In February 1977 in an article in the Frankfurt-based left-wing paper Die Andere Zeitung, an unnamed author explained why she had decided to throw a Molotov cocktail – called, rather cloyingly, a Molli in German – into a department store.Footnote 1 The reasons for this act, the author explained, were not political in the traditional sense but ‘personal’. Throwing the Molli was a spontaneous act emerging from a ‘rather depressed mood, a heavy frustration with the party [dicken Fetenfrust]’ which she attended. According to her brief description, people at the party were incapable of communicating with each other because they were too afraid ‘to be misunderstood, to be refuted, or to talk too much about being damaged [Kaputtheit].’ Supporting her claims, the author then cited Dieter Duhm's popular book Fear in Capitalism [Angst im Kapitalismus],Footnote 2 because it showed that her fears were not isolated but socially based. Duhm's arguments uncovered an ‘emotional wire’ between the private and the political which enabled her to conceive of her feelings of inferiority [Minderwertigkeitskomplex] as systemic products of capitalism. The party's failure to initiate any sort of positive feelings, then, was indicative not of personal failings but of the bankruptcy of emotions and sociability under conditions of capitalism.
The act of throwing the Molli proved to be an emotionally transformative moment. Although the author still felt deeply afraid while carrying the Molotov cocktail to the target, this changed when she finally stood in front of the store. Holding the Molli in her hand, she noted, ‘[it felt like] all the fear in me would liquefy and that this liquid would boil over inside me. I light a match, and throw the Molli and [with it] all the liquefied fear and damage out of me.’ It was a moment of personal catharsis. After a quick and fearful run home, she hugged her friends and comrades, who all ‘danced wildly and were mighty cheerful’. Apparently, the attack initiated a party that was much better than the boring affair that had led her to throw the Molotov cocktail in the first place. In the end, she admitted that throwing the Molotov cocktail would not advance the ‘cause of socialism’, but this was, after all, not really the point. Rather, she had come to realise that the slogan ‘Destroy What Is Destroying You’ reflected the truth.Footnote 3 Fear and alienation, according to this logic, was a product of capitalist society which could only be overcome through intense, cathartic emotional experiences that were simultaneously highly personal and imminently social.
This was only one of many texts written by radical, so-called ‘non-dogmatic’ left-wingers during the 1970s that was concerned with emotions.Footnote 4 Drawing in part upon earlier cultural critics and theorists, such as Wilhelm Reich and Herbert Marcuse,Footnote 5 these authors developed a critique of urban, capitalist society that put emotions at the centre. Capitalism, these radical left-wingers argued, produced only fear, frustration, loneliness and boredom, leaving little space for any positive and intense feelings; it produced, in the language of contemporaries, ‘damaged personalities’. One might read these texts as a critical analysis of what could be called with William Reddy the ‘emotional regime’ of capitalism, that is the possibilities and limitations of emotional expression under capitalism.Footnote 6 However, it would be misleading to consider these critiques of emotions under capitalism as purely analytical. Rather, texts such as Dieter Duhm's Fear in Capitalism instructed readers of how they should feel in a capitalist society, namely afraid. In this sense, radical left-wingers did not so much analyse an existing ‘emotional regime’, but created one through the act of descriptive explication.
Importantly, this is not to argue that the ‘emotional suffering’ (Reddy) under capitalism was only imagined. Talking about feelings such as boredom, frustration and loneliness in capitalism was also a form of practical enactment of these emotions.Footnote 7 Explicating the emotionally crippling effects of capitalism, however, also made it possible to develop what we call ‘alternative emotional practices’, practices, that is, which were meant both to ‘fix’ the damaged personalities and to yield the feelings activists so desperately missed under capitalism. Such practices could include violence, as the opening vignette suggests, but also other bodily practices like collective cuddling, experimental communicative practices, or novel forms of living together. Methodologically, then, our article is not concerned with accessing the emotional ‘inner self’ of West German activists. Rather, it seeks to move beyond the unfruitful distinction between true ‘inner’ feelings and the mere ‘expression’ of feelings by focusing on how people did emotions (Monique Scheer) and thereby shaped the contours of the self. These enacted feelings are social products, but by no means unreal.
