Hostname: page-component-7b7567c8c-kwt9d Total loading time: 0 Render date: 2026-11-12T11:50:32.480Z Has data issue: false hasContentIssue false

The People as a Natural Disaster: Redemptive Violence in Jacobin Political Thought

Published online by Cambridge University Press:  27 July 2017

KEVIN DUONG*
Affiliation:
Bard College
*
Kevin Duong is Assistant Professor of Political Studies at Bard College. Mailing address: 753 Broadway, Apt. 7, Kingston, NY12401, 865-548-9937, kduong@bard.edu.
Rights & Permissions [Opens in a new window]

Abstract

The trial and execution of Louis XVI served as a founding act of French republican democracy. It was also a scene of irregular justice: no legal warrants or procedural precedents existed for bringing a king to justice before the law. This essay describes how Jacobins crafted a new language of popular agency to overcome that obstacle—the language of redemptive violence. Although redemptive violence had roots in prerevolutionary notions of penal justice and social cohesion, its philosophical ambitions were revolutionary and modern. Analyzing that language illuminates how republican democracy weaponized a distinctive ideology of extralegal violence at its origins. It also helps explain redemptive violence's enduring appeal during and after the French Revolution.

Information

Type
Research Article
Copyright
Copyright © American Political Science Association 2017 
Figure 0

FIGURE 1.Prise du palais des Tuileries, 10 août 1792, painting by Jacques Bertaux.

Figure 1

FIGURE 2.A medallion in memory of the August 10, 1792 assault on the Tuileries, medallion by Benjamin Duvivier [1792].

Figure 2

FIGURE 3.Allégorie sur la journée du 10 août 1792, unknown provenance. Bibliothèque Nationale de France, Département Estampes et Photographie.

Figure 3

FIGURE 4.“Sans Union Point de Force, Sans Force Point de Liberté,” unattributed (c. 1793). Stanford University Libraries, French Revolution Digital Archive.

Figure 4

FIGURE 5.Benjamin West, “Benjamin Franklin Drawing Lightning from the Sky” (c. 1816). Philadelphia Museum of Art.

Submit a response

Comments

No Comments have been published for this article.