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Prosodic structures and templates in bilingual phonological development*

Published online by Cambridge University Press:  13 January 2015

MARILYN VIHMAN*
Affiliation:
University of York
*
Address for correspondence: Marilyn Vihman, Language and Linguistic Science, University of York, Heslington, York YO10 5DD. marilyn.vihman@york.ac.uk
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Abstract

Bilingual children have long been held to have ‘separate linguistic systems’ from the start (e.g., Meisel, 2001). This paper challenges that assumption with data from five bilingual children's first 100 words. Whereas the prosodic structures represented by a child's words may or may not be differentiated by language, emergent phonological templates are not, the same patterns being deployed as more complex adult word forms are targeted in each language. Reliance on common (idiosyncratic) phonological templates for the two languages is ascribed to children's experience with their own voice (in production) as well as with others’ speech. Both experimental studies and spontaneous cross-linguistic speech errors in adults and older children are cited to support the view that, for a bilingual, unconscious processing draws on both languages throughout the lifespan, which suggests that the emphasis on ‘separate systems’ (from the start or thereafter) may be misconceived.

Information

Type
Research Article
Copyright
Copyright © Cambridge University Press 2015 
Figure 0

Table 1. Participant age ranges and vocabulary sampled.

Figure 1

Table 2. Number of word shapes produced in each language (and proportion of total word shapes).

Figure 2

Table 3. M's first ten words.Target words from English (italics), Spanish (bold face italics, with gloss in English) or indeterminate (both possible targets provided).

Figure 3

Figure 1. The proportional distribution of M's prosodic structures in word forms based on targets deriving from English (N = 56) as compared with Spanish (N = 48). REDUP = reduplication.

Figure 4

Table 4. M's later words, adapted to preferred templates.Target words from English (italics) or Spanish (bold face italics, with English gloss).

Figure 5

Table 5. Hildegard's first ten words.Target words from English (italics), German (boldface italics) or indeterminate (both possible targets provided).

Figure 6

Figure 2. The proportional distribution of Hildegard's prosodic structures in word forms based on targets deriving from English (N = 63) as compared with German (N = 40). REDUP = reduplication.

Figure 7

Table 6. Raivo's first ten words.Target words from English (italics), Estonian (boldface italics) or indeterminate (both possible targets provided).

Figure 8

Figure 3. The proportional distribution of Raivo's prosodic structures in word forms based on targets deriving from English (N = 30) as compared with Estonian (N = 127). REDUP = reduplication, CH = consonant harmony.

Figure 9

Table 7. Raivo's later words, selected or adapted (starred forms) to preferred templates.Target words from English (italics), Estonian (boldface italics) or indeterminate (both possible targets provided). C consonant, V vowel, F fricative, Co optional consonant; im. imitated.

Figure 10

Table 8. Maarja's first ten words.Target words from English (italics) or Estonian (boldface italics).C consonant, V vowel.

Figure 11

Figure 4. The proportional distribution of Maarja's prosodic structures in word forms based on targets deriving from English (N = 81) as compared with Estonian (N = 64).

Figure 12

Table 9. Maarja's later words, selected for or adapted to her palatal template.Target words from English (italics) or Estonian (boldface italics). Obj. = form used as object of transitive verb; BT = baby talk term. Adapted forms are starred.

Figure 13

Table 10. Kaia's first ten words: Target words from English (italics) or Estonian (boldface italics).C consonant, V vowel; REDUP = reduplication.

Figure 14

Figure 5. The proportional distribution of Kaia's prosodic structures in word forms based on targets deriving from English (N = 39) as compared with Estonian (N = 72).

Figure 15

Table 11. Kaia's later words, adapted to her VCV and reduplication templates.Target words from English (italics) or Estonian (boldface italics). Adapted forms are starred.