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FIFTY SHADES OF GREEN: INTERPRETING MAYA JADE PRODUCTION, CIRCULATION, CONSUMPTION, AND VALUE

Published online by Cambridge University Press:  13 August 2018

Brigitte Kovacevich*
Affiliation:
Department of Anthropology, University of Central Florida, 4000 Central Florida Boulevard, Howard Phillips Hall Room 309, Orlando, Florida 32816
Michael G. Callaghan*
Affiliation:
Department of Anthropology, University of Central Florida, 4000 Central Florida Boulevard, Howard Phillips Hall Room 309, Orlando, Florida 32816
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Abstract

This work addresses varying interpretations of the production, circulation, and consumption of jades in the Maya area from the Preclassic through the Postclassic periods (600 b.c.–a.d. 1697). Traditionally, exchange of jades has been seen as a dyadic relationship between elites (gifting and tribute). Some have argued for gradations of value in the circulation of jades, which probably circulated in both elite and commoner spheres. More recent research argues that jade blanks were commoditized because they could be standardized. In this article, we evaluate this last claim, concluding there is no evidence for standardization and commodification of jade blanks, and a dearth of jade blanks in archaeological deposits. We critique the expectation that commodities in some nonindustrial economies should be standardized, and make suggestions about what kinds of jade objects, if any, have greatest potential to become commodities in the Maya area.

Information

Type
Research Article
Copyright
Copyright © Cambridge University Press 2018 
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Figure 1. Map of the Maya region showing sites mentioned in the text. Map by Kovacevich.

Figure 1

Figure 2. Process of earflare production based on reconstruction by Digby (1964:Figure 5). Drawing by Whitney Goodwin and Alejandro Figueroa.

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Figure 3. Abandoned jade earflare preform from jade workshop at Cancuen, Structure M10-7 (after Kovacevich 2006:Figure 5.20). Drawing by Whitney Goodwin and Alejandro Figueroa.

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Figure 4. Cancuen jade headdress ornaments from a cyst tomb in Structure K7-3. Drawing by Fernando Alvarez Andaverde.

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Table 1. Sizes of “Nebaj-type” jade plaques. Note that all following the first four are reported in McVicker and Palka 2001:Table 1.

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Figure 5. Large ear or hair ornament from a cache beneath the Royal Throne Room at Cancuen. Photo by Kovacevich.

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Table 2. Sizes of sample earflares from Cancuen (CAN) and Dumbarton Oaks Collection (PC.B).

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Figure 6. Cancuen jade abrader/polisher from fill of Structure L7-9. Photo by Kovacevich.

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Figure 7. Limestone earflare abrader/polisher recovered from Structure M9-1 shown with flares recovered from the M9 Group (after Kovacevich 2006:Figure 5.25). Drawing by Whitney Goodwin and Alejandro Figueroa.

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Figure 8. Small jade face pendant from cache beneath the Royal Throne Room as possible reworked refuse from earlare production (after Kovacevich 2006:Figure 5.35). Drawing by Whitney Goodwin and Alejandro Figueroa.

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Figure 9. Variation of Cancuen bead shapes (after Andrieu et al. 2014:Figure 5). Drawing by Whitney Goodwin and Alejandro Figueroa.