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Books Received

Published online by Cambridge University Press:  30 August 2011

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Type
Books Received
Information
Theatre Research International , Volume 36 , Issue 3 , October 2011, pp. 308 - 309
Copyright
Copyright © International Federation for Theatre Research 2011

ANDERSON, PATRICK, So Much Wasted: Hunger, Performance, and the Morbidity of Resistance. Durham, NC: Duke University Press, 2010. Pp. 208. £14.99/$21.95 Pb; £56/$74.95 Hb.

BAY-CHENG, SARAH, Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press, 2010. Pp. 304. £27.50/$39.95 Pb.

BAYLY, SIMON, A Pathogamy of Performance. Basingstoke: Palgrave Macmillan, 2011. Pp. 256. £55 Hb.

BENNETT, MICHAEL Y., Reassessing the Theatre of the Absurd Camus, Beckett, Ionesco, Genet, and Pinter. New York: Palgrave Macmillan, 2011. Pp. 190. £52/$80 Hb.

BURNETT, MARK THORNTON AND STREETE, ADRIAN. Filming and Performing Renaissance History. Houndmills: Palgrave Macmillan, 2011. Pp. 208. £52/$80 Hb.

BUSH-BAILEY, GILLI, Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections. Manchester: Manchester University Press. Pp. 224. £55 Hb.

CAMPBELL, KEN, The Great Caper. London: Nick Hern Books, 2011. Pp. 268. £14.99 Pb.

COLE, CATHERINE M., Performing South Africa's Truth Commission: Stages of Transition. Bloomington: Indiana University Press, 2010. Pp. 264. £49/$65 Hb; £16.99/$24.95 Pb.

CUDER-DOMINGUEZ, PILAR, Stuart Women Playwrights 1613–1713. Farnham: Ashgate, 2010. Pp. 158. £50 Hb.

DOWD, MICHELLE M. AND KORDA, NATASHA, eds., Working Subjects in Early Modern English Drama. Farnham: Ashgate, 2011. Pp. 310. £65 Hb.

DUNCAN-JONES, KATHERINE, Shakespeare: Upstart Crow to Sweet Swan. 1592–1623. London: Methuen, 2011. Pp. 320. £55 Hb.

FISCHER, IRIS S., Mabou Mines: Making Avant-Garde Theater in the 1970s. Ann Arbor: The University of Michigan Press, 2011. Pp. 298. £53.50/$60 Hb.

FISCHER-LICHTE, ERIKA, GRONAU, BARBARA AND WEILER, CHRISTEL, Global Ibsen: Performing Multiple Modernities. New York: Routledge, 2011. Pp. 292. £80/$125 Hb.

FRAYLING, CHRISTOPHER, On Craftsmanship: Towards a New Bauhaus. London: Oberon, 2011. Pp. 160. £9.99 Hb.

GEORGE, DAVID, Sergi Belbel and Catalan Theatre: Text, Performance and Identity. Woodbridge: Tamesis, 2011, Pp. vii + ix + 215. £50 Hb.

GILL, CATIE, ed., Theatre and Culture in Early Modern England 1650–1737: From Leviathan to Licensing Act. Farnham: Ashgate, 2010. Pp. 190. £55 Hb.

GROVER-FRIEDLANDER, MICHAEL, Operatic Afterlives. Brooklyn: Zone Books, 2011. Pp. 272 + 8 illus. £22.95/$29.95 Hb.

HILLMAN, RICHARD, French Origins of English Tragedy. Manchester, Manchester University Press, 2010. Pp. 111. £50 Hb.

JACKSON, ANTHONY AND KIDD, JENNY, eds., Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation. Manchester: Manchester University Press, 2011. Pp. 288. £55/$90 Hb.

JACKSON, SHANNON, Social Works: Performing Art, Supporting Publics. London and New York: Routledge, 2011. Pp. 310. £21.99 Pb; £65 Hb.

JANNARONE, KIMBERLY, Artaud and His Doubles. Ann Arbor: University of Michigan Press, 2010. Pp. 272. £48.95/$55 Hb.

LEV-ALADGEM, SHULAMITH, Theatre in the Co-communities. Basingstoke: Palgrave/Macmillan, 2010. Pp. 200. £50 Hb.

