Sound and Movie examples from this issue 25(2) can be found online at the journal’s website: http://cambridge.org/oso.
İpek Görgün
Exploring Temporality in Horacio Vaggione’s Compositional Thought
7 Sound examples
Sound example 1: 24 Variations – 1′03″
Sound example 2: 24 Variations – 0′26″
Sound example 3: Thema – 0′48″
Sound example 4: Thema – 0′22″
Sound example 5: Thema – 1′02″
Sound example 6: Thema – 2′12″
Sound example 7: Thema – 1′46″
Felipe Otondo and Victor Poblete
Using a Sonic Time-Lapse Method as a Compositional Tool
4 Sounds examples
Sound example 1: Parque Urbano El Bosque wetland time-lapse A – 0′46″
Sound example 2: Parque Urbano El Bosque wetland time-lapse B – 1′30″
Sound example 3: Parque Urbano El Bosque wetland time-lapse C – 3′01″
Sound example 4: Parque Urbano El Bosque wetland time-lapse D – 6′03″
Aki Pasoulas
Timescales and the Factors Influencing Time Perception
3 Sound examples
Sound example 1: Comparison with short durations – 0′06″
Sound example 2: Comparison with long durations – 1′22″
Sound example 3: Three discrete timescales – 0′41″ (excerpt from Chronos, unpublished work by Aki Pasoulas; duration of work 11′08″)