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POSSIBLE MIGRATIONS AND SHIFTING IDENTITIES IN THE CENTRAL MEXICAN EPICLASSIC

Published online by Cambridge University Press:  21 June 2013

George L. Cowgill*
Affiliation:
School of Human Evolution and Social Change, Arizona State University, Box 872402, Tempe, AZ 85287-2402
*
E-mail correspondence to: cowgill@asu.edu
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Abstract

After a century or so of slow decline, major civic-ceremonial structures in the city of Teotihuacan were burned and desecrated, probably around a.d. 600/650, at least some residential structures were abandoned, and the Teotihuacan state collapsed. Few features of Teotihuacan material culture survive in the Basin of Mexico in the ensuing Epiclassic period, which lasted from approximately a.d. 600/650––800/850. Ceramic and other lines of evidence suggest a sizable in-migration of peoples from western Mexico. These newcomers may have arrived in time to add to internal stresses responsible for bringing about Teotihuacan's collapse, arrived later to take advantage of that collapse, or both. Whatever the case, interactions with Teotihuacan survivors were complex and still poorly understood. Descendants of Teotihuacanos probably soon adopted new cultural identities, making them untraceable in the archaeological record, except possibly by biological markers.

Information

Type
Special Section: Recent Research at Cerro Portezuelo
Copyright
Copyright © Cambridge University Press 2013 
Figure 0

Figure 1. Selected archaeological sites in and near the Basin of Mexico.

Figure 1

Figure 2. Selected archaeological sites in Mesoamerica. Nations labeled in all upper-case letters, states in upper- and lower-case: (1) Teotihuacan, (2) Tula, (3) Sierra de las Navajas, (4) Chupicuaro, (5) Ucareo, (6) La Quemada, (7) Alta Vista, (8) San Juan del Río, (9) Cholula, (10) Cantona, (11) Maltrata Valley, (12) El Tajin, (13) Cerro de las Mesas, (14) Tres Zapotes, (15) Matacapan, (16) San Lorenzo, (17) La Venta, (18) Acatempa, (19) Monte Albán, (20) Mirador, (21) Cerro Bernal/los Horcones, (22) Balberta, (23) Montana, (24) Takalik Abaj, (25) Kaminaljuyu, (26) Altun Ha, (27) Tikal, (28) Nakbe, (29) Calakmul, (30) Caracol, (31) Copan, (32) Chichen Itza.

Figure 2

Figure 3. Spatial pattern of Xolalpan phase ceramics collected by the surface survey of the Teotihuacan Mapping Project. Drawn by Shearon Vaughn after a map prepared by Whitney Powell and George Cowgill.

Figure 3

Figure 4. Spatial pattern of Metepec phase ceramics collected by the surface survey of the Teotihuacan Mapping Project. Drawn by Shearon Vaughn after a map prepared by Whitney Powell and George Cowgill.

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Figure 5. Major ceramic categories of the Metepec phase of Teotihuacan: (a) Coarse Matte censer bases, (b) Coarse Matte three-prong burner, (c) Fine Matte tapaplato (“handled cover”), (d) ollas, (e) direct-rim tripod cylinder vase, (f) Red-on-Natural jar, (g) Red-on-Natural basin, (h) San Martín Orange crater; (i) San Martín Orange amphora (after Rattray 2001).

Figure 5

Figure 6. Major ceramic categories of the Early and Late Epiclassic periods in the Basin of Mexico. a–f are Early Epiclassic. (a) “Proto-Coyotlatelco” bowl, (b) Incised and Punctate heavy line, (c and d) basal-overlap bowls, (e) Incised and Punctate light line, (f) handled squat florero, (g–i) Late Epiclassic Coyotlatelco bowls. (Courtesy of Destiny Crider.)

Figure 6

Figure 7. Spatial pattern of Epiclassic ceramics collected by the surface survey of the Teotihuacan Mapping Project. Drawn by Shearon Vaughn after a map prepared by Whitney Powell and George Cowgill.

Figure 7

Figure 8. Typical Teotihuacan floreros.

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Figure 9. An unprovenanced florero, with twisted strap handle. Anthropology collections of the School of Human Evolution and Social Change, Arizona State University.

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Figure 10. Vessel incorrectly called a Teotihuacan hybrid by Margarita Gaxiola (2006).

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Figure 11. The anomalous “Storm God” jar from Cache 93-2 at Cerro Portezuelo. See Clayton (2013) for another view of this vessel.

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Figure 12. A well-made Teotihuacan “Storm God” jar with lightning bolt.

Figure 12

Figure 13. The “Storm God” with lightning bolt in a Techinantitla mural (courtesy of Saburo Sugiyama).

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Figure 14. Teotihuacan figurines: (a) “half-conical” and (b) “throne.”