I. Introduction
In the last two decades, studies on the Hellenistic world have seen significant progress in the examination of local and regional experiences.Footnote 1 The recent application of concepts such as ‘resilience’ or ‘risk culture’ has directed attention towards the abilities of classical political entities to overcome both human and natural challenges.Footnote 2 For this study, I will adopt the collective definition of resilience, which refers to a coherent set of capacities that political entities maintain or enhance when reacting to adversity and adapting to its consequences, without losing autonomy in the process.Footnote 3 I propose that this concept encourages a nuanced examination of the relationship between historical events and civic processes, particularly those arising from catastrophic experiences that prompted political decisions to create, maintain or transform material and ideological resources over time. This notion of resilience also facilitates the assessment of both the success and failure of political entities in maintaining, strengthening or adapting their formal structures and informal community practices in the face of crises.Footnote 4 It thus provides a promising framework for analysing the historical trajectory of Hellenistic political systems, specifically focusing on the degree of resilience demonstrated by their agents when confronting the adverse phenomena generated by the expansion of Rome. These degrees of resilience can be classified into three levels: active (capacity to resist adversity), reactive (capacity to rebuild and recover after adversity) and proactive (capacity to anticipate or prevent adversity).Footnote 5
In particular, I contend that substantial research opportunities for the Hellenistic world arise when an emphasis on civic resilience is combined with spatial awareness, epigraphic documentation and a nuanced understanding of the disruptive historicity of the Roman conquest. Historians of the Hellenistic world quickly realized that space is an essential component in understanding classical social phenomena, making the public display of an inscription a key factor in its interpretation.Footnote 6 In this regard, considering the quality and extent of its documentation, the Panhellenic sanctuary of Delphi stands as an exemplary case for deepening our understanding of the geopolitical dialogue among various international actors of the period and their spatial manifestation through epigraphical adaptations in the face of adversity while grappling with Roman power.Footnote 7 Against this background, I propose that the pillar of the Roman imperator Aemilius Paullus, erected in Delphi after his total victory against Macedonia in 167 BC, subsequently bears a Greek epigraphic reuse that is of great value for comprehending the historical nature of Hellenistic civic resilience in the face of the Roman conquest during the second century BC.
The initial decades of the second century BC marked an intricate political phase for the Panhellenic sanctuary, since military conflicts involving Rome, Macedonia and their respective allies ushered in profound and persistent changes in the international Hellenistic political hierarchy.Footnote 8 Delphi and the Amphictyony oscillated between the conflicting influences of the Antigonid monarchs, the Aetolian Confederation and Roman commanders.Footnote 9 These challenges prompted substantial adjustments within the honorary, architectural and spatial domains of the sanctuary in order to better navigate the risks linked to evolving alliances and hegemonies.Footnote 10 Archaeological and epigraphic evidence attests to the sustained and diverse presence of Panhellenic visitors and audiences, including Italians and Romans.Footnote 11 Additionally, the third-century BC Attalid stoa reinforced the temple terrace as the primary locus for honorific display, and Delphic epigraphical authorities – the Amphictyony and the polis – began to integrate Romans into their gift-giving system for foreigners.Footnote 12 A striking example of these developments is found in the northeast section of the Temple of Apollo’s terrace where, after his victory over the Macedonian king Perseus at Pydna, Aemilius Paullus repurposed two unfinished monuments to commemorate his victory.
Anecdotally referenced by classical authors, the Roman adaptation of the Macedonian structure has been confirmed through archaeological discoveries.Footnote 13 The monument, standing over 10m in height, broadly consists of a stepped pedestal, a column crowned with an entablature adorned with a continuous battle frieze and a gilded equestrian statue.Footnote 14 On the western face of the pedestal, a Latin inscription with 7.3cm-tall characters confirms its identification: ‘Lucius Aemilius, son of Lucius, took from Perseus and the Macedonians’ (fig. 1, no. 1).Footnote 15 Epigraphically, this inscription highlights the Roman identity of the monument, defined by the mid-Republican practice of integrating war spoils into political capital within a competitive senatorial elite striving for honour and military glory.Footnote 16 By repurposing the Antigonid king’s pillar and using a Latin inscription that avoids the accusative, the conquering imperator emphasizes displaying rather than merely describing his victory (cepit) over the enemy. This tactic urged spectators to focus on the material monument as a testament to his accomplishments and prestige, aiming to surpass those of others nearby.Footnote 17 However, unlike other surviving examples, the uniqueness of this monument lies in the imperator’s choice of a Panhellenic space for a Roman and Italic honorary strategy. This decision is better understood in the context of expanding Roman ideological ties with Mediterranean audiences, rather than viewing it merely as a symbol of the violent and disruptive imposition of Roman conquest and imperialism.Footnote 18
Distribution of inscriptions based on Laroche and Jacquemin’s reconstruction.

