Introduction
In some rabbinic stories (i.e., stories about talmudic sages), halakhic considerations (considerations relating to prescriptive rules) are essential components of the plot. When such stories are woven together with halakhot (the prescriptive rules themselves) in a rabbinic work, questions arise concerning the relationship between the sources, and the function performed by the story in the wider halakhic context. Understanding such a story and its significance requires familiarity with its halakhic background, often unstated in the story itself. Furthermore, the story may indicate full or partial support for one or another halakhic position, and thus affect the way other halakhic sources are interpreted and ultimately employed in halakhic discussions and conclusions. The presentation, then, of a story within a wider halakhic context is an editorial act that has a significant impact on both the halakhic and the narrative content. But this is a two-way process: the way we understand the relationship between the story and the halakhic material affects what we consider the nature and purpose of the editorial activity to be, and, conversely, our prior assumptions concerning that editorial activity may determine how we understand the relationship between the story and its wider halakhic context.
Ofra Meir and Jeffrey Rubenstein have extensively explored the difficulties involved in determining the context in which to interpret a story.Footnote 1 On the one hand, rabbinic texts can be treated as a broad continuum in which stories may be read in relation to materials from throughout the corpus. All rabbinic literature, according to this approach, forms a giant pan-rabbinic context from which traditions may be legitimately drawn to interpret a story.Footnote 2 This approach, it must be said, is based on assumptions of the proximity, or even the identity of the characteristics of redaction and transmission of the various works of rabbinic literature, which today's critical scholars are reluctant to accept. At the other end of the range is the approach that attempts to read a story in and of itself, in complete isolation from any context, whether immediate or general, that is, on the principle of “closure,” associated famously with the recently deceased and lamented Yonah Fraenkel.Footnote 3 That approach, however, requires the interpreter of a story to fill in necessary details, in accordance with his or her familiarity and understanding, correct or incorrect, of the cultural and halakhic background of the events.Footnote 4 An intermediate approach, advocated by Meir and Rubenstein, identifies the context in which a story can be interpreted as the immediate literary unit in which the story is found, a unit that has a clear editorial identity, such as a series of halakhic statements in the Mishnah or Tosefta,Footnote 5 or a sugya in the Talmuds.Footnote 6
This third approach holds that rabbinic stories are best understood and most fruitfully analyzed in their redactional context, the immediate halakhic context. However, in the case of the Tosefta, we may rightly ask: what is the immediate halakhic context? Because the Tosefta was not composed as a totally independent work, it presents a complex problem. That it is related to the Mishnah is obvious, but the nature of its relationship is not. Some contemporary scholars, following Rav Sherira Gaon,Footnote 7 see the Tosefta as later than and dependent upon the Mishnah, as a commentary is dependent on a base text. Accordingly the role of the Tosefta's redactor was limited, for he did not have an entirely free hand in the organization of his materials—his work subserves the structure, contents, goals, and agenda of the Mishnah.Footnote 8 Thus little can be inferred from the placement of different kinds of sources in the Tosefta, except with reference to the related materials in the Mishnah. According to this view, the primary context for redaction criticism of the Tosefta is in fact the Mishnah.Footnote 9 By contrast, other scholars, among them recently Hauptman, find elements of independent editorial activity in the Tosefta, and do not assume that the Tosefta is redactionally dependent on our Mishnah. Thus, the role of the Tosefta's redactor is taken to have been more pronounced. He may have had a freer hand in the organization of his materials, and his work may serve goals distinct from those of the Mishnah.Footnote 10 In this case, we may be able to infer a great deal from the placement of the sources in the Tosefta, independently of their relationship to cognate material in the Mishnah. In this view, the primary context for redaction criticism of the Tosefta is first and foremost the Tosefta itself.Footnote 11 These approaches are of consequence for anyone looking at rabbinic stories in the Tosefta, for the determination of whether to read a story in light of the Mishnah or in light of the adjacent law in the Tosefta can materially affect the understanding both of the story and of the law.Footnote 12
An analysis of the story of Rabbi Yehudah walking behind his teachers, in the first chapter of Tosefta Berakhot, can serve as a useful exercise in demonstrating these three approaches, corresponding to three different definitions of the “immediate halakhic context,” in which the Mishnah has a greater or lesser controlling influence over the Tosefta and its interpretation.Footnote 13
The story self-contained
Tosefta Berakhot 1.2b:Footnote 14
Said R. Yehudah: Once I was walking behind R. Akiva and R. Eleazar b. Azariah and the time came for the recitation of Shema.
