This article will describe and analyze the different poetics of early rabbinic literature and eastern monastic literature in their literary treatment of repenting female prostitutes, showing how one culture plays with the conventions of another, and thereby providing a clearer literary definition of the tale type of the repenting prostitute.Footnote 1 By examining one rabbinic story in two variants, dating from before and after the rise in the popularity of the Christian stories, the article will unravel the cultural and religious differences in the adaptations of this tale type.
Introducing the Problem: Prostitution in Comparative Perspective
As it is for other topics, it is counterproductive to speak of a monolithic “Jewish” or “Christian” view of prostitution. Yet, differences can be perceived between the Jewish sages of late antiquity and their contemporary church fathers over the issue of prostitution and the figure of the prostitute. This is manifested most clearly in hagiography, and especially in stories that link prostitution and repentance (teshuvah), and which supposedly identify prostitution with sin. The Christian texts have been studied much more than the rabbinic stories of prostitution, which were mostly studied separately, and almost never from a literary perspective. Only four or five stories in rabbinic literature tie together prostitution and repentance, yet through their examination vis-à-vis the tale type, we can identify some of the dividing lines between Christianity and Judaism in late antiquity: namely, their relationship with sexuality, penance, sin, and subjectivity.
The very concept of prostitution may vary dramatically between ancient rabbinic and patristic literature and that of our own time. In rabbinic literature, the word for “prostitution” and the Hebrew root z- n-h cover a vast semantic field.Footnote 2 Zenut, “prostitution,” does not often refer to a professional or a stable identity. There is no doubt that both men and women who prostitute themselves exist in rabbinic literature, but mostly they do so only for a short time—out of necessity, confusion, or coercion.Footnote 3 The majority of the uses of the root z-n-h in rabbinic literature denote a large range of extranormative sexual practices that do not necessarily involve payment.Footnote 4
Moreover, the attitude of the rabbis toward the practice of having sex with professional prostitutes is decidedly complex. While rabbinic literature generally condemns fornication, it nonetheless condones the male use of prostitutes as long as these women are not bound by the laws of ‘arayot.Footnote 5 This starting point alone should seemingly establish the stories discussed below as a world apart from their famous contemporary Christian narratives. This is, however, not always the case.
The (Christian) Tale Type of the Repenting Prostitute: Setting the Stage
One of the methodological problems inherent to this study is how to draw a comparison between what seems to be a widespread, well-attested, and developed story line in one culture with a less common but quite similar narrative in a neighboring culture. While drawing a comparison between one specific tale and another specific tale may seem like a more justifiable treatment of the details of each text and the meaning their culture ascribes to them, it may indeed stand in the way of historical analysis instead of supporting it. The proverbial trees in the forest may obscure the unity of the forest as such. If one wishes, for example, to compare a specific Bollywood romantic comedy to Hollywood films of the genre, it would be futile to compare it to only the plot line of When Harry Met Sally, for example. In comparing one ancient tale from rabbinic literature to what is a widespread genre of tales in the Christian East in late antiquity, it is the category of tale type, borrowed from the study of folktales, that may be more useful.
The concept of tale type was initially used by Antti Aarne to refer to the abstractions of internationally recurring plots of folk narratives that he catalogued in his classic index, The Types of the Folktale.Footnote 6 A detailed definition of the concept was offered by János Honti much later than the index itself: “Honti proposed three different ways of considering a tale type as a viable unit of analysis. First, it consisted of a specific binding together of motifs; second, any one tale type could stand as a unique entity in contrast with other tale types, e.g., Cinderella is not the same story-plot as Little Red Riding Hood; and third, a tale type could be perceived as a kind of cookie-cutter Platonic form or model which manifested itself through multiple existence (such multiple instances being termed versions or variants).”Footnote 7
A tale type named “the repenting prostitute,” however, is not to be found in any of the editions of The Types of the Folktale.Footnote 8 This does not indicate that the type should not or does not exist. The absence of this type from Aarne and Thompson's classification is indeed consistent with one of the many criticisms leveled at the book: Thompson's (and Aarne's) avoidance of sexual content.Footnote 9 Despite this lacuna in the literature on folktales, below I will describe the Christian tale type of the repenting prostitute, and discuss one of its rabbinic variants as an ecotype of it.Footnote 10
While stories of prostitutes as agents of spiritual change have existed in the Near East as early as the third dynasty of Ur (ca. 2100 BCE),Footnote 11 and tales of prostitutes who managed to escape their fate by marriage to an important man circulated in classical Athens (Naira and Aspasia are paradigmatic), it is only with the rise of the ethos of “care of the self,” characteristic of late antiquity,Footnote 12 that the soul of the female prostitute became an object of interest, and the tale type as we know it today could have been formed.
