The formula cognomen + nomen, as portrayed in Latronis enim Porcii (Sen. Controv. 1 praef. 13), the first double-name reference without praenomen in Seneca the Elder's work (henceforth referred to simply as Seneca), emerged as a result of the radical changes which the Roman onomastic system began to experience at the end of the Republic.Footnote 2 On account of a wide variety of factors, both social and linguistic, the cognomen seized the role of diacritic name and individual signifier, having ousted praenomen from its ancient throne; the relatively limited number of praenomina in common use contributed substantially to their waning.Footnote 3 The formulae of two constituents visibly reflected the progressive decline of praenomina; during the Early Principate double names still represented the usual formal means of reference (tria nomina being highly formal, mostly occurring in official contexts),Footnote 4 but it mostly consisted of nomen + cognomen rather than praenomen + nomen or praenomen + cognomen. The formula nomen + cognomen, which developed once personal cognomina began to spread among the lesser classes, was primarily crafted for addressing men of ambiguous status, peregrini and freedmen.Footnote 5 Thus, Cicero tends to avoid its use in naming members of the nobility, whom he refers to with a clear preference for the older, lustrous conjunction praenomen + cognomen.Footnote 6
Having acquired the functions of the praenomen, the migration of the cognomen to the position formerly occupied by the praenomen must be regarded as fairly logical. As a consequence, the pattern Ahala Seruilius in reference to P. Servilius Ahala, for example, bore some resemblance to the style P. Seruilius, which followed the antique, deep-seated pattern praenomen + nomen. Although being thus more fashionable for Roman aristocracy than the non-inverted formula, scholars as a rule consider the inversion more informal than the sequence nomen + cognomen. It has also been pointed out that the style cognomen + nomen is sometimes charged with affective values ranging from warm eulogy or amicable consideration to bitter contempt.Footnote 7
When examining the occurrences of the sequence cognomen + nomen in authors belonging to the end of the Republic and the early years of the first century a.d., we can notice the slowness with which the new formula gained acceptance in literary language, till its fertile reception in Seneca the Younger, Suetonius, Tacitus or Pliny the Younger.Footnote 8 Seneca the Elder, who was born in the fifties of the first century b.c. and probably composed his Controuersiae and Suasoriae in the thirties of the following century, offers a highly valuable testimony for the emergence of this new onomastic pattern.Footnote 9 Whereas the pattern is very rare in Republican authors, in Seneca's anthology cognomen + nomen is the second most frequent double-name formula (201 instances) after nomen + cognomen (403 instances).
It is noticeable that Seneca's usage is not generally confined to references to members of the highest social order, as in Velleius Paterculus or Valerius Maximus, but covers the whole spectrum of Roman society. Thus, Seneca applies this formula to men from the ordo senatorius such as the patrician Quintilius Varus (Controv. 1.3.10) (PIR 2 VII 1 Q 29), son of the homonymous general, C. Asinius Pollio (Controv. 2.3.13; 2.5.10, 13; 3 praef. 14; 4 praef. 2, 6, 11; 7 praef. 2; 7.1.22; 7.4.3, 7; 7.6.12; 9.2.25; Suas. 2.10; 6.24) (PIR 2 I A 1241), Bruttedius Niger (Controv. 2.1.35, 36), aedile in a.d. 22 (PIR 2 I B 158), the historian A. Cremutius Cordus (Suas. 6.23) (PIR 2 II C 1564), whose daughter is the Marcia to whom Seneca the Younger addresses a Consolatio, the Ligurian senator C. Stertinius Maximus (Controv. 2.1.36), suffect consul in a.d. 23 (PIR 2 III S 660), the old-fashioned declaimer and nouus homo Vibius Rufus (Controv. 2.1.2, 28; 2.3.18; 2.6.10; 9.2.18, 25; 9.6.13; 10.1.12; 10.6.2) (PIR III V 396), suffect consul in a.d. 16, equites such as the ill-fated declaimer Vallius Syriacus (Controv. 1.1.11; 7.6.11) (PIR 2 III V 171), plebeians like Cassius Severus (Controv. 2.4.11; 3 praef. 1; 10.5.20) (PIR 2 II C 522),Footnote 10 or the professional delator Romanius Hispo (Controv. 1.2.16; 1.6.9; 1.7.12; 2.2.2, 7; 2.3.18, 21; 2.4.9; 2.5.5, 20; 2.6.13; 4.6; 7.2.13; 7.4.4; 7.5.9; 7.6.21; 7.7.12, 14; 7.8.11; 9.1.11, 15; 9.3.11; 10.1.13; 10.5.19, 23) (PIR 2 VIII 1 R 81). Unlike Republican writers, in naming contemporary men Seneca makes relatively infrequent use of the formulae praenomen + nomen and praenomen + cognomen, always restricting their use to reference to members of the upper class.Footnote 11
If, as shown, social demarcations do not exhibit an immediate effect on the use of cognomen + nomen, context, however, is utterly decisive in this matter. With regard to onomastic formulae, we may perceive two different sections in each controuersia and suasoria.