It seemed to me that they had neglected reciting because they were preoccupied with communal needs. I recited and studied,
and afterward they began,
and the sun was already visible over the mountaintops.
If we read the story as self-contained, without any literary context, the focus of the story seems to be on Rabbi Yehudah's failure to understand the actions of his masters, and on his desire to recite the Shema at the proper time.Footnote 15 He clearly thought that it was appropriate to recite the Shema at some particular time, and expected his masters to do so,Footnote 16 even though we the readers do not know what that time was from the story.Footnote 17 It is also clear that the masters, occupied with communal needs, did not recite the Shema at that time, but only later, when the sun was already visible.
Reading the story this way, however, raises some questions. Why did the masters choose to recite the Shema just at the time they did? In other words, what changed that caused them to recite the Shema? Then, what caused Rabbi Yehudah's error? As a disciple following his masters did he not know their practices? Can a halakhic conclusion be drawn from the masters' actions? Why did the editor of the Tosefta place this story adjacent to particular halakhot?
Answers to these questions may come from analyzing the halakhic context in the Tosefta. However, as mentioned above, there is some relationship between the Tosefta and the Mishnah, a relationship that comes to the fore in this chapter of Berakhot as well.Footnote 18 So the story must be examined in light of its broader context in both works, and in light of the possible halakhic contexts in which the editor of the Tosefta intended the story to be read, and the relationship between the story and that context.
Literary Context
The following mishnayot provide a halakhic background that may be relevant to the story in the Tosefta.
Mishnah Berakhot 1.2–3
[A] From what time may the Shema be recited in the morning?
From the hour one can distinguish between blue and white, R. Eliezer says between blue and green.
[B] Until the sunrise; R. Yehoshu‘a says until the third hour …
[C] The House of Shammai say: In the evening all should recline when they recite but in the morning they should stand, for it is written “when you lie down and when you get up.” (Deuteronomy 6:7)
The House of Hillel say: They may recite it any way, for it is written “when you are on your way.” (Deuteronomy 6:7) Why then is it written, “when you lie down and when you get up”? Rather it means the time when people usually lie down and the time when people usually get up.
[D] R. Tarfon said: I was once on a journey and I reclined to recite in accordance with the House of Shammai and so put myself in danger because of robbers.
They said to him: You deserved to be responsible for the harm to yourself, in that you transgressed the words of the House of Hillel.
Sections [A] and [B] of the Mishnah set forth the halakhot concerning the time when the Shema may be recited. [A], according to the heading, deals with the question of from what time Shema can be recited, and presents two opinions. [B], according to its heading, deals with the question of the time until which Shema can be recited, and here too, two opinions are offered. Section [C] sets out a dispute between the House of Hillel and the House of Shammai concerning the proper posture during the recitation of the Shema. Finally, section [D] reports a story about a sage who practiced according to Bet Shammai, and was rebuked for it.
The following is the immediate context of our story in the Tosefta.
Tosefta Berakhot 1.2–4
[A] From what time may the Shema be recited in the morning?
Others say when one may be four cubits from his fellow and recognize him.
[B] Its obligation is at sunrise so that one may adjoin to it the prayer and it turns out that he prays at daytime.
[C] Said R. Yehudah: Once I was walking behind R. Akiva and R. Eleazar b. Azariah, and the time came for the recitation of Shema. It seemed to me that they had neglected reciting because they were preoccupied with communal needs. I recited and studied and afterward they began, and the sun was already visible over the mountaintops.
[D] Bridegrooms and all those engaged in commandments are exempt from reciting the Shema and from the prayer, as Scripture states “when you sit at home”: this excludes those who are engaged in commandments, and “when you are on your way”: this excludes bridegrooms.
[E] Once R. Yishma'el and R. Eleazar b. Azariah were staying in the same place, and R. Yishma'el was reclining while R. Eleazar b. Azariah was standing upright. When the time came to recite the Shema, R. Yishma'el stood upright and R. Eleazar b. Azariah reclined. R. Yishmael said to him: What is this Eleazar? [R. Eleazar b. Azariah] said to him: Yishma'el my brother, it is as if people said to someone “Your beard is full,” and he replied to them “It is for the destroyers.” I who was standing upright reclined, and you who were reclining stood upright! [R. Yishma'el] replied: You reclined to carry out the words of the House of Shammai, but I stood upright to carry out the words of the House of Hillel. Another point, [I acted so] lest the students see and establish the halakhah according to your words.