A number of stories of repentant prostitutes appeared in monasteries of the Roman provinces of Palestine, Syria, and Egypt in the fourth, fifth, and sixth centuries. These stories quickly spread to the whole of Christendom, some even becoming part of church liturgy.Footnote 13 These stories, which have prompted wide research interest, can be roughly divided into two groups, which can be considered two variants of the same tale type. The first comprises stories about women who were actresses or courtesans, who, after meeting a holy man, usually a bishop or monk, convert, repent for their sins, and become ascetics and nuns. This group includes Mary of Egypt, Pelagia, and Thaïs.Footnote 14 The second variant of the repentant prostitute tale type tells of women who grew up in the monastic circle and went astray. When their fate becomes known, a brave monk goes to the brothel, saves them, and they return to the bosom of the church; such are Maria the Niece of Abraham and Paësia.Footnote 15 There are, naturally, other cases, but these are the two models that became dominant in the Christian tradition. Both variants of the tale type reinforce a similar spiritual principle: anyone can find God and repent. These narratives had many qualities that contributed to their wide reception in monastic circles and beyond. They celebrated the monastery and the monk, the man whose spiritual power and pure soul brings salvation to both women and the world. They built on the foundation of shared patriarchal views that held women responsible for sex and seduction, and appealed to all audiences as they supplied erotic amusement devoid of guilt.Footnote 16
One defining attribute of this tale type is that the repenting prostitute's narrative is always framed by a male saint's life story. The male saint is the one who leads the harlot from sin to salvation and, in the process, learns something himself. Pelagia meets Nonnos, Thaïs meets Paphnutius, a nameless courtesan meets Abba Serapion, and Paësia meets Father John the Dwarf; Mary of Egypt receives a vision independently in the Church of the Holy Sepulchre, but her whole story is framed by that of Zossimsa’s. The story of Mary the Niece of Abraham, who sentenced herself to the brothel because she was seduced or raped, is a perfect example. Her uncle, who places her in a cell outside his own monk’s cell, realizes that she is gone only after a week of having vivid dreams of a serpent swallowing a dove. It takes him two more years to find his niece and rush to her rescue. To do so, he dresses up as a soldier and visits the brothel disguised as a client. He is very much committed to the role: “When they had rested and drunk a little, this amazing man began to fondle her; he got up and put his arms around her neck and stroked it with his lips.”Footnote 17 At this point, she smells “the sweet smell of asceticism coming from his body,” which reminds her of her own days as an ascetic.Footnote 18 The mixture of prostitution and monastic life fills her with horror and she bursts into tears. Despite this focus on her regret, the story ends with a eulogy not of Mary, but of Abraham.Footnote 19
Virginia Burrus distinguishes between androcentric and gynocentric texts, texts with a masculine versus a feminine perspective.Footnote 20 She shows how the concepts of virginity and celibacy serve in the androcentric narratives to enforce gender hierarchies by sexualizing and textualizing women's bodies. Gynocentric narratives, however, use the same concepts to release women from men's and society's control. Given that stories about prostitutes are a part of the same continuum Burrus discusses, it would be difficult to call any of these stories purely gynocentric. Yet, in many of these narratives, there is a competition between prostitute and monk over who is the protagonist, and it seems that, at times, and despite the authors’ efforts, the prostitute takes over as the heroine of the stories.
