Agnon, Uri. ‘On Political Audiences: An Argument in Favour of Preaching to the Choir’. Tempo 75 (2021), 57–70.
Ahmad, Aeham. The Pianist from Syria: A Memoir. New York: Atria Books, 2017.
Alter, Robert. The Wisdom Books: Job, Proverbs and Ecclesiastes. New York: Norton, 2010.
Anderton, Abby. Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950. Bloomington, IN: Indiana University Press, 2019.
Apel, Dora. Beautiful Terrible Ruins: Detroit and the Anxiety of Decline. New Brunswick, NJ: Rutgers University Press, 2015.
Arendt, Hannah. ‘The Aftermath of Nazi Rule: Report from Germany’. Commentary 10 (October 1950), 342–53.
Ayrey, Craig. ‘Stravinsky in Analysis: The Anglophone Traditions’, in The Cambridge Companion to Stravinsky, ed. Cross, Jonathan. Cambridge: Cambridge University Press, 2003. 203–29.
Baker, Geoffrey. El Sistema: Orchestrating Venezuela's Youth. New York: Oxford University Press, 2014.
Barker, Holly M. Bravo for the Marshallese. Belmont, CA: Wadsworth, 2004.
Becker, Howard S. Art Worlds, 25th Anniversary Edition. Berkeley, CA: University of California Press, 2008.
Becker, Ute, ed. Die Oper in Stuttgart: 75 Jahre Littmann-Bau. Stuttgart: Deutsche Verlags-Anstalt, 1987.
Beckett, Samuel. ‘The Capital of the Ruins’, in The Complete Short Prose: 1929–1989. New York: Grove Press, 1995. 277–8.
Beckles Willson, Rachel. ‘The Parallax Worlds of the West-Eastern Divan Orchestra’. Journal of the Royal Musical Association 134/2 (2009), 319–47.
Beckles Willson, Rachel. ‘Whose Utopia? Perspectives on the West-Eastern Divan Orchestra’. Music & Politics 3/2 (2009), 1–21.
Benidt, Doug, and Pyś, Pavel. Interview with Dua Saleh. ‘We All Have a Role in Our Collective Liberation’. Fourth Wall, 16 June 2020. https://walkerart.org/magazine/dua-saleh-body-cast-women-for-political-change (accessed 1 February 2022).
Benjamin, Walter. The Origin of German Tragic Drama, trans. Osborne, John. London: Verso, 1998.
Bernage, Georges. Objective Saint-Lô: 7 June 1944–18 July 1944, trans. Williams, Heather. South Yorkshire: Pen & Sword Books Ltd, 2017.
‘Bikini Atoll Nuclear Test Site’. UNESCO. https://whc.unesco.org/en/list/1339/ (accessed 11 March 2021).
Bird, Dúnlaith. ‘Light, Landscape, and Beckett’. Samuel Beckett Today/Aujourd'hui 24 (2012), 239–48.
Birdsall, Carolyn. ‘Earwitnessing: Sound Memories of the Nazi Period’, in Sound Souvenirs: Audio Technologies, Memory and Cultural Practices, ed. Bijsterveld, Karin and van Dyck, José. Amsterdam: University of Amsterdam Press, 2009. 169–81.
Blokker, Johanna M. ‘(Re)Constructing Identity: World War II and the Reconstruction of Cologne's Destroyed Romanesque Churches, 1945–1985’. PhD diss., New York University, 2011. ProQuest (AAT 3466856).
BLUME Haiti website. www.blumehaiti.org/emst (accessed 30 November 2021).
Blumenson, Martin. The European Theater of Operations: Breakout and Pursuit. Washington, DC: US Army Center of Military History, 1993.
Bourque, Stephen A. ‘Operational Fires: Lisieux and Saint-Lô – the Destruction of Two Norman Towns on D-Day’. Canadian Military History 19/2 (2010), 25–40.
Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001.
Boym, Svetlana. ‘Ruinophilia: Appreciation of Ruins’. Atlas of Transformation, 2008. http://monumenttotransformation.org/atlas-of-transformation/html/r/ruinophilia/ruinophilia-appreciation-of-ruins-svetlana-boym.html (accessed 30 November 2021).