MCMULLAN, ANNA, Performing Embodiment in Samuel Beckett. London and New York, Routledge, 2010. Pp. 186. £85 Hb.

MADHAVI, MENON, ed., Shakesqueer: A Queer Companion to the Complete Works of Shakespeare. Durham, NC: Duke University Press, 2011. Pp. 512 + 18 illus. £18.95/$27.95 Pb; £75/$99.95 Hb.

NADEN, CORINNE J., The Golden Age of American Musical Theatre. Lanham, MD: The Scarecrow Press, 2011. Pp. 274. $39.95 Hb.

O'QUINN, DANIEL, Entertaining Crisis in the Atlantic Imperium, 1770–1790. Baltimore: The Johns Hopkins University Press, 2011. Pp. 440. £39/$75 Hb.

PAILER, GABY AND SCHOBLER, FRANZISKA, GeschechterSpielRaume. Dramatik, Theater, Performance und Gender. Amsterdam and New York: Rodopi, 2011. Pp. 374. €75/$113 Hb.

PARKER, REEVE, Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge, and Shelley. Cambridge: Cambridge University Press, 2011. Pp. x + 300. £60/$99 Hb.

REDMAN JONES, MIKE, Radical Pastoral 1381–1594. Appropriation and the Writing of Religious Controversy. Farnham: Ashgate, 2010. Pp. 204. £55 Hb.

RIVERA-SERVERA, RAMON H. AND YOUNG, HARVEY, eds., Performance in the Borderlands. Basingstoke: Palgrave Macmillan, 2010. Pp. 296. £55 Hb.

ROGERSON, MARGARET, ed., The York Plays. Performance in the City. York, York Medieval Press, 2011. Pp. 266. £50 Hb.

ROSELLI, DAVID K., Theater of the People: Spectators and Society in Ancient Athens. Austin: University of Texas Press, 2011. Pp. 362 + 11 illus. £37/$55 Hb.

SAS, MIRIAM, Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return. Cambridge, MA: Harvard University Asia Center. Pp. 275. £33.95/$39.95 Hb.

SCHNEEMANN, CAROLEE AND STILES, KRISTINE, Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle. Durham, NC: Duke University Press, 2010. Pp. 576. £75/$99.95 Hb; £19.99/$29.95 Pb.

SCHNEIDER, REBECCA, Performing Remains. London and New York: Routledge, 2011. Pp. 260. £16.99 Pb; £75 Hb.

SINGLETON, BRIAN, Masculinities and the Contemporary Irish Theatre. Basingstoke: Palgrave Macmillan, 2010. Pp. 240. £50 Hb.

SOANS, ROBIN, Deep Heat: Encounters with the Famous, the Infamous and the Unknown. London: Oberon, 2011. Pp. 128. £10.99 Pb.

SULLIVAN, JILL A., The Politics of the Pantomime: Regional Identity in the Theatre, 1860–1900. Hatfield: University of Hertfordshire Press, 2011. Pp. x + 270. £25/$50 Hb; £14.99/$29.95 Pb.

TRIBBLE, EVELYN B., Cognition in the Globe: Attention and Memory in Shakespeare's Theatre. New York: Palgrave Macmillan, 2011. Pp. 216. £52/$80 Hb.

TURK, EDWARD BARON, French Theatre Today: The View from New York, Paris, and Avignon. Iowa City: University of Iowa Press, 2011. Pp. 400. £30.50/$34.95 Pb.

VOLPP, SOPHIE, Worldly Stage: Theatricality in Seventeenth-Century China. Cambridge, MA: Harvard University Asia Center. Pp. 371. £28.95/$44.95 Hb.

WERTH, BRENDA G., Theatre, Performance, and Memory Politics in Argentina. New York: Palgrave Macmillan, 2010. Pp. 272. £52.50/$80 Hb.

WILES, DAVID, Theatre and Citizenship: The History of a Practice. Cambridge: Cambridge University Press, 2011. Pp. viii + 258. £55/$90 Hb.