Another important aspect of the “repenting prostitute” tale type is that it places seduction at its center. Seduction may be a positive or a negative force. On the one hand, seduction is what enables the projection of desire and in its wake, evil, onto the woman and the whore, and away from the man. This displacement is supported by interpretations of the second creation story, which blames the fall of humankind completely on Eve.Footnote 21 Ephrem of Syria actually describes Eve as a whore and as Satan's collaborator.Footnote 22 The idea that all women are guilty of Eve's sin indeed manifests itself not only in early and later Christianity, but also in sayings in the name of some rabbis in late antiquity.Footnote 23 This doctrine was internalized to such an extent that when Melania visits the holy virgin Alexandra in the desert and asks her why she spent the last ten years buried alive, Alexandra answers: “There was a certain man who was infatuated with me, and so as not to seem to despise him or cause any ill will, I preferred to shut myself up in this tomb, rather than cause offense to anyone created in the image of God.”Footnote 24 There is no need for the woman to do anything for her to be seen as the agent of seduction. Her mere existence is sexual, and, therefore, sinful, or in Tertullian’s famous phrase—“the devil’s gateway.”Footnote 25 In this respect, all women are equal: “normative women,” young girls, ascetics, saints, and prostitutes.
And yet, the stories of harlots make subversive use of this misogynic convention. Even if a woman equals temptation, the power of temptation may still have positive uses. Prostitute and saint have something in common, Burrus argues―most importantly they are both masters of seduction and devotion. Abba Pambo, for instance, meets a prostitute and bemoans that “he is not as concerned to please God as she is to please wicked men.”Footnote 26 The prostitute, as one who is accustomed to satisfying others, has a better starting point when attempting to satisfy a new master, Christ. Furthermore, the harlot can more easily seduce God into grace by her faith.Footnote 27 Paradoxically, life as a prostitute trains her to be a woman of God. In this tale type, much like in our own time, passion is projected onto its object, be it a prostitute, or any other victim of sexual violence, from sexual harassment to rape.Footnote 28 This projection distances such desire from the self to such an extent that the subject is no longer conscious of himself as its source. The aggression towards the other is justified by the other’s imagined pleasure or imagined control.Footnote 29 In this respect at least, it is the androcentric perspective that governs these stories.
Finally, a third, distinct aspect of the tale type is that the prostitute's conversion leads her to a new ascetic life in which sexuality is forsaken altogether. Other characteristics of the tale type of the repentant prostitute are shared with other types of Christian conversion and repentance stories, such as reverence for the instant change of heart and conversion, a complete break with the impious past, and often, renunciation of wealth.Footnote 30 Contemporary rabbinic stories, naturally, do not correspond completely to the different variants of the Christian tale type.Footnote 31
At the Heart of Darkness, a Heart of Gold
The earliest story about a sage visiting a prostitute found in the rabbinic literature tells us of a figure who lived in the third century.Footnote 32 The following chart presents the earlier Palestinian version of the story, compared with the version that circulated in Jewish Babylon after the Christian tale type was already established.Footnote 33

At first sight, this story conforms to the classic eastern monastic tale type. It's a story about religious conversion and repentance in which a man of faith meets a fallen woman, an encounter that leads to her instant conversion, repentance, and the pious distribution of her tainted wealth. It also ends well for the man. But this is a biased depiction of the story. First, it is primarily a story about the repentance of a man, a student of the rabbis and possibly a rabbi himself. The prostitute's repentance is almost a byproduct of his repentance. Secondly, its aim is not necessarily to exemplify that repentance is always possible, but rather to show that each mitzvah (Jewish religious decree) is important.Footnote 41 Beyond that, visiting a prostitute does not, per se, constitute a transgression of any biblical or rabbinic precept. In the story itself the sexual encounter between the prostitute and the man is described by his rabbi as “illicit,” in contrast to postnuptial sex, which is considered “lawful.” It is not clear if what is illicit in the man's action is sleeping with a “single,” woman, a woman in the state of ritual impurity, or a gentile. In any case, the prostitute herself does not represent evil in the story. The monastic equation woman = whore = temptation = sin does not manifest itself here. Last but not least, this story likely predates some of the aforementioned Christian narratives.Footnote 42