Figure 1. Long description
The diagram reconstructs the epigraphic distribution of the monument between the second and first centuries BC. It illustrates how later Greek inscriptions progressively reused the Roman monument spatially and politically, concentrating around Paullus’ original Latin victory inscription before expanding upwards with the Lex de Provinciis Praetoriis.
Between 167 and 119 BC, there was a notable absence of new inscriptions on the monument, challenging expectations given the typical prolific epigraphic practices of the sanctuary.Footnote 19 Two factors account for this ‘epigraphic hiatus’. After the Third Macedonian War, Delphi, under Roman guardianship, enjoyed a 20-year peace, prompting a shift in focus towards reorganizing the Amphictyony and managing patrimony and border disputes, rather than risking Roman interference and violence like Mummius’ destruction of Corinth and Glabrio’s violence against the sanctuary of Athena Ithonia.Footnote 20 Additionally, from 149 to 129 BC, during the rebellions of Andriscus, Aristonicus and the Achaean War, Delphi exercised caution vis-à-vis Rome’s power, avoiding epigraphically bound decisions in order to preserve its autonomy and potentially garner additional Roman honours.Footnote 21
The frequency of conflicts and the rotating, occasionally erratic, nature of Roman commands in Greece help elucidate the absence of epigraphic reuses on the surfaces of the monument until the last decades of the second century BC. From that point onwards, Roman violence, political disengagement and discourses of Greek freedom transitioned into a prolonged period of Greek local autonomy, facilitated by a discreet yet cumulative Roman exploitation and encroachment.Footnote 22 This environment fostered revitalized local agency and peer-polity interactions, with Delphi, the Amphictyony and foreign communities playing key geopolitical roles, as evidenced epigraphically in the Panhellenic sanctuary. During this gradual restoration of tranquillity to the Greek mainland and the generational turnover among the diverse Greek elites, Paullus’ pillar entered a second epigraphic phase between ca. 120 and ca. 100 BC, which will be the focus of this article (fig. 1).
Therefore, I argue that the Greek epigraphic reuse of Paullus’ monument provides invaluable insights into the complex and sometimes contradictory political transformations that characterized mainland Greece in the late second century BC. Specifically, I contend that, when contextualized and read together, these inscriptions demonstrate the presence of political communities with highly developed Late Hellenistic civic adaptive resilience in response to Roman victories and conquests, rather than merely indicating a short-lived political revival.
II. The second-century BC inscriptions on the Delphic pillar of Aemilius Paullus
Since Gaston Colin’s Reference Colin1930 analysis, there has been a notable absence of thorough examination of the inscriptions inscribed on the monument of the Roman imperator.Footnote 23 Predominant are anecdotal references or, at best, partial studies on specific inscriptions.Footnote 24 In the analysis below, each inscription will undergo careful scrutiny with a fourfold approach: a concise presentation of its components, the political contextualization for its inclusion on the monument, the reasons for its publication on the monument and, more importantly, their significance when studying Hellenistic resilience.
i. The unfinished Amphictyonic decree: independence, autonomy and Roman authority
The initial epigraphic reutilization of the monument took the form of an Amphictyonic decree in letters 1cm tall dated to between 120 and 115 BC (fig. 1, no. 2). The relatively regular inscription is situated on the lower left section of the western façade of the plinth, just beneath Paullus’ inscription (fig. 2). This Amphictyonic decree honours those who accused numerous individuals of misappropriating the sanctuary’s property.Footnote 25
Latin inscription (FD III.4.36) and below, on the left, an unfinished Amphictyonic decree (FD III.4.43), and on the right, Aristodemus’ proxeny (FD III.4.52).

Figure 2. Long description
The drawing shows the original Latin inscription commemorating Aemilius Paullus’ victory over Perseus and Macedonia dominating the centre of the façade. Beneath it, two later Greek inscriptions were added in the late second century BC: an unfinished Amphictyonic decree concerning sacred property disputes and a proxeny decree honouring Aristodemos of Patras. The spatial arrangement illustrates how Delphic and Amphictyonic authorities reused the Roman monument to associate local political legitimacy with Roman authority and interstate arbitration.
