The Liturgical chant bibliography 26 maintains the previously established subdivisions: (1) Editions and facsimile editions, (2) Books and reprints, (3) Congress reports, (4) Chant journals, (5) Collections of essays and dictionaries, (6) Articles in periodicals and Festschriften. Additions to the bibliographies of previous years (mostly reviews) follow this introduction.

New volumes were published in the following significant series: Vol. 9 of Monumenta Monodica Medii Aevi (1956–) (26009), vol. 12 of Corpus Troporum (1975–) 26029), Vol. 25 of Musicalia Danubiana (1982–) (26005) and vol. 12 of Historiae (1995–) (26006). I would also like to advertise a new series of editions: Corpus Monodicum. Die einstimmige Musik des lateinischen Mittelalters, edited by Andreas Haug at the University of Würzburg. The first of a projected total of twenty-six volumes, CM II 1, was published in 2016 (26008).

The following projects were brought to completion: Lexikon Musicum Latinum Medii Aevi, 19 fascicles (1992–2016,) (26061) and Traditio Iohannis Hollandrini, 8 vols. (2010–16) (26015, 26016). Both are publications of the Bayerische Akademie der Wissenschaften. Musikhistorische Kommission.

I should also like to note some Festschriften and Gedenkschriften. In 2015 the American Institute of Musicology published a Festschrift for Alejandro Planchart (26062); in 2016 a Festschrift in honour of the Polish musicologist Elżbieta Witkowska-Zaremba was published (26056). Already in 2012 a Gedenkschrift for the late Hungarian chant scholar László Dobszay (d. 2011) came out as a special volume of the yearbook Zenetudományi Dolgozatok (Musicological Studies) (26068), which is listed here belatedly. This yearbook, which has been published since 1978, celebrated its thirty-fifth year with a special issue (26069). In 2016, the fourtieth anniversary of the Zenetudományi Intézet (Institute of Musicology) resulted in an anniversary publication (26070). All contributions to this volume that are relevant for PMM were listed in the current bibliography.

Finally I would like to draw attention to a number of new publications on Hildegard of Bingen, specially Vincent Corrigan's editions of Ordo virtutum and Symphonia in the Collected Works series of the Institute of Mediaeval Music (Lions Bay, 2013 and 2016) (26011, 26012) and selected chapters in A Companion to Hildegard of Bingen, published in 2014 (26058).

On grounds of age, my editorship of the Liturgical Chant Bibliography comes to an end after twenty-one years of service. I thank the editors Joseph Dyer, Helen Deeming, and Christian Thomas Leitmeir, with whom I collaborated during this period. Special thanks, however, are due to all colleagues whose notifications have made my work on the current Liturgical chant bibliography and earlier bibliographies considerably easier.

Please send material (including reviews) for future chant bibliographies to:

Dr Raquel Rojo (raquel.RojoCarrillo@bristol.ac.uk)

Dr Marie Winkelmüller (winkelmueller.m@web.de)

Additions

13003. Lambeth Palace Sion College MS. L 1, The Noted Breviary of York (Olim Sion College ms Arch. L.40.2/L.1), . . . Veröffentlichungen mittelalterlicher Musikhandschriften – Publications of Mediæval Musical Manuscripts, 25/1 and 25/2 (Ottawa: The Institute of Mediæval Music, 2000). Addition: Volume 3: Introduction by Andrew HUGHES, Indices (compiled by Andrew HUGHES and David ADAM), ed. Kate HELSEN, Veröffentlichungen mittelalterlicher Musikhandschriften – Publications of Mediaeval Musical Manuscripts 25/3 (Lions Bay: Institute of Mediaeval Music, 2012).

19010R. Angelus A. HÄUSSLING, Archiv für Liturgiewissenschaft, 56 (2014), 405–7.

20008R. Ilona FERENCZI, Jahrbuch für Liturgik und Hymnologie, 55 (2016), 271–2.

21040R. Pieter MANNAERTS, Scriptorium, 69 (2015), 13*–14* (no. 34).

22002R. Alexander ZERFASS, Archiv für Liturgiewissenschaft, 56 (2014), 243–4.

23012R. Claire MAÎTRE, Scriptorium, 69 (2015), 106* (no. 234).

23029R. Ilona FERENCZI, Jahrbuch für Liturgik und Hymnologie, 55 (2016), 271.

