Hostname: page-component-74656f9884-rngvg Total loading time: 0 Render date: 2026-11-06T12:04:43.609Z Has data issue: false hasContentIssue false

Revisiting jīng 椋 on the ancient Korean Peninsula

Published online by Cambridge University Press:  29 November 2023

Ye Xu*
Affiliation:
Nanjing University, Nanjing, China
In-han Kwon
Affiliation:
Sungkyunkwan University, Seoul, Korea
Rights & Permissions [Opens in a new window]

Abstract

This article presents relevant data on the usage of the sinograph jīng 椋 and revisits its origin and lexical form on the basis of textual examination, using primary sources from China, Korea and Japan. The authors conclude that jīng 椋, and its variants jīng , jīng 稤 and the miscopied form lǜe 掠, originated from its radical character jīng 京, meaning “warehouse, granary”, and that jīng 椋 was widely used in Koguryŏ, Paekche, Silla and Japan. Historical documents during the Koryŏ period also attest to the use of jīng 椋. The authors have reconstructed the lexical form of jīng 椋 as the disyllabic pre-Old Korean **kuL.raH in Paekche and **koL.raH in Silla, and the monosyllabic Old Korean *kolR as a Sillaic substratum that underwent the syllabic contraction and liquid change **-r- > *-l, that is **koL.raH > *kolR. The Western Old Japanese kun'yomi of jīng 椋, kura, is a loan from pre-Old Korean **kuL/koL.raH that took place before the eighth century.

Information

Type
Article
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press on behalf of SOAS University of London
Figure 0

Table 1. Primary sources for jīng 椋 from China, Korea, and Japan

Figure 1

Figure 1. Jīng 椋 in different types of sources from China, Korea, and JapanSources: (a): Chu 1972: Fig. 59(b) Ch'angwŏn Research Institute of Cultural Heritage 2006: 200, fig. 281(c) Ch'angwŏn Research Institute of Cultural Heritage 2006: 218, fig. 300(d) Pak, Chŏng, and Yun 2008: 185, fig. 2(e) Kyŏngju National Museum. (eds) 2002: 48, fig. 61(f) Lim 1989: 104, fig. 5

Figure 2

Figure 2. Jīng 椋 in two different versions of the Korean TripitakaSource: Taken by the author Kwon In-han (In Kwon 2021b: 218–19)

Figure 3

Table 2. Phonographic renderings of “crowd, throng, group”