Alternative newspapers and journals from a wide variety of West German cities – most notably the centres of the non-dogmatic left such as West Berlin, Frankfurt, Munich, and Heidelberg, but also from less prominent places throughout West Germany – have proved to be ideal sources with which to trace the critical analysis of capitalism's emotional regime. These papers provide significant insights both into how radical left-wingers in West Germany created and enacted emotional norms and into their attempts to develop alternative emotional practices. In particular the numerous experience reports (Erfahrungsberichte) are extremely revealing in this regard. Although only loosely connected with each other on an institutional level, many of these papers were in dialogue with each other and can thus be conceived as the discursive product of a distinct milieu, albeit one with highly permeable boundaries.Footnote 8
Analysing how radical left-wingers critically interpreted the feelings capitalism produced and the alternative emotional practices they developed, our article will reconsider the place of the radical left within the history of the Federal Republic in the post-1968 period. Scholars have often noted the deeply emotional language used by many activists, but have rarely analysed the central role emotions played in theoretical critiques and political practices.Footnote 9 In a way, the radical left ‘scene’ – with its numerous consciousness-raising and therapy groups – created what might be called a therapeutic community in which talking about ‘damaged personalities’ helped to give shape both to the problem and the potential solution. In this sense, radical left-wingers can be considered part of a larger ‘therapy boom’ that included self-help groups as well as a New Age scene which sometimes overlapped with the alternative left-wing milieu.Footnote 10 This therapy boom has been, quite productively, interpreted in the context of new forms of subjectivity that centred around emotions and the body. In many ways, we can see similar forms of a ‘somatisation’ and ‘emotionalisation’ of subjectivities within the radical left studied here.Footnote 11 At the same time, the emotional politics of the radical left contributed to the emergence of new styles and practices of expressing and performing emotions that reached beyond the radical left milieu. Within radical left milieus of the 1970s, the intense labour involved in overcoming ‘damaged personalities’ was considered to be inherently political. The ultimate goal of self-transformation was, then, not merely therapeutic, but transformational in a political sense. The radical left offers thus another and perhaps particularly extreme example of the ways in which the ‘realm of politics and the private sphere’ fused.Footnote 12
This ‘therapeutisation’ of both the radical left and society more broadly did not, however, go uncontested. The late 1970s mark a turning point in this regard as many radical left-wingers increasingly criticised the depoliticising effects of the turn to therapeutic subjectivity.Footnote 13 Facing political and emotional impasses after the brutal battles at Brokdorf in 1976 and the wave of left-wing terrorism and harsh government reactions in the autumn of 1977, some activists wholeheartedly embraced the therapeutic self by turning to a variety of new strategies to ‘find’ emotions, such as esotericism. Others began to distance themselves from the notion that social and political change required ‘fixing’ their ‘damaged personalities’ and turned to more conventional forms of politics. In much of the radical left, however, an altogether different tendency emerged, as the ‘preventive sense of general fear’ that had characterised much left-wing thought and practice in the mid 1970s receded and gave way to more euphoric forms of political activism. The large Tunix congress of February 1978 in West Berlin was a first major indication of this shift, which reached its apogee during the youth revolts of 1980–81, the subject of the final section of this article. These revolts presented, we propose, a cathartic moment for the radical left, an exceptional moment of exuberant joy that pushed beyond the predominant sense of fear and frustration that was prevalent during the 1970s. It was a culmination of a long search for exciting and intense emotions, and, at the same time, a revolt against the self-absorbed and increasingly depoliticised ‘therapeutic community’ to which much of the radical left had turned. These revolts were no longer about ‘fixing damaged personalities’, but about finding exuberant emotions in liminal moments.
A world devoid of emotions: radical left-wingers’ critique of capitalist emotions
In numerous texts, radical left-wing authors developed a corpus of knowledge about the emotional self and the ways in which capitalism produced ‘damaged personalities’.Footnote 14 Three aspects are of particular interest for our article. First, radical left-wingers analysed the allegedly omnipresent sense of fear in capitalism; second, they focused on feelings of loneliness and the inability to engage in meaningful social relations; and third, perhaps seemingly in contradiction to the previous two claims, they argued that capitalism created an overly ‘rational’ world that left no space for the expression of feelings. It was exactly this impossibility of expressing feelings, both good and bad, that created feelings of fear and loneliness. People were, for example, lonely, precisely because they could, in the rational world of capitalism, not talk about this loneliness, nor about their fears. In this sense, the emotional void of capitalism and the predominance of fear and other negative feelings went hand in hand in radical left-wingers’ minds. Furthermore we argue that developing this knowledge was itself generative of emotional realities. Radical left-wingers, in other words, both created and enacted their ‘damaged personalities’ and in so doing set emotional norms. Those who acted and felt otherwise – by, for example, enjoying the vast riches offered by capitalist consumer culture or finding emotional fulfilment in work – were derided as having been duped by capitalist ideology. Such forms of pleasure, radical left-wingers argued, were not reflective of genuine feelings.Footnote 15
There were, according to radical left-wingers, multiple social and political problems that gave reason for fear: the danger of nuclear warfare, the destruction of the environment, but also the emergence of a computerised surveillance state. However, it would be misleading to analyse these distinct fears separately. More important was a ‘general precautionary sense of fear’ (vorbeugende Grundangsthaltung) in ‘this crackbrained society’ that could not be escaped.Footnote 16 This general sense of fear was, as Dieter Duhm argued in his widely read book Fear in Capitalism, intimately tied to the very structures of capitalism. In capitalism, people treated each other as commodities rather than human beings, were subjected to alienation and seemingly anonymous powers outside their control, and had to constantly compete with each other and perform well on the job. According to Duhm, these features created deep-seated anxiety. Even love relations were caught in the mire of capitalist sociality, since such relationships first required those involved to overcome their alienation and mutual fears.Footnote 17 Oftentimes, this discourse about fear was deeply gendered. Boys, for example, a brochure for men, Mannsbild, argued, were taught by their fathers that real men knew no fears, except one: ‘not being a real man’.Footnote 18 The Frankfurt-based student paper Diskus explicitly linked men's fear to capitalism, noting that men were forced to compete with one another due to their position as the main breadwinners of the family. Showing feelings in this situation would be impossible.Footnote 19
Such fears were, as the text discussed at the beginning of this article indicated, a source of loneliness and isolation. Time and again, radical left-wingers reported that they had gone to bars or parties and failed to engage in genuine communication due to their fear of revealing their true ‘damaged self’.Footnote 20 Teenage boys described their attempts to escape loneliness through state-sanctioned forms of entertainment such as clubs and discos. But these forms of escape proved untenable because the loud music only further accentuated speechlessness.Footnote 21 To a large degree, radical left-wingers held the built environment responsible for this social isolation.Footnote 22 They claimed that modern cities and especially the monotonous high-rise buildings in the peripheries were constructed in such a way as to prevent any communication and hence solidarity between the residents. Throughout the 1970s, radical left-wingers and their allies constantly drew attention to these aspects of modern cities, bemoaning the lost feeling of wholeness which one could experience in traditional neighbourhood structures. In the Berlin neighbourhood of Kreuzberg, for example, Christian left-wing activists such as Klaus Duntze argued that modernist forms of architecture made it difficult to retain feelings of community and interpersonal warmth. For many of these activists, the answer lay in protecting or reviving older forms of neighbourliness and conviviality.Footnote 23 Even work at factories, traditionally considered an alienating experience, gained a positive value in these circumstances, as it kept ‘[the] erotic alive’. While living in ‘modern housing complexes (Wohnsiedlungen)’ yielded only ‘isolation’, work in the factory both enabled people to ‘talk to each other without being cramped (ohne Verkrampfung)’, and brought their bodies closer. The alternative to this ‘sensuality stimulated by the factory’ was ‘frigidity and impotence.’Footnote 24 As these examples indicate, radical left-wingers thought of emotions like fear, loneliness and frustration not as individual failures, but as deeply rooted social and political problems that affected wide segments of the population.