The protagonist of the story is not exactly a saint, but neither is he a sinner. After the visit, neither he nor the prostitute become saints. The man is presented as “one man,” and only as the story unfolds do we learn that he is a member of the inner rabbinic circle, and most likely a bachelor.Footnote 43 The structure of desire in this story is very clear―it is men's desire, not women's, that is depicted as a cause of trouble. Our man is filled with a faceless desire, one triggered by the mere rumor of the existence of a prostitute. In the beginning of the story, we do not know anything about her or her wiles, aside from the enormous sum he pays for the pleasure of her company. She appears in the story because it is in her home that this dweller of the rabbinic house of study (beit midrash) discovers the profound meaning behind the mitzvah of wearing fringes (tzitzit) and the hypocrisy that governs his own life. The fringes fulfill their biblical destiny—to stop the Israelites from following the lust of their own hearts and eyes for fornication (Numbers 15, 39). The scene that takes place in reaction to the man being slapped by his tzitzitiyot, metaphorically or nor, is quite dramatic: he himself “slips off” (nishmat), a term that might indicate a fall from the bed, but also the loss of an erection. The prostitute takes offense. She makes him take an oath by the body of Rome (as we would be expecting from her)Footnote 44 that he will tell her the reason for his sudden loss of interest. He takes the oath (as is proper for him) by the temple service that she is the most beautiful woman in the world. Their interaction becomes emotional and intimate. It is in this setting he also reveals to her his sudden realization that the Lord might punish him for what he was about to do to her. Only in her presence, not when he had paid the enormous sum for her future services, nor when he planned his long-distance journey, nor when he waited for the time set by her, did he realize that what he is about to do is morally reprehensible.Footnote 45 I find it hard to accept that it is the power of the man’s biblical exegesis that excited the prostitute to such an extent that she demanded his address, or, as Alon Goshen-Gottstein argues, that she realizes that there exists greater monetary profit to be made in a life adherent to the laws of the Torah.Footnote 46
The story might also be read, for a moment, from a gynocentric point of view, from the prostitute's perspective, and using the scholar’s empathy as a key to interpretation. What peeks from behind the tzitzit is not only the face of God but also recognition of the existence of the woman’s soul and of her subjectivity. The student is able, even if just for a moment, to see the evil of objectifying and commodifying women. When they are both on the ground, they are but a man and a woman, not characters playing the role of the lustful man and the magnificent whore. He compassionately assures her that there is nothing wrong with her. When the prostitute hears the word of God through the mouth of the pupil, she interprets it as an acknowledgment that frequenting a prostitute is wrong, not because it is a “sin” in a religious system she is unfamiliar with, but as an acknowledgment of her suffering. A religion and a man that can see her as a human being and not as an object prompt the prostitute to look for a new path, a new life. From the prostitute's perspective, it is the moral deficiency in the commodification of women, of her, that suddenly becomes evident to the man, and is a precept set by his God.
Mira Balberg sees the fall to the ground as the moment in which the power relations between sage and prostitute are reversed; from that moment on in the story, the man has the upper hand.Footnote 47 I believe the prostitute remains the central and more complex figure throughout the story. Her experience here actually empowers her. Not only is she able to change her own world, but also, after the search is over, the man’s world. The moment after sexual failure and spiritual and humane triumph marks a spatial reversal—the prostitute will travel the same route the student did in order to see him at his metaphoric home―the house of study.Footnote 48
The prostitute's behavior after the encounter with the rabbi is quite peculiar if we read the story from an androcentric point of view. It is unclear what the distribution of her wealth is supposed to symbolize. The way she divides her capital into three is marked by a verb with a slightly critical nuance: “wasted” (bizbezah).Footnote 49 She gives a third to the kingdom, which hardly seems a good cause, she keeps a third for herself, and only a third goes to the poor, as opposed to the dramatic renunciation of wealth of the Christian converts of the fourth century as advertised by Augustine.Footnote 50 The reason for her voyage is unclear at first. But based on the conventions established by the Christian “repenting prostitute” tale type, a medieval or modern reader would assume that she wished to repent for her sexual sins.