Cannon, Alexander. ‘Tradition, still Remains: Sustainability through Ruin in Vietnamese Music for Diversion’. Ethnomusicology Forum 25/2 (2016), 146–71.
Cesar, David. ‘Note from The Rev. David Cesar’. Newsletter. Friends of Holy Trinity Music School (23 February 2021).
Cizmic, Maria. Performing Pain: Music and Trauma in Eastern Europe. New York: Oxford University Press, 2012.
Clout, Hugh. ‘Beyond the Landings: The Reconstruction of Lower Normandy after June 1944’. Journal of Historical Geography 32 (2006), 127–48.
Daughtry, Martin. Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq. New York: Oxford University Press, 2015.
Davis, Elmer. This Is London. London: Cassell, 1941.
Diefendorf, Jeffrey M. In the Wake of War: The Reconstruction of German Cities after World War II. New York: Oxford University Press, 1993.
Dixon, Joan DeVee. George Rochberg: A Bio-Bibliographic Guide to His Life and Works. Stuyvesant, NY: Pendragon Press, 1992.
Doss, Erika. Memorial Mania: Public Feeling in America. Chicago: University of Chicago Press, 2010.
Dümling, Albrecht. ‘The Target of Racial Purity: The “Degenerate Music” Exhibition in Düsseldorf, 1938’, in Art, Culture, and Media Under the Third Reich, ed. Etlin, Richard. Chicago: University of Chicago Press, 2002. 43–72.
Eldridge Stewart, Lauren. ‘Whose Mizik Klasik? Classical Music and the Boundaries of Genre in Haiti’. Paper presented at the 66th Society for Ethnomusicology annual conference, virtual, 28–31 October 2021.
Embassy of Haiti. ‘Les petites chanteurs and the chamber ensemble of Holy Trinity’. www.haiti.org/les-petits-chanteurs-and-the-chamber-ensemble-of-holy-trinity-music-school-port-au-prince-haiti/ (accessed 30 November 2021).
Evans, Joan. ‘Stravinsky's Music in Hitler's Germany’. Journal of the American Musicological Society 56/3 (2003), 525–94.
Fanon, Frantz. The Wretched of the Earth, trans. Philcox, Richard with commentary by Sartre, Jean-Paul and Bhabha, Homi K.. New York: Grove Press, 1963.
Farra, Allessandro. Settenario dell'humana. Casalmaggiore: Appresso il Farra di Bartoli, 1571.
Förster, Ernst. ‘Neue Kunstleistungen in München. 4. Oelmalerei’. Kunstblatt 23 (19 March 1844), 93–6; 24 (21 March 1844), 101–2; 25 (26 March 1844), 106–7.
Gillmor, Alan, ed. Eagle Minds: Selected Correspondence of Istvan Anhalt and George Rochberg. Waterloo, Ont: Wilfrid Laurier University Press, 2007.
Gordillo, Gastón R. Rubble: The Afterlife of Destruction. Durham, NC: Duke University Press, 2014.
Gordon, Lois G. The World of Samuel Beckett, 1906–46. New Haven, CT: Yale University Press, 1996.
Gregor, Neil. Haunted City: Nuremberg and the Nazi Past. New Haven, CT: Yale University Press, 2008.
Gregor, Neil. ‘Music, Memory, Emotion: Richard Strauss and the Legacies of War’. Music & Letters 96/1 (2015), 55–76.
HaCohen, Ruth. The Music Libel Against the Jews. New Haven, CT: Yale University Press, 2012.
Hall, George. ‘Kronos Quartet Review: Sonic Slinkys and Exploding Bombs’. The Guardian, 10 May 2016. www.theguardian.com/music/2016/may/10/kronos-quartet-review-barbican-london (accessed 30 November 2021).
Hasselbeck, Kathrin, and Schulmann, Viktoria. ‘Sturm- und Wasserschaden an der Oper Stuttgart: Es war Gespenstisch’. BR-Klassik, 30 June 2021. www.br-klassik.de/aktuell/news-kritik/oper-stuttgart-sturm-wasser-schaden-regen-unwetter-dach-abgerissen-100.html (accessed 20 November 2021).
