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Books Received

Published online by Cambridge University Press:  21 December 2010

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Type
Books Received
Information
Theatre Research International , Volume 36 , Issue 1 , March 2011, pp. 95 - 98
Copyright
Copyright © International Federation for Theatre Research 2010

BAILES, SARA JANE, Performance Theatre and the Poetics of Failure. Abingdon and New York: Routledge, 2010. Pp. 229. £19.99/$36.95 Pb; £60/$110 Hb.

BAY-CHENG, SARAH, KATTENBELT, CHIEL, LAVENDER, ANDY AND NELSON, ROBIN, eds., Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press, 2010. Pp. 304 + illus. €32.50 Pb.

BOMY, CHARLOTTE AND HEMMERLÉ, MARIE-AUDE, eds., Mises en scène d'aujourd'hui. Strasbourg: Université de Strasbourg Presses, 2010. Pp. 140. €10 Pb.

BOUCRIS, LUC, DUSIGNE, JEAN-FRANÇOIS AND FOHR, ROMAIN, eds., Scénographie: 40 ans de creation. Montpellier: Ed. L'Entretemps, 2010. Pp. 248 + illus. €29 Pb.

BOUHAÏK-GIRONÈS, MARIE, DOMINGUEZ, VÉRONIQUE AND KOOPMANS, JELLE, eds., Les pères du théâtre médiéval: Examen critique de la constitution d'un savoir académique. Rennes: Presses Universitaires de Rennes, 2010. Pp. 292. €16 Pb.

BRADWELL, MIKE, The Reluctant Escapologist: Adventures in Alternative Theatre. London: Nick Hern, 2010. Pp. xviii + 3023. £14.99 Pb.

BUTEL, YANNICK, ed., De l'informe, du difforme, du conforme au théâtre. Bern, Berlin e.a.: Peter Lang, 2010. Pp. xviii + 142. €34/£27.80/$47.95 Pb.

CAMPO, GIULIANO AND MOLIK, ZYGMUNT, Zygmunt Molik's Voice and Body Work: The Legacy of Jerzy Grotowski. Abingdon and New York: Routledge, 2010. Pp. 216. £21.99/$35.95 Pb; £65/$120 Hb.

CANNING, CHARLOTTE M. AND POSTLEWAIT, THOMAS, eds., Representing the Past: Essays in Performance Historiography. Des Moines: Iowa University Press, 2010. Pp. 452. £26.95/$29.95 Pb.

CHAOUCHE, SABINE, ed., Le ‘Théâtral’ de la France d'Ancien Régime: De la présentation de soi à la représentation scénique. Paris: Ed. Honoré Champion, 2010. Pp. 544. €95 Hb.

COCKIN, KATHARINE, ed., The Collected Letters of Ellen Terry, Vol. 1: 1865–1888. London: Pickering & Chatto, 2010. Pp. xlvi + 242. £100/$180 Hb.

COHEN-CRUZ, JAN, Engaging Performance: Theatre as Call and Response. Abingdon and New York: Routledge, 2010. Pp. 228. £17.99/$29.95 Pb; £65/$104 Hb.

CRISAFULLI, LILLA MARIA AND ELAM, KEIR, eds., Women's Romantic Theatre and Drama. Farnham and Burlington: Ashgate, 2010. Pp. xii + 292. £55/$99.95 Hb.

DABOO, JERRI, Ritual, Rapture and Remorse: A Study of Tarantism and Pizzica in Salento. Oxford, Bern e.a.: Peter Lang, 2010. Pp. xiv + 284 + illus. £37/$63.95 Pb.

DAVIS, JIM, ed., Victorian Pantomime. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 230. £50/$80 Hb.

DENIZOT, MARION, ed., Théâtre populaire et représentations du people. Rennes: Presses Universitaires de Rennes, 2010. Pp. 224. €17 Pb.

DICKINSON, PETER, World Stages, Local Audiences: Essays on Performance, Place and Politics. Manchester and New York: Manchester University Press, 2010. Pp. xii + 260. £60/$94.95 Hb.

DOLAN, JILL, Theatre & Sexuality. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 108. £4.99/$9 Pb.