Reading the story again from the woman's perspective and from a Jewish perspective on penance, the details make more sense. If the wrongdoing of the man lay in his relating to (a foreign) woman in a problematic way, her wrongdoing is linked to her relationship to money, sexuality, and God.Footnote 51 Her repentance should rectify all of those broken or twisted relationships.Footnote 52 The change in her attitude towards money is reflected in the way she splits it, paralleling the use of money by the righteous, which shows equal respect to self, state, and God.Footnote 53 She recognizes the Jewish God, and seeks to convert. Her sexuality becomes no longer a commodity, but a part of her, which will find its proper place in marriage. It is not by abandoning sexuality altogether, just like it is not through the total renunciation of wealth, that she must repent, but by properly channeling that which was once her weakness. The path to repentance from commodifying sexuality is, therefore, not found in abstinence, since the problem is not sex itself. Her sexuality must now be part of a marriage, a Jewish marriage, sanctioned by God.
The insightful Rabbi Ḥiyya sees the connection between her conversion and marriage. His immediate response to her expressed wish to convert is to assume that she wants to marry. In later rabbinic literature, proselytes are often tested, which is meant to confirm that one wishes to convert out of pure faith and not for any worldly gain.Footnote 54 Our story is confusing: the woman's conversion is suspected as only a means to an end (marriage), but nevertheless it is approved by Rabbi Ḥiyya and considered valid. Why? It is because he recognizes that she had already repented and that her marriage to his pupil is a part of her spiritual process as much as her conversion to Judaism. When she shows him the note, we must assume she also tells him her story.Footnote 55
The last scene of the story offers a happy ending with a bitter twist. Since we do not know much about what happens to the pupil after he leaves the prostitute's house, the story must generate for us a sort of talion principle that will govern his life too. Just as the prostitute did not choose her client, so too did the student not choose his wife. Rabbi Ḥiyya’s action holds a thin irony and is woven, much like the woman's penance, measure for measure. I agree with Ze'ev Harvey that this is a manifestation of the comic topos where “all ends well” for the hero without his knowledge or involvement.Footnote 56 However, there is also a troubling side to this resolution. Even if “all” is labeled good, it undermines the pupil as an active subject and agent: someone else's consciousness and will are in action, not his.
The expression “go and enjoy your acquisition”Footnote 57 adds a new layer of irony that has eluded most readers of this narrative.Footnote 58 This ritual formula, uttered by a beit din, Jewish court, marks the rejection of a husband’s claim that he was deceived and found his wife not to be a virgin on their wedding night.Footnote 59 The irony in the use of this expression when the bride is a harlot is self-explanatory. This ancient Jewish tale exemplifies the importance of performing all the mitzvot and indeed, how a person may find revelation in the most unexpected of places. It is a story of both a man’s redemption and a woman’s.
The Great Whore of Babylon: The Talmud Meets Christianity
The Babylonian Talmud, reworking the story after the advent of the Christian model, changes only a few crucial sentences that may indicate awareness of Christian stories,Footnote 60 but undermines some core aspects of the Christian genre, mainly the feminine seduction, the break between the old life of sin and the new life of piety, and the ambiguity about the identity of the story's true hero.
There are four important changes in the Babylonian variant of the story: it further eroticizes the prostitute; indicates that the sum the pupil paid was outstanding; further emphasizes the element of seduction; and Rabbi Ḥiyya refers to the prostitute as “the one who got what she bargained for” (and may go and enjoy her acquisition) and the scholar as the one who is rewarded.
