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THE CONGRESS OF VIENNA, 1814–1815: DIPLOMACY, POLITICAL CULTURE, AND SOCIABILITY*

Review products

Der Wiener Kongress: Die Neugestaltung Europas, 1814/15. By HeinzDuchhardt. Munich: C. H. Beck, 2013. Pp. 128. ISBN 978-3-406-653-81-0. £7·00.

Der Wiener Kongress – eine kirchenpolitische Zäsur? Ed. HeinzDuchhardt and JohannesWischmeyer. Göttingen: Vandenhoeck and Ruprecht, 2013. Pp. 313. ISBN 978-3-525-10123-0. £46·00.

Der Wiener Kongress, 1814/15. By Wolf D.Gruner. Stuttgart: Reclam, 2014. Pp. 261. ISBN 978-3-15-019252-8. £6·00.

Published online by Cambridge University Press:  27 June 2017

JONATHAN KWAN*
Affiliation:
University of Nottingham
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Extract

On 29 November 1814, the Austrian Emperor Francis, the Russian Tsar Alexander, and the Prussian King Frederick Wilhelm, along with 6,000 others, attended a concert in Vienna's Redouten Hall; Beethoven personally conducted three of his works: the Seventh symphony, the bombastic ‘Wellington's victory’, and a newly written cantata entitled ‘The glorious moment’. In this cantata, the figure of ‘Vienna’ sings the following words:

      Oh heaven, what delight!
      What spectacle greets my gaze!
      All that the earth holds in high honour
      Has assembled within my walls!
      My heart throbs! My tongue stammers!
      I am Europe – no longer one city.

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Copyright © Cambridge University Press 2017