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Revisiting reflexive archaeology at Çatalhöyük: integrating digital and 3D technologies at the trowel's edge

Published online by Cambridge University Press:  08 April 2015

Åsa Berggren
Affiliation:
Sydsvensk arkeologi/Department of Archaeology and Ancient History, Lund University, Box 192, 221 00 Lund, Sweden
Nicolo Dell’Unto
Affiliation:
Sydsvensk arkeologi/Department of Archaeology and Ancient History, Lund University, Box 192, 221 00 Lund, Sweden
Maurizio Forte
Affiliation:
Department of Classical Studies, Duke University, 233 Allen Building, PO Box 90103, Durham, NC 27708–0103, USA
Scott Haddow
Affiliation:
Catalhöyük Research Project, Stanford Archaeology Center, Stanford University, PO Box 20446, Stanford, CA 94309, USA
Ian Hodder
Affiliation:
Department of Anthropology, Main Quad, Building 50, 450 Serra Mall, Stanford University, Stanford, CA 94305–2034, USA
Justine Issavi
Affiliation:
Department of Anthropology, Main Quad, Building 50, 450 Serra Mall, Stanford University, Stanford, CA 94305–2034, USA
Nicola Lercari
Affiliation:
School of Social Sciences, Humanities and Arts, University of California, 5200 North Lake Rd, Merced, CA 95343, USA
Camilla Mazzucato
Affiliation:
Catalhöyük Research Project, Stanford Archaeology Center, Stanford University, PO Box 20446, Stanford, CA 94309, USA
Allison Mickel*
Affiliation:
Department of Anthropology, Main Quad, Building 50, 450 Serra Mall, Stanford University, Stanford, CA 94305–2034, USA
James S. Taylor
Affiliation:
Department of Archaeology, University of York, King's Manor, York YO1 7EP, UK
*
*Author for correspondence (Email: ajmickel@stanford.edu)
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Abstract

Excavations at Çatalhöyük have been ongoing for over 20 years and have involved multi-national teams, a diverse range of archaeological specialists and a vast archive of records. The task of marshalling this data so that it can be useful not only at the post-excavation stage, but also while making decisions in the field, is challenging. Here, members of the team reflect on the use of digital technology on-site to promote a reflexive engagement with the archaeology. They explore how digital data in a fieldwork context can break down communication barriers between specialists, foster an inclusive approach to the excavation process and facilitate reflexive engagement with recording and interpretation.

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Copyright
Copyright © Antiquity Publications Ltd., 2015 
Figure 0

Table 1. Twelve components of a reflexive archaeology at Çatalhöyük (as defined by Hodder 2000a).

Figure 1

Figure 1. Example of a daily sketch at Çatalhöyük. Photograph and annotation: Burcu Tung.

Figure 2

Figure 2. Geo-referenced virtual reconstruction of the western stratigraphy of B89 based on computer vision models. Source: Nicola Lercari.

Figure 3

Figure 3. 3D GIS of the south shelter visualised using Arcscene. The buildings displayed in the screenshot have been excavated in different years by different teams. The screenshot shows the field documentation realised by the archaeologists working in Buildings 80, 89 and 118, imported and visualised in spatial relation to the models of the buildings.

Figure 4

Figure 4. False colour 3D models produced in Meshlab showing stages of the excavation of a skull retrieval pit in Space 77: left) upper burial layer showing circular fill of skull retrieval pit (dotted circle) above a primary flexed adult burial; centre) middle burial layer after removal of soil from skull retrieval pit, revealing disarticulated skeletal elements placed in cut for skull retrieval pit; parts of the underlying primary flexed adult skeleton are now visible; right) lower burial level after full exposure of the primary flexed adult headless skeleton.

Figure 5

Figure 5. 3D GIS of Building 80 visualised using Arcscene. The screenshot shows the field documentation (2D polygons in green) recorded by the archaeologists working in Building 80 imported and visualised in spatial relation to the model of the building created using image based modelling. Source: Justine Issavi.

Figure 6

Figure 6. Using the tablet in the trench. Photograph: Nicolo Dell’Unto.

Figure 7

Figure 7. Workflow summary diagram. Source: James Taylor.