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Facts and Fiction: The Myth of Suvaṇṇabhūmi Through the Thai and Burmese Looking Glass

Published online by Cambridge University Press:  04 September 2018

Nicolas Revire*
Affiliation:
Faculty of Liberal Arts, Thammasat University, Thailand; nicolasrevire@hotmail.com
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Abstract

Most scholars think that the generic name ‘Golden Land’ (Sanskrit, Suvarṇabhūmi; Pali, Suvaṇṇabhūmi) was first used by Indian traders as a vague designation for an extensive region beyond the subcontinent, presumably in Southeast Asia. Some Pali sources specifically link Suvaṇṇabhūmi with the introduction of Buddhism to the region. The locus classicus is the Sri Lankan Mahāvaṃsa chronicle (fifth century AD) which states that two monks, Soṇa and Uttara, were sent there for missionary activities in the time of King Asoka (third century BC). However, no Southeast Asian textual or epigraphic sources refer to this legend or to the Pali term Suvaṇṇabhūmi before the second millennium AD. Conversely, one may ask, what hard archaeological evidence is there for the advent of Buddhism in mainland Southeast Asia? This article re-examines the appropriation of the name Suvaṇṇabhūmi in Thailand and Burma for political and nationalist purposes and deconstructs the connotation of the term and what it has meant to whom, where, and when. It also carefully confronts the Buddhist literary evidence and earliest epigraphic and archaeological data, distinguishing material discoveries from legendary accounts, with special reference to the ancient Mon countries of Rāmaññadesa (lower Burma) and Dvāravatī (central Thailand).

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Copyright
Copyright © Institute for East Asian Studies, Sogang University 2018 
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Figure 1. Supāragajātaka (?). Stucco (7th–9th c. AD); Phra Pathom Chedi National Museum, Nakhon Pathom, central Thailand

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Figure 2. The Buddha forecasts the Birth of Pegu. Modern mural painting; Pegu, lower Burma

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Figure 3. The Shwedagon pagoda. Yangon, Burma

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Figure 4. The gift of eight hairs to Tapussa and Bhallika. Modern mural painting; Shwedagon, Yangon, Burma

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Figure 5. Phra Pathom Chedi enclosing an older monument. Early 20th century mural painting; Phra Pathom Chedi, Nakhon Pathom, central Thailand

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Figure 6. The Phra Pathom Chedi encasing an older Sāñcī-like stūpa? Modern mural painting (completed in 2009); Phra Pathom Chedi, Nakhon Pathom, central Thailand

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Figure 7. Statue of Uttara in parinibbāna. Hilltop-site near Bilin, Thaton region, lower Burma (Courtesy: Donald Stadtner)

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Figure 8. Statue of Soṇa in parinibbāna. Hilltop-site near Bilin, Thaton region, lower Burma (Courtesy: Donald Stadtner)

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Figure 9. The sea ogress and the five missionary monks in Suvaṇṇabhūmi. Modern mural painting (completed in 2009); Phra Pathom Chedi, Nakhon Pathom, central Thailand

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Figure 10. Nakhon Pathom is Suvaṇṇabhūmi. Modern mural painting; Wat Rai King, Nakhon Chaisi, central Thailand

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Figure 11. Monks on alms round. Terracotta (6th–7th c. AD?); U-Thong National Museum, central Thailand

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Figure 12. Ye dharmā formula. Golden plate (7th–8th c. AD); provenance unknown, Musée Guimet, Paris

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Figure 13. Shwedagon inscriptions, Pāli, Mon, and Burmese, of King Dhammazedi. Shwedagon compound (c. late 15th c.); Yangon, Burma

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MAP 1. How many golden lands? Ancient and modern toponyms in mainland Southeast Asia

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Figure 14a. Inscription of King Ramkhamhaeng; Face 4, line 20, reads “Suphannaphu…” (Fig. 14b, close-up); found in Sukhothai (allegedly late 13th c.), National Museum Bangkok, Thailand