In the first section (the sententiae), Seneca gathers together epigrams from the declamations of a variable number of speakers, first on one side of the case, then, sometimes, on the other. In this context, the names of the declaimers occur wholly in the genitive case. This is the core of his work, where Seneca's aim is to rescue some remarkable sayings of fine declaimers of his time from oblivion, preventing them from being stolen by counterfeiters too idle and ignorant to produce solid orations of their own (Controv. 1 praef. 11).
In his obdurate restoring of ‘literary property’ to these declaimers, it appears obvious that Seneca's act of naming is a matter of great import. In this section, formality thereby demands the use of double rather than single names (388 occurrences versus 108, respectively). Here cognomen + nomen is massively outnumbered by the more formal style nomen + cognomen, the latter being employed 353 times, the former only fifteen.
Close examination reveals that occurrences of cognomen + nomen in this first section tend to gather in groups; the most numerous one is to be found in the first controuersia of Book 2, which provides seven cases of cognomen + nomen but only four of nomen + cognomen. The list of names is as follows: Porci Latronis, Rufi Vibii, Cesti Pii, Arellii Fusci patris, Blandi, Galli Vibii, Fabiani Papirii, Hispani Cornelii, Triarii, Romanii Hisponis, Silonis Pompeii, Latronis Porcii, Fusci Arelli patris. On examining these names, it must be noted that the Greek rhetor L. Cestius Pius, the mellifluous declaimer Triarius (PIR 2 III T 249) and the Marsian rhetorician Blandus never receive the style cognomen + nomen in Seneca's work. Cestius Pius is always mentioned with nomen + cognomen, whereas Triarius, named forty-three times, is always referred to simply as ‘Triarius’.Footnote 12 As for Blandus, qui eques Romanus Romae docuit (Controv. 2 praef. 5), identified with Rubellius BlandusFootnote 13 (PIR 2 III R 80), he is always addressed by cognomen alone. In Controv. 2.2.1–2 we run into two new instances of this onomastic gathering (Fusci Arellii patris and Hisponis Romani), separated only by a brief sententia pronounced by Marullus, who is always referred to by cognomen alone.Footnote 14 Lastly, in Controv. 2.5.5, Hisponis Romanii and Hispani Corneli have been placed together; the similarity between both cognomina appears, in this instance, to be behind the double use of the formula.Footnote 15 The consensus codicum actually reads Hisponis as cognomen for Corneli, a reading which was properly emended in the editio Frobeniana (1515).
The other four cases of cognomen + nomen in this first section are presented separately: Bassi Sepullii (Controv. 7.2.1),Footnote 16Pollionis Asinii (Controv. 7.6.12), Silonis Pompeii (Controv. 9.2.5),Footnote 17 and Fusci Arelli patris (Controv. 2.4.5). In the lines preceding this last passage Seneca records some words by the same rhetor, whom he names by nomen + cognomen. Arellius Fuscus' quotations are separated by brief declamatory fragments of Albucius Silus, Iulius Bassus and Porcius Latro, all of whom are referred to by nomen + cognomen.