Beyond specific feelings, capitalist society was also held responsible for producing a general emotional void, since only profits, competition and numbers mattered for capitalist rationality. Children, whom many radical left-wingers believed to be inherently more emotional than rational adults, would only learn in this world ‘devoid of feelings’ how to work, use superficial consumer products, make money and feel ashamed about their body, but not how to talk about their feelings and sexuality, how to enjoy these and how to love each other.Footnote 25 Adults, and once again especially men, who were seen as particularly emotionally deprived, were considered incapable of being ‘affectionate (zärtlich)’ with each other, meaning that they could neither talk about their feelings nor express their affection in a bodily way, for example, by cuddling.Footnote 26 The monotony of cities contributed massively to this emotional void, not only because it prevented real communication, but also because it lacked sensual diversity. Living amidst ‘concrete, noise, exhaust fumes, smog, canteen food, phosphate sausages, rubber bread rolls’ crippled the senses complained Diskus.Footnote 27 ‘Yawning boredom and a sterile lack of stimuli’, the Hamburg-based paper Revolte noted, produced feelings of ‘aggression that people could let out only within the family.’Footnote 28
Importantly, radical left-wing authors did not merely analyse capitalist society in these terms, but considered themselves and, by extension, their audience – the entire ‘scene’ – to be deeply affected by these issues. It is these texts that most explicitly created an emotional regime by telling readers how they should feel as well as what feelings they should express. One key rhetorical device in this regard was the utilisation of the first person plural in discussing ‘our’ feelings. An article in the Berlin-based Info-BUG, presumably written by a man, cautioned left-wing men not to act like ‘softies’ only because it was fashionable. To really and not superficially change, ‘we first have to learn to accept our damaged behaviour, not because we like it, but in order to recognise it, and thus to deal with it.’Footnote 29 Being able to express feelings, above all negative ones such as fear, was considered a crucial skill for both women and men. Such expressions of negative emotions facilitated a putatively objective form of self-knowledge and thus created the conditions for an emotional transformation. Writing in the Heidelberg Carlo Sponti, a certain Bea demanded that men should be able to communicate with her about their ‘fears and insecurities, about expectations, demands and disappointments. . . After all, you are still quite emotionally crippled and underdeveloped – but first, you have to realise this yourselves!’Footnote 30 As personal ads in radical left-wing papers suggest, at least some men responded to such critiques, and began referring to themselves as ‘damaged’ or ‘frustrated’.Footnote 31 Such texts, as well as numerous first-person ‘confessions’ about fears, damaged behaviour and personal frustrations, suggest that the ‘emotional regime’ radical left-wingers created was in a way effective, as many seem to have conformed to its rules.Footnote 32
Searching for emotions: alternative emotional practices
As the preceding discussion suggests, radical left-wingers construed their environment as overwhelmingly imbued with negative feelings such as fear, loneliness, frustration or a general emotional void. Talking about these feelings was a way of performing damaged personalities. Yet, this critical analysis of emotions under capitalism which linked specific features of capitalist society to negative feelings also created possibilities for engaging in practices that would yield different and better feelings and thus, in a sense, ‘cure’ them of their ailments. It would thus be misleading to depict the 1970s in West Germany as an overly fearful decade, as the omnipresent discourse of fear might suggest, because the production of fear in such discourses also created the possibility of self-consciously overcoming this fear.Footnote 33 Indeed, these increasingly sophisticated forms of self-knowledge acted as a motivational force, driving radical left-wingers to work on what they perceived to be their own damaged personas. Such practices could take multiple forms. One key goal, as the example from the beginning suggested, was overcoming fear through definitive action. Some left-wing papers even defined the main goal of ‘Sponti’–politics in such terms. Herbert Röttgen writing in Das Blatt, noted that they engaged in politics ‘to overcome [their] fears, to liberate [themselves] in the act of revolting.’Footnote 34 Engaging in violence was one means to achieve this end,Footnote 35 but violence was by no means necessary. Nightly women's demonstrations, for example, were frequently described as moments when women would not feel afraid of being out at night.Footnote 36 Others sought to overcome their fears in more private, therapeutic ways. Some activists, for example, joined consciousness-raising groups in which they would learn to talk about their fears and their feelings more generally.Footnote 37
Given that radical left-wingers considered the built environment a key source for feelings of loneliness and frustration, it is not surprising that activists tried to forge different living conditions by escaping and, in some cases, transforming their environment. A ‘tribe’ (Sippe) of twenty people that had formed a ‘rural commune’ near Nuremberg, for example, declared that it was the only way for them to escape from the ‘aggressiveness of cities’. Living there would make them ‘happy’, which they considered inherently revolutionary. Crucial in this regard was that they could physically experience nature: ‘running barefoot over meadows, [drinking] fresh milk from healthy cows, [eating] food [they] had gathered themselves’.Footnote 38 In urban environments, activists moved into communal apartments (Wohngemeinschaften, WGs) to escape from the ‘small private hells’ of ‘couple relations’ (Zweierbeziehung) and the family. The Blatt called for ‘collectives’ and communal living that would yield ‘cosiness, clarity and solidarity’ and thus combat the ‘Moloch’ city. ‘We have to establish our community centres (Stadtteilzentren) in the concrete deserts of suburbia’ and try to form some sort of community awareness among the lonely and isolated human beings.’Footnote 39 Activists also enacted aesthetic interventions in public spaces, a practice which was to become central in the early 1980s. The alternative literature magazine Ulcus Molle from Bottrop, for example, approvingly reviewed a book that praised the power of wall paintings. ‘Trees and sun on concrete. . . children playing under the sun on the lawn, where no sun shines, where no grass grows’ should do away with the boredom of modern cities.Footnote 40 Public gardens, community centres and even petting zoos were all attempts to re-emotionalise the city.
