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Washing Away the Sins of Debt: The Nineteenth-Century Eradication of the Debtors' Prison

Published online by Cambridge University Press:  26 June 2013

Gustav Peebles*
Affiliation:
The New School
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Abstract

This article seeks to come to terms with the extraordinarily swift demise of the debtors' prison in multiple countries during the nineteenth century. While focusing primarily on the reform debate in England, I argue that the debtors' prison quickly came to be seen as a barbaric aberration within the expanding commercial life of the nineteenth century. By turning to a copious pamphletic literature from the era of its demise, I show how pamphleteers and eye-witnesses described the debtors' prison in the idiom of ritual; it was seen as a dangerous sanctuary that radically inverted all capitalistic economic practices and moral values of the world outside its walls. Reformers claimed that, inside these shrines of debt, citizens were ritually guided and transformed from active members of society into “knaves” or “idlers,” or both. As such, the debtors' prison needed to be eradicated. To do so, reformers mobilized at least three critical discourses, all of which sought to mark the debtors' prison as a zone of barbarism that threatened the civility of the state and its citizenry. By focusing on the debtors' prison as a powerful and transformative ritual zone, the article provides a counterintuitive history of this institution that was so crucial to the regulation of credit and debt relations for centuries. In so doing, the article contributes to a broader literature on the spatiality of debt.

Information

Type
Research Article
Copyright
Copyright © Society for the Comparative Study of Society and History 2013 
Figure 0

Image 1. Enforced leisure at the King's Bench, with people playing squash and strolling in their Sunday finest, all while behind the barbed wired wall to the left.

Figure 1

Image 2. The “Rules” of the King's Bench in 1830, with the prison in the middle-left section of the map, and the Rules marked by the dotted line.