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Stone on stone: elite involvement in stoneworking at the ancestral Maya site of El Perú-Waka’

Published online by Cambridge University Press:  04 November 2024

Rachel A. Horowitz*
Affiliation:
Department of Anthropology, Washington State University, Pullman, USA
Damien B. Marken
Affiliation:
Department of Anthropology, Sociology, Criminal Justice, and Social Work, Commonwealth University of Pennsylvania-Bloomsburg, USA
Juan Carlos Meléndez
Affiliation:
Archéologie des Amériques, UMR 8096 – CNRS, Université Paris 1 – Panthéon-Sorbonne, France
*
*Author for correspondence ✉ rachel.horowitz@wsu.edu
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Abstract

Crafting is often assumed to have been a ‘dirty’ and hence low-status activity: elites managed the supply of materials or distribution of the products, lower-status workers undertook the hard graft. Here, the authors present an in situ stoneworking toolkit from El Perú-Waka’ in the central Maya lowlands of Guatemala. Recovered from a high-status neighbourhood, the tools indicate the involvement of elite crafters in the working of various types of stone and greenstone. The assemblage is discussed with reference to ontological understandings of raw materials in the Maya world and the importance of specialised and ritual knowledge. The results encourage greater consideration of the involvement of elites in craft production across Mesoamerica and beyond.

Information

Type
Research Article
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press on behalf of Antiquity Publications Ltd
Figure 0

Figure 1. Location of Waka’ (figure by D. Marken).

Figure 1

Figure 2. Map of Waka’ overlaid on the lidar image for the site (figure by D. Marken, with permission of Proyecto Arqueológico Waka’).

Figure 2

Figure 3. Payes group (figure by D. Marken, with permission of Proyecto Arqueológico Waka’).

Figure 3

Table 1. Chert lithics from structures K10-11 and K10-12B.

Figure 4

Figure 4. North profile (A) and plan (B) of structures K10-11 and K10-12B (drawings by R. Ozaeta (A & B) and D. Marken (B), with permission of Proyecto Arqueológico Waka’).

Figure 5

Figure 5. Photograph of the stone working assemblage in situ in room 1 of structure K10-11 (photograph by D. Marken).

Figure 6

Figure 6. Stone working assemblage. Top row) two polished limestone pieces, materials with greenstone flecks, and cut greenstone; bottom row) three greenstone axes and polished biface (photograph by R. Horowitz).

Figure 7

Figure 7. Stone modifier from Structure K10-11. The hemispherical holes were possibly used for modifying beads (photograph by R. Horowitz).

Figure 8

Figure 8. ‘Banana-shaped’, polished chert biface showing polished (left) and unpolished (right) sides (photographs by R. Horowitz).