Faced with the depressing belief that they were emotionally stunted, radical left-wingers engaged in diverse practices designed to help them relearn their ability to feel and to express feelings for each other. Communicating about feelings was one key aspect in this regard.Footnote 41 But finding feelings also had a bodily component. On the one hand, activists expressed their desires for ‘feeling their [own] bodies’. On the other hand they considered ‘tenderness’ (Zärtlichkeit), touching each other, and physical closeness crucial for developing interpersonal sympathy and friendship. Men were especially eager to learn how to become emotional beings through mutual touching. Members of a men's group in Berlin, for example, cuddled with each other and slept together (without having sex) in a big bed.Footnote 42 At an exclusive ‘men's party’ (Männerfete) in Berlin, men hoped to overcome their ‘socially instilled’ and putatively rational repression of feelings by engaging in ‘affectionate’ behaviour with one another (though it remained open what that meant).Footnote 43 Women also participated in such activities. For example, women attending a ‘feminist therapy congress’ in Cologne hoped to ‘feel their body’ and did so by ‘pantomimic dancing’, ‘wild yelling’, or ‘playing birth’.Footnote 44 A ‘Leisure-Time Alternative for Communes’, open to both men and women, provided similar bodily-emotional experiences. They sat in a long row, ‘oiling the back of the man in front, which [increased] in intensity until it [turned] into a massage and [phased] out with petting.’ On other days, they played badminton naked, danced in the rain, and talked in big circles about their ‘social interaction’ (Umgang) – especially their ‘issues with sexuality’.Footnote 45 All such practices – the discussions of feelings as well as the more active forms of physical intimacy – can be read as practical attempts to produce emotionally and physically intense situations in a world in which such feelings purportedly had little place. In this sense, we propose that the radical new left can be interpreted within the broader social shift towards therapeutic communities. Analysing emotional problems and their socio-economic contexts was both a way of performing the ‘damaged self’ and a necessary precondition for ‘healing’. Like members of the New Age movement, radical left-wingers engaged in practices of ‘self-healing’. In both milieus, bodies and emotions were critical for this process of self-healing.Footnote 46
‘Towards new shores’: escaping the impasse of frustration
Interpreting the constant complaints in radical left-wing papers about a boring, dull and frustrating world as an indication that activists only felt about things that way would be misleading. Rather, radical left-wingers developed multiple practices that were meant to, and sometimes did, ‘cure’ them of their ailments by eliciting different and better feelings. Such attempts often failed, however, to produce the desired results. Radical left-wing papers are brimming with reports about problems in communal apartments, the failure of rural communes (Landkommunen), or the inadequacy of violence as a means to overcome fear.Footnote 47 As the sense of frustration and hopelessness reached a climax after the violent battles in Brokdorf in 1976 and the German Autumn of 1977, radical left-wingers faced both emotional and political impasses. In the wake of these defeats, many activists turned to a variety of new therapeutic strategies to escape the emotional void of capitalism. Some stepped away from politics and looked for emotional fulfilment in New Age religions or in sexual communities like the Aktionsanalytische Organisation, led by Otto Mühl.Footnote 48 Perhaps most prominent among them was Herbert Röttgen, author for Das Blatt in Munich and co-founder of the influential Trikont Verlag, which changed its name into Dianus Trikont Verlag in 1980 and henceforth published New Age books.Footnote 49 Meanwhile, other radical left-wingers, notably Joschka Fischer, joined the emerging Green Party, and in so doing largely excised therapeutic considerations from political practices.Footnote 50 During the late 1970s, we can thus observe a disentanglement of left-wing politics of societal transformation and the therapeutic project of self-transformation.