24003R. Alberto TURCO, Études grégoriennes, 43 (2016), 231–3.

24005R. Barbara HAGGH-HUGLO, Scriptorium, 69 (2015), 7* (no. 18).

24008R. Jürgen BÄRSCH, Liturgisches Jahrbuch, 66 (2016), 62–3.

24030R, 24031R. Alison ALTSTATT, Plainsong & Medieval Music, 25/1 (2016), 107–9.

24032R. Florian KLUGER, Liturgisches Jahrbuch, 66 (2016), 63–4. – Jörg NEIJENHUIS, Jahrbuch für Liturgik und Hymnologie, 54 (2015), 67–8.

24035R. Christian MEYER, Scriptorium, 69 (2015), 250*–251* (no. 541).

24044R. Barbara HAGGH-HUGLO, Scriptorium, 69 (2015), 94*–95* (no. 207).

24062R. Claire MAÎTRE, Scriptorium, 69 (2015), 171* (no. 372). (a) Scriptorium, 69 (2015), 146* (no. 315). (b) Scriptorium, 69 (2015), 138*–139*(no. 303). (c) Scriptorium, 69 (2015), 209* (no. 455). (d) Scriptorium, 69 (2015), 224*–225* (no. 488). (e) Scriptorium, 69 (2015), 207* (no. 450).

24105R. Ilona FERENCZI, Jahrbuch für Liturgik und Hymnologie, 55 (2016), 274–5.

25001R. Barbara HAGGH-HUGLO, Scriptorium, 69 (2015), 37*–38* (no. 86); 38* (no. 87).

25007R. Barbara HAGGH HUGLO, Études grégoriennes, 43 (2016), 230–1.

25012R. Kirsten YRI, Early Music, 44/1 (2016), 157–9.

25015R. Barbara HAGGH-HUGLO, Scriptorium, 69 (2015), 139*–140* (no. 305).

25016R. Christian BERGER, Die Musikforschung, 69 (2016), 269. – Barbara HAGGH-HUGLO, Scriptorium, 69 (2015), 149*–150* (no. 320).

25025R. Miriam WENDLING, Die Musikforschung, 69 (2016), 161–2.

25027R. Daniel SAULNIER, Scriptorium, 69 (2015), 224*–225* (no. 488).

25028R. Barbara HAGGH-HUGLO, Plainsong & Medieval Music, 24/1 (2015), 103–8.

25031R. Manuel UDER, Liturgisches Jahrbuch, 66 (2016), 61–2.

25033R. Barbara HAGGH-HUGLO, Scriptorium, 69 (2015), 121* (no. 276).

25037R. Anthony WARD, Ephemerides liturgicae, 130 (2016), 245–6.

25048R. Claire MAÎTRE, Scriptorium, 69 (2015), 231*–232* (no. 501). (g) Scriptorium, 69 (2015), 161* (no. 346).

25059R. Giacomo BAROFFIO, Rivista internazionale di musica sacra, Nuova serie 37/1–2 (2016), 377–8.

25061R. Daniela WISSEMANN-GARBE, Jahrbuch für Liturgik und Hymnologie, 55 (2016), 248–50.

25062R. Daniela WISSEMANN-GARBE, Jahrbuch für Liturgik und Hymnologie, 55 (2016), 250–1.

25099R. Albert DOLEREZ, Scriptorium, 69 (2015),114*–115* (no. 257).

Editions and facsimile editions

26001. Hansjakob BECKER, Ansgar FRANZ, Alexander ZERFASS, Bruno von Köln und die Liturgie der Kartause. Rekonstruktion des Antiphonale Sancti Brunonis und Reproduktion der ältesten kartusiensischen Offfiziumshandschriften, Analecta Cartusiana 292 (Salzburg: FB Anglistik und Amerikanistik Universität Salzburg, Unipark, 2015). Includes ‘Teil D: Faksimile der ältesten handschriftlichen Zeugen zum Antiphonar der Kartause’, pp. 89–407.

