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Books Received

Published online by Cambridge University Press:  10 February 2014

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Type
Books Received
Information
Theatre Research International , Volume 39 , Issue 1 , March 2014, pp. 75 - 77
Copyright
Copyright © International Federation for Theatre Research 2014 

ALDAMA, ARTURO J., SANDOVAL, CHELA and GARCÍA, PETER, eds., Performing the US Latino and Latina Borderlands. Bloomington, IN: Indiana University Press, 2012. Pp. 522. £56/$90 Hb; £22/$35 Pb.

ALFREDS, MIKE, Then What Happens? Storytelling & Adapting for Theatre. London: Nick Hern, 2013. Pp. 464. £14.99 Pb.

BARBER, STEPHEN, The Anatomy of Cruelty. Antonin Artaud: Life and Works. London: Sun Vision Press, 2013. Pp. 272. £17.95 Pb.

BARRANGER, MILLY, Audrey Wood and the Playwrights. Basingstoke: Palgrave Macmillan, 2012. £53/$85 Hb; £17.45/$28 Pb.

BECKER, FLORIAN NIKOLAS, HERNANDEZ, PAOLA and WERTH, BRENDA, eds., Imagining Human Rights in Twenty-First Century Theatre. Basingstoke: Palgrave Macmillan, 2013. Pp. 326. £53/$85 Hb.

BLAU, HERBERT, Programming Theatre History. London and New York: Routledge, 2013. Pp. 224. £80/$136 Hb; £24.99/$41.95 Pb.

BLOOM, ARTHUR W., Edwin Booth: A Biography and Performance History. Jefferson, NC and London: McFarland & Co., 2013. Pp. 358. £49.50 Hb.

CANTRELL, TOM, Acting in Documentary Theatre. Basingstoke: Palgrave, 2013. Pp. 208. £53/$85 Hb; £19.95/$32 Pb.

CLAYTON, J. DOUGLAS and MEERZON, YANA, eds., Adapting Chekhov: The Text and Its Mutations. New York: Routledge, 2013. Pp. 316. £90/$130 Hb.

CONROY, COLETTE, Theatre & the Body. Basingstoke and New York: Palgrave, 2013. Pp. 96. £5.99 Pb.

COOK, NICHOLAS and PETTENGILL, RICHARD, eds., Taking It to the Bridge: Music as Performance. Ann Arbor: University of Michigan Press, 2013. Pp. 400. £59/$95Hb; £22/$35 Pb.

COUSIN, GERALDINE. Playing for Time: Stories of Lost Children, Ghosts and the Endangered Present in Contemporary Theatre. Manchester: Manchester University Press, 2013. Pp. 192. £14.99/$24.95 Pb.

DAVISON, JON, Clown. Readings in Theatre Practice. Basingstoke: Palgrave Macmillan, 2013. Pp. 344. £60/$96 Hb; £24.99/$40 Pb.

DOLAN, JILL, The Feminist Spectator in Action: Feminist Criticism for the Stage and Screen. Basingstoke: Palgrave, 2013. Pp. 248. £50/$80 Hb; £16/$26 Pb.

DORNEY, KATE and GRAY, FRANCES, Played in Britain: Modern Theatre in 100 Plays. London: Bloomsbury, 2013. Pp. 223. £25 Hb.

ESSIF, LES, American ‘Unculture’ in French Drama: Homo Americanus and the Post-1960 French Resistance. Basingstoke and New York: Palgrave, 2013. Pp. 341. £50 Hb.

FIFIELD, PETER and ADDYMAN, DAVID, eds., Samuel Beckett: Debts and Legacies. New Critical Essays. London: Bloomsbury, 2013. Pp. 244. £65 Hb.

FLOM, JONATHAN, Act Like It's Your Business: Branding and Marketing Strategies for Actors. Lanham, Toronto and Plymouth: Scarecrow, 2013. Pp. 245. $26 Pb.

GLUHOVIC, MILIJA, Performing European Memories: Trauma, Ethics, Politics. Basingstoke and New York: Palgrave, 2013. Pp. 322. £55 Hb.

HAYTER-MENZIES, GRANT, Shadow Woman: The Extraordinary Career of Pauline Benton. Montreal, QC: McGill-Queen's University Press, 2013. Pp. 268. £18/$29 Hb.

HINDSON, CATHERINE, Female Performance Practice on the Fin-de-Siècle Popular Stages of London and Paris: Experiment and Advertisement. Manchester: Manchester University Press, 2013. Pp. 240. £14.99/$24 Pb.