Hell, Julia. ‘Ruins Travel’, in Writing Travel: The Poetics and Politics of the Modern Journey, ed. Zilcosky, John. Toronto: University of Toronto Press, 2008. 123–62.
Hell, Julia, and Schönle, Andreas, eds. Ruins of Modernity. Durham, NC: Duke University Press, 2010.
Hewitt, Kenneth. ‘Place Annihilation: Area Bombing and the Fate of Urban Places’. Annals of the Association of American Geographers 73/2 (1983), 257–84.
Honolka, Kurt. ‘Die Ära Schäfer 1945–1972’, in Becker, Ute, ed, Die Oper in Stuttgart: 75 Jahre Littmann-Bau. Stuttgart: Deutsche Verlags-Anstalt, 1987. 88–105.
Hirsch, Marianne. Family Frames: Photography, Narrative and Postmemory. Cambridge, MA: Harvard University Press, 1997.
Hutchens, John K. ‘Radio Notebook’. New York Times, 7 December 1941, 16.
Huyssen, Andreas. ‘Authentic Ruins: Products of Modernity’, in Ruins of Modernity, ed. Hell, Julia and Schönle, Andreas. Durham, NC: Duke University Press, 2009. 17–28.
Huyssen, Andreas. ‘Nostalgia for Ruins’. Grey Room 23 (2006), 6–23.
Initiative Stolpersteine für München. www.stolpersteine-muenchen.de/english/ (accessed 30 November 2021).
Jackson, Timothy, L. ‘The Metamorphosis of the Metamorphosen: New Analytical and Source-Critical Discoveries’, in Richard Strauss: New Perspectives on the Composer and His Work, ed. Gilliam, Bryan. Durham, NC: Duke University Press, 1992. 193–242.
Jarjour, Tala. Sense and Sadness: Syriac Chant in Aleppo. New York: Oxford University Press, 2018.
Johnson, Giff. Don't Ever Whisper: Darlene Keju, Pacific Health Pioneer, Champion for Nuclear Survivors. Self-published, 2014.
Johnston, Barbara R., and Holly M., Barker. Consequential Damages of Nuclear War: The Rongelap Report. Walnut Creek, CA: Left Coast Press, 2010.
Jubeh, Nazmi. ‘Childhood Memories of a Jerusalemite’. Jerusalem Quarterly 73 (2019), 90–100.
Kaplan, E. Ann. Climate Trauma: Foreseeing the Future in Dystopian Film and Fiction. New Brunswick, NJ: Rutgers University Press, 2016.
Katrib, Leen. ‘On Archiving Rubble’. Future Anterior: Journal of Historic Preservation History, Theory, and Criticism 15/2 (2018), 33–45.
Kennedy, Michael. Richard Strauss, rev. edn. London: J.M. Dent, 1988.
Knowlson, James. Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury, 1996.
Kouyoumdjian, Mary. Bombs of Beirut (2014). www.marykouyoumdjian.com/musical-documentary.html (accessed 30 November 2021).
Kouyoumdjian, Mary. Live recording of Bombs of Beirut, performed by the Kronos Quartet. The Greene Space, New York, 24 March 2014. https://soundcloud.com/marykouyoumdjian/bombs-of-beirut-kronos-quartet-live-at-the-greene-space (accessed 30 November 2021).
Kouyoumdjian, Mary, and Lanman, Anthony Joseph. Interview. One Track Podcast #95, S8E7. http://1trackpodcast.com/1-track-contemporary-classical-podcast-s8e7-mary-kouyoumdjian/ (accessed 30 November 2021).
‘Kronos Quartet, Beyond Zero: 1914–1918’. Programme note on Kouyoumdjian, Bombs of Beirut. Kronos Quartet concert, Hancher Auditorium, Iowa City, 7 February 2015. https://hancher.uiowa.edu/kronos (accessed 30 November 2021).
LaCapra, Dominick. Writing History, Writing Trauma. Baltimore, MD: Johns Hopkins University Press, 2001.
Langer, Lawrence. Holocaust Testimonies: The Ruins of Memory. New Haven, CT: Yale University Press, 1991.
Leader in Lieder mit Midi Melodies website. https://ingeb.org/Lieder/vorwarts.html (accessed 30 November 2021).
