Hostname: page-component-74656f9884-kv2lp Total loading time: 0 Render date: 2026-11-04T20:37:36.430Z Has data issue: false hasContentIssue false

Leisure Jobs: Recreating Family and Social Life in Canadian Electric Utility Marketing, 1920–1970

Published online by Cambridge University Press:  31 October 2024

David Foord*
Affiliation:
Associate Professor, University of New Brunswick, Fredericton, Canada
Rights & Permissions [Opens in a new window]

Abstract

This article contributes to scholarship on business history and gender in twentieth-century energy transitions. It examines Canadian electric power utility marketing plans and materials, newspaper and magazine accounts, and oral history interview records. Utilities initially sought to sell power as capital and labor rationality, mirroring industrial ideals of producing more with fewer resources. As those labor savings were realized, they increasingly sold power as a means to perform new organizational and emotional jobs of creating a more intimate, happier, and child-centered family life. In doing so, they redefined social life, from family-as-labor unit to family-as-leisure unit, while also redefining leisure-as-labor for women. Women in utility marketing materials, as observed in subsequent time-use studies, eventually saw fewer hours of housework and family care, although offset by increasing leisure jobs. Mobilizing social groups to advance an electrification agenda, utilities sold this new labor as an extension of energy service work in homes, public spaces, and leisure facilities.

Information

Type
Research Article
Copyright
© 2024 The President and Fellows of Harvard College
Figure 0

Table 1 Sale of Electricity in kWhs to Domestic Customers by Canadian Province (millions), 1930–2000

Figure 1

Table 2 Number of Domestic Customers by Canadian Province (thousands), 1930–2000

Figure 2

Table 3 Average Annual Customer Service of Electricity in kWhs by Canadian Province, 1930-2000

Figure 3

Table 4 Average Revenue in ¢/kWh for Domestic and Farm Service by Canadian Province, 1930–2000

Figure 4

Table 5 Percentage of Average Revenue per Domestic and Farm Service Customer Relative to Household per Capita Income by Canadian Province, 1930–2000

Figure 5

Figure 1. “Cook Right on the Table,” 1916. Reading from left to right, the surprise was to find a woman at the breakfast table. (Source: BC Electric Railway, “Cook right at the table,” The Province, 3 June 1916, 83, Box 8800582862, Item 7, BC Archives.) Image courtesy of the BC Archives.

Figure 6

Figure 2. “Toast for Two,” 1927. It is only the women’s chair that is drawn, underscoring that she is now being seated. In this version, the male figure leans far across the table with intense eye contact and reaching hand. The table is uncharacteristically without coffee and plate for toast. (Source: Toronto Hydro-Electric, “Toast for two made so easily and electrically,” The Bulletin 5 no. 10 (April 1927), Series 1749, File 35, Fonds 408, Toronto Archives.

Figure 7

Figure 3. Ontario Hydro model kitchens. (Source: Box AB0170.1, Folder “Displays,” Ingenium Archives, Ottawa, Ontario, Canada Ingenium Archives).

Figure 8

Figure 4. Family circle, 1948. This meaning of electric power-as-family-connector has now arrived. The mother and daughter exchange warm looks while the father and sons are absorbed in the funny pages and toy car. A convention of these ads is for mothers and daughters to express love through smiles and fathers and sons to do so through touch. Only the older son is left out, although his brown shoes (matching everyone else’s, except those of his sister) visually touches his mother’s leg. The mother and father are placed at equal height in the ad (relative to the top border), symbolizing their equality in the tableaux. However, it’s the mother’s body that extends into the centre frame; she is the centre of the family circle. (Source: Shawinigan Water & Power, 50 Years of Achievement, 1898–1948 [Montreal, 1948], “Customers”, OCLC 100687649, LAC.)

Figure 9

Figure 5. Ontario Hydro mid-century modern kitchen, circa 1960. (Source: Kitchen circa 1960, Box AB0170.1, Folder “Displays,” Ingenium Archives.)

Figure 10

Figure 6. “Entertaining – buffet style,” 1961. This a middle-class home, as illustrated by the limited seating and side tables. Guests sit on stool (man) or floor (woman); drinking glass, cigarette package and ashtray are also on the floor. The martini pitcher and bottles of alcohol (more likely spirits than wine, given English Canadian norms of 1960s) occupy the centre of the tableaux, showing customers what to bring as gifts and expect before dinner. As is conventional in the dinner party tableaux, the hostess holds the attention of the room. She towers over and beneath the guests, nearly touching the top and bottom frame. She is distinguished from the other three women in her light-coloured clothes, matching those of the men. If there is any doubt that she is a unique, largely-than-life super hero, she is revealed here as not only the (most likely) dinner party organizer, hostess, shopper and cook, but also performer and mother, with “M” on her sweater like the “S” of superman. (Source: Saskatchewan Power, “Entertaining – buffet style,” Power Talks 12 [1961], Box 1877, Sask Archives.)