At the same time, activists sensed that something else, a new, more exciting form of politics, was on the horizon although they were unable to state precisely what this was. At least in part, the origins of this development in Germany can be traced to Italy, which had witnessed a year of massive protests in 1977.Footnote 51 Fascinated by a large congress in Bologna, which in fact marked the end of the Italian movement, activists from Berlin reported on the ‘buone vibrazioni nell’aria.’ [Good vibrations in the air.] They described the scene as a huge party, where men and women painted themselves with the ‘craziest colours’ as they ‘clowned about and played Indian throughout the city’.Footnote 52 Inspired by the ‘Indiani Metropolitani’, activists who dressed up as Native Americans and declared war against urban, industrial society, similar groups became more prominent in West German cities.Footnote 53
The congress in Bologna was also an inspiration for the Tunix Congress in Berlin in February 1978.Footnote 54 To everyone’s, including the organisers’, surprise, some 20,000 Spontis, alternative and other non-dogmatic left-wingers from all over West Germany gathered in Berlin to bid farewell to ‘model Germany’. Assessing the event's impact remains rather difficult. Many complained about overcrowded and often boring lectures, and few seemed to be interested in what celebrities like Gilles Deleuze and Felix Guattari had to say. And yet, despite multiple critiques, there was a sense among many of those who attended the congress that a new dynamic and new movement was emerging. One activist from Berlin, for example, noted after a demonstration that ended with (minor) riots that he had, for the first time in a long while, not felt frustrated at the end of a demonstration.Footnote 55 Writing in the Frankfurt paper Pflasterstrand, Joschka Fischer aptly summarised the impact of Tunix. When he and his comrades in Frankfurt had considered organising a large European congress in Summer 1978, they ‘stood with [their] backs to the wall, isolated, looking for political perspectives, speechless and helpless in the light of the Schleyer abduction, Stammheim and Mogadishu. We felt individualised and powerless, exposed to the omnipresent state terrorism.’ Yet, then came Tunix, and a ‘new normality’ emerged, even though Fischer criticised this as an ‘illusion of warmer feet’.Footnote 56 Illusion or not, Tunix suggested to activists that it was possible to escape not only from the depressing ‘model Germany’, but also from the equally depressing dynamics of terrorism and repression. ‘New shores at the beach of Tunix’ seemed in sight.
Tunix was the clearest indication that a major shift within the radical left was underway. After Tunix, numerous grass-roots projects came into being, most famously probably the German left-wing daily die tageszeitung (taz). More generally, the sense of despair and the focus on damaged personalities receded into the background. By separating the practices and discourses surrounding emotional exuberance from the therapeutic language of the self, Tunix represented a first step away from the ‘therapeutic community’ of the radical left. To significant segments of the radical left, which included both old and experienced and new activists, it became increasingly apparent that external rather than internal boundaries were the primary obstacles standing in the way of emotional fulfilment. This distancing prepared the stage for the wave of youth protests that raged throughout West Germany in 1980–81, during which activists found, albeit only for a brief moment, the euphoric feelings they had been looking for during the 1970s.
The glacier melts: cathartic emotions in the revolts of 1980/81
Over the course of 1980–81, youth revolts broke out in cities across West Germany as well as in Switzerland, thus indicating that the movement was not contained within the borders of the Federal Republic. In Bremen, massive riots erupted during a public military recruitment ceremony on 6 May 1980.Footnote 57 In Switzerland, two nights of rioting in Zurich on 30–31 May 1980 followed in the aftermath of a demonstration against state subsidies for the municipal opera.Footnote 58 In Freiburg, the residents of the squatted building commonly known as the ‘Dreisameck’ were evicted on 8 June 1980, an event which led to violent demonstrations and riots in the city.Footnote 59 In West Berlin, the centre of the movement in West Germany and the location on which we will primarily focus for the remainder of the article, riots after the forced eviction of a squatted house on 12 December 1980, sparked a series of occupations and often violent street demonstrations during the following months.Footnote 60
Compared to the forms of radical left-wing politics during the 1970s, these revolts constituted a significant change. While activists continued to argue that urban capitalism had emotionally crippling effects, engaging in practices that would yield ‘euphoric’ feelings now came to overshadow the sense of ‘preventive fear’ that had characterised the 1970s. Few of the emotional practices of this period were entirely new: activists still engaged in violence to overcome fear and lived communally in squatted houses to escape loneliness just as they had in the 1970s. And yet, the revolts of 1980–81 were qualitatively different. Activists in the 1970s constantly emphasised their ‘damaged’ personalities and tried to ‘fix’ them, most notably in the context of numerous self-help and self-experience groups. During these years, the search for (positive) emotions and the ephemeral moments of joy were intrinsically linked to the ‘preventive sense of general fear’ that dominated the left-wing scene. By the early 1980s, however, many activists jettisoned the manifold therapeutic strategies designed to ‘fix’ their ‘damaged’ personalities. Instead of painstakingly changing the world by changing their inner selves, the activists of 1980–81 celebrated the exuberant and intense emotions generated when transgressing external – though, still self-constructed – social boundaries. Two practices, squatting houses and rioting during demonstrations, allow us to gain a better understanding of these joyful emotions.
Squatting, that is the illegal occupation of empty buildings, was a defining feature of the revolts of 1980–81. Hundreds of houses were, for a more or less extended period of time, occupied in cities all over West Germany, with particular hotspots in West Berlin and Freiburg.Footnote 61 Scholars so far have interpreted these squats mostly from the perspective of a crisis in urban housing and urban renewal. While these are certainly important issues to consider, in this article we seek to highlight another aspect of the 1980–81 squatting movement, namely that intense emotional communities were formed in the reorganised and (re-)aestheticised domestic spaces of collectively inhabited squatted houses.