1. 1. ‘Vademecum’ cartusiense (saec. XII/XIII), F-SPCc II 824 (now 2 HYMN 9), fols. 1r–7r (p. 91–7);

2. 2. Antiphonale cartusiense (saec. XIII), F-SPCc C II 828: 2 fols, and I-SSBc s. n., 2 fols (pp. 101–3, 104–5);

3. 3. Antiphonale cartusiense (saec. XII), F-G 338 Rés. (CGM 79), fols. 1r, 18v–19, 169v–212r (pp. 109–53);

4. 4. Tonale et antiphonale cartusiense (saec. XII), F-G 467 Rés. (CGM 124), fols. 3r–17r, 21r–55v (pp. 157–208);

5. 5. Antiphonale cartusiense (saec. XIII), F-G 867 Rés. (CGM 91), fols. 3r–196r (pp. 211–407).

26002. Miguel S. GROS I PUJOL, Liber troporum atque prosarum ecclesiae Vicensis: Vic, Bib. Epis., ms. 106 (Can. Ripoll 31): TVic 2, Biblioteca Litúrgica Catalana 8 (Barcelona: Institut d'Estudis Catalans, 2015). Includes introduction, facsimile edition and indexes.

26003. Daniele TORELLI, L'Antifonario del convento dei Francescani de Bolzano. Hall in Tirol, Biblioteca e archivio provinciale del frati minori, Ms. 30 (sec. XVI), con un saggio di Giulia GABRIELLI, prefazione di Franz COMPLOI e con facsimile integrale nel CD-ROM allegato, Monumenta Liturgiae et Cantus 3 (Lucca: Libreria Musicale Italiana, 2016). Concerns A-HALf 30.

26004. Missale secundum morem alme ecclesie Quinqueecclesiensis, Venetiae 1499, Johannes Emericus de Spira, impensis Johannis Paep ([Szekszárd:] Schöck Kft, 2009). Facsimile edition, Essays by Tamás FEDELES, József TÖRÖK, Éva POHÁNKA.

Review. Ilona FERENCZI, Jahrbuch für Liturgik und Hymnologie, 55 (2016), 271.

26005. Psalterium Strigoniense Venetiis 1523: cum notis musicis manuscriptis (Psalterium Nicolai Olahi), ed. Gábriel SZOLIVA, Bavarica et Hungarica 2 – Musicalia Danubiana 25 (Budapest: MTA Bölcészettudományi Kutatóközpont, Zenetudományi Intézet [Research Centre for the Humanities of the HAS, Institute of Musicology], 2015). Facsimile edition, commentary in Hungarian and English.

130: ‘Of all the surviving copies Miklós Olah's Psalter published in the present volume has extraordinary significance for the history of melodies. As it emerges from the descriptions, its reliably notated melodies are deeply embedded in the medieval Hungarian tradition; they are the last musical evidence of the living Esztergom Office. The printed Psalterium Strigoniense of 1523 once in the property of archbishop Miklós Oláh is therefore an authorative source of the medieval liturgical music of Esztergom’.

26006. Balther von Säckingen, Bischof von Speyer. Historia sancti Fridolini (ca. 970). Einführung und Edition von Mechthild PÖRNBACHER und David HILEY. Herausgegeben im Rahmen der Reihe HISTORIAE von Zsuzsa CZAGÁNY, Barbara HAGGH und Roman HANKELN für die Forschungsgruppe ‘Cantus Planus’ der Internationalen Gesellschaft für Musikwissenschaft, Wissenschaftliche Abhandlungen – Musicological Studies 65/26 (Lions Bay: The Institute of Mediaeval Music, 2016).

(a) Mechthild PÖRNBACHER, ‘Der hl Fridolin von Säckingen und sein Biograph Balther’, ix–xix. (b) David HILEY, ‘Die Melodien in Balthers Fridolinsoffizium’, xx–xxvii.

Sources: D-KAg 65/429 (Säckingen, end of twelfth century, includes vita and officium), CH-E 729 (Antiphonary from the diocese of Constance, end of sixteenth century).

26007. Himnodia hispánica. Introducción, traducción, índices y notas por José CASTRO SÁNCHEZ con la colaboración de Emilio GARCÍA RUIZ, Corpus Christianorum in Translation 19 (Turnhout: Brepols, 2014).

Review. Alexander ZERFASS, Archiv für Liturgiewissenschaft, 56 (2014), 243–4.

See 22002.