Section [A] of the Tosefta, like the Mishnah, deals with the question of from what time Shema can be recited. Section [B] also deals with the proper time for reciting Shema. Section [C] is our story. Section [D] states that persons are exempt from the requirement of reciting the Shema when they are occupied in performing another mitzvah, a different religious commandment. Finally, section [E], like the Mishnah, reports a story about a sage who practiced according to Bet Shammai and was rebuked for it by his fellow sage.
Before presenting the three ways of interpreting the relation between the story and the halakhic context –and hence the message of the story—the assumption should be made explicit that the redactor of the Tosefta introduced the story within a wider halakhic context precisely because of its relationship to the relevant halakhic statements. Therefore the story should be interpreted in light of the halakhic context and not as a halakhically neutral anecdote.
Privileging the Redactional Context of the Mishnah
Tosefta [A], like Mishnah [A], deals with the question, from when is the Shema recited in the morning? The answer given in the Tosefta—from when a person can recognize a friend at a distance of four cubits, that is, shortly after dawn—is close to those in the Mishnah.Footnote 19 The Tosefta in section [B] then goes on to say that the mitzvah is to read the Shema at sunrise. Most commentators read this line assuming that the author of the Tosefta knew the Mishnah and accepted it as authoritative, and that the Tosefta comes to supplement the Mishnah in light of its (the Mishnah's) agenda.Footnote 20 Accordingly they interpret the reference to sunrise in this line as saying that the best time to recite the Shema is at sunrise, though in principle Shema can be recited at any time between shortly after dawn and sunrise, or three hours after sunrise, as in the Mishnah.Footnote 21
Given this reading of the halakhah in Tosefta section [B], the story in Tosefta section [C] should also be read as relating to a halakhic context which agrees with the Mishnah. In this reading the difference in practice between R. Yehudah and his masters reflects the two views on the end of the period of recitation of Shema in Mishnah section [B].Footnote 22 R. Yehudah follows the tanna kamma, the first view, that the period for recitation ends at sunrise, and therefore he hurried to recite the Shema before sunrise. His masters followed the opinion of R. Yehoshu‘a that Shema can be recited for another three hours, and deliberately postponed their recitation until after sunrise to make this point. The connection of the story to the halakhic context and the message the editor of the Tosefta conveys by presenting the story within this context are as follows: the story relates to the dispute in Mishnah section [B] about the end of the period for recitation of Shema, and the editor of the Tosefta presents it within this context to indicate that the sages decided the halakhah, in practice, according to R. Yehoshu‘a.
Now, though this reading of the story displays a tight connection between the story and the halakhic context, it must be noted that the halakhic issue at stake, the end of the period of recitation of Shema, is entirely absent from the Tosefta. This reading, then, depends on the prior assumption of the subordination of the Tosefta to the Mishnah, both in the literary dependence of the material of the Tosefta on that of the Mishnah, and in its acceptance of the halakhic content of the Mishnah. As noted, neither of these assumptions is compelling. Furthermore, there is not a hint in the story itself that the issue is the end of the time for recitation of Shema. Consequently, though the sages in the story may be acting in conformity with the halakhic opinions in the Mishnah, the literary form of the story provides only a tenuous connection to that halakhic context.
Dual Redactional Contexts
Another possible reading of the story sees the Tosefta as providing a more balanced presentation of the views of the opposing parties than does the Mishnah. As several scholars have observed, the Mishnah's presentation of the dispute of the House of Hillel and the House of Shammai concerning the proper posture during recitation of the Shema is distinctly biased in favor of the House of Hillel.Footnote 23 First, while each house is given a voice to present a proof text to support its view, only the House of Hillel is allowed to interpret and hence dismiss the proof text of its opponent.Footnote 24 Second, the story in the Mishnah following the dispute (Mishnah section [D]), on R. Tarfon's practice according to the House of Shammai, ends in a sharp rebuke of R. Tarfon for following the House of Shammai.
