Hostname: page-component-7b7567c8c-tnzcf Total loading time: 0 Render date: 2026-11-14T20:05:42.852Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  04 September 2012

Abstract

An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.

Information

Type
Books Received
Information
Theatre Research International , Volume 37 , Issue 3 , October 2012, pp. 299 - 300
Copyright
Copyright © International Federation for Theatre Research 2012

ARENT SAFIR, MARGERY, ed., Robert Wilson from Within. Woodstock: Flammarion, 2012. Pp. 336 + 200 illus. £40 Hb.

BAIRD, BRUCE, Hijikata Tatsumi and Butoh: Dancing in a Pool of Gray Grits. New York: Palgrave Macmillan, 2012. Pp. 310. £58/$95 Hb.

BRADLEY, LAURA AND LEEDER, KAREN, Brecht and the GDR: Edinburgh German Yearbook, Vol. V. Woodbridge: Boydell and Brewer, 2012. Pp. 250. £40 Hb.

BRADWELL, MIKE, Inventing the Truth. London: Nick Hern Books, 2012. Pp. 224. £10.99 Pb.

BRADY, SARA, Performance, Politics, and the War on Terror: ‘Whatever It Takes’. New York: Palgrave Macmillan, 2012. Pp. 224. £50/$85 Hb.

BÜCHNER, GEORG, Georg Büchner: The Major Works. Ed. Smith, Mathew Wilson. Trans. Schmidt, Henry. New York: W. W. Norton & Company, 2012. Pp. 432. £8.95/$15 Pb.

COCHRANE, CLARE, Twentieth-Century British Theatre: Industry, Art and Empire. Cambridge: Cambridge University Press, 2012. Pp. 364. £55/$99 Hb.

DE SOMOGYI, NICK, ed., Shakespeare on Theatre. London: Nick Hern Books, 2012. Pp. 232. £10.99 Pb.

DI BENEDETTO, STEPHEN, An Introduction to Theatre Design. London and New York: Routledge, 2012. Pp. 219. £29.99 Pb.

DILLON, JANETTE, Shakespeare and the Staging of English History. Oxford: Oxford University Press, 2012, Pp. 160. £14.99 Pb.

ENTERLINE, LYNN, Shakespeare's Schoolroom: Rhetoric, Discipline, Emotion. Philadelphia: University of Pennsylvania Press, 2012. Pp. 208. £29.50/$45 Hb.

FÉRAL, JOSETTE, Theory and Practice of the Theater. Montpellier: L'Entretemps, 2011. Pp. 448. €28.40 Pb.

F ISCHER, BERND AND MEHIGAN, TIM, eds., Heinrich von Kleist and Modernity. Woodbridge: Boydell and Brewer, 2012. Pp. 314. £45 Hb.

GERSTMAN, ELINA, Thresholds of Medieval Visual Culture. Woodbridge: Boydell and Brewer, 2012. Pp. 406. £60 Hb.

GHOSH, ARJUN, A History of the Jana Natya Manch: Plays for the People. New Delhi: SAGE, 2012. Pp. 328. £37.50 Hb.

GOLDSBY, ROBERT W., Molière on Stage. What's So Funny? London, New York and Delhi: Anthem, 2012. Pp. 202. £60 Pb.

HERCHER, JUTTA AND URBAN, PETER, eds., Checkov on Theatre. London: Nick Hern Books, 2012. Pp. 256. £10.99 Pb.

HINTON, STEPHEN, Weill's Musical Theater: Stages of Reform. Berkeley: University of California Press, 2012. Pp. 592. £34.95/$49.95 Hb.

HOLMBERG, ARTHUR, David Mamet and American Macho. New York: Cambridge University Press, 2012. Pp. 322. £55/$90 Hb.

HUGHES, ALAN, Performing Greek Comedy. New York: Cambridge University Press, 2012. Pp. 328. £60/$99 Hb.

JEFFERS, ALISON, Refugees, Theatre and Crisis. Basingstoke: Palgrave/Macmillan, 2012. Pp. 216. £50 Hb.

LAGAAY, ALICE AND LORBER, MICHAEL, eds., Destruction in the Performative. Amsterdam: Rodopi, 2012. Pp. 222. £38 Pb.

MALAGUE, ROSEMARY, An Actress Prepares: Women and the ‘Method’. London and New York: Routledge, 2012. Pp. 243. £19.99 Pb.

MEERZON, YANA, Performing Exile, Performing Self: Drama, Theatre, Film. Basingstoke: Palgrave Macmillan, 2012. Pp. 350. £60 Hb.

PLUTA, IZABELLA, L'acteur et l'intermedialité. Lausanne: L'age de l'homme, 2012. Pp. 396. €35 Hb.