Despite being only partially engraved, the ten lines shed light on the motivation behind the decree’s placement on the monument, revealing that accused and accusers ‘appeal to the Roman Senate’.Footnote 26 In functional terms, the decree combines two international practices: the established tradition in Delphi of commending those who reported irregularities in the management of Apollo’s property and the contemporary tendency to turn to the Roman Senate as the principal international arbitrator.Footnote 27 However, this action is rooted in more specific historical motivations. In 191 BC, the Roman commander Manius Acilius Glabrio had already intervened on behalf of the sanctuary, restoring many of the properties that had been looted during Aetolian rule. Glabrio explicitly declared his personal commitment to supporting both the sanctuary and the Delphic polis and, the following year, the praetor Spurius Postumius Albinus joined Delphi’s ambassadors in Rome, where the Senate confirmed its independence, properties and tax exemptions.Footnote 28 Furthermore, in 165 BC – two years after Paullus’ victory against Perseus and the erection of his monument – a new embassy and senatus consultum consolidated the sanctuary’s status.Footnote 29 Given this context, the fact that the epigraphic authority here is the Amphictyony rather than the Delphic polis demonstrates the extent to which the League was striving to reclaim control over the sacred lands of the sanctuary.Footnote 30 However, these pro-Delphic Roman interventions rendered the Amphictyonic efforts seemingly redundant, which may account for the unfinished state of the inscription on the monument.
Hence, placed in context, the Amphictyonic decree on Paullus’ pillar testifies to a concerted effort to solidify a proactively resilient relationship between the sanctuary of Delphi and Roman power early in the second century BC. The publication of the inscription on Paullus’ monument displays the conscious effort to monumentalize and safeguard a fresh and adaptive Delphic connection between the temporary military authority of the triumphant imperator Paullus and the enduring political authority – not interference – of the Roman Senate at the conclusion of the Third Macedonian War.
ii. Thessaly and Rome: Pherecrates and Paullus in a Hellenistic pro-Roman perspective
A decade later, in 106 BC, a second reuse is attested on the third level of the same western façade of the monument (fig. 1, no. 3). This addition comprised three honorary inscriptions of 17, 21 and 14 surviving lines, each featuring letters sized 6–8mm tall, rather thickly cut and engraved in a fairly irregular fashion (fig. 3). Two were dedicated by the polis of Delphi, while the third was by the Amphictyony, all of them honouring Menecrates and Isagoras, sons of Pherecrates, who served as stratēgoi of the Thessalian League in 142 BC.Footnote 31 While the honorands were granted customary Hellenistic proxeny-related religious, political and fiscal privileges (προμαντϵία, προδικία, ἀσυλία, ἀτέλϵια and προϵδρία), the reasons behind their inclusion on the monument years later require further analysis.Footnote 32
Proxeny decree for Isagoras and sons (FD III.4.51).

Figure 3. Long description
The figure presents the proxeny decree honouring Isagoras and the family of Pherecrates, members of the Thessalian League connected to the pro-Roman political order established after the Macedonian Wars. Engraved on the monument in 106 BC, the inscription reflects the integration of Thessalian elites into Delphic and Amphictyonic networks under Roman hegemony. Its placement on Paullus’ monument linked Thessalian freedom and prestige with the memory of Roman victory over Macedonia.