In many ways, both the critique of modern, urban life and the practical goals of communal living in squatted houses were reminiscent of the 1970s. As a text by the Netzwerk Selbsthilfe, a non-radical left-wing group that supported squatted houses, put it:
Concrete silos rise from the landscape, square and grey; divided into small living cubicles. They are the building blocs of a machine which, initially, does not intend to break us physically, but instead to act systematically on our psychic perceptions. Separation [Vereinzel(l)ung – which suggests that apartments equalled prison cells] and hopelessness are fostered in order to create an atmosphere of fear, which robs us of all the power and trust needed to form solidarity with others.Footnote 62
The very organisation of the built environment was believed to prevent genuine social interaction and communication that would overcome isolation and foster solidarity. Such modes of communicative and emotional engagement, squatters argued, could only emerge in relatively unstructured spaces, for example, ‘when talking at the grocery store, in the stairwell or in a bar.’ The authors went on to argue that ‘uncontrollable communication amongst affected populations is the basis of any resistance.’Footnote 63 Such arguments for politicised communication were, of course, also a central element of radical left-wing politics during the 1970s. However, in the 1970s such forms of interpersonal communication were meant to cure damaged personalities, whereas in the revolts of 1980–81 they turned into a means of resistance. Creating and defending autonomous spaces was thus deemed to be essential for the development of intense emotions and novel forms of solidarity outside the constraints of capitalist society.
Squatted houses represented a space that would enable individuals to live communally and develop emotionally intense relations. Reducing the practice of squatting during these years to a mere struggle for ‘the preservation of living space (Wohnraum)’ is thus impossible. As the Besetzerrat Schöneberg declared:
We wanted to live and work together again. We wanted to put an end to the separation and the destruction of communal living. Who in this city does not know it, the agonising loneliness and emptiness of everyday life that emerged in conjunction with the ceaseless destruction of traditional relationships wrought by urban renovation and other forms of urban destruction?. . . Many of us have, for the first time, found a true home (Heimat) in the squatted houses. . . In the houses, we try to realise something that does not exist anymore in society: Relationships and Hope. Don't you dream of it as well, of relationships and love, instead of the quotidian monotony?Footnote 64
Indeed, squatters and their allies often described a ‘genuine warmth’ that was attached to the squatted houses. In contrast to the anonymity that reigned in large apartment buildings, people knew each other in these houses – ‘a cool Turkish family, a nice communal apartment or some other nice (dufte) people – and these are all people you really know, people from whom you can borrow something to eat when the stores are closed, sit down with in the backyard and gab on a Saturday afternoon, and collectively accomplish something together in the house.’Footnote 65 Squatted houses thus became spaces of genuine communication between diverse people. To a large degree these feelings of emotional warmth were understood as emerging from the architectural peculiarities of older houses and traditional neighbourhoods.Footnote 66 At the same time, however, some squatters sought to further improve communication within the houses by rearranging the inner layout. They tore down walls and created ‘functional rooms’, such as big sleeping rooms, living rooms, etc., and abolished private spaces deemed to be isolating. In extreme cases privacy was only accessible in circumscribed areas such as ‘love rooms’ where people could have sex.Footnote 67
Another key element of the squatting movement was the attempt to radically transform the outward appearance of the houses. Again, this had already been discussed and practised during the 1970s, yet, the sheer quantity of squats allowed activists to transform entire neighbourhoods into autonomous enclaves of emotional intensity. These ‘colours against the dull grey in the backyard’, as the Berlin magazine tip referred to them, ranged from idyllic scenes of life in nature to militant depictions of resistance.Footnote 68 Colourful images both reflected the emotional values of the movement, and demarcated the borders of radical spaces, providing a stark contrast to the emotionally vacuous visual landscapes of normal urban life. According to the Stadtzeitung für Freiburg, ‘Graffiti’ acted as ‘tattoos of the city’, which ‘do not convey any meaning or messages. They uncover the waste and dullness of urban deserts with their emptiness and lack of meaning. Graffiti win their power through subversion, by making dead matter come to life – by pointing out destructive architecture and elevating life that had been imprisoned in concrete.’Footnote 69 Writing in the twilight of the movement in 1983, another Freiburg activist pointed to the significance of these visual cues, expressing her hopes that ‘new graffiti will turn the concrete city into a jungle, everywhere fires will be fuelled, where the untameable will gather – and one day we will have banded together as a horde of barbarians that will again dare to storm the cities.’Footnote 70 The visual transformations of the built environment, these authors suggested, disrupted the rationality of thoroughly planned capitalist urban life-worlds. Inscribed onto the landscape of the city, these disruptions were also understood as potential catalysts for the future radicalisation of society.Footnote 71
In contrast to the communes formed by activists during the 1970s, squatted houses were rarely (even though it did happen at times) ‘therapeutic communities’, meant to support squatters in repairing their damaged selves. Instead, they represented free spaces for the expression of genuine emotions and, as such, needed to be defended at all costs. It is no surprise that squatters developed deep emotional attachments to ‘their’ houses that came especially to the fore during forced evictions, which is certainly one aspect that contributes to an explanation of the massive violence during the revolts. An eviction was, one squatter said after ‘their’ house had been cleared and immediately afterwards destroyed, ‘perhaps comparable with the death of an acquaintance. It is the loss of something that has a key meaning for you, which only becomes clear later on.’Footnote 72 Another squatter stressed that forced evictions were not only significant for housing politics (wohnungspolitische Bedeutung), but that they also destroyed ‘relations between people. . . the state assaults people in their private spaces, brutally destroys their way of living – that can create an insane amount of rage.’Footnote 73 Tellingly, the statement invokes a sense of ‘wholeness’ activists claimed to have found in their houses. There was no longer a sense of ‘damaged’ personalities that required work, but of a state that assaulted autonomous spaces populated by presumably undamaged people.