The second section of each declamation is devoted to the division and, in the Controuersiae, to the colores, generally summarized in short epigrams. It is often followed by a brief segment assigned to Greek sayings. In this second part Seneca often recounts extravagances of the declaimers, whose bitter rivalries and sparkling wit offer ample scope for a wealth of anecdote (see e.g. Controv. 2.1.25; 2.4.11; 7.4.7; 9.3.12–14; 9.4.17–18; 10.5.20; Suas. 1.5–8; 2.12; 3.4–7; 4.5; 6.27; 7.13, etc). With respect to double-name references, whereas in the opening section (sententiae) of the Controuersiae and Suasoriae the style nomen + cognomen is the most common, the second section is the realm of cognomen + nomen, as befits a context more appropriate for the use of informal formulae.Footnote 18 Seneca thus employs here cognomen + nomen 172 times and nomen + cognomen only sixty-six. Closely allied to this phenomenon is the proliferation of single names, mainly unaccompanied cognomina, which are more frequent here than in the opening section.
A similar situation may be found in the prefaces, which, interspersed with colourful anecdotes, share the generally informal tone of this second section. The demands of informality produce here single rather than double names, the latter representing only 23 per cent of the total formulae. Seneca uses cognomen + nomen twelve times in the praefationes, in reference to M. Porcius Latro (Controv. 1 praef. 13; 9 praef. 3), Arellius Fuscus (Controv. 2 praef. 1, 5), Cassius Severus (Controv. 3 praef. 1), Pompeius Silo (Controv. 3 praef. 11), C. Asinius Pollio (Controv. 4 praef. 2, 6, 11; 7 praef. 2), Votienus Montanus (Controv. 9 praef. 1) and Porcius Rusticus (Controv. 9 praef. 3). However, nomen + cognomen is only employed three times, in naming Arellius Fuscus (Controv. 2 praef. 1), who is referred to by cognomen + nomen in the following sentence, Clodius Turrinus (Controv. 10 praef. 14) and Cassius Severus (Controv. 4 praef. 11). In this last passage, Seneca elegantly displays the chiastic sequence nomen + cognomen plus cognomen + nomen: Memini et illam contradictionem sic ab illo positam magnam materiam Pollionis Asinii et tunc Cassi Seueri iocis praebuisse. Relying on a pun on the meaning of Cassius' cognomen, the wording produces a callida iunctura, introducing a brilliant effect of antithesis in Seueri/iocis.Footnote 19
We can note that almost all of the declaimers of consequence in Seneca's work receive the onomastic formula cognomen + nomen at least once. There exist, however, three notable exceptions, L. Iunius Gallio, C. Albucius Silus and L. Cestius Pius. In examining their naming patterns, we may glimpse at the affective values of the conjunction cognomen + nomen.
The eloquent senator Iunius Gallio (PIR 2 IV I 756), probably a Spaniard, and author of a treatise on rhetoric, was one of Seneca's dearest friends by the time of the writing of the Controuersiae and Suasoriae, later adopting his elder son Novatus.Footnote 20 He is named sixty-one times, forty-three by nomen + cognomen and eighteen by cognomen alone. The first formula is only employed in the opening section of the declamationes, where, as we have seen, context encourages the usage of double names (see e.g. Controv. 1.1.4; 1.2.11; 1.5.2; 2.2.3; 2.3.6; 2.5.6; 2.6.4; 7.1.12; 7.7.3; 7.8.4; 9.1.8). The senator is elsewhere referred to as Gallio, a style denoting warmer affection and intimacy, as cognomina alone possess something of the character of personal praenomina.Footnote 21 It is important to underline the fact that, in reference to Gallio, the formula nomen + cognomen, devoid of all affectionate value, is entirely confined within the limits of the highly formal opening section.
