to Gibeah (or, more precisely, to the region of Zela just east of Gibeah).Footnote 45 The final resting place of Saul's bones, then, ends up being only around three to five kilometers away from both David's capital in Jebus/Jerusalem and the territory of Gibeon, while at the same time the bones rest safely within Saul's own home.Footnote 46 Moreover, David's reclamation of the bones from a territory that had been demonstrably hostile to his own claims of national power should be viewed as an assertion of political dominance that presumably ended in a sort of “truce” between David and the Gileadites, much in the same way that the Spartan theft of Orestes's bones from Tegea marked a similar dynamic.Footnote 47
David's action thus serves several important purposes in mediating political strife. He solves both the Gibeonite problem and the problem of Saul's surviving—and possibly rival—heirs, while simultaneously honoring Saul and his family with the patrimonial burial at Saul's home in Gibeah. The political implication of bone transferal, viewed through the lens of the Greek examples, adds nuance to Kyle McCarter's already well-established view of the so-called “History of David's rise” in 1 Samuel 16–2 Samuel 5Footnote 48 as an Israelite example of the genre of Near Eastern royal apology comparable in narrative style to the thirteenth-century b.c.e. Hittite “Apology of Ḫattušili.”Footnote 49 The author of 1–2 Samuel goes to great lengths to show David's innocence and deference toward Saul and Saul's family, while at the same time David engages in actions that can be interpreted as shrewdly advancing his own progress up the political ladder toward the kingship (e.g., marrying the king's daughters, preparing to fight for opposing armies against Israel [1 Sam 28:1–2; 29:1–11], garnering a private army, and establishing a rival capital). In the story involving Abner and Ishbaal referenced earlier (in 2 Samuel 3–4), we find another instance of David using this strategy of political murder and reburial; after Ishbaal is killed by David's men—and recall that Ishbaal's death formally cleared the way for David to become king—David enacts a kind of bone transfer for his rival to a family tomb at Hebron (or rather, a head transfer, as it is only the decapitated head that is reburied [2 Sam 4:12]). The pattern here, when compared with the treatment of the bones in 2 Sam 21:13–14, suggests a conscious political program, by which David marshals the power of the bodies of his rivals, treating them like allies and thereby attempting to neutralize the criticism that David himself has orchestrated all of the killings in question.
On the level of literary and cultural symbol, the dismemberment of Saul's body in 1 Samuel 31 signals an inexorable fissure in the leadership of the country; Saul has been decisively cut off from his people and his position of power.Footnote 50 David's reclamation of the bones, then, signals his authority over a newly stabilized nation. The incident reminds us that Israel's early monarchy was a dangerously fragile affair, and indeed, monarchic rule did not trump tribal factions, which were never truly dissolved. Such a situation leaves David in a difficult position whenever rival claims arise—such as those between Saulides and Gibeonites in this instance. The two parts of the bone transfer drama here match the real, historical dual threats facing the early Israelite monarchy: threat from surrounding powers striving for regional hegemony (the Bible seems to imagine the Philistines as the primary enemy in this roleFootnote 51) and threat from within the nation itself, born from the ethnic patchwork of nascent Israel.
Conclusion
I hope to have shown, at least partially, some avenues by which the trope of bone transferal and heroic power can be explored in the biblical texts that recount the journeys of Saul's body. To summarize, Saul's bone transfer can be compared to the Greek materials on several fronts: a crisis prompts an oracular inquiry, which leads to the retrieval of the bones of a hero and the relocation of those bones, upon which a resolution to disaster then follows. Beyond these bare correspondences of plot, moreover, we have found serious political implications present in David's actions, and the value of the comparison here is that the Greek materials alert us to the presence of these types of motives hidden just below the surface of the text, which are often overlooked by biblical interpreters when reading this particular narrative. There are nonetheless clear differences between the biblical story here and the Greek bone transfer accounts: the oracle David receives (as we now have it in the text) does not specifically stipulate the retrieval of Saul's—or anyone else's—bones but rather points only to the cause of the famine, and thus the bone transfer is a corollary, not the main act in the drama.Footnote 52
Nevertheless, the basic outline of the comparison and some of its specificities are compelling and suggest that we posit some sort of Mediterranean koine of heroic ideology and bone transfer ideology that became visible in Israel by at least the eighth to the sixth centuries b.c.e.Footnote 53 The place of the bone transfer narrative in the ongoing lives of certain prominent Greek heroes militates against Mobley's argument that the heroic life of Saul does not have “a heroic conclusion.”Footnote 54 On the contrary, he shares the heroic fate of Oedipus, Theseus, Orestes, and others when his bones are transferred as an object of power and political manipulation, and thus the Deuteronomist has preserved an echo of Saul's heroic identity even in the tragic tale of his death. The hero in ancient Mediterranean literature is a profoundly unstable individual; as Nagy puts it in his seminal study, the hero is antagonistic to the god who is most like him or her in life, and only in death is the enduring fame (Greek kleos) of the hero solidified through appropriate funerary ritual.Footnote 55
Perhaps more than any other character in the Hebrew Bible, Saul embodies this very process. Something in the order of the divine and earthly cosmos is rectified when Saul's body returns home under David's protective care, and the story of Saul, which stretches a narrative distance in 1–2 Samuel longer than David's own presence, finally ends only with the return of Saul's bones. Just as Saul thought he could be rid of his most difficult antagonist, the prophet Samuel, and yet Samuel reached him from beyond the grave (1 Samuel 28), so too does Saul's memory and power continue to haunt and manipulate David, even as David seeks in a final gesture to control a scenario of frightening political upheaval with Saul's own body. The story of bone transferal I have tried to tell here is thus about David in every way, but it is also about the ongoing symbol of cult and politics embodied in Saul's bones and all that Saul represented as both victor and victim throughout 1–2 Samuel: not simply a faulty, defunct, rejected chieftain but rather an object of power, a standard of yhwh's election in the past as Israel's first king.