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A Yahgan for the killing: murder, memory and Charles Darwin

Published online by Cambridge University Press:  20 October 2011

JOSEPH L. YANNIELLI*
Affiliation:
Department of History, Yale University, PO Box 208324, New Haven, CT 06520–8324, USA. Email: joseph.yannielli@yale.edu.
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Abstract

In March 1742, British naval officer John Byron witnessed a murder on the western coast of South America. Both Charles Darwin and Robert FitzRoy seized upon Byron's story a century later, and it continues to play an important role in Darwin scholarship today. This essay investigates the veracity of the murder, its appropriation by various authors, and its false association with the Yahgan people encountered during the second voyage of the Beagle (1831–1836). Darwin's use of the story is examined in multiple contexts, focusing on his relationship with the history of European expansion and cross-cultural interaction and related assumptions about slavery and race. The continuing fascination with Byron's story highlights the key role of historical memory in the development and interpretation of evolutionary theory.

Information

Type
Research Article
Copyright
Copyright © British Society for the History of Science 2011 
Figure 0

Figure 1.‘Commodore Byron conversing with a Patagonian woman’. The exaggerated size of the Patagonians may have been an attempt to deflect embarrassment at their superior knowledge and skill. Illustration from David Henry (ed.), An Historical Account of all the Voyages Round the World, Performed by English Navigators; Including Those Lately Undertaken by Order of His Present Majesty, 4 vols., London: F. Newbery, 1773, vol. 3, facing p. 11.

Figure 1

Figure 2.‘Woman of Fuegia and child’. The conical hut in the background, like much early ethnographic information about the Yahgans, represents an artist's fanciful interpolation. Illustration from W. Parker Snow, A Two Years' Cruise off Tierra del Fuego, The Falkland Islands, Patagonia, and in the River Plate, 2 vols., London: Longman, Brown, Green, Longmans, and Roberts, 1857, vol. 1, frontispiece.

Figure 2

Figure 3.An early sketch of Yahgan captive Orundellico, also known as Jemmy Button. Like the illustrations in FitzRoy's narrative, it implies a successful transition from feral tribesman to European gentleman. Courtesy of the State Library of New South Wales.