Those minor changes draw the story nearer to the Christian model of the repentant prostitute. First, the eroticization element creates a rivalry between holy and erotic, one which we have learned to identify as more typical of early Christianity than of Judaism.Footnote 61 This dichotomy reaches a high point with the description of the sage and the prostitute sitting naked opposite each other, jumping from bed to bed: “When he came in she prepared for him seven beds, six of silver and one of gold; and between one bed and the other there were steps of silver, but the last were of gold. She then went up to the top bed and lay down upon it naked. He too went up after her in his desire to sit naked with her.” The repetition of the Hebrew letters dalet and zayin (d, z) seven times within this sentence brings back the discussion from the verbal to the physical, as it resonates with the Hebrew for prostitute: zonah.Footnote 62 The prostitute becomes much more seductive, as she creates an ascending ladder of pleasure and splendor in the beds, a crescendo implying a move towards a sublime sexual union.Footnote 63
Sexual obsession and excess desire are also highlighted, but those are clearly the man's. The Babylonian version of our tale seems to reveal that the pupil was willing to pay much more for the woman’s hire than anyone else. We learn this from the way his arrival is announced: “the man who sent you 400 golden coins.”Footnote 64 If the maid identified the man before her lady by the sum of money he paid, we must assume it was extraordinary. This appears contrary to Roman custom; it was he, not she, who named the exceptional sum of money, thus reflecting the depth of his desire. The Sifre version, on the other hand, merely has the trivial “the man you set a time for has come.”
Akin to the Christian stories, the encounter with the “saint” (the scholar), and hearing “the Word” (an exposition of Scripture), are what lead to the prostitute’s repentance. But here, too, a small yet significant variance shows that awareness of the tale type does not necessarily entail adherence to its values. When the prostitute distributes her wealth, she keeps not only funds sufficient for herself but also a “dowry”—linen and beddings. “The bed clothes, however, she retained,” as the story has it. Unlike the repentant Christian prostitutes, she does not leave her old life completely behind her. The same linen that served her as a prostitute will now cover her marriage bed. If the Christian harlot brings from her old life seduction skills she now aims towards God, the Jewish one continues to seduce men, albeit only one.Footnote 65
The marriage scene, which carried a thin irony in the Sifre version, in the Bavli becomes the ground on which the question of the protagonist is settled. Rabbi Ḥiyya functions as the father of the bridegroom, who negotiates the marriage of his metaphorical son in his absence, gives him away in marriage, and sanctions the union with the famous “go and enjoy your acquisition,” which in this version of the story is addressed to the woman. The former prostitute is a suitable match for the formerly sexually obsessed scholar, who takes the role of the bride here, and a bride against whom no virginity claim can be brought―firstly, because he is a man, and secondly, because we know of his sexual history. In his statement, Rabbi Ḥiyya ritually and ironically restores the scholar’s virginity, giving the woman the place of the man in the Jewish wedding ritual. It is the whore who makes an acquisition, not the other way around. When Rabbi Ḥiyya treats her as “the man” in a Jewish marriage and his pupil as the woman, he becomes no less a protagonist in the story than the prostitute and the pupil. In fact, as the one who endows meaning on the actions of both the man and the woman, he becomes the saint to whom the story relates.
The scholar's newly found former-prostitute wife is nevertheless presented in the story as his this-worldly reward granted for keeping the law of tzitzit. It is also suggested that he will be rewarded in the world to come, not for repenting, nor for bringing his future wife to repentance, but for keeping the precept of the fringes.Footnote 66 There is still another lesson to be learned here—that is, if one adheres to all laws of the Torah, however insignificant they may seem, even the wildest fantasies may be transformed into legitimate acts. The pupil gets to fulfill his desire for the glorious woman for the rest of his life.
Reading Rabbis in a Christian Matrix?
The rabbinic and patristic stories that bind together repentance and prostitution, despite their formal and thematic similarities, differ in their view of practical and spiritual ideals of repentance, sex, and desire, and in the way they play with gender roles. The figure of the repentant harlot, which in Christianity represents the near-universal potential for salvation, does not represent exactly the same principle in the rabbinic story. The focus of the story changes further with a multiplicity of problems and ideals: for one, this variant of the tale type is a story about the importance of wearing fringes. Moreover, Rabbi Ḥiyya suspects that matrimonial self-interest is at the heart the harlot’s wish to convert.
