Hostname: page-component-74656f9884-7drmj Total loading time: 0 Render date: 2026-11-05T04:22:36.167Z Has data issue: false hasContentIssue false
  • English
  • Français

Introduction to the Special Issue on Composers’ Perspectives on Music and Politics Today – ERRATUM

Published online by Cambridge University Press:  15 June 2026

Marie-Hélène Benoit-Otis Open the ORCID record for Marie-Hélène Benoit-Otis [Opens in a new window] ,
Robert Hasegawa  and
Luis Velasco-Pufleau Open the ORCID record for Luis Velasco-Pufleau [Opens in a new window]
Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.

Information

Type
Erratum
Information
Twentieth-Century Music , First View , pp. 1
Check for updates
Copyright
© The Author(s), 2026. Published by Cambridge University Press.

Cambridge University Press and Assessment would like to apologise for an error in the article as originally published. On page 8, the original sentence read ‘But in XLIII Memoriam Vivere, Jiménez’s approach is quite different: the goal is not so much to give the disappeared students a voice as to keep their memory alive, as in Luigi Nono’s Como una fuerza ola de fuerza y luz (1972).’ It should have read ‘But in XLIII Memoriam Vivere, Jiménez’s approach is quite different: the goal is not so much to give the disappeared students a voice as to keep their memory alive, as in Luigi Nono’s Como una ola de fuerza y luz (1972).’ This has been updated.

References

Benoit-Otis, M-H, Hasegawa, R, Velasco-Pufleau, L. ‘Introduction to the Special Issue on Composers’ Perspectives on Music and Politics Today’. Twentieth-Century Music. 2026;23(1):1-14. https://doi.org/10.1017/S1478572225100145CrossRefGoogle Scholar