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Einstein and Relativity: What Price Fame?

Published online by Cambridge University Press:  24 April 2012

David E. Rowe*
Affiliation:
AG Geschichte der Mathematik und der Naturwissenschaften, Mainz University E-mail: rowe@mathematik.uni-mainz.de
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Argument

Einstein's initial fame came in late 1919 with a dramatic breakthrough in his general theory of relativity. Through a remarkable confluence of events and circumstances, the mass media soon projected an image of the photogenic physicist as a bold new revolutionary thinker. With his theory of relativity Einstein had overthrown outworn ideas about space and time dating back to Newton's day, no small feat. While downplaying his reputation as a revolutionary, Einstein proved he was well cast for the role of mild-mannered scientific genius. Yet fame demanded its price. Surrounded by social and economic unrest in Berlin, he was caught between two worlds, one struggling to be born, another refusing to die. Far from withdrawing, he threw himself into the political fray to become a symbol for international reconciliation during the early Weimar Republic. A decade later, his public image acquired another layer when he re-emerged as a Stoic sage and selfless humanitarian, a quasi-religious figure who saw himself as a modern-day Spinoza. Focusing on events of this period and the role of the German media in portraying them, this essay highlights the scientific and political undercurrents that drew Einstein into the public eye at a critical juncture in European history. Its broader aim is to show the import of these themes within the context of the vast literature on Einstein as well as the larger historiography of science.

Information

Type
Research Article
Copyright
Copyright © Cambridge University Press 2012
Figure 0

Fig. 1. Einstein as Modern-Day Copernicus: A Celebrity Emerges on the World Stage. From: Berliner Illustrierte Zeitung, December 1919.

Figure 1

Fig. 2. The Meta-photogenic Einstein: at the home of Lord Haldane in London. From: Berliner Illustrierte Zeitung, June 1921.

Figure 2

Fig. 3. Poster for the 1922 educational film Die Grundlagen der Einsteinschen Relativitätstheorie produced by Hanns Walter Kornblum for Colonna-Filmgesellschaft. From: Siegfried Grundmann: Einsteins Akte, 1998, p. 120.

Figure 3

Fig. 4. Einstein as Symbol for the Fate of the German Jews in 1933: “The concierge of the German embassy in Brussels is authorized to cure an Asiatic [East European Jew] of the delusion that he is a Prussian.” From: Deutsche Tageszeitung, April 1, 1933, which the Nazi regime had proclaimed the “Day of the Jewish Boycott.”