In squats, social feelings of sympathy, ‘warmth’ and intimacy were to become mainstays of emotional experience. Yet, any one-sided romanticisation of life in squats should be avoided. For many squatters, who often continued practising some form of collective living after the movement's heyday, it was certainly a momentous, life-changing experience. Others, however, soon developed different ideas about their preferred style of living. On the outskirts of Berlin, in places such as Spandau, some squats were even abandoned, because too many residents moved out.Footnote 74 Young couples with children, especially, and single mothers came to long for the quietness of normal apartments or complained about the permanent dirt in squatted houses.Footnote 75 In some squats, the good feelings, the cordial and open forms of interpersonal communication, all but vanished. In the beginning, a squatter remarked in March 1982, everything had been ‘prickling with adventures. Everything was, if possible, to be done at once, that's how much fun we had with everything we did. Getting to know each other was just as much fun. Yes, there was trouble, but that never lasted long and nobody sulked for long because of it.’ But then, people fell back to their old habits – ranging ‘from complete indifference with regard to anything happening in and around the house, to ‘chauvinism’ (Mackertum) that makes you want to puke’ – stopped listening to each other's problems, and used ‘actions’ to ‘paper over’ their problems and frustrations. ‘Honestly, I’m sick of being alone, even though I’m not [really alone]’, the article ambiguously concluded.Footnote 76
In part, the wave of squatting in 1980–81 fulfilled radical left-wing dreams from the 1970s of overcoming loneliness and frustration. Yet, this was a short-lived success. On the one hand, increasing state pressure was certainly crucial in cracking the movement. While some squatted houses in West Berlin received legal contracts, others were forcibly evicted by the police. City authorities also erased the visual representations of the movement, most famously the painting over the walls of the squatted Kunst- und Kulturcentrum Kreuzberg, known as KuKuCK. On the other hand, however, the internal dynamics outlined above signalled an end of the emotionally exceptional situation of the oft-fetishised ‘Movement’. By late 1981, a widespread sense of ‘stagnation’ (Stillstand), as opposed to ‘Movement’, had taken hold.
The severity of the shift between the late 1970s and the youth revolts of 1980–81 is even more visible in the practices of street violence, a second defining feature of the revolts early on. Activists from different cities described the riots as a deeply liberating experience, which was inherently emotional. For ten years, an anonymous author in the Zurich-based paper Stilett wrote, the youth of Zurich ‘had been in hiding and thereby gained a nice package of rage and frustration as they incessantly ran up against walls.’ With ‘fearful eyes’ and ‘silenced voices’ Zurich's youth snuck through ‘soulless street canyons’. Then came the riots of 30 May, a ‘medicine for heart and soul’. ‘A joy, as if life had just started. . . One could see how good it was for totally ordinary people to let their normally caged inner animal run free. The long years of darkening and dulled life rhythms loosened, like a persistent cough that finally comes rumbling from the throat. One could breathe again. . . ’Footnote 77 Writing in October 1981 and thus already looking back at nearly a year of often violent struggles, the Berlin paper radikal analysed the ‘liberating feeling’ of rioting, ‘when you get rid of your fear for the first time, when you hit back and the pigs [police] are running from you and not the other way round.’Footnote 78
It would be a simplification to interpret such texts as evidence that activists were merely enjoying violence, an insight that would hardly be surprising. Instead, we propose to use these texts to interpret rioting as an emotional practice that yielded euphoric and intense emotions. The key question, then, is how, exactly, rioting facilitated these exuberant feelings. For participants, the riots created the sense of being in an exceptional situation in which the perceived ‘normal’ social power relations were reversed. An incident that occurred in Berlin in October 1980 provides an example. Normally, protestors ran way from the police during riots. But this time, a column of police vehicles was so heavily assaulted in the aftermath of a demonstration that it had to turn back. ‘This time, no panic, no paranoia, no arrests and the cops radioing for help. On the street an awesome [geiles] feeling, and the stones beat rhythmically’, the paper Akut und Praktisch wrote.Footnote 79 It was this rather unexpected situation during a riot that the ‘other side’ was afraid and yearning for help that created the ‘awesome feeling’. In this case, the normality activists joyfully transgressed, that is the normality of usually being overpowered by the forces of order, was not merely a constructed normality, but a very real one.
A different and arguable more self-constructed set of norms was disrupted when activists succeeded, according to their own reports, in overcoming the isolation and loneliness that typically characterised urban capitalism. The riots in Berlin-Kreuzberg after the police forcibly prevented the occupation of a house on Fraenkelufer 48 on 12 December 1980 are a case in point. ‘This night, order has been turned head over heels in Kreuzberg. The streets are full of people, barricades are built, time and again groups of people engage in discussions with each other.’Footnote 80 Along similar lines, an article in the taz noted the ‘liberating laughter of a freak in overalls’, ‘when a Turkish boy handed him box of gummy-bears, saying “This is fun, right?”’Footnote 81 At least that night, it seems, the social boundaries that separated the ‘scene’ from ‘ordinary’ residents collapsed. Former participants confirm this impression, stressing that ‘old ladies’ opened doors to help people fleeing from the police, or that Turkish pool halls offered their pool tables to treat wounded activists.Footnote 82 These social components of the riot – and it remains somewhat unclear if this was a unique feature of the riots on 12 December 1980 – are crucial to understanding why riots felt ‘liberating’ and joyful. Here, at last, radical left-wingers felt that they had truly overcome their (self-imposed) isolation and merged with ‘the people’ in their fight against capitalism and state violence.