As vividly depicted by the Daochos monument in Delphi, the interplay between the Thessalian League and Delphi peaked in the late fourth century BC, only to wane under the influence of Macedonia over the ensuing two centuries.Footnote 33 Nevertheless, following Flamininus’ victory over Philip V in 196 BC during the Second Macedonian War, the Roman commander liberated and revitalized the League, reinstating its independence and international autonomy.Footnote 34 This pro-Roman era of freedom and prosperity found expression in the commemorative federal festivities aptly named the EleutheriaFootnote 35 and, following his triumph over Perseus at Pydna in 167 BC, the imperator Paullus directed special attention to acknowledging the Thessalian League for its invaluable contributions and sacrifices in resisting Antigonid power and supporting Roman forces in their victory. As attested by Paullus’ missive and the senatorial commission advocating for Demophilus before the leaders of Gonnoi, he actively sought to cultivate and safeguard Greek alliances in the post-war period, underscoring, through both deeds and words, the regional and international significance of the post-war relationship between Thessaly and the imperator.Footnote 36 Concurrently, the family of Pherecrates had recently emerged in Thessalian political history. Originally from Crannon, their migration to Larissa in the late third century BC was probably a consequence of demographic reforms promoted by Philip V, inspired by the king’s explicit reference to the mythical Roman asylum of Romulus.Footnote 37 From that moment, this family would assume various roles of high political responsibility within the new Thessalian League.Footnote 38
As in various instances across Greece, Roman triumphs fostered the ascent of new political figures within families, factions and Hellenistic organizations in Thessaly.Footnote 39 In this case, Pherecrates appears to have adeptly aligned himself with the pro-Roman Thessalian faction. In an effort to solidify his family’s international influence under the auspices of a reconfigured Delphic Amphictyony within a liberated polis and sanctuary, the placement on Paullus’ Delphic monument held a key historical resonance by the end of the second century BC. This was a prosperous family, enjoying freedom under Roman dominance and publicly endorsing Thessalian liberation by the Roman imperator through mention and proclamation of their honours during Delphic international celebrations (the Pythia and Soteria) as well as during their newly established foundational festival: the Eleutheria.Footnote 40 Moreover, the participation of both Delphic and Amphictyonic authorities in these decrees shows an exceptional attempt to exploit every international network available.Footnote 41
The personal, political and religious freedoms of the Thessalians converged and were realigned under the monumentalized name of Paullus in Delphi. Much like Daochos and the Thessalian League in the past, by the late second century BC Pherecrates and his sons aspired to participate proactively in what appeared to be a developing and resiliently adapted system of local and regional Hellenistic power dynamics, with triumphant Roman imperatores taking a prominent role.
iii. Aristodemus of Patras and Delphi: Philhellenic memory under Roman power
Two years later, in 104 BC, a third reuse occurs with the placement of a new 21-line inscription, directly beneath that of Paullus, with letters of irregular size between 6 and 8mm – just like the Pherecrates decrees – and located beside the incomplete Amphictyonic decree (fig. 1, no. 4 and fig. 2). Here, an Aristodemus of Patras is praised by the polis of Delphi for unspecified ‘services’ rendered to the city, receiving, along with the customary honours, the most distinguished ones: a crown, a bronze statue and the proclamation of these honours during the Pythian and Soteria games.Footnote 42 Concerning Patras during this period, our literary sources provide the anecdotal mention of Xenon of Patras, a stratēgos whose neutrality during the war and defiant attitude towards the post-war senatorial commission led to his trial in Rome and, in all likelihood, his forced exile in Italy (Paus. 7.10.9–10). Without further details, the political reasons for including Aristodemus from Patras on this monument remain obscure. Perhaps, as the decree includes the phrase ἐν τῶι ἐπιφανϵστάτωι τόπωι – that its installation must be ‘in a place of the greatest prominence’ – the motivation is strictly practical, and it was inscribed there for its visibility on the terrace.Footnote 43 However, two elements may help further elucidate the historical reasons for this placement.
On the one hand, in 279 BC, Patras held the exceptional distinction of being the sole Achaean state to have provided military support to Delphi against the Galatian invasion, enduring significant losses (Paus. 7.18.6, 10.22.6). However, the Hellenistic world allotted the glory for this victory over the barbarian invaders to the Aetolian League up until the second century BC, when Aetolia and its pro-Hellenic Delphic propaganda were definitively subdued by Rome after the Roman-Seleucid War.Footnote 44 Facing this propaganda vacuum, Patras could seize the political opportunity to reinstate its own pro-Hellenic propaganda through the special relationship born from the city’s past sacrifices regarding the sanctuary, which may also suggest why Delphi acted as the sole honorific authority in this instance. Nevertheless, such motivations would have needed to consider the new Roman hegemony, the process of Roman provincialization and Roman-endorsed Delphic independence, thereby motivating a much more cautious and pro-Roman approach.Footnote 45
On the other hand, similar to the case of Pherecrates, Aristodemus emerges as part of a new pro-Roman elite, with his city assuming a new prominent political as well as commercial role following the period between the subjugation of Illyria by Paullus and the destruction of Corinth by Mummius in 146 BC in the ensuing regional upheavals.Footnote 46 Additionally, parts of the equestrian monument promised to Aristodemus by Delphi were found in 1918 and 1961, installed precisely in the so-called ‘Roman agora’ of the sanctuary. Revealingly, the inscription also referred to Aristodemus’ son, probably sent as a pro-Roman ambassador or consultant by his father to aid Delphi in an emergency now unknown.Footnote 47
Consequently, alongside the merely practical argument of a visible and prominent location for display, other historical and symbolic factors may have played a role in its conspicuous publication: as part of a new pro-Roman elite, Aristodemus could erase the uncomfortable neutrality of his fellow citizen Xenon. Moreover, this act, when associated with Roman claims to have liberated Delphi and Greece more widely, might have revived Delphi’s earlier debt of gratitude to Patras. In both respects, placing Aristodemus’ honours on this monument would have had a significant impact on Greek and Roman audiences alike. The explicit reference in the decree that its installation must be ‘in a place of the greatest prominence’ (ἐν τῶι ἐπιφανϵστάτωι τόπωι) underscores a deliberate effort by the sanctuary, Patras and Aristodemus’ family to assign to the surfaces and spaces of Paullus’ monument a valuable and innovative international role: a resilient Hellenistic memory of Patras–Delphi relations proactively rehashed under Paullus’ military authority and Roman hegemony.
