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Books Received

Published online by Cambridge University Press:  09 February 2012

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Information

Type
Books Received
Information
Dance Research Journal , Volume 43 , Issue 2 , Winter 2011 , pp. 121
Copyright
Copyright © Congress on Research in Dance 2011

DRJ lists all books received, including those scheduled for future reviews.

Barber, Stephen.2010. Hijikata: Revolt of the Body. Reprint. Washington, DC: Solar Books.Brannigan, Erin.2011. Dance Film: Choreography and the Moving Image. New York: Oxford University Press.Buckwalter, Melinda.2010. Composing While Dancing: An Improviser's Companion. Madison: University of Wisconsin Press.Drake-Boyt, Elizabeth.2011. Latin Dance. Santa Barbara, CA: Greenwood.Fabius, Jeroen.2010. Talk, 1982–2006: Fifteen Interviews and Articles from Three Decades of Dance Research in Amsterdam. Amsterdam: School for New Dance Development.Foster, Susan Leigh.2011. Choreographing Empathy: Kinesthesia in Performance. New York and London: Routledge.Franco, Susanne, and Nordera, Marina, eds. 2008. Ricordanze: Memoria in Movimento e Coreografie della storia. Torino, Italy: UTET.Hill, Constance Valis.2010. Tap Dancing America: A Cultural History. Oxford, UK: Oxford University Press.Hallensleben, Markus, ed. 2010. Body Spaces: Corporeal Topographies in Literature, Theatre, Dance and the Visual Arts. Amsterdam: Rodopi.Homans, Jennifer.2010. Apollo's Angels. New York: Random House.Hutchinson, Sydney.2007. From Quebradita to Duranguense: Dance in Mexican American Youth Culture. Tucson: University of Arizona Press.Kowal, Rebekah J.2010. How to Do Things with Dance: Performing Change in Postwar America. Middletown, CT: Wesleyan University Press.Launay, Isabelle, and Pagès, Silviane, eds. 2010. Mémoires et Histoire en Danse. Paris: L'Harmattan.Lerman, Liz.2011. Hiking the Horizontal: Field Notes from a Choreographer. Middletown, CT: Wesleyan University Press.Louppe, Laurence.2010. Poetics of Contemporary Dance. Alton, UK: Dance Books.Scheijen, Sjeng.2009. Diaghilev: A Life. Oxford, UK: Oxford University Press.Sloat, Susanna, ed. 2010. Making Caribbean Dance: Continuity and Creativity in Island Cultures. Gainsville: University of Florida Press.Spier, Steven, ed. 2011. William Forsythe and the Practice of Choreography: It Starts from Any Point. London and New York: Routledge.Spiller, Henry.2010. Erotic Triangles: Sundanese Dance and Masculinity in West Java. Chicago: University of Chicago Press.Wilmer, S. E., ed. 2009. Native American Performance and Representation. Tucson: University of Arizona Press.Wong, Yutian.2010. Choreographing Asian America. Middletown, CT: Wesleyan University Press.

References

Barber, Stephen. 2010. Hijikata: Revolt of the Body. Reprint. Washington, DC: Solar Books.Google Scholar
Brannigan, Erin. 2011. Dance Film: Choreography and the Moving Image. New York: Oxford University Press.CrossRefGoogle Scholar
Buckwalter, Melinda. 2010. Composing While Dancing: An Improviser's Companion. Madison: University of Wisconsin Press.Google Scholar
Drake-Boyt, Elizabeth. 2011. Latin Dance. Santa Barbara, CA: Greenwood.Google Scholar
Fabius, Jeroen. 2010. Talk, 1982–2006: Fifteen Interviews and Articles from Three Decades of Dance Research in Amsterdam. Amsterdam: School for New Dance Development.Google Scholar
Foster, Susan Leigh. 2011. Choreographing Empathy: Kinesthesia in Performance. New York and London: Routledge.Google Scholar
Franco, Susanne, and Nordera, Marina, eds. 2008. Ricordanze: Memoria in Movimento e Coreografie della storia. Torino, Italy: UTET.Google Scholar
Hill, Constance Valis. 2010. Tap Dancing America: A Cultural History. Oxford, UK: Oxford University Press.Google Scholar
Hallensleben, Markus, ed. 2010. Body Spaces: Corporeal Topographies in Literature, Theatre, Dance and the Visual Arts. Amsterdam: Rodopi.Google Scholar
Homans, Jennifer. 2010. Apollo's Angels. New York: Random House.Google Scholar
Hutchinson, Sydney. 2007. From Quebradita to Duranguense: Dance in Mexican American Youth Culture. Tucson: University of Arizona Press.Google Scholar
Kowal, Rebekah J. 2010. How to Do Things with Dance: Performing Change in Postwar America. Middletown, CT: Wesleyan University Press.Google Scholar
Launay, Isabelle, and Pagès, Silviane, eds. 2010. Mémoires et Histoire en Danse. Paris: L'Harmattan.Google Scholar
Lerman, Liz. 2011. Hiking the Horizontal: Field Notes from a Choreographer. Middletown, CT: Wesleyan University Press.Google Scholar
Louppe, Laurence. 2010. Poetics of Contemporary Dance. Alton, UK: Dance Books.Google Scholar
Scheijen, Sjeng. 2009. Diaghilev: A Life. Oxford, UK: Oxford University Press.Google Scholar
Sloat, Susanna, ed. 2010. Making Caribbean Dance: Continuity and Creativity in Island Cultures. Gainsville: University of Florida Press.CrossRefGoogle Scholar
Spier, Steven, ed. 2011. William Forsythe and the Practice of Choreography: It Starts from Any Point. London and New York: Routledge.Google Scholar
Spiller, Henry. 2010. Erotic Triangles: Sundanese Dance and Masculinity in West Java. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Wilmer, S. E., ed. 2009. Native American Performance and Representation. Tucson: University of Arizona Press.Google Scholar
Wong, Yutian. 2010. Choreographing Asian America. Middletown, CT: Wesleyan University Press.Google Scholar