HOLMES, SEAN P., Weavers of Dreams, Unite! Actors’ Unionism in Early Twentieth-Century America. Urbana-Champaign: University of Illinois Press, 2013. Pp. 240. £37.40/$60 Hb.

HUTCHISON, YVETTE, South African Performance and Archives of Memory. Manchester: Manchester University Press, 2013. Pp. 256. £65/$104 Hb.

JACKSON, ANTHONY and VINE, CHRIS, eds. Learning through Theatre: The Changing Face of Theatre in Education, 3rdedn.New York: Routledge, 2013 (first published 1993). Pp. 338. £81/$130 Hb; £20/$32.95 Pb.

JOHNSON, DOMINIC, Theatre & the Visual. Basingstoke and New York: Palgrave, 2013. Pp. 82. £5.99 Pb.

JOHNSON, STEPHEN, ed., Burnt Cork: Traditions and Legacies of Blackface Minstrelsy. Amherst: University of Massachusetts Press, 2012. Pp. 266. £50/$80 Hb; £18/$28.95 Pb.

KIPPOLA, KARL M., Acts of Manhood: The Performance of Masculinity on the American Stage, 1828–1865. Basingstoke and New York: Palgrave, 2012. Pp. 251. £55 Hb.

KUPPERS, PETRA, Disability Culture and Community Performance: Find a Strange and Twisted Shape. Basingstoke: Palgrave, 2013. Pp. 296. £56/$90 Hb; £18/$29 Pb.

LAVERY, CARL, The Politics of Jean Genet's Late Theatre: Spaces of Revolution. Manchester: Manchester University Press, 2010. Pp. 272. £56/$90 Hb.

LEHMAN, SUSAN BETH, Directors: From Stage to Screen and Back Again. Chicago: Intellect, 2013. Pp. 177. £18.70/$30 Pb.

LICHTENFELS, PETER and ROUSE, JOHN, Performance, Politics and Activism. Basingstoke and New York: Palgrave, 2013. Pp. 274. £50 Hb.

MCCUTCHEON, JADE ROSINA and SELLERS-YOUNG, BARBARA, eds., Embodied Consciousness: Performance Technologies. Basingstoke and New York: Palgrave, 2013. Pp. 229. £50 Hb.

MACHON, JOSEPHINE, Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke and New York: Palgrave, 2013. Pp. 324. £19.99 Pb.

MAGNAT, VIRGINIE, Grotowski, Women, and Contemporary Performance: Meetings with Remarkable Women. New York: Routledge, 2014. Pp. 244. £78/$125 Hb.

MAJOR, PHILIP, ed., Thomas Killigrew and the Seventeeth-Century English Stage: New Perspectives. Farnham: Ashgate, 2013. Pp. 223. £49.50 Hb.

MANGAN, MICHAEL, The Drama, Theatre, and Performance Companion. Palgrave Student Companion Series. Basingstoke: Palgrave, 2013. Pp. 376. £19.95/$32 Pb.

MIDDLETON, THOMAS, A Trick to Catch the Old One, ed. MULLHOLLAND, PAUL A.. Manchester: Manchester University Press, 2013. Pp. 320. £65 Hb.

NEVITT, LUCY. Theatre & Violence. Basingstoke: Palgrave, 2013. Pp. 96. £6.25/$10 Pb.

NIELSEN, LARA D. and YBARRA, PATRICIA, eds., Neoliberalism and Global Theatres: Performance Permutations. Basingstoke and New York: Palgrave, 2013. Pp. 316. £55 Hb.

ORTIZ, JOSEPH M., ed., Shakespeare and the Culture of Romanticism. Farnham: Ashgate, 2013. Pp. 294. £60 Hb.

OVADIJA, MLADEN, Dramaturgy of Sound in the Avant-Garde and Postdramatic Theatre. Montreal, QC: McGill-Queen's University Press, 2013. Pp. 264. £59/$95 Hb.

PALMER, SCOTT, ed., Light. Basingstoke and New York: Palgrave, 2013. Pp. 301. £22.99 Pb.

PRENDERGAST, MONICA and SAXTON, JULIANA, Applied Drama: A Facilitator's Handbook for Working in Community. Bristol and Chicago: Intellect, 2013. Pp. 241. £15.95 Pb.

