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Judges, Masters, Diviners: Slaves’ Experience of Criminal Justice in Colonial Suriname

Published online by Cambridge University Press:  20 October 2011

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“Two negroes hanged,” John Gabriel Stedman wrote in his Suriname journal for March 9, 1776, and then two days later, among his purchases of “soap, wine, tobacco, [and] rum” and his dinners with an elderly widow, he records, “A negro's foot cut off.” Stedman expanded on these events in the later Narrative of his years as a Dutch–Scottish soldier fighting against the Suriname Maroons:

And now, this being the period of the [court] sessions, another Negro's leg was cut off for sculking from a task to which he was unable, while two more were condemned to be hang'd for running away altogether. The heroic behavior of one of these men deserves particularly to be quotted, he beg'd only to be heard for a few moments, which, being granted, he proceeded thus––

“I was born in Africa, where defending my prince during an engagement, I was made a captive, and sold for a slave by my own countrimen. One of your countrimen, who is now to be my judge, became then my purchaser, in whose service I was treated so cruelly by his overseer that I deserted and joined the rebels in the woods . . .”

To which his former master, who as he observed was now one of his judges, made the following laconick reply, “Rascal, that is not what we want to know. But the torture this moment shall make you confess crimes as black as yourself, as well as those of your hateful accomplices.” To which the Negroe, who now swel'd in every vain with rage [replied, holding up his hands], “Massera, the verry tigers have trembled for these hands . . . and dare you think to threaten me with your wretched instrument? No, I despise the greatest tortures you can now invent, as much as I do the pitiful wrech who is going to inflict them.” Saying which, he threw himself down on the rack, where amidst the most excruciating tortures he remained with a smile and without they were able to make him utter a syllable. Nor did he ever speak again till he ended his unhappy days at the gallows.

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Copyright © the American Society for Legal History, Inc. 2011
Figure 0

Figure 1. A runaway slave being executed on the rack in 1776. Source: John Gabriel Stedman, Narrative of a Five Years’ Expedition against the Revolted Negroes of Surinam (London: J. Johnson, 1796), vol. 2, facing p. 296.

Figure 1

Figure 2. The hot water ordeal in Central Africa. Watercolor by Giovanni Antonio Cavazzi, “Missione evangelica al regno de Congo, 1665–1668”; courtesy Manoscritti Araldi, Collection of Michele Araldi, Modena, Italy. Reproduced in James H. Sweet, Recreating Africa. Culture, Kinship and Religion in the African-Portuguese World, 1441–1770 (Chapel Hill and London, University of North Carolina Press, 2003), 124.

Figure 2

Figure 3. The whipping of a slave with her wrists tied to a tree in 1774. Source: Stedman, Narrative, vol. 1, facing p. 326, engraved by William Blake after a drawing by Stedman.

Figure 3

Figure 4. The bassia (black driver) surveys a slave dance at Palmeniribo plantation Dirk Valkenburg, Slave Play in Suriname (ca. 1706–1707); National Gallery of Denmark, Copenhagen, KMS376. © SMK Photo.

Figure 4

Figure 5. A woman diviner at work in Suriname, ca. 1830. Source: Pierre Jacques Benoit, Reis door Suriname. Beschrijving van de Nederlandse bezittingen in Guyana, ed. Chris Schriks (Zutphen: De Walburg Pers, 1980), fig. 36.

Figure 5

Figure 6. Hanging of a slave by a hook in his ribs in 1773. Source: Stedman, Narrative, vol. 1, facing p. 110, engraved by William Blake after a drawing by Stedman.

Figure 6

Figure 7. Slave dance with the bassia in uniform, 1819. Gerrit Schouten, Slavendans, diorama; Tropenmuseum, Amsterdam, Coll. nr. 6371-c. Reproduced in Clazien Medendorp, Gerrit Schouten (1779–1839) (Amsterdam: Koninklijk Instituut voor de Tropen and Paramaribo: Stichting Surinaams Museum, 1999), fig. 28.

Figure 7

Figure 8. Present, Cojo, and Mentor, two days before their execution for arson in 1833. Gerrit Schouten, Present, Cojo, Mentor (1833), ink on paper, Surinaams Museum Bibliotheek. Reproduced in Medendorp, Schouten, fig. 22 and cat. 179.