In Sabine Huschka's article in DRJ 51(2), “Aesthetic Strategies of Trance-gression: The Politics of Bodily Scenes of Ecstasy” (Huschka Reference Huschka2019), the reference for the term “Tanztheologie” on page 9 was accidentally lost during the translation of the article from German to English prior to the submission to the journal. The term stems from the work of Alexander Schwan (Reference Schwan, Fischer and Hecht2009) as follows:

Schwan, Alexander H. Reference Schwan, Fischer and Hecht2009. “Expression, Ekstase, Spiritualität. Paul Tillichs Theologie der Kunst und Mary Wigmans Absoluter Tanz.” In tanz bewegung & spiritualität, edited by Dagmar Ellen Fischer and Thomas Hecht, 214–226. Frankfurt a. M., Germany: Henschel Verlag.