Likewise, the Gaulish rhetorician C. Albucius Silus (PIR 2 I A 489) (fl. 6 b.c.), although mentioned sixty-six times in Seneca's work, is never given the formula cognomen + nomen.Footnote 22 When a single name is required, he is referred to by nomen alone (see e.g. Controv. 1.1.17; 1.2.16, 18; 1.3.8, 11; 1.4.8, 12; 1.5.9; 1.7.17, 18; 2.1.29, 31; 2.4.8; 2.5.17; 7.1.20, 21; 7.2.10, 14; 7.3.7). Significantly, the rhetor is only given the style nomen + cognomen in the first section of the declamationes (see e.g. Controv. 1.1.10; 1.3.4; 1.8.4; 2.4.4, 6; 7.1.1; 7.2.2; 7.3.1, 3; 7.4.1; 7.5.4). In short, Seneca commits himself to employ the most formal and least affective formulae within both single- and double-name paradigms, that is, nomen alone and nomen + cognomen. The naming patterns thereby reveal that the author was not on familiar terms with Albucius, as we may also conclude from his portrait in Book 7. This rhetorician was, indeed, rarely met by Seneca, who brands him as pathologically insecure, gloomy and divested of all mirth (Controv. 7 praef. 1, 5, 7). His words do not convey the slightest hint of friendship.
Similarly, the Greek rhetorician L. Cestius PiusFootnote 23 (PIR 2 I C 694) is always addressed by nomen + cognomen in the opening section (see e.g. Controv. 1.1.7; 1.2.7, 1.3.2, 7; 1.4.2; 1.5.1; 1.6.1, 7; 1.7.3) and by nomen alone elsewhere (see e.g. Controv. 1.1.14, 15, 19, 22, 24; 1.2.15; 1.3.8, 9, 11; 1.4.9, 11; 1.5.3; 3 praef. 15; 4.8; 7 praef. 8). We may describe his relationship with Seneca as a long, relentless incompatibility; this fiery, malicious, aggressive rhetor, misled by his infinite vanity, ventured to deem himself better than Cicero, whose memory he was always eager to outrage (see e.g. Controv. 1.3.10, 11; 3 praef. 16–17; 7 praef. 8 [mordacissimi hominis]; 7.7.19; 9.3.12; Suas. 7.12–13).Footnote 24 To Seneca there could be no greater affront. Cestius is accordingly never addressed by either cognomen alone or cognomen + nomen.Footnote 25
Careful examination of the addressees who receive the style cognomen + nomen may reveal another decisive factor involved in naming conventions in Seneca's Controversiae and Suasoriae: chronology. Whereas references to contemporary men reflect the onomastic changes that developed in Augustus' reign, the mention of historical figures of the past, mostly referred to as exempla, depicts the usus appellandi which was characteristic of the Republic. Thus, the patterns praenomen + nomen and praenomen + cognomen, which abound in the pages of Cicero or Caesar, are the most frequent double-name styles used for these renowned men.Footnote 26 Double names without praenomen, however, are avoided. Only one of these Roman voices drawn from the misty past to the magnificent halls of declamation is named by cognomen + nomen, C. Mucius Scaevola, a bold exemplum of uirtus: Non aliud Scaeuolae Mucio cognomen dedit et capto contra Porsennan regem libertatem reliquit quam uilitas sui (Controv. 8.4). In this case, the migration of the cognomen to the first place is perceptibly due to a thematization phenomenon, shifting the topical element to an advanced position, as the purpose of the passage is to shed light on the origin of the name Scaeuola. Similarly, the sequence nomen + cognomen is employed only once in referring to exemplary figures (Controv. 2.1.8).
To sum up, the novel style cognomen + nomen, whose rarity is plainly visible in the preceding literary tradition, gained acceptance within Seneca's work, being one of his most frequent onomastic formulae. Surpassing its original aristocratic associations, Seneca employs the pattern in reference to citizens from all social strata, as long as they possess a cognomen, leaving the traditional styles praenomen + nomen and praenomen + cognomen for use only with reference to aristocrats. The relative novelty of the onomastic conjunction is revealed in the remarkable fact that it is almost exclusively used in naming contemporary people, whereas figures from the Roman Republican past tend to be given double names with praenomen, which were in vogue in their own time. In the Controuersiae and Suasoriae we also perceive informality (plus some affective values) as a distinguishing trait of the inverted form (contrasting with the formal style nomen + cognomen), whose use is generally – and logically – constrained within the limits of the sections characterized by an informal tone.