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Mixing, migration, and racial determination: Flinders Petrie’s interwar lessons for defining Jewishness

Published online by Cambridge University Press:  17 June 2026

Eva Miller*
Affiliation:
History Department, UCL, London, UK
Debbie Challis
Affiliation:
Department of Archaeology, Classics and Egyptology, University of Liverpool, Liverpool, UK
*
Corresponding author: Eva Miller; Email: eva.rose.miller@gmail.com

Abstract

Content of image described in text.

Sir W. M. Flinders Petrie’s lifelong beliefs in race science and eugenics underlay his significant work as an archaeologist and Egyptologist. His detection of race in ancient art provided a basis for other scholars’ construction of racial typologies, while his commitment to colonialist paradigms of excavation moved numerous objects, and human remains, from Egypt and Palestine to Britain. In the 1930s, in two letters to The Times and The Palestine Post, the ageing Petrie came out against Nazi understandings of race, arguing that ‘foreign migration has been the making of Britain.’ Petrie’s claims reflected his understanding of civilisation, in antiquity and today, as a product of the ‘right sort’ of racial mixing through migration of the fit, hearty, and talented. This critical reflection considers the role of archaeology in constructing race, taking Petrie’s work on migration as a case study and situating it in wider intellectual trends of the time. Understanding how Petrie’s racial logic allowed him to oppose Nazism while promoting eugenic ‘weeding’, allows us to move beyond simplistic understandings of early twentieth-century race science. We can then detect the pernicious persistence of frameworks from this discipline in popular discourses about migration and culture in Britain today.

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Creative Commons
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This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0), which permits non-commercial re-use, distribution, and reproduction in any medium, provided that no alterations are made and the original article is properly cited. The written permission of Cambridge University Press or the rights holder(s) must be obtained prior to any commercial use and/or adaptation of the article.
Copyright
© The Author(s), 2026. Published by Cambridge University Press.
Figure 0

Figure 1. Henry Wallis, Excavating in Egypt: Professor Petrie at Thebes (1895), UCL EDC2674.

Figure 1

Figure 2. A page from Petrie’s Racial Photographs (1887), interpreting Egyptian art as representations of ‘races’. Public domain.

Figure 2

Figure 3. Akhenaten’s ‘Death Mask’, frontispiece for Petrie’s Amarna excavations publication (1894). Public domain.

Figure 3

Figure 4. James Henry Breasted repackaging images and ideas from W. M. Flinders Petrie and Felix von Luschan in his Ancient Times (1916, p. 240). Public domain.Figure 4 long description.

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