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Books Received

Published online by Cambridge University Press:  12 November 2018

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Information

Type
Books Received
Information
Theatre Research International , Volume 43 , Issue 2 , July 2018, pp. 241 - 242
Copyright
Copyright © International Federation for Theatre Research 2018 

  • Babbage, Frances, Adaptation in Contemporary Theatre: Performing Literature. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 272. £75 Hb; £28.99 Pb.

  • Brejzek, Thea and Wallen, Lawrence, The Model as Performance: Staging Space in Theatre and Architecture. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 200 + 30 illus. £75/$102 Hb.

  • Brodie, Jeraldine, The Translator on Stage. London and New York: Bloomsbury Academic, 2017. Pp. 208 + 16 illus. £23/$29.95 Pb.

  • Cantoni, Vera, New Playwriting at Shakespeare's Globe. London and New York: Bloomsbury Academic, 2017. Pp. 256. £75/$102 Hb.

  • Colby, Sasha, Staging Modernist Lives: H.D., Mina Loy, Nancy Cunard, Three Plays and Criticism. Montreal: McGill-Queens University Press, 2017. Pp. 326. £29.99/$37.95 Pb.

  • Crossley, Mark and Yarker, James, Devising Theatre with Stan's Cafe. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 280. £21.99/$29.95 Pb.

  • Curtis, Harriet and Hargreaves, Martin, eds., Kira O'Reilly: Untitled (Bodies). Bristol: Live Art Development Agency and Intellect, 2017. Pp. 320 + illus. throughout. £25 Pb.

  • Dustagheer, Sarah and Woods, Gillian, eds., Stage Directions and Shakespearean Theatre. London and New York: Bloomsbury Arden Shakespeare, 2017. Pp. 368. £80/$108 Hb.

  • Eisen, Kurt, The Theatre of Eugene O'Neill: American Modernism on the World Stage. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 256. £75/$102 Hb.

  • Fisek, Emine, Aesthetic Citizenship: Immigration and Theater in Twenty-First-Century Paris. Evanston, IL: Northwestern University Press, 2017. Pp. 240. £110/$99.95 Hb; £30.24/$34.95 Pb.

  • Granville-Barker, Harley, Granville-Barker on Theatre: Selected Essays, ed. Colin Chambers and Richard Nelson. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 280. £19.99/$26.95 Pb.

  • Grene, Nicholas, The Theatre of Tom Murphy: Playwright Adventurer. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 272. £75/$102 Hb.

  • Grobe, Christopher, The Art of Confession: The Performance of Self from Robert Lowell to Reality TV. New York: New York University Press, 2017. Pp. 320. $89 Hb; $30 Pb.

  • Hamera, Judith, Unfinished Business: Michael Jackson, Detroit, and the Figural Economy of American Deindustrialization. Oxford: Oxford University Press, 2017. Pp. 306. £64/$99 Hb; £19.99/$29.95 Pb.

  • Hansen, Pil and Bläsing, Bettina, eds., Performing the Remembered Present: The Cognition of Memory in Dance, Theatre and Music. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 288 + 15 illus. £75/$102 Hb.

  • Hess, Jonathan M., Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage. Philadelphia: University of Pennsylvania Press, 2017. Pp. 272 + 61 illus. $49.95 Hb.

  • Jackson-Schebetta, Lisa, Traveler, There Is No Road: Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas. Iowa City: University of Iowa Press. Pp. 252 + 15 illus. £53.05/$65 Pb.

  • Johnston, Chris, Disobedient Theatre: Alternative Ways to Inspire, Animate and Play. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 264. £18.99/$25.95 Pb.

  • Kartsaki, Eirini, Repetition in Performance: Returns and Invisible Forces. Basingstoke and New York: Palgrave Macmillan, 2017. Pp. xii + 169 + 12 illus. £72/99.99 Hb.

  • Minton, Gretchen E., ed., The Revenger's Tragedy: The State of Play. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 296. £75/$102 Hb.

  • Montez, Noe, Memory, Transitional Justice, and Theatre in Postdictatorship Argentina. Carbondale: Southern Illinois University Press, 2017. Pp. 262. £32.17/$40.53 Pb.

  • Pangallo, Matteo A., Playwriting Playgoers in Shakespeare's Theatre. Philadelphia: University of Pennsylvania Press, 2017. Pp. 256. £50/$59 Hb.

  • Pryor, Jaclyn I., Time Slips: Queer Temporalities, Contemporary Performance, and the Hole of History. Evanston: Northwestern University Press, 2017. Pp. 184. £110/$99.95 Hb; £33.85/$34.95 Pb.

  • Purcell, Stephen, Shakespeare in the Theatre: Mark Rylance at the Globe. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 272 + 6 illus. £17.99/$24.95 Pb.

  • Volz, Jim, Introduction to Arts Management. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 296. £65/$88 Hb; £17.99/$24.26 Pb.

  • Weinberg, David, Off-Broadway/Off-West End: American Influence on the Alternative Theatre Movement in Britain 1956–1980. New York: Columbia University Press, 2017. Pp. 274. £38/$45 Pb.

  • Welch, Ellen R., A Theatre of Diplomacy: International Relations and the Performing Arts in Early Modern France. Philadelphia: University of Pennsylvania Press, 2017. Pp. 312 + 10 illus. £62/$75 Hb.

  • Wollman, Elizabeth L., A Critical Companion to the American Stage Musical. London and New York: Bloomsbury Methuen Drama, 2017. Pp. 312. £21.99/$29.95 Pb.

  • Zien, Katherine A., Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone. New Brunswick, NJ: Rutgers University Press, 2017. Pp. 272 + 29 illus. £87.95/$95 Hb; £27.07/$34.95 Pb.