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Representations of oxhide ingots in Scandinavian rock art: the sketchbook of a Bronze Age traveller?

Published online by Cambridge University Press:  30 January 2015

Johan Ling
Affiliation:
Archaeology, Department of Historical Studies, University of Gothenburg, Box 200, SE-405 30 Göteborg, Sweden
Zofia Stos-Gale
Affiliation:
Independent researcher, Ifold, West Sussex, United Kingdom
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Abstract

Bronze Age trade networks across Europe and the Mediterranean are well documented; Baltic amber and bronze metalwork were particularly valued commodities. Here it is argued that demand for copper and tin led to changes in Scandinavian trade routes around 1600 BC, which can be linked to the appearance of figurative rock art images in southern Scandinavia. Images identified as oxhide ingots have been discovered in Sweden and suggest that people from Scandinavia were familiar with this characteristically Mediterranean trading commodity. Using trace element and lead isotope analysis, the authors argue that some bronze tools excavated in Sweden could have been made of Cypriot copper; these two discoveries suggest that Scandinavians were travelling to the Mediterranean, rather than acting through a middle man.

Information

Type
Debate
Copyright
Copyright © Antiquity Publications Ltd., 2015 
Figure 0

Figure 1. The current known distribution and representations of oxhide ingots. Black squares: findspots of real and miniature oxhide ingots. Red squares: findspots of oxhide ingot images. Images have been reproduced in several different ways, such as on rock panels in Sweden, bronze objects in Sardinia, objects in Cyprus, and in paintings in Egypt. Map from Sabatini in press.

Figure 1

Figure 2. Copper oxhide ingots from the Uluburun shipwreck in the store room of Bodrum Castle in 1995 (photo: Z.A. Stos-Gale). A two-handled oxhide ingot is visible on the second shelf from the top in the centre of the photograph.

Figure 2

Figure 3. Mirror-image plots of the lead isotope data for the Cypriot ores and artefacts compared with the five Swedish bronzes that are consistent with an origin from Cypriot copper. The lead isotope analyses of several hundred oxhide ingots are published on the University of Oxford website OXALID (2014). From these data we selected the LMI ingots from Crete, the ingots from Uluburun and those from Sardinia, as they are chronologically comparable to the suggested depictions of the oxhide ingots in Sweden.

Figure 3

Table 1. Comparison of lead isotope data for the Swedish bronzes and Cypriot copper-based artefacts (data from Ling et al.2014; OXALID 2014).

Figure 4

Figure 4. Rock art from western Sweden chronologically determined in relation to shoreline dating. Ship images with inward-turned prows dominate during the Early Nordic Bronze Age, about 1700–1100 BC, while outward-turned prows ending in animal heads are characteristic of the Late Nordic Bronze Age, 1100–500 BC, as are symmetrical ship images of the pre-Roman Iron Age, 500–200 BC. No. 1 after Ling 2008.

Figure 5

Figure 5. Map of Scandinavia marking the rock art regions discussed in the text.

Figure 6

Figure 6. Rock art image of an oxhide ingot in the panel Kville 156:1 at the site of Torsbo. Left: detail of the oxhide ingot image. Right: the panel showing the ingot image alongside ships (photograph: A. Mederos).

Figure 7

Figure 7. Ships and bulls on the rock depictions from the Kville area in western Sweden (Kville 159). Photograph: Catarina Bertilsson. Source: SHFA.

Figure 8

Figure 8. Top centre, left and right: oxhide ingots from Crete dated to 1600–1400 BC (photographs: Z.A. Stos-Gale); bottom centre: possible representation of an oxhide on the panel Kville 156:1, Sweden (photograph: A. Mederos).

Figure 9

Figure 9. Copper oxhide ingots excavated by George Bass and Cemal Pulak at Cape Uluburun, off the coast of south-west Turkey, in the French Tower in Bodrum Castle in 1995 (photograph: Z.A. Stos-Gale).

Figure 10

Figure 10. Depiction of a possible oxhide ingot onboard a ship dated to 1400–1300 BC, from a rock panel in Norrköping, Sweden (photograph: Catarina Bertilsson).

Figure 11

Figure 11. Comparison of oxhide ingot from Uluburun (left) and possible oxhide ingot depiction on the panel Boglösa 131:1 in Uppland, Sweden (photographs: Z.A. Stos-Gale and E. Kjellén).

Figure 12

Figure 12. Top left: half an ingot from Hagia Triada; top right: halved tin ingots from Uluburun (photograph: Z.A. Stos-Gale); bottom: a possible half ingot depicted on the rock panel Boglösa 138:1, Uppland, Sweden (photograph: J. Ling, documentation by S. Broström).