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The intonation of yes–no questions in Luganda

Published online by Cambridge University Press:  12 April 2021

Scott Myers*
Affiliation:
The University of Texas at Austin s.myers@austin.utexas.edu
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Abstract

The intonation of yes–no questions in Luganda (Bantu, Uganda) has only been sketched in passing. Hyman states that Luganda yes–no questions are marked by a ‘super-high tone’ immediately following the last lexical high tone in the sentence, but there is little agreement in the literature about the intonation of yes–no questions if there is no lexical high tone in the sentence. To clarify the differences between statements and yes–no questions in Luganda, an acoustic production study was conducted. Nineteen speakers read aloud sentences differing in the location of the last lexical high tone relative to the end of the sentence. Each sentence was produced as a statement and as a question. Analysis of f0 measurements supported Hyman’s description of sentences with a lexical high tone, since the questions had an f0 peak that was higher and later than in the corresponding statements. For sentences without a lexical high tone, yes–no questions were found to begin with an interval in which f0 is higher than in corresponding statements, and end with a final f0 value lower than in statements. It is proposed that the yes–no question marker is a phrase accent (H–). Like the high phrase accent posited by Pierrehumbert for English, this intonational tone is associated after the last tone in the phrase, but in Luganda that last tone is lexical, rather than being an intonational focus marker as in English. This H– accent is subject to upstep in the position after a high tone.

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Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
© The Author(s), 2021. Published by Cambridge University Press on behalf of the International Phonetic Association
Figure 0

Table 1 Participants.

Figure 1

Figure 1 Sample pitch tracks of HLL sentences. (a) Statement: Omulangira yalámula. ‘The prince judged’. (b) Question: Omulangira yalámula? ‘Did the prince judge?’.

Figure 2

Figure 2 Sample pitch tracks of LHL sentences. (a) Statement: Omulongo yalúma. ‘The twin bit’. (b) Question: Omulongo yalúma? ‘Did the twin bite?’.

Figure 3

Figure 3 Sample pitch tracks of LLH sentences. (a) Statement: Omulimi mulalú. ‘The farmer is crazy’. (b) Question: Omulimi mulalú? ‘Is the farmer crazy?’.

Figure 4

Figure 4 Sample pitch tracks of LLL sentences. (a) Statement: Omulimi alima ennimiro. ‘The farmer cultivates a garden’. (b) Question: Omulimi alima ennimiro? ‘Is the farmer cultivating a garden?’.

Figure 5

Figure 5 Mean normalized f0 (z) by proportion of measurement interval: (a) HLL, (b) LHL, (c) LLH. Hollow triangles mark measurement points in statements, and filled circles mark those in questions.

Figure 6

Figure 6 Mean normalized f0 (z) by proportion of measurement interval in the Initial and the Final intervals for LLL sentences.

Figure 7

Figure 7 Mean normalized maximum f0 (z) by Tone Position and Speech Act. (Error bars represent standard deviation.)

Figure 8

Table 2 Model of Maximum f0. Maximum f0 ~ Speech Act × Tone Position + (1 + Speech Act| Participant) + (1| Item).

Figure 9

Figure 8 Mean normalized offset f0 (z) by Tone Position and Speech Act. (Error bars represent standard deviation.)

Figure 10

Table 3 Model of Offset f0. Offset f0 ~ Speech Act × Tone Position + (1 + Speech Act| Participant) + (1| Item).

Figure 11

Table 4 Models of Offset f0, broken down by Tone Position subset. Offset f0 ~ Speech Act + (1| Participant) + (1| Item).

Figure 12

Table 5 Models of Offset f0, broken down by Speech Act subset. Offset f0 ~ Tone Position + (1| Participant) + (1| Item).

Figure 13

Figure 9 Peak delay (ms) by S1 duration (ms), Tone Position and Speech Act: (a) HLL, (b) LHL, (c) LLH.

Figure 14

Figure 10 Mean relative peak delay by Tone Position and Speech Act. (Error bars represent standard deviation.)

Figure 15

Table 6 Model of Relative Peak Delay. Relative peak delay ~ Speech Act × Tone Position + (1 + Speech Act + Tone Position| Participant) + (1| Item).

Figure 16

Table 7 Model of Relative Peak Delay, broken down by Tone Position subset. Relative peak delay ~ Speech Act + (1| Participant) + (1| Item).

Figure 17

Figure 11 Mean S1 duration by Tone Position and Speech Act. (Error bars represent standard deviation.)

Figure 18

Table 8 Model of S1 duration. S1 duration ~ Speech Act * Tone Position + (1 + Speech Act| Participant) + (1| Item).

Figure 19

Figure 12 Mean peak delay by Tone Position and Speech Act. (Error bars represent standard deviation.)

Figure 20

Table 9 Model of Peak Delay. Peak delay ~ Speech Act × Tone Position + (1 + Speech Act + Tone Position| Participant) + (1| Item).

Figure 21

Table 10 Models of F0 in LLL, broken down by timepoint. F0 at timepoint ~ Speech Act + (1 + Speech Act| Speaker) + (1| Item).

Figure 22

Figure 13 Mean normalized f0 (z) by proportion of measurement interval in the Initial and the Final intervals for LLL sentences for each speaker. Hollow triangles mark measurement points in statements, and black circles mark those in questions.

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