26008. Tropen zu den Antiphonen der Messe aus Quellen französischer Herkunft, ed. Elaine Stratton HILD, Revision der Texte: Ritva Maria JACOBSSON, Beschreibung der Quellen: Hanna ZÜHLKE, Corpus Monodicum. Die einstimmige Musik des lateinischen Mittelalters. Im Auftrag der Akademie der Wissenschaften und der Literatur, Mainz am Institut für Musikforschung der Universität Würzburg, ed. Andreas HAUG, II-1 (Basel: Schwabe Verlag, 2016).

This is the inaugural volume of an important edition project of twenty-six volumes concerning the monophonic music of the Middle Ages. Volume CM II 1 includes the complete edition of Introit, Offertory and Communion trope melodies, based on ten manuscripts written in staff notation: F-R 250 (A. 233) from Jumièges; F-PR 12 from Chartres; F-Pn lat 1107 from Saint-Denis; F-AB 7 from Noyen; F-CA 72 (73) from Cambrai; F-LA 263 from Laon; F-VN 10 from Verdun; F-Pn n.a. lat. 1235 from Nevers; F-AUT 183 (Z) from Autun; CH-Sk 29 from Sion, Switzerland (in German Sitten). For the ‘neue Edition’ see 24108, an essay by the series editor, Andreas Haug.

26009. The Music of the Beneventan Rite, ed. Thomas Forrest KELLY and Matthew PEATTIE, Monumenta Monodica Medii Aevi 9 (Kassel etc.: Bärenreiter, 2016). Includes melody editions from I-BV 40 and many other sources.

26010. Robert KLUGSEDER, Liber ordinarius Pataviensis. Das liturgische Regelbuch der mittelalterlichen Diözese Passau, Spicilegium Friburgense 47 (Fribourg: AcademicPress, 2016). Online-edition since December 2015.

26011. Hildegard of Bingen, Ordo virtutum. A Comparative Edition, ed. Vincent CORRIGAN, Collected Works – Gesamtausgaben 28 (Lions Bay: The Institute of Mediaeval Music, 2013). Concerns D-WII 2 and GB-Lbl Add. 15102.

26012. Hildegard of Bingen, Symphonia. A Comparative Edition, ed. Vincent CORRIGAN, Collected Works – Gesamtausgaben 30 (Lions Bay: The Institute of Mediaeval Music, 2016). Concerns B-DEa 9 and WIl 2.

26013. Susan BOYNTON, Isabelle COCHELIN, Bernardus Ordo Cluniacensis, MS Paris, BNF, Latin 13875, Disciplina Monastica (Turnhout: Brepols, 2017).

26014. Musica enchiriadis, lateinisch und deutsch, übersetzt und herausgegeben von Petra WEBER, mit einer Einleitung von Michael KLAPER, Andreas TRAUB und Petra WEBER (Paderborn: Wilhelm Fink, 2016):

(a) Michael KLAPER, ‘Die Antikenrezeption der Musica enchiriadis’, 11–23. (b) Andreas TRAUB, ‘Die Einstimmigkeitslehre der Musica enchiriadis’, 25–35. (c) Petra WEBER, ‘Die Mehrstimmigkeitslehre der Musica enchiriadis’, 37–46. (d) Latin-German edition, 53–141.

Includes four colour facsimiles of I-Rvat Pal. lat. 1342, fols. 108v, 118v, 119v, 120r (pp. 49–52).

26015. Traditio Iohannis Hollandrini, Band VII: Studien – Essays, ed. Michael BERNHARD and Elżbieta WITKOWSKA-ZAREMBA, Bayerische Akademie der Wissenschaften. Veröffentlichungen der Musikhistorischen Kommission 25 (Munich: Verlag der Bayerischen Akademie der Wissenschaften. In Kommission bei dem Verlag C. H. Beck, 2016):

(a) Wolfgang HIRSCHMANN, ‘“Aliqua generalia”. Formen und Funktionen der Wissensorganisation in den Einleitungtexten der “Traditio Hollandrini”’, 1–56. (b) Klaus-Jürgen SACHS, ‘Zur Elementarlehre in der Traditio Iohannis Hollandrini’, 57–69. (c) Christian MEYER, ‘Versus de musica. Les versifications du Corpus hollandrinien’, 71–141. (d) Zsuzsa CZAGÁNY, David HILEY, Jakub KUBIENIEC, ‘The “coniunctae” in medieval sources of liturgical chant’, 143–88. (e) Zsuzsa CZAGÁNY, Ágnes PAPP, ‘Spätmittelalterliche Musiktheorie und Choralpraxis. Der musikalische Hintergrund der “Traditio Hollandrini”’, 189–206. (f) Calvin M. BOWER, ‘Ferial psalmody as a defining feature within the tonaries of the “Traditio Iohannis Hollandrini”’, 207–48. (g) Michael BERNHARD, Elżbieta WITKOWSKA-ZAREMBA, ‘Postscriptum’, 249–96.