iv. Scarpheia vs Thronium: local victory in a Graeco-Roman perspective
During the final years of the second century BC, an intricate series of Amphictyonic decrees concerning territorial disputes between the cities of Thronium and Scarpheia were meticulously recorded on the Paullus monument, in thick and rather untidy letters between 8 and 10mm tall (fig. 1, nos 5.1–5.5; figs 4 and 5). Originally, these inscriptions occupied substantial portions of the northern and eastern façades of the pedestal, strategically oriented towards the Apollo altar on the terrace, thereby ensuring a heightened visibility, since they were arranged in accordance with the natural movement of its spectators: after reading the main Latin inscription, they would then circle the monument from the spacious northeastern section of the terrace to admire it properly – and read its inscribed surfaces.Footnote 48 These inscriptions concern a territorial dispute between the two cities, with implications for their participation in the Amphictyony. Seeking a resolution, Scarpheia demanded Roman arbitration, only for the verdict to favour Thronium.Footnote 49
Dispute between Thronium and Scarpheia, inscriptions on the northern façade (in numerical order: FD III.4.38, 4.39, 4.40 and 4.41).

Figure 4. Long description
The figure identifies the placement of several Amphictyonic inscriptions concerning the late second-century BC dispute between Thronium and Scarpheia over territory and Amphictyonic representation. Positioned on the highly visible northeast section of the pedestal, the inscriptions demonstrate how Greek communities reused the Roman monument to publicize local political victories and legitimize interstate claims through association with Roman authority and Delphic arbitration.
Dispute between Thronium and Scarpheia, inscription on the eastern façade (FD III.4.42).

Figure 5. Long description
The figure shows the principal inscription from the territorial dispute between Thronium and Scarpheia carved on the east façade of the monument pedestal. The text preserves the dramatic first-person claims of Thronium against Scarpheia and formed part of a broader Amphictyonic dossier publicly displayed on the monument. Its placement connected Thronium’s legal and political triumph with the enduring symbolic authority of Aemilius Paullus’ Roman victory monument.
A meticulous examination of each inscription reveals a pivotal clue in one of its texts (fig. 6), where Thronium speaks in the first person: ‘But you, city of Scarpheia, you challenged my rights through wicked fallacies, seeking to steal what is rightfully mine…’.Footnote 50 This dramatic language, theatrically concluding the dispute, confidently suggests that it was Thronium and not Scarpheia that, in conjunction with the sanctuary, benefited from this monument to assert the legitimacy of its cause.
Detail of FD III.4.38.

Figure 6. Long description
The figure highlights part of the Amphictyonic inscription FD III.4.38 relating to the territorial conflict between Thronium and Scarpheia in the late second century BC. The text preserves highly rhetorical language defending Thronium’s claims against its rival city. Inscribed on the Roman monument at Delphi, the decree illustrates how Greek political communities reused the symbolic prestige of Paullus’ victory monument to reinforce local authority, legal legitimacy and interstate visibility under Roman hegemony.