Lerner, Neil, and Joseph N., Straus, eds. Sounding Off: Theorizing Disability in Music. New York and London: Routledge, 2006.
Lyons, Siobhan, ed. Ruin Porn and the Obsession with Decay. London: Palgrave Macmillan, 2018.
Manabe, Noriko. The Revolution Will Not Be Televised: Protest Music After Fukushima. New York: Oxford University Press, 2016.
Mbembe, Achille. ‘The Power of the Archive and Its Limits’, trans. Inggs, Judith, in Refiguring the Archive, ed. Hamilton, Carolyn et al. Dordrecht: Kluwer Academic Publishers, 2002. 19–26.
McAlister, Elizabeth. ‘Soundscapes of Disaster and Humanitarianism: Survival Singing, Relief Telethons, and the Haiti Earthquake’. Small Axe: A Caribbean Platform for Criticism 39 (November 2012), 22–38.
McAtackney, Laura, and Ryzewski, Krysta, eds. Contemporary Archaeology and the City, Creativity, Ruination, and Political Action. New York: Oxford University Press 2017.
Metzer, David. Quotation and Cultural Meaning in Twentieth-Century Music. Cambridge: University of Cambridge Press, 2003.
Michigan School Vocal Music Association Website. www.msvma.org (accessed 30 November 2021).
Mitchell, W.J.T. ‘Showing Seeing: A Critique of Visual Culture’. Journal of Visual Culture 1/2 (2002), 165–81.
Murrow, Edward R. ‘London After Dark’. CBS London. YouTube, 21 September 1940. www.youtube.com/watch?v=Za2Lus0CkRc (accessed 30 November 2021).
Music of Armenia. ‘Mary Kouyoumdjian: “Bombs of Beirut”’. Music of Armenia (blog), 24 January 2014. http://musicofarmenia.com/mary-kouyoumdjian-bombs-beirut (accessed 30 November 2021).
‘Nuke York, New York’ [Exhibition]. Cornell AAP. https://aap.cornell.edu/news-events/nuke-york-new-york (accessed 2 March 2012).
Oster, Andrew. ‘Rubble, Radio, and Reconstruction: The Genre of Funkoper in Postwar Occupied Germany and the Federal Republic, 1946–1957’. PhD diss., Princeton University, 2010.
Phillips-Hutton, Ariana. ‘Performing the South African Archive in REwind: A Cantata for Voice, Tape, and Testimony‘. Twentieth-Century Music 15/2 (2018), 187–209.
Pollock, Emily Richmond. Opera after the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany. New York: Oxford University Press, 2019.
Potter, Pamela. ‘Defining “Degenerate Music” in Nazi Germany’. OREL Foundation. http://orelfoundation.org/journal/journalArticle/defining_8220degenerate_music8221_in_nazi_germany (accessed 30 November 2021).
Rentschler, Eric. ‘The Place of Rubble in the Trümmerfilm’, in Ruins of Modernity, ed. Schönle, Andreas and Hell, Julia. Durham, NC: Duke University Press, 2010. 418–38.
Rochberg, George. The Aesthetics of Survival: A Composer's View of Twentieth-Century Music. Ann Arbor, MI: University of Michigan Press, 1984.
Rochberg, George. The Aesthetics of Survival: A Composer's View of Twentieth-Century Music, 2nd edn. Ann Arbor, MI: University of Michigan Press, 2004.
Rochberg, George. Five Lines, Four Spaces: The World of My Music. Urbana, IL: University of Illinois Press, 2009.
Rogers, Jillian. Resonant Recoveries: French Music and Trauma Between the Wars. New York: Oxford University Press, 2021.
Rosenfeld, Gavriel D., and Jaskot, Paul B., eds. Beyond Berlin: Twelve German Cities Confront the Nazi Past. Ann Arbor, MI: University of Michigan Press, 2007.
Schwartz, Jessica A. Radiation Sounds: Marshallese Music and Nuclear Silences. Durham, NC: Duke University Press, 2021.
Schwinghammer, Renate. Weltgeschichte als ‘Nationalepos’. Wilhelm von Kaulbachs kulturhistorischer Zyklus im Treppenhaus des Neuen Museums Berlin. Berlin: Deutscher Verlag für Kunstwissenschaft, 1994.