References

ANDERSON, PATRICK, So Much Wasted: Hunger, Performance, and the Morbidity of Resistance. Durham, NC: Duke University Press, 2010. Pp. 208. £14.99/$21.95 Pb; £56/$74.95 Hb.CrossRefGoogle Scholar
BAY-CHENG, SARAH, Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press, 2010. Pp. 304. £27.50/$39.95 Pb.CrossRefGoogle Scholar
BAYLY, SIMON, A Pathogamy of Performance. Basingstoke: Palgrave Macmillan, 2011. Pp. 256. £55 Hb.CrossRefGoogle Scholar
BENNETT, MICHAEL Y., Reassessing the Theatre of the Absurd Camus, Beckett, Ionesco, Genet, and Pinter. New York: Palgrave Macmillan, 2011. Pp. 190. £52/$80 Hb.CrossRefGoogle Scholar
BURNETT, MARK THORNTON AND STREETE, ADRIAN. Filming and Performing Renaissance History. Houndmills: Palgrave Macmillan, 2011. Pp. 208. £52/$80 Hb.CrossRefGoogle Scholar
BUSH-BAILEY, GILLI, Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections. Manchester: Manchester University Press. Pp. 224. £55 Hb.Google Scholar
CAMPBELL, KEN, The Great Caper. London: Nick Hern Books, 2011. Pp. 268. £14.99 Pb.Google Scholar
COLE, CATHERINE M., Performing South Africa's Truth Commission: Stages of Transition. Bloomington: Indiana University Press, 2010. Pp. 264. £49/$65 Hb; £16.99/$24.95 Pb.Google Scholar
CUDER-DOMINGUEZ, PILAR, Stuart Women Playwrights 1613–1713. Farnham: Ashgate, 2010. Pp. 158. £50 Hb.Google Scholar
DOWD, MICHELLE M. AND KORDA, NATASHA, eds., Working Subjects in Early Modern English Drama. Farnham: Ashgate, 2011. Pp. 310. £65 Hb.Google Scholar
DUNCAN-JONES, KATHERINE, Shakespeare: Upstart Crow to Sweet Swan. 1592–1623. London: Methuen, 2011. Pp. 320. £55 Hb.CrossRefGoogle Scholar
FISCHER, IRIS S., Mabou Mines: Making Avant-Garde Theater in the 1970s. Ann Arbor: The University of Michigan Press, 2011. Pp. 298. £53.50/$60 Hb.CrossRefGoogle Scholar
FISCHER-LICHTE, ERIKA, GRONAU, BARBARA AND WEILER, CHRISTEL, Global Ibsen: Performing Multiple Modernities. New York: Routledge, 2011. Pp. 292. £80/$125 Hb.Google Scholar
FRAYLING, CHRISTOPHER, On Craftsmanship: Towards a New Bauhaus. London: Oberon, 2011. Pp. 160. £9.99 Hb.Google Scholar
GEORGE, DAVID, Sergi Belbel and Catalan Theatre: Text, Performance and Identity. Woodbridge: Tamesis, 2011, Pp. vii + ix + 215. £50 Hb.Google Scholar
GILL, CATIE, ed., Theatre and Culture in Early Modern England 1650–1737: From Leviathan to Licensing Act. Farnham: Ashgate, 2010. Pp. 190. £55 Hb.Google Scholar
GROVER-FRIEDLANDER, MICHAEL, Operatic Afterlives. Brooklyn: Zone Books, 2011. Pp. 272 + 8 illus. £22.95/$29.95 Hb.Google Scholar
HILLMAN, RICHARD, French Origins of English Tragedy. Manchester, Manchester University Press, 2010. Pp. 111. £50 Hb.CrossRefGoogle Scholar
JACKSON, ANTHONY AND KIDD, JENNY, eds., Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation. Manchester: Manchester University Press, 2011. Pp. 288. £55/$90 Hb.Google Scholar
JACKSON, SHANNON, Social Works: Performing Art, Supporting Publics. London and New York: Routledge, 2011. Pp. 310. £21.99 Pb; £65 Hb.Google Scholar
JANNARONE, KIMBERLY, Artaud and His Doubles. Ann Arbor: University of Michigan Press, 2010. Pp. 272. £48.95/$55 Hb.CrossRefGoogle Scholar
LEV-ALADGEM, SHULAMITH, Theatre in the Co-communities. Basingstoke: Palgrave/Macmillan, 2010. Pp. 200. £50 Hb.CrossRefGoogle Scholar