REBSTOCK, MATTHIAS AND ROESNER, DAVID, eds., Composed Theatre Aesthetics, Practices, Processes. Bristol and Chicago: Intellect, 2012. Pp. 367. £45/$60 Hb.

ROESNER, DAVID AND REBSTOCK, MATTHIAS, eds., Composed Theatre: Aesthetics, Practices, Processes. London: Intellect, 2012. Pp. 367. £45 Hb.

RUTTER, TOM, The Cambridge Introduction to Christopher Marlowe. Cambridge: Cambridge University Press, 2012. Pp. 168. £12.99/$19.99 Pb; £45/$75 Hb.

STOURNA, ATHÉNA-HÉLÈNE, La cuisine à la scène. Rennes: Presses universitaires de Rennes, 2012. Pp. 340. €20 Pb.

STREETE, ADRIAN, ed., Early Modern Drama and the Bible. Basingstoke: Palgrave Macmillan, 2012. Pp. 280. £50 Hb.

VANDERBEEKEN, ROBRECHT, STALPAERT, CHRISTEL, DEPESTEL, DAVID AND DEBACKERE, BORIS, eds., Bastard or Playmate: Adapting Theatre, Mutating Media and the Contemporary Performing Arts. Amsterdam: Amsterdam University Press, 2012. Pp. 264. £22.50 Pb.

WALSH, F INTAN, ed., Queer Notions: New Plays and Performances from Ireland. Cork: Cork University Press, 2012. Pp. 276. £35 Hb.

WALSH, IAN R., Experimental Irish Theatre: After W. B. Yeats. Basingstoke: Palgrave Macmillan, 2012. Pp. 202. £50 Hb.

WELTON, MARTIN, Feeling Theatre. Basingstoke: Palgrave Macmillan, 2012. Pp. 200. £50 Hb.

WHEELER, DUNCAN, Golden Age Drama in Contemporary Spain. Cardiff: Wales University Press, 2012, Pp. 256 + 19 illus. £19.99 Hb.

WILLIAMS, DAVID AND LAVERY, CARL, eds., Good Luck Everybody: Lone Twin: Journeys, Performances, Conversations. Aberyswyth: Performance Research Books, 2011. Pp. 363. £33.50 Pb.