PREST, JULIA, Theatre under Louis XIV: Cross-casting and the Performance of Gender in Drama, Ballet, and Opera. Basingstoke: Palgrave, 2013. Pp. 195. £16.85/$27 Pb.

PROUDFIT, SCOTT and SYSSOYEVA, KATHRYN MEDEROS, eds., A History of Collective Creation. Basingstoke: Palgrave, 2013. Pp. 276. £53/$85 Hb.

RADBOURNE, JENNIFER, GLOW, HILARY and JOHANSON, KATYA, eds., The Audience Experience: A Critical Analysis of Audiences in the Performing Arts. Bristol and Chicago: Intellect, 2013. Pp. 184. £45 Hb.

RADOSAVLJEVIĆ, DUŠKA, ed., The Contemporary Ensemble: Interviews with Theatre-Makers. London: Routledge, 2013. Pp. 284. £74.80/$120 Hb; £22.40/$36 Pb.

RADOSAVLJEVIĆ, DUŠKA. Theatre-Making: Interplay between Text and Performance in the 21st Century. Basingstoke: Palgrave, 2013. Pp. 288. £53/$85 Hb; £17.45/$28 Pb.

REEVE, SANDRA, ed., Body and Performance. Axminster: Triarchy Press, 2013. Pp. 186. £20 Pb.

RIVERA-SERVERA, RAMÓN. Performing Queer Latinidad: Dance, Sexuality, Politics. Ann Arbor: University of Michigan Press, 2012. Pp. 272. £46.75/$75 Hb; £20.25/$32.50 Pb.

ROYSTER, FRANCESCA, Sounding Like a No-No: Queer Sounds and Eccentric Acts in the Post-Soul Era. Ann Arbor: University of Michigan Press, 2013. Pp. 256. £53/$85 Hb; £20.25/$32.50 Pb.

SELL, MIKE, The Avant-Garde: Race, Religion, War. Chicago: Seagull Books, 2012. Pp. 355. £15.60/$25 Pb.

SHEPHERD, SIMON, Direction: Readings in Theatre Practice. Basingstoke: Palgrave, 2012. Pp. 248. £60/$96.25 Hb; £22.99/$36.88 Pb.

SOLGA, KIM, Violence against Women in Early Modern Performance: Invisible Acts. Basingstoke: Palgrave Macmillan, 2013 (first published 2009). Pp. 232. £60/$95 Hb; £18/$29 Pb.

STEVENS, ANDREA RIA, Inventions of the Skin: The Painted Body in Early English Drama 1400–1642. Edinburgh: Edinburgh University Press, 2013. Pp. 176. $120 Hb.

STOLLER, TERRY, Tales of the Tricycle Theatre. London: Bloomsbury, 2013. Pp. 285. £16.99 Pb.

SYMONDS, DOMINIC and KARANTONIS, PAMELA, eds., The Legacy of Opera: Reading Music Theatre as Experience and Performance. Amsterdam and New York: Rodopi, 2013. Pp. 269. €56 Pb.

THORNBURY, BARBARA E., America's Japan and Japan's Performing Arts: Cultural Mobility and Exchange in New York, 1952–2011. Ann Arbor: University of Michigan Press, 2013. Pp. 280. £43.60/$70 Hb.

TIAN, MIN, Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced. Basingstoke: Palgrave, 2012. Pp. 320. £62.30/$100 Hb.

UMAN, DEBORAH and MORRISON, SARA, eds., Staging the Blazon in Early Modern English Theater. Farnham: Ashgate, 2013. Pp. 220. £55 Hb.

VARNEY, DENISE, ECKERSALL, PETER, HUDSON, CHRIS and HATLEY, BARBARA, eds., Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era. Basingstoke: Palgrave Macmillan, 2013. Pp. 272 + illus. £50 Hb.

VAZQUEZ, ALEXANDRA T., Listening in Detail: Performances of Cuban Music. Durham, NC: Duke University Press, 2013. Pp. 352. £56/$89.95 Hb; £15.55/$24.95 Pb.

WEISS, KATHARINE, The Plays of Samuel Beckett. London: Methuen Drama, 2013. Pp. 304. £16.99 Hb.

WITHAM, BARRY, A Sustainable Theatre: Jasper Deeter at Hedgerow. Basingstoke: Palgrave, 2013. Pp. 204. £50/$80 Hb.

YOUNG, HARVEY, Theatre & Race. Basingstoke: Palgrave, 2013. Pp. 88. £6.25/$10 Pb.