Though the Tosefta does not directly recount that dispute, several of its passages do relate to it. In Tosefta section [E], there is the story of R. Eleazar ben Azariah practicing according to the view of the House of Shammai, which ends in a rebuke by R. Yishma'el for doing so.Footnote 25 In section [D] the Tosefta presents a homily on the verse “when you stay at home and when you are on your way” (Deuteronomy 6:7) to the effect that bridegrooms and other persons occupied in the performance of a mitzvah are exempt from reciting the Shema. As both Talmuds observed, the homily is the interpretative retort of the House of Shammai to the interpretation the House of Hillel gave the verse as a proof text to its view on posture.Footnote 26 In this way the Tosefta fills in the “missing” part of the asymmetrical presentation of the dispute in the Mishnah and rectifies the bias the Mishnah has shown in favor of one side of the dispute.Footnote 27
In this halakhic context our story, Tosefta section [C], receives new meaning. According to Mishnah section [C] the House of Hillel reads the verse “when you are on your way” to mean that a person should recite the Shema in whatever posture he happens to be in. The House of Shammai, on the other hand, in Tosefta section [D], reads the very same verse to mean that persons occupied in the performance of a mitzvah are exempt from reciting the Shema. In Tosefta [C], then, when R. Yehudah's masters, R. Akiva and R. Eleazar ben Azariah, refrained from reciting the Shema while occupied in performing a mitzvah,Footnote 28 they were putting into practice the homily of the House of Shammai.Footnote 29 When in turn R. Yehudah did recite the Shema, he was putting into practice the homily of the House of Hillel.Footnote 30
On this reading, the story relates to the dispute in the Mishnah section [C] about the proper posture during the recitation of the Shema, and the Tosefta redactor presents it here to show major sages putting into practice the homily of the House of Shammai, contrary to the bias of the Mishnah in favor of the House of Hillel. Though in the Tosefta, as in the Mishnah, one does not find here an explicit decision between the houses, the story in the Tosefta, like the homily in Tosefta section [D], serves the goal of the Tosefta's redactor of correcting the bias of the Mishnah.
The advantage of reading the story this way is that it connects the story to the halakhic context of the Tosefta, and gives more weight to the independence of the editor of the Tosefta. Though the subject is raised in the Tosefta a propos a halakhah in the Mishnah, the Tosefta does contain several passages on the subject, and thus the story is not detached from the halakhic context of the Tosefta, as in the previous reading. Furthermore, in this reading the redactor of the Tosefta is an active redactor, displaying a halakhic tendency independent of, and different from, the Mishnah, and purposefully correcting its bias.
On the other hand, while the story does describe the masters as practicing in accordance with the House of Shammai, its ending is hardly unambiguous. The story concludes with the masters reciting Shema, but the readers are left in the dark as to why they recited when they did and not before. The conclusion of the story could say that they recited the Shema after they finished their public business. The story would thus illustrate and conclusively confirm the homily of the House of Shammai. On the other hand, the story could also conclude by saying that the masters did not finish their public business, and they recited the Shema anyway. Completed in this way the story provides only partial and nuanced support for the House of Shammai. The point is that either way, an essential detail is missing from the story, and in its absence the story serves its halakhic context obscurely at best.Footnote 31
Privileging the Redactional Context of the Tosefta
A third possible reading would give the Tosefta both halakhic and redactional independence. This reading takes into account a tradition found in other rabbinic works:
a. B. Berakhot 8b
R. Shimon b. Yoḥai says in the name of R. Akiva: Sometimes a man may recite the Shema twice in the daytime, once before sunrise and once after sunrise, and thereby fulfill his duty once for the day and once for the night.
b. B. Yoma 37b
Tanna: When the sun would first shine in the morning sparkling rays proceeded [from the chandelier], and everyone would know that the time of reciting the Shema had arrived.
With these traditions in mind,Footnote 32 we should take another look at the halakhah in Tosefta [B], immediately preceding the story:
Its obligation is at sunrise so that one may adjoin redemption to the prayer and it turns out that he prays at daytime.