DUTT, BISHNUPRIYA AND MUNSI, URMIMALA SARKAR, Engendering Performance: Indian Women Performers in Seach of an Identity. New Delhi: Sage India, 2010. Pp. 332. Rs 995/£47.50 Hb.

FALOCCO, JOE, Reimagining Shakespeare's Playhouse: Early Modern Staging Conventions in the Twentieth Century. Cambridge: D.S. Brewer, 2010. Pp. viii + 208 + illus. £50 Hb.

FARAMOND, JULIE DE, Pour un théâtre de tous les possibles: La revue Travail théâtral (1970–1979). Montpellier: Ed. L'Entretemps, 2010. Pp. 320. €26 Pb.

FELL, JILL, Alfred Jarry. London: Reaktion Books, 2010. Pp. 220. £10.95 Pb.

FLASZEN, LUDWIK, Grotowski & Company. Ed. by ALLAIN, PAUL. Holstebro, Malta, Wroclaw: Icarus, 2010. Pp. 330. £20 Pb.

FORREST, TARA AND SCHEER, ANNA TERESA, eds., Christoph Schlingensief: Art without Borders. Bristol and Chicago: Intellect, 2010. Pp. vi + 224. £19.95 Pb.

FRALEIGH, SONDRA HORTON, Dancing into Darkness: Butoh, Zen, and Japan. Pittsburgh: University of Pittsburgh Press, 2010. Pp. 288. $24.95/£22.50 Pb; $37.50/£35.50 Hb.

GALE, MAGGIE B. AND DEENEY, JOHN F., eds., The Routledge Drama Anthology and Sourcebook. Abingdon and New York: Routledge, 2010. Pp. 880. £29.99/$47.95 Pb; £75/$135 Hb.

GEORGE, DAVID, Sergi Belbel & Catalan Theatre: Text, Performance and Identity. Woodbridge: Tamesis, 2010. Pp. x + 220. £50/$95 Hb.

GOLDMAN, DANIELLE, I Want to Be Ready: Improvised Dance as Practice of Freedom. Ann Arbor: University of Michigan Press, 2010. Pp. 186 + illus. $60 Hb; $24.95 Pb.

GRITZNER, KAROLINE, ed., Eroticism and Death in Theatre and Performance. Hatfield: University of Hertfordshire Press, 2010. Pp. xiv + 268. £18.99/$37.95 Pb.

HARDWICK, PAUL, ed., The Playful Middle Ages: Meanings of Play and Plays of Meaning. Turnhout: Brepols, 2010. Pp. x + 347 + 40 illus. €80 Hb.

HARVIE, JEN AND LAVENDER, ANDY, eds., Making Contemporary Theatre: International Rehearsal Processes. Manchester and New York: Manchester University Press, 2010. Pp. xx + 252. £15.99/$24.95 Pb; £55/$84.95 Hb.

HENDERSON, BRUCE AND OSTRANDER, NOAM, eds., Understanding Disability Studies and Performance Studies. Abingdon and New York: Routledge, 2010. Pp. 272. £75/$125 Hb.

HILLMAN, RICHARD, French Origins of English Tragedy. Manchester and New York: Manchester University Press, 2010. Pp. 112. £50/$80 Hb.

HIRSCH, BRETT D. AND WORTHAM, CHRISTOPHER, eds., ‘This Early Stage’: World and Stage in Late Medieval and Early Modern England. Turnhout: Brepols, 2010. Pp. x + 279 +illus. €70 Hb.

HOLDSWORTH, NADINE, Theatre & Nation. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 90. £4.99/$9 Pb.

HUBER, WERNER, RUBIK, MARGARETE AND NOVAK, JULIA, eds., Staging Interculturality. Trier: Wissenschaftlicher Verlag, 2010. Pp. 312. €32 Pb.

HURLEY, ERIN, Theatre & Feeling. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 96. £4.99/$9.00 Pb.

KAZUBOWSKI-HOUSTON, MAGDALENA, Staging Strife: Lessons from Performing Ethnography with Polish Roma Women. Montreal and Kingston: McGill-Queen's University Press, 2010. Pp. 266. £70/$95.00 Hb.