26016. Traditio Iohannis Hollandrini, Band VIII: Konkordanzen und Indices, ed. Michael BERNHARD and Elżbieta WITKOWSKA-ZAREMBA, Bayerische Akademie der Wissenschaften. Veröffentlichungen der Musikhistorischen Kommission 26 (Munich: Verlag der Bayerischen Akademie der Wissenschaften. In Kommission bei dem Verlag C. H. Beck, 2016).

Traditio Iohannis Hollandrini, I (2010), II (2010), III (2011), IV (2013), V (2014), VI (2015) see 22013, 22014, 22015, 23019, 24013, 25006.

26017. Liber Gradualis iuxta ordinem cantum Missae ad usum privatum, ex codicibus antiquioribus ac probatis restauratus, ed. Alberto TURCO, Vol. VI. Tempus per annum I–XVII (Verona: Edizioni Melosantiqua, 2016). Including 5 CDs.

Vol. I (2009) see 19006; Vols. II (2010), III (2011), IV (2012), V (2013) see 23020.

26018. Liturgia Horarum secundum Ordinem Cantus Officii anno MMXV a Sacra Congregationem de Cultu Divino et Discipline Sacramentorum editum. ANTIPHONÆ ET RESPONSORIA pro diurnis horis restituta et ornata neumis Sangallensibus præsertim Antiphonarii 390–391, quod dicitur Hartkeri. Tomus I. Tempus adventus et nativitatis (Verona: Edizioni Melosantiqua, 2016). Includes a list of ‘Fonti’ (157–62) and an ‘Apparato critico’ (163–79). ORDO CANTUS OFFICII see 25009.

Books, reprints

26019. Laura ALBIERO, Le fonti liturgico-musicali della diocese di Como (sec. XII), Monographiae 1 (Lugano: Vox Antiqua, Quilisma Press, 2016).

26020. Michael Alan ANDERSON, St Anne in Renaissance Music: Devotion and Politics (Cambridge: Cambridge University Press, 2014).

Review. Thomas SCHMIDT, Plainsong & Medieval Music, 25/1 (2016), 109–12.

26021. Terence BAILEY, The Ambrosian Processions ‘ad crucem’, Wissenschaftliche Abhandlungen – Musicological Studies 107 (Lions Bay: The Institute of Mediaeval Music, 2015).

Review. Barbara HAGGH HUGLO, Études grégoriennes, 43 (2016), 227.

26022. Giacomo BAROFFIO, Manlio SODI, Andrzej SUSKI, Sacramentari e Messali pretridenini di provenienza Italiana, Veritatem inquirere 1 (Rome: Torrita di Siena, Lateran University Press – Società Bibliografica Toscana, 2016). Includes an inventory of 2608 sacramentaries and missels (complete books and fragments) from sixth century to 1605.

26023. Melanie BATOFF, Re-envisioning the Visitatio Sepulchri in Medieval Germany: The Intersection of Planchant, Liturgy, Epic, and Reform, Ph.D. diss., University of Michigan, Ann Arbor, 2013.

26024. Sarah BEREZA, Formularity and Formal Structure in the Old Beneventan Chant, Master's thesis, University of Cincinnati, 2011.

26025. James BLASINA, Music and Masculinity in the Medieval Cult of St. Katherine of Alexandria, 1050–1300, Ph.D. diss., Harvard University, Cambridge, MA, 2015.

26026. Jozefa van BRAGT (ed.), Bibliotheek van de Abdij van Park, 2 vols. (Leuven: Peeters, 2014).

Review. Barbara HAGGH HUGLO, Études grégoriennes, 43 (2016), 227–8.

26027. Danette BRINK, Historiae Trevirenses: The Medieval Office Chants for the Saints of Trier, diss., University of Regensburg, Institut für Musikwissenschaft, 2015.