References

ARENT SAFIR, MARGERY, ed., Robert Wilson from Within. Woodstock: Flammarion, 2012. Pp. 336 + 200 illus. £40 Hb.Google Scholar
BAIRD, BRUCE, Hijikata Tatsumi and Butoh: Dancing in a Pool of Gray Grits. New York: Palgrave Macmillan, 2012. Pp. 310. £58/$95 Hb.CrossRefGoogle Scholar
BRADLEY, LAURA AND LEEDER, KAREN, Brecht and the GDR: Edinburgh German Yearbook, Vol. V. Woodbridge: Boydell and Brewer, 2012. Pp. 250. £40 Hb.Google Scholar
BRADWELL, MIKE, Inventing the Truth. London: Nick Hern Books, 2012. Pp. 224. £10.99 Pb.Google Scholar
BRADY, SARA, Performance, Politics, and the War on Terror: ‘Whatever It Takes’. New York: Palgrave Macmillan, 2012. Pp. 224. £50/$85 Hb.CrossRefGoogle Scholar
BÜCHNER, GEORG, Georg Büchner: The Major Works. Ed. Smith, Mathew Wilson. Trans. Schmidt, Henry. New York: W. W. Norton & Company, 2012. Pp. 432. £8.95/$15 Pb.Google Scholar
COCHRANE, CLARE, Twentieth-Century British Theatre: Industry, Art and Empire. Cambridge: Cambridge University Press, 2012. Pp. 364. £55/$99 Hb.Google Scholar
DE SOMOGYI, NICK, ed., Shakespeare on Theatre. London: Nick Hern Books, 2012. Pp. 232. £10.99 Pb.Google Scholar
DI BENEDETTO, STEPHEN, An Introduction to Theatre Design. London and New York: Routledge, 2012. Pp. 219. £29.99 Pb.Google Scholar
DILLON, JANETTE, Shakespeare and the Staging of English History. Oxford: Oxford University Press, 2012, Pp. 160. £14.99 Pb.Google Scholar
ENTERLINE, LYNN, Shakespeare's Schoolroom: Rhetoric, Discipline, Emotion. Philadelphia: University of Pennsylvania Press, 2012. Pp. 208. £29.50/$45 Hb.Google Scholar
FÉRAL, JOSETTE, Theory and Practice of the Theater. Montpellier: L'Entretemps, 2011. Pp. 448. €28.40 Pb.Google Scholar
F ISCHER, BERND AND MEHIGAN, TIM, eds., Heinrich von Kleist and Modernity. Woodbridge: Boydell and Brewer, 2012. Pp. 314. £45 Hb.Google Scholar
GERSTMAN, ELINA, Thresholds of Medieval Visual Culture. Woodbridge: Boydell and Brewer, 2012. Pp. 406. £60 Hb.Google Scholar
GHOSH, ARJUN, A History of the Jana Natya Manch: Plays for the People. New Delhi: SAGE, 2012. Pp. 328. £37.50 Hb.Google Scholar
GOLDSBY, ROBERT W., Molière on Stage. What's So Funny? London, New York and Delhi: Anthem, 2012. Pp. 202. £60 Pb.CrossRefGoogle Scholar
HERCHER, JUTTA AND URBAN, PETER, eds., Checkov on Theatre. London: Nick Hern Books, 2012. Pp. 256. £10.99 Pb.Google Scholar
HINTON, STEPHEN, Weill's Musical Theater: Stages of Reform. Berkeley: University of California Press, 2012. Pp. 592. £34.95/$49.95 Hb.Google Scholar
HOLMBERG, ARTHUR, David Mamet and American Macho. New York: Cambridge University Press, 2012. Pp. 322. £55/$90 Hb.Google Scholar
HUGHES, ALAN, Performing Greek Comedy. New York: Cambridge University Press, 2012. Pp. 328. £60/$99 Hb.Google Scholar
JEFFERS, ALISON, Refugees, Theatre and Crisis. Basingstoke: Palgrave/Macmillan, 2012. Pp. 216. £50 Hb.CrossRefGoogle Scholar
LAGAAY, ALICE AND LORBER, MICHAEL, eds., Destruction in the Performative. Amsterdam: Rodopi, 2012. Pp. 222. £38 Pb.CrossRefGoogle Scholar
MALAGUE, ROSEMARY, An Actress Prepares: Women and the ‘Method’. London and New York: Routledge, 2012. Pp. 243. £19.99 Pb.Google Scholar
MEERZON, YANA, Performing Exile, Performing Self: Drama, Theatre, Film. Basingstoke: Palgrave Macmillan, 2012. Pp. 350. £60 Hb.CrossRefGoogle Scholar
PLUTA, IZABELLA, L'acteur et l'intermedialité. Lausanne: L'age de l'homme, 2012. Pp. 396. €35 Hb.Google Scholar
REBSTOCK, MATTHIAS AND ROESNER, DAVID, eds., Composed Theatre Aesthetics, Practices, Processes. Bristol and Chicago: Intellect, 2012. Pp. 367. £45/$60 Hb.Google Scholar
ROESNER, DAVID AND REBSTOCK, MATTHIAS, eds., Composed Theatre: Aesthetics, Practices, Processes. London: Intellect, 2012. Pp. 367. £45 Hb.Google Scholar
RUTTER, TOM, The Cambridge Introduction to Christopher Marlowe. Cambridge: Cambridge University Press, 2012. Pp. 168. £12.99/$19.99 Pb; £45/$75 Hb.CrossRefGoogle Scholar
STOURNA, ATHÉNA-HÉLÈNE, La cuisine à la scène. Rennes: Presses universitaires de Rennes, 2012. Pp. 340. €20 Pb.Google Scholar
STREETE, ADRIAN, ed., Early Modern Drama and the Bible. Basingstoke: Palgrave Macmillan, 2012. Pp. 280. £50 Hb.CrossRefGoogle Scholar
VANDERBEEKEN, ROBRECHT, STALPAERT, CHRISTEL, DEPESTEL, DAVID AND DEBACKERE, BORIS, eds., Bastard or Playmate: Adapting Theatre, Mutating Media and the Contemporary Performing Arts. Amsterdam: Amsterdam University Press, 2012. Pp. 264. £22.50 Pb.Google Scholar
WALSH, F INTAN, ed., Queer Notions: New Plays and Performances from Ireland. Cork: Cork University Press, 2012. Pp. 276. £35 Hb.Google Scholar
WALSH, IAN R., Experimental Irish Theatre: After W. B. Yeats. Basingstoke: Palgrave Macmillan, 2012. Pp. 202. £50 Hb.CrossRefGoogle Scholar
WELTON, MARTIN, Feeling Theatre. Basingstoke: Palgrave Macmillan, 2012. Pp. 200. £50 Hb.CrossRefGoogle Scholar
WHEELER, DUNCAN, Golden Age Drama in Contemporary Spain. Cardiff: Wales University Press, 2012, Pp. 256 + 19 illus. £19.99 Hb.Google Scholar
WILLIAMS, DAVID AND LAVERY, CARL, eds., Good Luck Everybody: Lone Twin: Journeys, Performances, Conversations. Aberyswyth: Performance Research Books, 2011. Pp. 363. £33.50 Pb.Google Scholar