KNOWLES, RIC, Theatre & Interculturalism. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 96. £4.99/$9.00 Pb.

KORDECKI, LESLEY AND KOSKINEN, KARLA, Re-visioning Lear's Daughters: Testing Feminist Criticism and Theory. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 248. $80 Hb.

KOWAL, REBEKAH J., How to Do Things with Dance: Performing Change in Postwar America. Middletown, CT: Wesleyan University Press, 2010. Pp. 340. £35.95/$40 Hb.

LACY, SUZANNE, Leaving Art: Writings on Performance, Politics and Publics, 1974–2007. Durham and London: Duke University Press, 2010. Pp. 424 + illus. £19.99/$27.97 Pb; £80/$99.95 Hb.

LAVERY, CARL, The Politics of Jean Genet's Late Theatre: Spaces of Revolution. Manchester and New York: Manchester University Press, 2010. Pp. x + 254. £55/$90 Hb.

LIMON, JERZY, The Chemistry of the Theatre: Performativity of Time. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. x + 246. £50/$80 Hb.

LIPSCOMB, VALERIE BARNES AND MARSHALL, LENI, eds., Staging Age: The Performance of Age in Theatre, Dance and Film. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 250. £52.50/$80 Hb.

LOSCO-LENA, MIREILLE, La scène symboliste (1890–1896): Pour un théâtre spectral. Grenoble: Ellug, 2010. Pp. 232. €28 Pb.

MALAEV-BABEL, ANDREI, Yevgeny Vakhtangov (Routledge Performance Practitioners). Abingdon and New York: Routledge, 2010. Pp. 192. £16.99/$28.95 Pb; £60/$110 Hb.

MAZOUER, CHARLES, Le théâtre français de l'âge classique, Vol. II: L'apogée du classicisme. Paris: Ed. Honoré Champion, 2010. Pp. 848. €150 Hb.

MELE, FLORA, Le théâtre de Charles-Simon Favart: Histoire et inventaire des manuscrits. Paris: Ed. Honoré Champion, 2010. Pp. 280. €60 Hb.

MENGEL, EWALD, SCHNAUDER, LUDWIG AND WEISS, RUDOLF, eds., World Stage Vienna: Approaches to Cultural Transfer. Trier: Wissenschaftlicher Verlag, 2010. Pp. 252. €25 Pb.

MÉRAHI, DANIELLE, Joan Littlewood: L'insoumise et le Theatre Workshop. Montpellier: Ed. L'Entretemps, 2010. Pp. 288. €26 Pb.

MERMIKIDES, ALEX AND SMART, JACKIE, eds., Devising in Process. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 256. £16.99/$28 Pb; £50/$85 Hb.

MESROPOVA, OLGA M. AND WEBER-FÈVE, STACEY, eds., Being and Becoming Visible: Women, Performance and Visual Culture. Baltimore: Johns Hopkins University Press, 2010. Pp. 264. £18/$35 Pb; £36.50/$70 Hb.

MIDDEKE, MARTIN AND SCHNIERER, PETER PAUL, eds., The Methuen Drama Guide to Contemporary Irish Playwrights. London: A&C Black, 2010. Pp. xx + 460. £16.99 Pb.

NELLHAUS, TOBIN, Theatre, Communication, Critical Realism. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 238. £52.50/$80 Hb.

PETRESCU, CORINA L., Against All Odds: Models of Subversive Spaces in National Socialist Germany. Oxford, Bern e.a.: Peter Lang, 2010. Pp. viii + 276. €42.80/£35/$60.95 Pb.

PILKINGTON, LIONEL, Theatre & Ireland. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 96. £4.99/$9.00 Pb.

ROBERTS, DAVID, Thomas Betterton: The Greatest Actor of the Restoration Stage. Cambridge: Cambridge University Press, 2010. Pp. xii + 258. £55/$95 Hb.

ROCHESTER, JOANNE, Staging Spectatorship in the Plays of Philip Massinger. Farnham and Burlington: Ashgate, 2010. Pp. x + 172. £50/$99.95 Hb.

RURU, LI, The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World. Hong Kong: Hong Kong University Press, 2010. Pp. xvi + 336. HKD 105/$25 Pb; HKD 395/$50 Hb.