The road to salvation is also very different, as it depends on the question of what sin one is repenting from. The rabbinic story redeems its characters through normalizing and “correcting” inappropriate relations: to women/men, to sex, to money, to God. Conversion and matrimony are the licit, sanctioned variants of desire and ecstasy. The woman's division of her money and the man's acknowledgment of her as an agent, a sentient human being, are remedies for the commodification of sexuality by both of them. In the monastic tales, on the other hand, it is not the reworking of old pattern of using one's body and mind that takes central stage but a different ideal: that of the total break from the past, self-punishment, and the avoidance of temptation. If the body is what led the woman to sin, the road to salvation must be to relinquish it: either by death or ascesis, a form of “death in life.” Redemption from a state of sexual sin is found in abstinence, not marriage.
The different paths to salvation lean on a different conceptualization of both sex and the feminine. Since in rabbinic Judaism there is nothing in sexuality or in sex itself that is sinful and requires repentance,Footnote 67 it makes sense that the repentant prostitute does not relinquish sex, or her own sex. Repentance is embodied as a return to the patriarchic order in its Jewish variant: “For R. Ḥiyya taught: A wife [should be taken] mainly for the sake of her beauty; mainly for the sake of children.”Footnote 68 Women give Jewish men visual and sexual pleasure, and heirs. As long as they stick to the roles ascribed to them, there's nothing innately wrong with their womanhood or their sexuality. The prostitute is only circumstantially linked to sin and to the metaphorical realm of Satan, not immanently; her sexuality only incarnates the fall when she is out of the normative order. Should she choose to leave her profession, she may become someone’s wife, and a “good” woman. Women's marital sex and femininity are generally not regarded as closer to Satan or sin.
The fate of the monastic repentant whores is based on a different world view, which becomes most evident in the stories of Pelagia and Mary of Egypt, who live as men in the desert after their conversion and repentance. The cross-dressing element, the motif of the repentant whore living in the desert as a “female man of God,” ironically reinforces the idea that spirituality and purity can only exist in the masculine body. The prostitute seems to repent not for sin or excessive sexuality, but for being a woman. It seems that not only harlots’ bodies, but all women's bodies are tainted by Eve’s sin, and that only by transcending the female body can a woman find a spiritual path.
This is linked also to the different way the monastic tales and the rabbinic tales think about desire, or who they ascribe it to. The rabbinic story does not conflate the object and subject of desire. It focuses on the man's excessive desire. The monastic stories, however, blame the prostitute for being lustful and seductive while the desires of the men who sleep with her are left unspoken. They are presented almost as unintentional derivatives of the woman's desire.
Monastic literature, and even more so rabbinic literature, does not very often represent women as model figures, as religious subjects, or as spiritual climbers. In this sense, the tale type does represent an innovation, although both the tale type and its rabbinic variant are hardly beacons of feminism. While the woman in the rabbinic story is exonerated from becoming evil incarnate, as the passion is not all hers, at the same time, she cannot transcend traditional gender roles in the way the Christian prostitute-turned-ascetic can.Footnote 69 Her redemption depends on the good will of two men: the rabbi who accepts her as a convert, and the man who accepts her as a wife. A woman outside male patronage is no less a break to the rabbinic system than a woman of God in the monastic one. The monastic and ascetic life offer the repentant whores in the monastic tales a path to personal growth, spiritual development, and even leadership. However, it robs them of their femininity, their sexuality, and often their lives. Paësia dies the night of her repentance, and the miracle of Pelaguis/a and Mary, the fact that they are indeed women of God, is eventually revealed only as they face death.
Reading both the Christian and the Jewish tales from the harlots’ matrix reveals they are not an all-too-happy set of tales. However, when Nonnos can see in Pelagia's beauty a parable, and in her spirit, a spark of what he lacks; when our student makes the effort not to hurt a woman's feelings, and shares his spiritual realization with her; when Abraham feels the horror of his niece Mary's despair, something happens in the world. We learn how a moment of human intimacy, of intersubjectivity and of rethinking the box may lead to a short, yet definitive glimpse at the face of God.
But what happens when the client and not the prostitute repents? Or if a man plays the role of the prostitute? What happens in stories that parallel the other variants of the Christian tale type: the fallen Christian woman? I hope I might answer these questions somewhere else.