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Intentional Menstrual Suppression in Imperial Rome

Published online by Cambridge University Press:  13 January 2025

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Abstract

The history of intentional menstrual suppression is often assumed to begin in the 1960s, with the advent of effective oral contraception. This article, however, demonstrates that in the Roman Imperial period, despite widespread belief in the importance of menstruation for maintaining female reproductive health, there was already a diverse marketplace for menstrual suppression techniques. By reading sources against the grain and engaging in critical speculation, this study investigates the available methods, who may have sought them and why, and how their use might reinforce or challenge gendered norms and power dynamics. This study focuses primarily on three sets of sources: Galen's medical treatises on bloodletting, the pharmacological compendia of Pliny the Elder and Dioscorides, and body amulets to regulate vaginal blood flow. It proposes that individuals engaged with these technologies not only to normalise excessive periods, but also to delay, minimise or eliminate menstruation for convenience.

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Articles
Copyright
Copyright © The Author(s), 2025. Published by Cambridge University Press on behalf of The Society for the Promotion of Roman Studies
Figure 0

FIG. 1. Haematite gem dated to the third century c.e. (CBd-176; Inv. No. G 546 [EA 48984]). The obverse features an upside-down uterus with a seven-toothed key, an encircling ouroboros, a group of deities (from left to right: Anubis, Chnoubis, Isis-Tyche), the Greek vowel series and an inscription (the σοροορ-logos). Inscribed on the reverse is the word ορωριουθ. (© Trustees of the British Museum)

Figure 1

FIG. 2. Haematite gem dated to the third century c.e. (CBd-754; Inv. No. GR 1928,5-20,1). The obverse features a repeated, vanishing form of the command, ‘If you are thirsty, Tantalus, drink blood!’ (διψᾷς Τάνταλε, αἷμα πίε) as well as a standing figure of Ares dressed in armour. On the reverse is an image of a uterus, stylised like an amphora, and a series of inscriptions, including variants on the Greek vowel series and the Hebrew names of power, Adonai and Sabaoth. (© Trustees of the British Museum)