Expanding upon this latest piece of evidence, a significantly more potent subtext becomes apparent in the interplay of text, space and surface. The recent history of Scarpheia should be placed in perspective at this point: looted by the Romans following their triumph over Antiochus III at Thermopylae in 191 BC and later, in 145 BC, serving as the location for the definitive defeat and humiliation of Greek resistance, Scarpheia had a shameful record regarding its dealings with Rome.Footnote 51 Hence, at this particular juncture, Thronium dealt another ignominious blow to its Locrian neighbour. By epigraphically associating itself with the Roman monument on the Apollo terrace, Thronium not only solidified but also intricately linked its triumph over Scarpheia with the Roman presence in Greece, thereby demonstrating its proactive political resilience. This astute manoeuvre involved a strategic reuse of the most unequivocal material embodiment of Roman authority and legitimacy stemming from military conquests at Delphi at the time. As a skilful echo of its Latin inscription and the Roman conquest condensed by its monumentalized presence, if Paullus ‘took’ from the Macedonians, Thronium now, in turn, ‘took’ from Scarpheia.Footnote 52
v. Lex de Provinciis Praetoriis: a new provincial age
Lastly, with 7.5mm letters and a very irregular layout, the monument harbours on the first third of its pillar an epigraphic document of approximately 80 lines inscribed towards the end of the second century BC or the beginning of the first, identified as the Lex de Provinciis Praetoriis (fig. 1, no. 6 and fig. 7).Footnote 53 In stark contrast to its predecessors, this inscription is notably distinctive: a senatus consultum translated from Latin into Greek and outlining numerous financial and military provisions for the impending conflict against Mithridates VI of Pontus.Footnote 54 In conjunction with Paullus’ inscription, this plebiscitum is the most extensively recognized scriptural engraving on the monument, and justifiably so, since it serves as pivotal epigraphic evidence clarifying the consolidation of Rome’s representation of Greece as a provincial domain.Footnote 55 Unfortunately, due to the condition of the first block, it is not possible to ascertain whether it was addressed to the Amphictyony or the city of Delphi.Footnote 56
Surviving fragments of the Lex de Provinciis Praetoriis at Delphi (FD III.4.37).

Figure 7. Long description
The figure shows surviving fragments of the Greek version of the Lex de Provinciis Praetoriis engraved on the upper levels of the Monument of Aemilius Paullus during the late second or early first century BC. Unlike earlier honorific inscriptions clustered beneath Paullus’ dedication, this senatorial document occupied a dominant elevated position on the column. The inscription reflects the growing assertion of Roman senatorial authority in Greece and the adaptation of Delphic epigraphic practices to the realities of Roman provincial expansion.
In the context of this paper, the Lex de Provinciis Praetoriis represents the first instance where the monument serves as an international platform for asserting unequivocal senatorial power and dominion.Footnote 57 Here, a marked shift in the epigraphic reuse of the monument occurs. Earlier inscriptions had been placed beneath Paullus’ Latin inscription on the lower quadrants of the base and plinth, in significantly smaller letters and as part of an honorific cluster of communities operating under Roman authority. The Lex, by contrast, was inscribed on three or four levels of the western side of the column (fig. 1, no. 6; figs 7 and 8).Footnote 58
Overview of Aemilius Paullus’ inscriptions on the main façade.

Figure 8. Long description
The reconstruction visualizes the cumulative epigraphic reuse of the monument from 167 to ca. 100 BC. Earlier Greek honorific inscriptions cluster beneath Paullus’ Latin dedication, while the Lex de Provinciis Praetoriis occupies the upper levels, reflecting the growing authority of the Roman Senate in Delphi.
This shift not only dominates spatially but also semantically subordinates the preceding epigraphic arrangement to a new configuration. As a result, the overall interpretation of the monument is altered, with the message of the Roman Senate taking precedence over that of the imperator, thereby hierarchically organizing the rest. This transition marks a shift from reuse to a profound resignification of the Roman monument in Delphi. Epigraphically, the transformation reveals that, nearly half a century after Paullus’ victory, Roman codes of monumentalization had become intricately interwoven with resilient Hellenistic traditions. This integration allowed the sanctuary to acknowledge and inscribe the authority of the Senate, which took precedence over that of the individual imperator. This process can be described as ‘intersignification’, that is, the Roman integration of the monument into a competitive process of including, modifying and appropriating monuments to the glory of a specific republican political agent. Viewed from this perspective, the monument could be considered a senatorial ‘strategic assemblage of signs’, subject to Hellenistic intersignification through Delphic ‘intermediality’.Footnote 59 However, it is worth noting that the 7.5mm letters of the Lex are among the smallest, especially when compared to the significantly larger text of Paullus’ inscription (7.3cm). This, combined with the height at which it was inscribed, makes the choice of its placement rather paradoxical: spatially superior, yet virtually illegible compared to the original Latin.Footnote 60
Beyond this apparent contradiction, the placement of this minute yet powerful inscription on Paullus’ monument reveals more profound historical implications for our study. It demonstrates, on the one hand, a conflicting transition in the honorific practices of Delphi and the Amphictyony in response to Roman external dominance.Footnote 61 On the other hand, it strongly suggests that these authorities were responding to an internal tension within Roman expansionism: the shift from the imperator auctor to the auctoritas senatus, that is, from the Roman commander acting as an unregulated international agent to the reassertion of the Senate’s hegemonic power in the East.Footnote 62 Thus, the inconsistencies revealed by the size and placement of the Lex de Provinciis Praetoriis, both spatially and epigraphically, exemplify the ongoing adaptations of Delphi and its political agents in response to the rapid political transformations imposed by Roman authority. Yet another sign of proactive resilience in progress.