MCMULLAN, ANNA, Performing Embodiment in Samuel Beckett. London and New York, Routledge, 2010. Pp. 186. £85 Hb.Google Scholar
MADHAVI, MENON, ed., Shakesqueer: A Queer Companion to the Complete Works of Shakespeare. Durham, NC: Duke University Press, 2011. Pp. 512 + 18 illus. £18.95/$27.95 Pb; £75/$99.95 Hb.Google Scholar
NADEN, CORINNE J., The Golden Age of American Musical Theatre. Lanham, MD: The Scarecrow Press, 2011. Pp. 274. $39.95 Hb.Google Scholar
O'QUINN, DANIEL, Entertaining Crisis in the Atlantic Imperium, 1770–1790. Baltimore: The Johns Hopkins University Press, 2011. Pp. 440. £39/$75 Hb.Google Scholar
PAILER, GABY AND SCHOBLER, FRANZISKA, GeschechterSpielRaume. Dramatik, Theater, Performance und Gender. Amsterdam and New York: Rodopi, 2011. Pp. 374. €75/$113 Hb.Google Scholar
PARKER, REEVE, Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge, and Shelley. Cambridge: Cambridge University Press, 2011. Pp. x + 300. £60/$99 Hb.CrossRefGoogle Scholar
REDMAN JONES, MIKE, Radical Pastoral 1381–1594. Appropriation and the Writing of Religious Controversy. Farnham: Ashgate, 2010. Pp. 204. £55 Hb.Google Scholar
RIVERA-SERVERA, RAMON H. AND YOUNG, HARVEY, eds., Performance in the Borderlands. Basingstoke: Palgrave Macmillan, 2010. Pp. 296. £55 Hb.Google Scholar
ROGERSON, MARGARET, ed., The York Plays. Performance in the City. York, York Medieval Press, 2011. Pp. 266. £50 Hb.Google Scholar
ROSELLI, DAVID K., Theater of the People: Spectators and Society in Ancient Athens. Austin: University of Texas Press, 2011. Pp. 362 + 11 illus. £37/$55 Hb.Google Scholar
SAS, MIRIAM, Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return. Cambridge, MA: Harvard University Asia Center. Pp. 275. £33.95/$39.95 Hb.Google Scholar
SCHNEEMANN, CAROLEE AND STILES, KRISTINE, Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle. Durham, NC: Duke University Press, 2010. Pp. 576. £75/$99.95 Hb; £19.99/$29.95 Pb.Google Scholar
SCHNEIDER, REBECCA, Performing Remains. London and New York: Routledge, 2011. Pp. 260. £16.99 Pb; £75 Hb.Google Scholar
SINGLETON, BRIAN, Masculinities and the Contemporary Irish Theatre. Basingstoke: Palgrave Macmillan, 2010. Pp. 240. £50 Hb.Google Scholar
SOANS, ROBIN, Deep Heat: Encounters with the Famous, the Infamous and the Unknown. London: Oberon, 2011. Pp. 128. £10.99 Pb.Google Scholar
SULLIVAN, JILL A., The Politics of the Pantomime: Regional Identity in the Theatre, 1860–1900. Hatfield: University of Hertfordshire Press, 2011. Pp. x + 270. £25/$50 Hb; £14.99/$29.95 Pb.Google Scholar
TRIBBLE, EVELYN B., Cognition in the Globe: Attention and Memory in Shakespeare's Theatre. New York: Palgrave Macmillan, 2011. Pp. 216. £52/$80 Hb.CrossRefGoogle Scholar
TURK, EDWARD BARON, French Theatre Today: The View from New York, Paris, and Avignon. Iowa City: University of Iowa Press, 2011. Pp. 400. £30.50/$34.95 Pb.Google Scholar
VOLPP, SOPHIE, Worldly Stage: Theatricality in Seventeenth-Century China. Cambridge, MA: Harvard University Asia Center. Pp. 371. £28.95/$44.95 Hb.Google Scholar
WERTH, BRENDA G., Theatre, Performance, and Memory Politics in Argentina. New York: Palgrave Macmillan, 2010. Pp. 272. £52.50/$80 Hb.CrossRefGoogle Scholar
WILES, DAVID, Theatre and Citizenship: The History of a Practice. Cambridge: Cambridge University Press, 2011. Pp. viii + 258. £55/$90 Hb.Google Scholar