SARRAZAC, JEAN-PIERRE AND CONSOLINI, MARCO, eds., Avènement de la mise en scène – crise du drame: Continuités-discontinuités. Bari: Edizioni di Pagina, 2010. Pp. 280. €20 Pb.

SAVARESE, NICOLA, Eurasian Theatre: Drama and Performance between East and West from Classical Antiquity to the Present. Trans. by FOWLER, RICHARD. Ed. by CREMONA, VICKI ANN. Holstebro, Malta, Wroclaw: Icarus, 2010. Pp. 640. £24/€30.99 Hb.

SCOTT, SARAH K. AND STAPLETON, M.L., eds., Christopher Marlowe the Craftsman: Live, Stage, and Page. Farnham and Burlington: Ashgate, 2010. Pp. x + 262. £55/$99.95 Hb.

SCOTT, VIRGINIA, Women on the Stage in Early Modern France, 1540–1750. Cambridge: Cambridge University Press, 2010. Pp. x + 326. £55/$95 Hb.

SMITH, EMMA AND SULLIVAN, GARRETT A. JR, eds., Companion to English Renaissance Tragedy. Cambridge: Cambridge University Press, 2010. Pp. xiv + 274. £17.99/$29.99 Pb; £50/$85 Hb.

SOLOMON, RAKESH H., Albee in Performance. Bloomington and Indianapolis: University of Indiana Press, 2010. Pp. 320 + illus. £50/$65.00 Hb; £16.99/$24.95 Pb.

SOLTERER, HELEN, Medieval Roles for Modern Times: Theatre and the Battle for the French Republic. University Park, PA: Penn State University Press, 2010. Pp. 304 + 40 illus. $80 Hb.

SOUSA, GERALDO U. DE, At Home in Shakespeare's Tragedies. Farnham and Burlington: Ashgate, 2010. Pp. xii + 204. £55/$99.95 Hb.

TRENCH, RHONA, Bloody Living: The Loss of Selfhood in the Plays of Marina Carr. Oxford, Bern, e.a.: Peter Lang, 2010. Pp. viii + 319. €47.60/£39/$67.95 Pb.

WALSH, FINTAN, Male Trouble: Masculinity and the Performance of Crisis. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. viii + 234. £50/$80 Hb.

WALSH, FINTAN, ed., Queer Notions: New Plays and Performances from Ireland. Cork: Cork University Press, 2010. Pp. x + 266 + illus. €39/£39 Hb.

WESKER, ARNOLD, Wesker on Theatre. London: Oberon, 2010. Pp. 164. £9.99 Hb.

WHYBROW, NICOLAS, ed., Performance and the Contemporary City: An Interdisciplinary Reader. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xx + 302. £19.99/$33.95 Pb.

WONG, YUTIAN, Choreographing Asian America. Middletown, CT: Wesleyan University Press, 2010. Pp. 280. £24.95/$27.95 Pb; £66.95/$75 Hb.

YOUNG, HARVEY, Embodying Black Experience: Stillness, Critical Memory, and the Black Body. Ann Arbor: University of Michigan Press, 2010. Pp. 272 + illus. £26.95/$29.95 Pb; £71.50/$80 Hb.

