BLEEKER, MAAIKE, SHERMAN, JON FOLEY and NEDELKOPOULOU, EIRINI, eds., Performance and Phenomenology: Traditions and Transformations. London and New York: Routledge, 2015. Pp. 264. £81/$148 Hb.
CABRANES-GRANT, LEO, From Scenarios to Networks: Performing the Intercultural in Colonial Mexico. Evanston, IL: Northwestern University Press, 2016. Pp. 208. $99.95 Hb; $34.95 Pb.
CAIRNS, DOUGLAS, Sophocles: Antigone. London and New York: Bloomsbury Academic, 2016. Pp. 256. £19.99/$29.95 Pb.
CHEN, XIAOMEI, Staging Chinese Revolution: Theatre, Film, and the Afterlife of Propaganda. New York: Columbia University Press, 2016. Pp. 384. £44/$60 Hb.
DOX, DONALEE, Reckoning with Spirit in the Paradigm of Performance. Ann Arbor: University of Michigan Press, 2016. Pp. 282. £78.50/$85 Hb; £36.50/$39.50 Pb.
GOODLANDER, JENNIFER, Women in the Shadows: Gender, Puppets, and the Power of Tradition in Bali. Athens: Ohio University Press, 2016. Pp. 216 + 21 illus. $29.95 Pb.
GORDON, ROBERT, JUBIN, OLAF and TAYLOR, MILLIE, British Musical Theatre since 1950. London and New York: Bloomsbury Methuen Drama, 2016. Pp. 288 + 15 illus. £21.99/$29.95 Pb.
JANNARONE, KIMBERLY, ed., Vanguard Performance beyond Left and Right. Ann Arbor: University of Michigan Press, 2015. Pp. 334. £64.50/$70 Hb.
JOHNSON, E. PATRICK and RIVERA-SERVERA, RAMÓN H., eds., Blacktino Queer Performance. Durham, NC: Duke University Press, 2016. Pp. 584. + 23 illus. £99/$119.95 Hb; £28.99/$34.95 Pb.
KORNHABER, DAVID, The Birth of Theatre from the Spirit of Philosophy: Nietzsche and the Modern Drama. Evanston, IL: Northwestern University Press, 2016. £80/$99.95 Hb; £28/$34 Pb.
LAKE, PETER, How Shakespeare Put Politics on the Stage: Power and Succession in the History Plays. New Haven, CT: Yale University Press, 2017. Pp. 688. $37.50 Hb.
LEWIS, MEGAN, Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life. Iowa City: University of Iowa Press, 2016. Pp. 272. £43.21/$55 Pb.
MORRA, IRENE, Verse Drama in England, 1900–2015: Art, Modernity and the National Stage. London and New York: Bloomsbury Methuen Drama, 2016. Pp. 304. £21.99/$29.95 Pb.
PRESTON, SHEILA, ed., Applied Theatre Facilitation: Pedagogies, Practices, Resilience. London and New York: Bloomsbury Methuen Drama, 2016. Pp. 272. £21.99/$29.95 Pb.
RADOSAVLJEVIĆ, DUŠKA, ed., Theatre Criticism: Changing Landscapes. London and New York: Bloomsbury Methuen Drama, 2016. Pp. 352. £21.99/$29.95 Pb.
ROMANSKA, MAGDA and ACKERMAN, ALAN, eds., Reader in Comedy: An Anthology of Theory and Criticism. London and New York: Bloomsbury Methuen Drama, 2016. Pp. 392. £28.99/$39.95 Pb.
SACK, DANIEL, After Live: Possibility, Potentiality, and the Future of Performance. Ann Arbor: University of Michigan Press, 2015. Pp. 272. £69.50/$75 Hb; £39.50/$34.95 Pb.
SALZ, JONAH, ed., A History of Japanese Theatre. Cambridge: Cambridge University Press, 2016. Pp. 589 + 69 illus. £99.99/$155 Hb.
THOMAS, JAMES, A Director's Guide to Stanislavsky's Active Analysis: Including the Formative Essay on Active Analysis by Maria Knebel. London and New York: Bloomsbury Methuen Drama, 2016. Pp. 192. £21.99/$29.95 Pb.
