Biography is booming. Shakespeare, Pepys, Jane Austen and Steve Jobs for example, have all been the subject of recent biographies that have sold millions, as have celebrity biographies and autobiographies.
While political biographies are not in the same league sales-wise, they remain popularFootnote 1. Artists, philosophers, historians and even economists, from Bagehot and Beveridge to Warhol and Wittgenstein, have all attracted a steady stream of high quality biographies.
At first blush, the contrast with legal biography in Britain is striking. The once popular biographies of illustrious lawyers and judges, typified by Marjoribanks' biography of Marshall HallFootnote 2 and Lewis’ biographies of Lords Atkin and HailshamFootnote 3, appear to be in decline. Apparently they are selling less, and certainly fewer are published today than in the previous two hundred years. Perhaps contemporary lawyers and judges are less colourful, lack the popular notoriety and have become more narrowly professional than their counterparts of yore? Perhaps they have been eclipsed by a different notion of “celebrity”, publication and the media?
One could also point to the invidious comparison between the quantity and quality of legal biography in, say, contemporary Canada and the USA relative to Britain. While the best of legal life writing harnesses historical empathy with a commitment to the careful and conscious scrutiny of the past, the worst tends towards hagiography.
However, change is in the air. High-quality British academic legal biography, pioneered by Heuston and Stevens in the 1960's and ‘70's, has grown and established a small, marginal, but discernible niche in the world of scholarship, albeit, a precarious oneFootnote 4. Work illustrative of this biographical turn includes Auchmuty on Gwyneth Bebb, Beatson and Zimmermann on German-speaking émigré lawyers in twentieth century Britain, Dukes on Kahn-Freund, Duxbury on Pollock, Lacey on Hart, Parry on Hughes Parry and Prest on BlackstoneFootnote 5. Institutional initiatives at LSEFootnote 6 and CambridgeFootnote 7 also indicate that a struggle is under way to sustain legal biography in Britain as never before. Thus, we may be witnessing a turning point, although only time will tell.
To date, the bulk of legal biographies have focused on the lives of the elite; most often white, male judgesFootnote 8. Court officials, womenFootnote 9 and other “outsiders”, litigants, the diverse audiences of the law beyond the judiciary and lawyers, legal communications and legal objectsFootnote 10 have tended to receive short shrift. While the history of law firms has added considerably to our understanding of legal practice, and the inter-play between the public sphere and the private sphere in legal lifeFootnote 11, the impact of these histories has been largely confined to the realm of business history. The approaches adopted, and the source material utilised, by legal biography tend to be less diverse than the best of contemporary life writing. Important sources – such as autobiography, obituaries and eulogies, advertisements, oral historyFootnote 12, visual materialFootnote 13 and objects – are frequently neglectedFootnote 14. The physical and sensory textures of everyday legal lifeFootnote 15 receive scant attention. Consequently, legal biography has been largely cut-off from, and seen as irrelevant to, intellectual, social and pictorial history, and the “humanities turn” in socio-legal scholarshipFootnote 16.
Like all historical writing, legal biography is an epistemologically problematic endeavour. While some biographical source material will be readily available, other material may be fragmentary, elusive, scattered and unreliable. Legal life writing takes us into a realm of evidential and interpretative uncertainty normally beyond the comfort zones of those trained in the certainties of lawyers. The connections, if any, between source material and legal lives, are invariably complex and contradictory, and usually open to a welter of interpretations.
Moreover, legal biography may not be good for your academic career. At its best, legal life writing is labour-intensive and, therefore, expensive, like works of outright history. It fits ill within the current regime for assessing the quality of research at UK educational institutions.Footnote 17
Despite its undoubted difficulties, legal life writing provides a vital resource for understanding the ideas and culture of the legal community, and their place within the wider world. In the paper of which this is an abstract I consider why the acceptance of legal life writing has been belated and contested. I also suggest ways of expanding the repertoire of legal biography and, therefore, socio-legal scholarship. I provide insights into “what legal biography adds?” My objective is to support a perspective in the making: a broader, more pluralistic, conception of life writing that transcends the traditional stark dualisms between internal and external legal historyFootnote 18, and top-down and bottom-up approachesFootnote 19. I also hope to stimulate the interest of, and engagement with, socio-legal studies (especially those associated with the humanities-turn in socio-legal studies), the law in society movement, as well as the human sciences and even lay audiences.