Sebald, W.G. On the Natural History of Destruction, trans. Bell, Anthea. New York: Modern Library, 2004.
Smither, Howard E. A History of the Oratorio, vol. 4: The Oratorio in the Nineteenth and Twentieth Centuries. Chapel Hill, NC: University of North Carolina Press, 2000.
Sontag, Susan. Regarding the Pain of Others. London: Penguin, 2013.
Sprigge, Martha. Socialist Laments: Musical Mourning in the German Democratic Republic. New York: Oxford University Press, 2021.
Stachel, Peter. ‘“Das Krönungsjuwel der österreichischen Freiheit”: Die Wiedereröffnung der Wiener Staatsoper 1955 als Akt österreichischer Identitätspolitik’, in Bühnen der Politik: Die Oper in europäischen Gesellschaften im 19. und 20. Jahrhundert, ed. Sven, Oliver Müller and Toelle, Jutta. Vienna: Oldenbourg, 2008. 90–107.
Steinberg, Michael P. ‘Richard Strauss and the Question’, in Richard Strauss and His World, ed. Gilliam, Bryan. Princeton, NJ: Princeton University Press, 1992. 164–89.
Stoler, Ann Laura. ‘Imperial Debris: Reflections on Ruins and Ruination’. Cultural Anthropology 23/2 (2008), 191–219.
Stoler, Ann Laura. ed. Imperial Debris: On Ruins and Ruination. Durham, NC: Duke University Press, 2013.
Stras, Laurie. ‘The Organ of the Soul: Voice, Damage, and Affect’, in Sounding Off: Theorizing Disability in Music, ed. Learner, Neil and Straus, Joseph N.. New York and London: Routledge, 2006, 173–84.
Sydney Guillaume Instagram. www.instagram.com/sydneyguillaume (accessed 30 November 2021).
Sydney Guillaume Website. https://sydneyguillaume.com/compositions/nap-debat-text.pdf (accessed 30 November 2021).
Sydney Guillaume YouTube. www.youtube.com/user/sydneyguillaume/videos (accessed 30 November 2021).
Taafaki, Irene J., Maria K., Fowler, and Randolph R., Thaman, eds. Traditional Medicine of the Marshall Islands: The Women, the Plants, the Treatments. Suva, Fiji: ISP Publications, 2006.
Taylor, Diana. The Archive and the Repertoire. Durham, NC: Duke University Press, 2003.
Trouillot, Michel-Rolph. Silencing the Past: Power and the Production of History. Boston, MA: Beacon Press, 1995.
Tumarkin, Maria. Traumascapes: The Power and Fate of Places Transformed by Tragedy. Melbourne: Melbourne University, 2005.
Ulysse, Gina Athena. Why Haiti Needs New Narratives: A Post-Quake Chronicle. Middletown, CT: Wesleyan University Press, 2015.
Urban, Michael. New Orleans Rhythm and Blues after Katrina. New York: Palgrave, 2016.
Wlodarski, Amy Lynn. George Rochberg, American Composer: Personal Trauma and Artistic Creativity. Rochester, NY: University of Rochester Press, 2019.
Wlodarski, Amy Lynn. Musical Witness and Holocaust Representation. Cambridge: Cambridge University Press, 2015.
Wlodarski, Amy Lynn. ‘The Testimonial Aesthetics of Different Trains‘. Journal of the American Musicological Society 63/1 (2010), 99–141.
Vidler, Anthony. ‘Air War and Architecture’, in Ruins of Modernity, ed. Schönle, Andreas and Hell, Julia. Durham, NC: Duke University Press, 2010. 29–40.
Yang, Mina. Planet Beethoven: Classical Music at the Turn of the Millenium. Middletown, CT: Wesleyan University Press, 2014.
Zilcosky, John, ed. Writing Travel: The Poetics and Politics of the Modern Journey. Toronto: University of Toronto Press, 2008.
Zimmermann, Hans. ‘Drei Entwürfe fürs Kleine Haus’. Stuttgarter Zeitung 245 (20 October 1953), 11.
No CrossRef data available.
