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Toward a Progression Theory of the Old High German Consonant Shift

Published online by Cambridge University Press:  01 September 2008

Garry W. Davis*
Affiliation:
The University of Wisconsin–Milwaukee
*
Department of Foreign Languages and Linguistics, The University of Wisconsin–Milwaukee, P.O. Box 413, Milwaukee, WI 532010413, USA, [gdavis@csd.uwm.edu]
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Abstract

The preference for bimoraic stressed syllables in pre-Old High German necessitated the phonological restructuring of syllables with stressed, short vowels either by early implementation of open syllable lengthening (non-shifting dialects north of the Benrath line) or by triggering an autochthonous phonological shift of +t, +p, +k after short vowels (shifting dialects). From there, the OHG dialects “progressed” though the rest of the shift in a largely parallel fashion. Asymmetry of the shift of +-p and +-k and geminate +-pp and +-kk was caused by place bias, however, especially in the Rhenish dialects where tone accents could sometimes delay or block the shift of these segments. The greater susceptibility of the more marked labial and velar affricates (-pf- and −kx-) to weakening limited their later occurrence to dialects outside the Rhineland. The reanalysis of aspirated +t- [th], +p- [ph], +k- [kh] as affricates in initial position was possible only when the corresponding geminate had already shifted, exemplifying both the effects of place bias as well as a kind of phonological reanalysis Blevins (2004) calls “choice.”

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ARTICLES
Copyright
Copyright © Society for Germanic Linguistics 2008
Figure 0

Table 1.Overview of the OHG Consonant Shift (after Sonderegger 2003:263).

Figure 1

Table 2.Progression sequence of pre-OHG t, p, k (illustrated here only with the labial). Stress placement is indicated by a raised tick (‘).

Figure 2

Table 3.Overview of the posited stages of the shift.

Figure 3

Table 4.Unshifted +-t- in Lerchner's data.

Figure 4

Table 5.Unshifted +-p- in Lerchner's data.

Figure 5

Table 6.Unshifted postvocalic +-k- in Lerchner's data.

Figure 6

Map 1.Map of the Rhenish fan (Schützeichel 1976:184). The superimposed dotted line circles the approximate original area of the Rhenish tone accents according to Schmidt (2002:208).