Nonetheless, at the time of the Lex de Provinciis Praetoriis, the Greeks at Delphi were unaware that the Mithridatic Wars would drag Rome into another violent, unstable and perplexing period, greatly challenging their frail geopolitical assessments: radical anti-Roman allegiances, local as well as regional massacres, and three long and exhausting military conflicts, which would lead, among many profound disturbances, to the sacking of Delphi itself by the Roman imperator Sulla.Footnote 63
III. Conclusion: the Roman événement and Hellenistic political resilience
Concluding this brief analysis of the Greek inscriptions engraved on the Paullus monument throughout the second century BC, it is now possible to discuss their historical significance as an ensemble. In this regard, three noteworthy observations emerge: first, each Delphic or Amphictyonic inscription has a direct and an indirect relationship with Rome and its imperatores, alternatively aspiring to establish, recover or consolidate various ties with the new Roman hegemony and the Panhellenic space of the sanctuary. Second, none of the inscriptions attests to the creation of international connections among the Greek political agents present on the monument. On the contrary, what predominate here are hermetically arranged associations around the past and present legitimacy of Roman power over the Hellenistic geopolitical order. Third, the spatial arrangement of the inscriptions on the monument keeps the imperator’s initial inscription – placed on the western surface of the pedestal – as its primary focus of epigraphic aggregation until the end of the second century BC, when the Lex de Provinciis Praetoriis redirects its audiences towards the top of the pillar, albeit in an ambivalent manner. The first – and rather superficial – conclusion is that the Paullus monument is an extremely complex aggregation of epigraphic testimonies, reflecting an era whose violent conflicts, accelerated changes and radical reforms make comprehensive study a significant interpretive challenge. However, for a deeper examination, three possible theories are available.
Firstly, the monument could be understood as a carefully orchestrated piece of pro-Roman propaganda.Footnote 64 Nevertheless, the endeavour to identify a so-called ‘language of images’ – where art consists of formal choices dictated by the social and political content intended to be conveyed to diverse and unforeseen recipients – proves difficult to substantiate convincingly in historical terms for this case. This monument and its inscriptions are situated in a historical epoch characterized by the fluctuation of both Roman military goals and Delphic epigraphical authorities, the steadfast power of the Senate and the concerns of Hellenistic allied powers grappling with the unprecedented process of realignment within the new political framework led by Rome.Footnote 65 Moreover, this interpretation tends towards reductionism, focusing solely on continuity at the expense of the complexities inherent in historical phenomena. Specifically, studies predominantly concentrate on the combat frieze, with a tendency to categorize the monument holistically as belonging to the ‘late’ phase of Hellenistic visual propaganda, a ‘prelude’ to imperial artistic propaganda or an artistic unicum.Footnote 66
Secondly, the Paullus monument could be understood as a lieu de mémoire, that is, a ‘place’ or ‘space’ to which a community or collective attributes a range of sentiments and emotions detached from temporality; in other words, a place of commemorative significance.Footnote 67 In this regard, Paullus’ triumphal pillar might commemorate a collective Hellenic experience in the face of Roman conquest, involving diverse emotional and political negotiations. However, despite its initial appeal, the designation proves to be exceedingly complex to examine due to the intricate and fragmentary nature of the evidence available for this historical context. If anything, the epigraphic reuses during this period reveal the lack of a collective consensus concerning the monument’s precise political and emotional significance.Footnote 68 Hence, it is problematic to consistently and clearly identify specific emotional and commemorative processes,Footnote 69 especially since no Delphic ritual or festival ever incorporated the Paullus monument, not even the Romaia festival.Footnote 70