26028. Natale GHIGLIONE, Trotti 414: un codice ambrosiano del IX secolo. Considerazioni storico paleografiche e musicali edizione, Quaderni Ambrosiani 2 (Lucca: Libreria Musicale Italiana, 2009).

26029. Gunilla IVERSEN, Tropes du Gloria, 2 vols. [1: Introduction et édition des textes; 2: Aperçu des manuscrits], Corpus troporum XII. Studia latina Stockholmiensia, 61 (Stockholm: Stockholm University, 2014).

Review. Barbara HAGGH HUGLO, Études grégoriennes, 43 (2016), 228–30.

26030. Armin KARIM, ‘My People, What Have I Done to You?’: The Good Friday Populus meus Verses in Chant and Exegesis, c. 380–880, Ph.D. diss., Case Western Reserve University, Cleveland, OH, 2014.

Available online at http://rave.ohiolink.edu/etdc/view?acc_num=case1396645278.

26031. Stefan KLARER, Pater Roman Bannwart und der “Einsiedler Choralstil”, diss., Kunstuniversität Graz, Künstlerische und wissenschaftliche Doktoratsschule, 2015.

26032. Laura LIGHT, Susan BOYNTON, Sacred Song: Chanting the Bible in the Middle Ages and Renaissance, preface by Sandra HINDMAN, Textmanuscripts 4 (New York, Chicago, Paris: Les Enluminures, 2014).

Review. Daniel SAULNIER, Scriptorium, 69 (2015), 69* (no. 163).

26033. José LÓPEZ CALO, La música en las catedrales españoles, Música Hispana, Textos: Estudios 17 (Madrid: ICCMU, 2012).

Review. Riccardo LA SPINA, Plainsong & Medieval Music, 24/1 (2015), 109–11.

26034. Mattias LUNDBERG, Tonus peregrinus: The History of a Psalm-tone and its use in Polyphonic Music (Farnham, Burlington: Ashgate, 2011).

26035. William Peter MAHRT, The Musical Shape of the Liturgy (Richmond, VA: Church Music Association of America, 2012).

26036. Manlio SODI, Alessandro TONIOLO, Descendit Christus descendit et Spiritus. L'iniziazione alla vita cristiana in Ambrogio da Milano. Spiegazioni del Credo – i Sacramenti – i Misteri. Explanatio Symboli – De Sacramenti – De Mysteriis. Textus et Concordantia. Presentazione di Cesare ALZATI, Veritatem inquirere 2 (Città del Vaticano: Lateran University Press, 2016).

26037. Véronique THIBAULT-DUBOIS, Le tonaire noté du Manuscrit de Gaillac. Paris BnF lat. 776, Thèse de doctorat, Paris, École Pratique des Hautes Études [EPHE], 2010.

26038. Alberto TURCO, Iniziazione al canto gregoriano, Didattica e saggistica. Collana del Pontificio Istituto di Musica Sacra – Roma I (Città del Vaticano: Libreria Editrice Vaticana, 2016).

Review. Giacomo BAROFFIO, Rivista internazionale di musica sacra, Nuova serie 37/1–2 (2016), 378–80.

26039. Rozana VIJVODA, Dalmatian Illuminated Manuscripts Written in Beneventan Script and Benedictine Scriptoria in Zadar, Dubrovnik, and Trogir, Ph.D. diss., Budapest: Central European University, 2011. Unpublished.

Congress reports

26040. Rome Across Time and Space: Cultural Transmission and the Exchange of Ideas c. 500–1400, ed. Claudia BOLGIA, Rosamond McKITTERICK, John OSBORNE (Cambridge: Cambridge University Press, 2014) [1: ‘conference . . . Cambridge in July 2008’]:

(a) Jesse BILLETT, ‘The Liturgy of the “Roman” office in England from the Conversion to the Conquest’, 84–110. (b) Yitzhak HEN, ‘The Romanization of the Frankish Liturgy: ideal, reality, and the rhetoric of reform’, 111–24.