This focus on breaking through a self-constructed normality had interesting consequences for the temporalities of politics. At least for some activists, the ‘moments of crossing boundaries, of movement, of change’, were the only situations in which freedom existed. Such freedom emerged, they argued, during riots, in ‘the short moment from picking up the stone until it hits’.Footnote 83 Importantly, this also meant that the feeling of ‘breaking through’ itself became one of the central goals of radical politics. Suggesting that radical activists wanted only to ‘feel good’ but did not care about politics would thus be misleading. Instead, the feelings of liberation, of empowerment, of overcoming fear and frustration when rioting became inherently political.Footnote 84 A problem, however, emerged when there were no new boundaries to be crossed, as activists writing in the paper radikal pointed out. Crossing boundaries and experiencing such ‘moments of liberation’ was tied to doing something for the first time: spraying, throwing a stone at a demonstration, or engaging in a ‘decentralised action’ (dezentrale Aktion). Yet, as most people did not want to take the next step and pick up a gun, they faced a conundrum. They tried to find other terrains, to overcome new boundaries, but in vain. Thus, the cycle of protests ‘which had first been articulated with the music of the Sex Pistols and which reached an apogee in 80–81’ arrived at an impasse.Footnote 85
A key problem in this situation, and one that activists were very well aware of, was the ritualisation of rioting, as exemplified by the debates in the run-up to the demonstration against the visit of US President Ronald Reagan on 11 June 1982. For some, the ‘street pogo’ lost its attraction with ‘every warrant and every smashed skull’ as activists ceased feeling like ‘living actors of an unleashed force (lebendige Akteure einer Entfesselung)’.Footnote 86 The riots at the demonstration against Secretary of State Alexander Haig in September 1981 were celebrated as the ‘biggest action (Äktschn) in the post-war era, [a moment] when the violence imposed on the city fell victim to the incalculable subversion of a Moloch-like movement’. But any attempt to reproduce these riots in a more organised way during the Reagan visit would, some activists predicted, only end in defeat because it lacked spontaneity.Footnote 87 In fact, the demonstration against Reagan ended in heavy and quite unforeseen riots at Nollendorfplatz.Footnote 88 Police forces attempted to cordon off the demonstration before it started, but protestors succeeded in breaking through police barriers. For some, the riot created a ‘a zone which was partially liberated of any control, of any power and any law, in which encounters developed, complicities, manifold games against a world that controls all wishes and diverts them into production and consumption.’Footnote 89 Others, however, bemoaned the feeling ‘of being a planned, unpaid and unconscious statistic in a production whose logic was opposed to [their] own spontaneity, which was furthermore never so incalculable for us and so controlled for the opposing side.’Footnote 90 Ultimately, those who proclaimed the end of the ‘movement’ as they knew it turned out to be right. Just as we have seen in the case of squatting, in late 1981 a sense of ‘stagnation’ emerged with regard to street action. While a more durable Autonomen movement emerged from the squatters’ scene, the revolt of 1980–81, with its focus on ephemeral moments of ecstatic transcendence, had come to a definitive end.
Conclusion
In the late 1970s, the left-wing scene faced an increasingly frustrating impasse. The hard labour involved in ‘repairing’ the ‘damaged’ self and thereby changing the world, failed to yield the expected and hoped for results. This situation led to a rupture in the emotional politics of the 1970s. In some cases activists turned away from politics by, for example, engaging in New Age religions or simply embracing de-politicised therapeutic practices such as yoga or self-help groups. Others, however, abandoned the therapeutic project altogether and turned their attention more fully to conventional forms of politics. Neither the emerging Green Party nor those involved in the revolts of 1980–81 were known for working on the self. Nevertheless, as the urban revolts of 1980–81 demonstrate, emotions continued to play a central role within radical left-wing politics. The euphoric and intense emotions exhibited in 1980–81 were not the products of a careful cultivation of the self, but of wilful transgressions of personal, social and political boundaries. In 1980–81 external rather than internal impediments came to be seen as the primary obstacle to emotional expression.
To conclude this essay, we will briefly reflect on how radical left-wing emotional politics can be integrated into larger narratives of post-1968 West German history as well as their potential to alter such narratives. Radical left-wingers’ ‘search for emotions’ was part of a larger ‘therapy boom’ during the 1970s. Historians and sociologists have productively interpreted this therapeutisation of society in terms of new forms of subjectivity, emphasising aspects such as fear, the search for authenticity and the emergence of a ‘counselled self’.Footnote 91 It was also, however, a transformation of the social styles and norms of performing emotions. As we have argued in this essay, radical left-wingers did not simply break free from the hegemonic emotional norms of the 1970s; they also formulated a new corpus of emotional norms. By focusing on the transformation, rather than eradication, of emotional norms, this perspective can help historians avoid adopting the liberationist narrative championed by many radical left-wingers of the period. Similar to what Joachim Scharloth has argued with regard to new communicative styles that emerged in the wake of 1968,Footnote 92 different emotional norms were by no means more ‘liberal’ or ‘permissive’, even if protagonists explicitly promoted such an ‘emotional’ liberation. Ultimately, this approach might offer an alternative to the highly teleological and, even more problematic, moralising narratives of liberalisation and democratisation that still dominate much of the historiography of post-war Europe. Norms and rules of emotional styles changed in the late twentieth century, and we might prefer new rules to old rules, but these new rules are by no means less powerful.
The revolts of 1980–81 prove even more troublesome for the narrative of social, cultural and emotional liberalisation in post 1968 West Germany. Whereas the radical left of the 1970s contributed to the ‘therapeutisation’ of society and the creation of new emotional norms, the revolts of 1980–81 represented a revolt against both the norms of the therapeutic society and the compulsion to work on and ‘cure’ the self. Instead of deliberate steps towards self-transformation, the revolts of 1980–81 created ephemeral moments of exuberant joy, moments in which the transgression of diverse boundaries became an end in itself. The revolts constituted an exceptional situation in which normality collapsed, at least for the activists. It is precisely their status as an exceptional moment that makes the revolts of 1980–81 so difficult to integrate into any narrative of post-war German history.