The first reading of the story, above, presented the interpretation of most commentators, according to which the halakhah in the Tosefta is in basic agreement with that of the Mishnah, that Shema may be recited from the moment that this or that object can be discerned, and adds that הנץ החמה, sunrise, is the preferred time within the permissible span indicated in the Mishnah. However, we should consider the possibility that the Tosefta is saying something different altogether: that the Shema can be recited only from—that is, after—sunrise, contrary to what the Mishnah said.Footnote 33 According to this interpretation, the Tosefta treats only the beginning of the time for Shema, and reports two opinions: the one opinion, in the name of “others,” that Shema may be recited from the time one can discern a friend (Tosefta section [A]), similar to the Mishnah, and the second opinion, that it may be recited only after sunrise (Tosefta section [B]).Footnote 34 Note that the redactor of the Mishnah also recorded two opinions on the beginning of the time for Shema, but neither is from sunrise; thus the redactor expressed his position against the opinion offered in the Tosefta.Footnote 35
If we understand the halakhic context in the Tosefta as independent from and contrary to the Mishnah, the story acquires new meaning. It begins with Rabbi Yehudah walking behind his masters and thinking that the time for recitation of Shema has come. This opening sentence indicates that the focus of the story is the question of the time from when the Shema can be recited, the issue with which Tosefta section [A] opens. Rabbi Yehudah recites the Shema; his masters do not. Though we are not told exactly when this takes place, we are mindful that the Tosefta has just told us that there is a dispute as to whether Shema may be read from the time that one can discern his friend or only from sunrise. Rabbi Yehudah is sure that his masters also think that the time for recitation has come, and therefore supposes that the reason they are not reciting is because they are busy with public business. However, it turns out that his masters—one of whom is the same Rabbi Akiva whose opinion was given in the baraita in B. Berakhot 8b— recite the Shema only when the sun is visible over the mountains, that is, after sunrise. The conclusion again focuses the story on the issue of the time.Footnote 36
In this reading there are hints at the connection of the story in Tosefta [C], with its halakhic context, Tosefta [A-B], in the verbal resonances between the story and its context.Footnote 37 R. Yehudah, who is described as walking אחר (’aḥar) (behind) his masters, is the one who practices according to the view of the אחרים (’aḥerim) (the others) in Tosefta section [A]. His masters, who recite the Shema after the חמה (ḥamah) (sun) is visible, practice according to the second view, in Tosefta section [B], according to which the Shema is to be recited after הנץ החמה (haneẓ ha-ḥamah) (sunrise).Footnote 38
In this halakhic context the story has a clear message. The senior sages take care to recite the Shema after sunrise, according to the opinion brought in the Tosefta and against the opinion brought in the Mishnah.Footnote 39 The editor of the Tosefta presented the story in this halakhic context specifically to support its halakhah against that of the Mishnah.Footnote 40
Conclusion
The tendency of most scholars and commentators to examine the story of Rabbi Yehudah walking behind his teachers while privileging the redactional context of the Mishnah, leads to a reading in which the literary connection of the story to its wider halakhic context is relatively tenuous. In this case, the third approach presented here, which credits the Tosefta with a large measure of independence, both redactional and halakhic, yields a reading in which the story has a rich literary connection to the broad halakhic context in which it is embedded, and hence is the most convincing and satisfying.
These results join those of other studies that demonstrate the redactional independence, at least partial, of the Tosefta, and that argue that the redactor of the Tosefta was an active editor with aims of his own. This conclusion puts into sharp light the importance of examining the connection of stories to their halakhic contexts in order to assess the redactional characteristics of the Tosefta. We have relatively little information on the nature of the gradual process of the gathering of sources into compilations, and their placement in the literary frameworks that evolved into the Tosefta. We are not yet able to give satisfactory answers to such questions as: to what degree did the persons involved in the creation of the Tosefta see themselves as gatherers, or rather as editors? What is the relationship among the various sources included in the compilations, and what was the internal structure of the latter? What are the particular purposes of the Tosefta as a whole work, and how are these expressed? The analysis of rabbinic stories and of their relationship to the contexts in which they are presented can make a valuable contribution to clarifying these issues, for in many rabbinic stories halakhic considerations are a significant part of the plot, yet not made explicit in the story. To make sense of the story, then, it is necessary to work out what the editor expected his readers to know about the story from a wider context. This in turn reveals the ways in which the editor creates links among his sources, his editorial methods and purposes. A wide-ranging study of the relationships between rabbinic stories and their halakhic contexts can yield a great deal of information and advance the study of the Tosefta as a whole work.
This case study also demonstrates that when examining the relation of rabbinic stories to their wider halakhic context in the Tosefta one should pay attention to the interconnectedness of the redactional purposes and the reciprocal relation of stories and other halakhic statements. This is a two-way process: the ways in which scholars have conceptualized the relationship between the Mishnah and Tosefta have influenced their readings of Toseftan stories, and in particular the relationship of these stories to the wider halakhic context; conversely, the way we understand the relationship between the story and the wider halakhic context affects what we consider to be the nature and purpose of the editorial activity. To advance research on the composition of the Tosefta and on the relationship among its parts, priority must be given to deep analysis of the complex of halakhic and literary relationships between various sources, devoid of presuppositions concerning the nature of the book and its relationship to the Mishnah. Gathering the results of in-depth studies of individual cases will enable a comprehensive description of the complex literary phenomena that occupy the attention of critical scholars of rabbinic literature.
Appendix
1. Mishnah Berakhot 1.2-3, MS Kaufmann

Tosefta Berakhot 1.2-4, MS Vienna