26041. Les chapitres séculiers et leur culture, Vie canoniale, art et musique à Saint-Yrieix (vi^e-xiii^e siècle). Actes du colloque international, Université de Limoges / Université de Poitiers, 18–20 juin 2009, ed. Claude ANDRAULT-SCHMITT and Philippe DEPREUX (Limoges: Presses Universitaires de Limoges [PULIM], 2014):

(a) Christelle CAZAUX-KOWALSKI, ‘Le graduel de Saint-Yrieix (BnF, ms. Lat. 903)’, 507–31. (b) Marie-Noël COLETTE, ‘Les prosules et les proses du graduel de Saint.Yrieix (Paris, BnF, latin 903)’, 533–54. (c) Gunilla IVERSEN, ‘Le répertoire de tropes du graduel de Saint-Yrieix (XIe siècle)’, 555–72.

26042. Le Chapître Saint-Nicolas de Fribourg: foyer religieux et culturel, lieu de pouvoir. Das Kapitel von Saint-Nicolas: Hort des Glaubens, der Kultur und der Macht. Actes du colloque – 3.-5.2.2010 – Akten des Kolloquiums, ed. Jean STEINAUER, Hubertus von GEMMINGEN (Fribourg: Société histoire du canton de Fribourg, 2010):

(a) Martin KLÖCKENER, ‘Die Liturgie an der Stiftskirche St. Nicolaus in Freiburg auf der Grundlage des Zeremoniale aus dem späten 16. Jahrhundert’, 409–41. Concerns CH-Fstaatsarchiv CSN III.3.21.

Review. Benedikt KRANEMANN, Archiv für Liturgiewissenschaft, 56 (2014), 132.

26043. Cantus Scriptus: Technologies of Medieval Song. Proceedings of the 3rd Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age, November 20–21, 2010 [held at the University of Pennsylvania and the Free Library of Philadelphia], ed. Lynn RANSOM and Emma DILLON, Piscataway, NJ: Gorias Press, 2012:

(a) Susan RANKIN, ‘Capturing Sounds: the Notation of Language’, 1–41.

26044. Of Chronicles and Kings: National Saints and the Emergence of Nation States in the High Middle Ages, ed. John BERGSAGEL, David HILEY and Thomas RIIS, Danish Humanist Texts and Studies 52 (Copenhagen: The Royal Library, Museum Tusculanum Press, University of Copenhagen, 2015) [7: ‘In October 2012, the Danish Royal Library . . . invited a group of selected scholars to participate in an international symposium’.]:

(a) Nils Holger PETERSEN, ‘The image of St Knud Lavard in his Liturgical Offices and its Historical Impact’, 129–58. (b) Roman HANKELN, ‘Kingship and Sanctity in the Historia in Honour of St Canutus Rex’, 159–91. Includes facsimiles of S-Sr MPO Fr 29700 (pp. 185–8). (c) Ann-Marie NILSSON, ‘Martyr preciose, miles Christi. St Erik in Chant and Legend’, 193–222. (d) John TOY, ‘The Liturgical Commemoration of Thomas of Canterbury in Scandinavia. The First Thirty Years, 1173–1203’, 223–50. (e) David HILEY, ‘Gens laudum titulis concrepet Anglica. The Proper Office for St Oswin, King of Deira’, 251–70. Concerns GB Occc 134, includes on p. 257 a facsimile of fol. 73v. (f) John CALDWELL, ‘Life, Legend and Liturgy. The Case of St Mildred’, 271–92. (g) Owain Tudor EDWARDS, ‘“Last Man Standing”: St David of Menevia’, 293–319.

Review. Sean DUNNAHOE, Early Music, 44/3 (2016), 472–4.

26045. Chant and Liturgy: Papers in Memory of Michel Huglo. Papers held on 11 May 2013 at the 48th International Congress on Medieval Studies at the University of Western Michigan.

Four articles see 26064a–d. Plainsong & Medieval Music, 25/1 (2016).

26046. Music Encoding Conference Proceedings 2013 and 2014. 22–24 May, 2013, Mainz Academy for Literature and Sciences, Mainz, Germany – 20–23 May, 2014, University of Virginia, Charlottesville, Virginia, USA, ed. Perry ROLAND and Johannes KEPPER (Music Encoding Initiative, 2015):

(a) Elaine HILD, Thomas WEBER, ‘Developing Encoding and Software Solutions. For the Digital and Analogue Publication of Medieval Monophonic Music’, 83–90.

Available at www.vifamusik.de/en/document-server/congress-reports-andconference-proceedings/.