References

BAILES, SARA JANE, Performance Theatre and the Poetics of Failure. Abingdon and New York: Routledge, 2010. Pp. 229. £19.99/$36.95 Pb; £60/$110 Hb.Google Scholar
BAY-CHENG, SARAH, KATTENBELT, CHIEL, LAVENDER, ANDY AND NELSON, ROBIN, eds., Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press, 2010. Pp. 304 + illus. €32.50 Pb.CrossRefGoogle Scholar
BOMY, CHARLOTTE AND HEMMERLÉ, MARIE-AUDE, eds., Mises en scène d'aujourd'hui. Strasbourg: Université de Strasbourg Presses, 2010. Pp. 140. €10 Pb.Google Scholar
BOUCRIS, LUC, DUSIGNE, JEAN-FRANÇOIS AND FOHR, ROMAIN, eds., Scénographie: 40 ans de creation. Montpellier: Ed. L'Entretemps, 2010. Pp. 248 + illus. €29 Pb.Google Scholar
BOUHAÏK-GIRONÈS, MARIE, DOMINGUEZ, VÉRONIQUE AND KOOPMANS, JELLE, eds., Les pères du théâtre médiéval: Examen critique de la constitution d'un savoir académique. Rennes: Presses Universitaires de Rennes, 2010. Pp. 292. €16 Pb.Google Scholar
BRADWELL, MIKE, The Reluctant Escapologist: Adventures in Alternative Theatre. London: Nick Hern, 2010. Pp. xviii + 3023. £14.99 Pb.Google Scholar
BUTEL, YANNICK, ed., De l'informe, du difforme, du conforme au théâtre. Bern, Berlin e.a.: Peter Lang, 2010. Pp. xviii + 142. €34/£27.80/$47.95 Pb.CrossRefGoogle Scholar
CAMPO, GIULIANO AND MOLIK, ZYGMUNT, Zygmunt Molik's Voice and Body Work: The Legacy of Jerzy Grotowski. Abingdon and New York: Routledge, 2010. Pp. 216. £21.99/$35.95 Pb; £65/$120 Hb.Google Scholar
CANNING, CHARLOTTE M. AND POSTLEWAIT, THOMAS, eds., Representing the Past: Essays in Performance Historiography. Des Moines: Iowa University Press, 2010. Pp. 452. £26.95/$29.95 Pb.Google Scholar
CHAOUCHE, SABINE, ed., Le ‘Théâtral’ de la France d'Ancien Régime: De la présentation de soi à la représentation scénique. Paris: Ed. Honoré Champion, 2010. Pp. 544. €95 Hb.Google Scholar
COCKIN, KATHARINE, ed., The Collected Letters of Ellen Terry, Vol. 1: 1865–1888. London: Pickering & Chatto, 2010. Pp. xlvi + 242. £100/$180 Hb.Google Scholar
COHEN-CRUZ, JAN, Engaging Performance: Theatre as Call and Response. Abingdon and New York: Routledge, 2010. Pp. 228. £17.99/$29.95 Pb; £65/$104 Hb.Google Scholar
CRISAFULLI, LILLA MARIA AND ELAM, KEIR, eds., Women's Romantic Theatre and Drama. Farnham and Burlington: Ashgate, 2010. Pp. xii + 292. £55/$99.95 Hb.Google Scholar
DABOO, JERRI, Ritual, Rapture and Remorse: A Study of Tarantism and Pizzica in Salento. Oxford, Bern e.a.: Peter Lang, 2010. Pp. xiv + 284 + illus. £37/$63.95 Pb.CrossRefGoogle Scholar
DAVIS, JIM, ed., Victorian Pantomime. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 230. £50/$80 Hb.CrossRefGoogle Scholar
DENIZOT, MARION, ed., Théâtre populaire et représentations du people. Rennes: Presses Universitaires de Rennes, 2010. Pp. 224. €17 Pb.Google Scholar
DICKINSON, PETER, World Stages, Local Audiences: Essays on Performance, Place and Politics. Manchester and New York: Manchester University Press, 2010. Pp. xii + 260. £60/$94.95 Hb.Google Scholar
DOLAN, JILL, Theatre & Sexuality. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 108. £4.99/$9 Pb.CrossRefGoogle Scholar
DUTT, BISHNUPRIYA AND MUNSI, URMIMALA SARKAR, Engendering Performance: Indian Women Performers in Seach of an Identity. New Delhi: Sage India, 2010. Pp. 332. Rs 995/£47.50 Hb.CrossRefGoogle Scholar
