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‘Look out! Get back!’ Horse-drawn traffic and its challenges in Belgian cities in the early modern period

Published online by Cambridge University Press:  04 March 2022

William Riguelle*
Affiliation:
Université Laval, 2325 Rue de l'Université, Québec, QC G1V 0A6, Canada
*
*Corresponding author. Email: william.riguelle.1@ulaval.ca
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Abstract

The horses transporting men and merchandise were key actors in urban development at the very time they placed the city's ability to organize and adapt in doubt. Cities of the southernmost Netherlands and the Principality of Liège were forced to cope with the constant challenge represented by traffic in poorly designed arteries, with a morphology inherited from the medieval period and completely ill-suited to the movement of carriages and wagons. The problem posed by traffic in Belgian cities reached a critical threshold in the seventeenth century, a period in which we observe an increase in the number of horses and harnessed teams. The complications caused by this growing surge culminated in the next century and were marked by the formation of a police force obliged to face the challenge traffic represented. Consequently, numerous urban decisions were taken, transforming both the street's ‘lifestyle’ and physiognomy.

Information

Type
Research Article
Copyright
© The Author(s), 2022. Published by Cambridge University Press
Figure 0

Figure 1. Map of the Principality of Liège in the eighteenth century, indicating the locations of Liège and Namur – the two cities of most interest here – as well as a few large towns in the vicinity.Source: L.-C. Desnos, General Civil and Ecclesiastical Atlas. The French, Austrian and Dutch Netherlands, Divided into Civil and Ecclesiastical Provinces (Paris, 1766). Image retouched by I. Gilles, ‘Les demeures patriciennes et leur organisation intérieure à Liège au XVIIIe siècle. L'influence du modèle français’, University of Liège Ph.D. thesis, 2012, 23.

Figure 1

Figure 2. La place du Meir à Anvers, 1601–1700, oil painting, 90 x 140 cm, Musées royaux des Beaux-Arts de Belgique, Brussels (Institut royal du Patrimoine artistique – IRPA).

Figure 2

Figure 3. Johann Georg Bergmüller, View of the Large Church of Saint Lambert, in Liège [n.d.], Liège, Cabinet des Estampes, inv. 377.