Thirdly, inspired by the theoretical insights of François Dosse, I propose to ponder this historical case from an alternative perspective. In Dosse’s historiographical framework, the concept of the événement (‘event’ or ‘happening’) underscores the disruption and singularity of historical occurrences. This approach highlights the unique and unpredictable nature of events, portraying life and history as a series of distinctive and unforeseeable moments.Footnote 71 This approach aims to elucidate their situated significance, suggesting a nuanced and reflective comprehension of their historicity, which, in this case, assists us in understanding the complex second-century BC Greek epigraphical perception of the Roman conquest. Rather than conventionally interpreting this period of conquest as the conclusion of one historical stage or the precursor to another, Dosse reminds us of the necessity of understanding these events in their particular context, of avoiding ahistorical interpretations and of considering the challenges their comprehension posed for the Greeks.Footnote 72 In this regard, studies centred on Polybius have already shown evidence of Greek communities struggling with the singularity of the Roman événement through literary representations in his work: the western storm or ‘Clouds from the West’, or the virtuous king turned into a monstrous ‘wolf to man’, and Greek public opinion described as a thoughtless mob cheering on an undecided boxing match between Perseus and Rome.Footnote 73 Additionally, it is worth recalling that Polybius himself, through his causal theory, repeatedly strives to apprehend this historical process, which he refers to as an unprecedented and almost incredible event.Footnote 74
The epigraphic reuse of the Paullus monument can then be comprehended within an alternative historical framework, specifically as a monumental testimony to the Hellenistic bewilderment caused by the événement of the Roman conquest. From the late second century BC onwards, Greece found itself thrust into a rapid succession of wars that left many Hellenistic communities perplexed. Faced with this scenario and entangled between political continuity and discontinuity, Roman victories against Greek powers would not have been readily nor unequivocally understood as decisive victories of Rome over Greece as a whole. If anything, the interpretations of these events were always current and varied, each understanding depending on which Greeks were defeated by which Romans at specific times and places. More importantly for Paullus’ monument, the varying perceptions of Roman successes by different communities led them to spatialize their self-identification or association with these victorious Romans through epigraphic means.
It is important to remember that the surfaces of the monument would continue to receive honorific text. In the first century BC, following the Lex de Provinciis Praetoriis, most new inscriptions reverted to more ‘traditional’ locations on the plinth, next to Paullus’ text.Footnote 75 Later, in the first and second centuries AD, ever more inscriptions would reach the upper levels of the column itself,Footnote 76 with a proxeny decree honouring the emperor Trajan crowning the new epigraphical reuse and virtually renaming the monument in imperial terms.Footnote 77 However, notwithstanding these later stages, epigraphic evidence from the last quarter of the second century BC demonstrates how various Greek political actors resiliently endeavoured to proactively mobilize material and ideological resources in order to integrate the Roman victories within traditional epigraphic mechanisms, spatial strategies and universally recognizable honorific systems. Through their epigraphic reuse of Paullus’ victory over Macedonia, Delphi, the Amphictyonic League and foreign communities repeatedly attempted to spatialize and materialize a new geopolitical order. Ultimately, they created a monument that epitomized the acute transitional crisis of their political world-views in the second century BC. The rapid pace of Roman expansionism overwhelmed both Greeks and Romans alike. In this context, Paullus’ monument illustrates the Roman événement and the Hellenistic political strategies intended to endure and adapt to the constantly changing Roman hegemony. Thus, it highlights how Greek Panhellenic honorific practices continually evolved in response to the shifting dynamics between Greek communities and both the Senate and the imperatores.Footnote 78
Acknowledgements
This article is an output of the Fondecyt project No. 3250209, funded by ANID (Agencia Nacional de Investigación y Desarrollo), Chile. I am deeply grateful to Filippo Coarelli, François Cadiou, Laurence Cavalier, Didier Laroche, Anne Jacquemin, Milagros Navarro Caballero, Felipe Soza, Daniel Nieto, Lin Foxhall and Judith Mossman, editors of the Journal of Hellenic Studies, and the anonymous reviewers for their insightful suggestions and comments. Their feedback has been invaluable in refining and enhancing this work. All remaining errors are, of course, my own.
Abbreviations
Choix = Jacquemin, A., Mulliez, D. and Rougemont, G. (2012) Choix d’inscriptions de Delphes (Athens)