FALOCCO, JOE, Reimagining Shakespeare's Playhouse: Early Modern Staging Conventions in the Twentieth Century. Cambridge: D.S. Brewer, 2010. Pp. viii + 208 + illus. £50 Hb.Google Scholar
FARAMOND, JULIE DE, Pour un théâtre de tous les possibles: La revue Travail théâtral (1970–1979). Montpellier: Ed. L'Entretemps, 2010. Pp. 320. €26 Pb.Google Scholar
FELL, JILL, Alfred Jarry. London: Reaktion Books, 2010. Pp. 220. £10.95 Pb.Google Scholar
FLASZEN, LUDWIK, Grotowski & Company. Ed. by ALLAIN, PAUL. Holstebro, Malta, Wroclaw: Icarus, 2010. Pp. 330. £20 Pb.Google Scholar
FORREST, TARA AND SCHEER, ANNA TERESA, eds., Christoph Schlingensief: Art without Borders. Bristol and Chicago: Intellect, 2010. Pp. vi + 224. £19.95 Pb.Google Scholar
FRALEIGH, SONDRA HORTON, Dancing into Darkness: Butoh, Zen, and Japan. Pittsburgh: University of Pittsburgh Press, 2010. Pp. 288. $24.95/£22.50 Pb; $37.50/£35.50 Hb.Google Scholar
GALE, MAGGIE B. AND DEENEY, JOHN F., eds., The Routledge Drama Anthology and Sourcebook. Abingdon and New York: Routledge, 2010. Pp. 880. £29.99/$47.95 Pb; £75/$135 Hb.Google Scholar
GEORGE, DAVID, Sergi Belbel & Catalan Theatre: Text, Performance and Identity. Woodbridge: Tamesis, 2010. Pp. x + 220. £50/$95 Hb.Google Scholar
GOLDMAN, DANIELLE, I Want to Be Ready: Improvised Dance as Practice of Freedom. Ann Arbor: University of Michigan Press, 2010. Pp. 186 + illus. $60 Hb; $24.95 Pb.CrossRefGoogle Scholar
GRITZNER, KAROLINE, ed., Eroticism and Death in Theatre and Performance. Hatfield: University of Hertfordshire Press, 2010. Pp. xiv + 268. £18.99/$37.95 Pb.Google Scholar
HARDWICK, PAUL, ed., The Playful Middle Ages: Meanings of Play and Plays of Meaning. Turnhout: Brepols, 2010. Pp. x + 347 + 40 illus. €80 Hb.CrossRefGoogle Scholar
HARVIE, JEN AND LAVENDER, ANDY, eds., Making Contemporary Theatre: International Rehearsal Processes. Manchester and New York: Manchester University Press, 2010. Pp. xx + 252. £15.99/$24.95 Pb; £55/$84.95 Hb.Google Scholar
HENDERSON, BRUCE AND OSTRANDER, NOAM, eds., Understanding Disability Studies and Performance Studies. Abingdon and New York: Routledge, 2010. Pp. 272. £75/$125 Hb.Google Scholar
HILLMAN, RICHARD, French Origins of English Tragedy. Manchester and New York: Manchester University Press, 2010. Pp. 112. £50/$80 Hb.CrossRefGoogle Scholar
HIRSCH, BRETT D. AND WORTHAM, CHRISTOPHER, eds., ‘This Early Stage’: World and Stage in Late Medieval and Early Modern England. Turnhout: Brepols, 2010. Pp. x + 279 +illus. €70 Hb.CrossRefGoogle Scholar
HOLDSWORTH, NADINE, Theatre & Nation. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 90. £4.99/$9 Pb.CrossRefGoogle Scholar
HUBER, WERNER, RUBIK, MARGARETE AND NOVAK, JULIA, eds., Staging Interculturality. Trier: Wissenschaftlicher Verlag, 2010. Pp. 312. €32 Pb.Google Scholar
HURLEY, ERIN, Theatre & Feeling. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 96. £4.99/$9.00 Pb.CrossRefGoogle Scholar
KAZUBOWSKI-HOUSTON, MAGDALENA, Staging Strife: Lessons from Performing Ethnography with Polish Roma Women. Montreal and Kingston: McGill-Queen's University Press, 2010. Pp. 266. £70/$95.00 Hb.Google Scholar
KNOWLES, RIC, Theatre & Interculturalism. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 96. £4.99/$9.00 Pb.CrossRefGoogle Scholar
KORDECKI, LESLEY AND KOSKINEN, KARLA, Re-visioning Lear's Daughters: Testing Feminist Criticism and Theory. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 248. $80 Hb.CrossRefGoogle Scholar
