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PRECLASSIC PLACEMAKING AT YAXNOHCAH, MEXICO: A VIEW FROM THE GRAZIA AND HELENA COMPLEXES

Published online by Cambridge University Press:  17 November 2022

Verónica A. Vázquez López*
Affiliation:
Department of Anthropology and Archaeology, University of Calgary, Calgary, Canada
Kathryn Reese-Taylor
Affiliation:
Department of Anthropology and Archaeology, University of Calgary, Calgary, Canada
F.C. Atasta Flores Esquivel
Affiliation:
Proyecto Arqueológico Yaxnohcah-Bajo Laberinto, Mexico
*
E-mail correspondence to: vevalo21@yahoo.com
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Abstract

Archaeological excavations at Yaxnohcah have revealed a long sequence of sedentary occupation, from 1000 b.c. to a.d. 1400, with dynamic periods of growth occurring during the Middle (1000–400 b.c.) and Late Preclassic (400 b.c.–a.d. 200). Two of these complexes, Grazia and Helena, serve as case studies that reveal the transformative processes of this period, illustrating site evolution on a larger scale. The Grazia platform probably began as a residential area in the Middle Preclassic and acquired an increasingly public character throughout subsequent modifications, culminating in the construction of a triadic temple platform and a ballcourt. A long sequence of fire rituals and altars show the importance of the Grazia complex as a center for collective ritual. Helena also features Middle Preclassic domestic constructions, but was transformed into a ballcourt platform during the transition to the Late Preclassic. Both cases show that Yaxnohcah was founded as a widespread, loosely integrated settlement in the Middle Preclassic and evolved into a formally and centralized network of communities with their respective nodal centers in the Late Preclassic period. Placemaking and the rise of monumentality played an important role in this transformation and reflect the particular forms of community integration.

Information

Type
Special Section: Sociopolitical and Economic Transformations in the Maya Lowlands During the Middle Preclassic Period (1000–300 B.C.)
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press
Figure 0

Figure 1. Map of the location of Yaxnohcah in the Central Karstic Uplands. Map by Reese-Taylor.

Figure 1

Figure 2. Map of Yaxnohcah showing the location of the Helena and Grazia complexes, as well as causeways and major water reservoirs. Map by Reese-Taylor and Flores Esquivel.

Figure 2

Table 1. Yaxnohcah ceramic sequence (Walker 2020).

Figure 3

Figure 3. Map of Yaxnohcah showing the locations of isolated early Middle Preclassic contexts. Map by Reese-Taylor.

Figure 4

Figure 4. Map of the Helena complex showing the location and extension of Suboperations 18A-I, 18J, and 23. Map by Flores Esquivel.

Figure 5

Figure 5. Helena complex, Operation 18, Suboperations A–I. An overview of completed excavations, view to the east. The early Middle Preclassic platform and residential structure appear on the right. Photograph by Flores Esquivel.

Figure 6

Figure 6. Helena complex. Retaining wall and triangular arrangement of an early Middle Preclassic residential structure. Drawing and photograph by Flores Esquivel.

Figure 7

Figure 7. Colha triangular feature (Potter et al. 1984:629) compared to Helena complex residential structure. Drawing by Flores Esquivel.

Figure 8

Figure 8. Helena complex, stratigraphic sequence of Suboperations 18A–I. Drawing by Flores Esquivel.

Figure 9

Figure 9. Helena complex, stratigraphic sequence of Suboperation 18J. Drawing by Flores Esquivel.

Figure 10

Figure 10. Helena complex, Suboperation 18J, architectural features: (a) west ramp; (b) east ramp. Photographs by Flores Esquivel.

Figure 11

Figure 11. Map of the Grazia complex showing the location and extension of Operation 20. Map by Flores Esquivel, modified by Vázquez López.

Figure 12

Figure 12. Grazia complex, Suboperations 20D, E, and B. Adjusted photogrammetric model showing the first construction that corresponds to the leveled bedrock and a posthole. Model by Vázquez López.

Figure 13

Figure 13. Grazia complex, Suboperation 20B. Drawing of the south profile and partial west profile showing the stratigraphic sequence, including the fill layer of the second construction that may have been associated with Floor 8. The west profile shows a stone alignment associated with Floor 7. Drawing by Vázquez López.

Figure 14

Figure 14. Grazia complex, Suboperation 20D. (a) Adjusted photogrammetric model showing Hearth 2 inserted into Floor 7; (b) drawing of the north profile, showing Hearth 2 and the alignment of stones that covered it; (c) adjusted photogrammetric model of Suboperation FH, showing Altar 2, the north profile of Suboperation 20D, and Hearth 2. Drawing and models by Vázquez López.

Figure 15

Figure 15. Grazia complex, Suboperation 20FH. Adjusted photogrammetric model and drawing showing the oval arrangement of stones, with burnt sediment concentrations and some scattered sherds. Drawing and model by Vázquez López.

Figure 16

Figure 16. Grazia complex, Suboperation 20FH. Adjusted photogrammetric model showing Altar 2 surrounded by a stone frame. Three concentrations of burnt sediment are shown, one of which was documented outside the northeastern corner of the frame. It contained several fragments of the same vessel and other sherds. Drawing and model by Vázquez López.

Figure 17

Figure 17. Grazia complex, Suboperation 20A. Profile drawing and photos of Altar-Hearth 1. Drawing and photographs by Vázquez López.

Figure 18

Figure 18. Grazia complex, Suboperation 20A. (a) Orthophoto of the western half of Hearth 1 (eastern half had already been removed); (b) drawing of Hearth 1 and adjacent stones in a triangular arrangement, originally supporting the altar slab; (c) and (d) photos of the Sierra Red bowl placed upside down below the altar, with C14 date of 70 cal b.c.–cal a.d. 20 (95 percent). Drawing and model by Vázquez López; photograph detail of the Sierra Red vessel by Debra Walker.

Figure 19

Figure 19. Timeline of major construction events and ritual activities at the Helena and Grazia complexes. Illustration by Vázquez López; maps by Flores Esquivel.

Figure 20

Figure 20. (a) Cerro Maya ballcourt. Drawing by Kathryn Reese-Taylor. (b) Xanila ballcourt; the northern mound of the T-shaped ballcourt arrangement does not appear in the drawing. Drawing by Donato España and Edgar Medina, courtesy of Edgar Medina and Fernando Robles Castellanos.