KOWAL, REBEKAH J., How to Do Things with Dance: Performing Change in Postwar America. Middletown, CT: Wesleyan University Press, 2010. Pp. 340. £35.95/$40 Hb.Google Scholar
LACY, SUZANNE, Leaving Art: Writings on Performance, Politics and Publics, 1974–2007. Durham and London: Duke University Press, 2010. Pp. 424 + illus. £19.99/$27.97 Pb; £80/$99.95 Hb.CrossRefGoogle Scholar
LAVERY, CARL, The Politics of Jean Genet's Late Theatre: Spaces of Revolution. Manchester and New York: Manchester University Press, 2010. Pp. x + 254. £55/$90 Hb.Google Scholar
LIMON, JERZY, The Chemistry of the Theatre: Performativity of Time. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. x + 246. £50/$80 Hb.CrossRefGoogle Scholar
LIPSCOMB, VALERIE BARNES AND MARSHALL, LENI, eds., Staging Age: The Performance of Age in Theatre, Dance and Film. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 250. £52.50/$80 Hb.CrossRefGoogle Scholar
LOSCO-LENA, MIREILLE, La scène symboliste (1890–1896): Pour un théâtre spectral. Grenoble: Ellug, 2010. Pp. 232. €28 Pb.Google Scholar
MALAEV-BABEL, ANDREI, Yevgeny Vakhtangov (Routledge Performance Practitioners). Abingdon and New York: Routledge, 2010. Pp. 192. £16.99/$28.95 Pb; £60/$110 Hb.Google Scholar
MAZOUER, CHARLES, Le théâtre français de l'âge classique, Vol. II: L'apogée du classicisme. Paris: Ed. Honoré Champion, 2010. Pp. 848. €150 Hb.Google Scholar
MELE, FLORA, Le théâtre de Charles-Simon Favart: Histoire et inventaire des manuscrits. Paris: Ed. Honoré Champion, 2010. Pp. 280. €60 Hb.Google Scholar
MENGEL, EWALD, SCHNAUDER, LUDWIG AND WEISS, RUDOLF, eds., World Stage Vienna: Approaches to Cultural Transfer. Trier: Wissenschaftlicher Verlag, 2010. Pp. 252. €25 Pb.Google Scholar
MÉRAHI, DANIELLE, Joan Littlewood: L'insoumise et le Theatre Workshop. Montpellier: Ed. L'Entretemps, 2010. Pp. 288. €26 Pb.Google Scholar
MERMIKIDES, ALEX AND SMART, JACKIE, eds., Devising in Process. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 256. £16.99/$28 Pb; £50/$85 Hb.CrossRefGoogle Scholar
MESROPOVA, OLGA M. AND WEBER-FÈVE, STACEY, eds., Being and Becoming Visible: Women, Performance and Visual Culture. Baltimore: Johns Hopkins University Press, 2010. Pp. 264. £18/$35 Pb; £36.50/$70 Hb.Google Scholar
MIDDEKE, MARTIN AND SCHNIERER, PETER PAUL, eds., The Methuen Drama Guide to Contemporary Irish Playwrights. London: A&C Black, 2010. Pp. xx + 460. £16.99 Pb.Google Scholar
NELLHAUS, TOBIN, Theatre, Communication, Critical Realism. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 238. £52.50/$80 Hb.CrossRefGoogle Scholar
PETRESCU, CORINA L., Against All Odds: Models of Subversive Spaces in National Socialist Germany. Oxford, Bern e.a.: Peter Lang, 2010. Pp. viii + 276. €42.80/£35/$60.95 Pb.Google Scholar
PILKINGTON, LIONEL, Theatre & Ireland. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 96. £4.99/$9.00 Pb.CrossRefGoogle Scholar
ROBERTS, DAVID, Thomas Betterton: The Greatest Actor of the Restoration Stage. Cambridge: Cambridge University Press, 2010. Pp. xii + 258. £55/$95 Hb.CrossRefGoogle Scholar
ROCHESTER, JOANNE, Staging Spectatorship in the Plays of Philip Massinger. Farnham and Burlington: Ashgate, 2010. Pp. x + 172. £50/$99.95 Hb.Google Scholar
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