26047. Manuscrits de Cadouin: Actes du colloque de Pèrigueux (20 et 21 juin 2013), Mémoires de la Dordogne. Revue des archives départementales de la Dordogne 25 (Périgueux: Archives départementales de la Dordogne, 2015):

(a) Christelle CAZAUX-KOWALSKI, ‘Des neumes aquitains et des mélodies cisterciennes: remarques sur les additions musicales du fonds manuscrit de Cadouin’, 86–97.

26048. Chant and culture – Plain-chant et culture, proceedings of the conference of the Gregorian Institute of Canada – Actes du colloque de l'Institut grégorien du Canada. University of British Columbia, 6–9 August 2013 – Université de Columbie-Britannique, 6 au 9 août 2013, ed. Armin KARIM, and Barbara SWANSON. Foreword by Chantal PHAM, Wissenschaftliche Abhandlungen – Musicological Studies 105 (Lions Bay, 2014):

(a) William MAHRT, ‘Jubilare sine verbis: The Liturgical Role of Melisma in Gregorian Chant’, 1–22. Summary in French, 22. (b) Armin KARIM, ‘The Meaning of the Trisagion in East and West’, 23–38. Summary in French, 39. (c) Ted KRASNICKI, ‘The Carolingian Cultural Renascence and the Formation of Gregorian Chant: Allegory and Symbolism’, 41–62. Summary in French, 63. (d) Christoph WEYER, ‘Codex MS. D1: Witness of an Old Neume Dialect’, 65–75. Summary in French, 75. Concerns D-DÜl D 1. (e) James BLASINA, ‘Liturgy, Cult, and Crusades: The Early Dissemination of the Offices for St. Katherine of Alexandria’, 77–92. Summary in French, 93. (f) Solomon GUHL-MILLER, ‘A Possible Connection Between Chant and Organum: A Preliminary Re-examination and Re-evaluation of the Use of Modal Rhythm in Notre Dame Organa and Conducti’, 95–117. Summary in French, 118. (g) Caroline JORÉ-GARRIGUES, ‘Monodie et polyphonie liturgique: une relation symbiotique? Le missel ms. 94 et la Messe de Toulouse’, 119–32. Summary in English, 133. Concerns F-TLm 94. (h) Alanna ROPCHOCK, ‘How Pange lingua Survived the Lutheran Reformation’, 135–48. Summary in French, 149. (i) Barbara SWANSON, ‘Plainchant Psalmody in the Prologues of Early Opera’, 151–8. Summary in French, 159. (k) Walter Kurt KREYSZIG, ‘William Mahrt's Notation of Gregorian Chant as a Polyphonic Fundamentum: Gregorio Allegri's Miserere (1638) and Historiography’, 161–88. Summary in French, 189. (l) Deborah KAUFFMAN, ‘“À l'usage de ma soeur”: The Plainchant Repertory of Saint-Cyr as Represented in F-Vm Ms. Mm. 55’, 191–206. Summary in French, 206. (m) Matthew PEATTIE, ‘Constructing a typeface of medieval neumatic notation: challenges of representation and translation’, 245–62. Summary in French, 262. (n) William RENWICK, ‘The Sarum Rite: Past . . . Present . . . Future’, 263–86. Summary in French, 287.

26049. Theorie und Geschichte der Monodie – ТЕОРИЯ И ИСТОРИЯ МОНОДИИ. Bericht der Internationalen Tagung Wien 2014, ed. Martin CZERNIN and Maria PISCHLÖGER, Theorie und Geschichte der Monodie 8 (Brno: Tribun EU, s.r.o., 2016):

Includes essays concerning the Eastern Chant by Galina ALEKSEEVA, Anna AREWSCHATJAN, Elena CHIRCEV, Oliver GERLACH, Zivar GUSSEINOWA, Angela HACHAYANZ, Evgenia IGNATENKO, Sergey MATZNEV, Ionut-Gabriel NASTASA, Jaakko OLKINUORA, David PANCZA, Nikolaj PARFENTJEW, Natalia PARFENTJEWA, Maria TAKAL-ROSZCZENKO, Tetiana TESLIA.

Essays concerning the Western Chant:

(a) David MERLIN, ‘Die Melodien des von Winterburger 1519 gedruckten Antiphonars’, 327–51 (in Russian 353–77). (b) Andreas PFISTERER, ‘Zur Tonartenbehandlung im gregorianischen Graduale und byzantinischen Prokeimenon’, 545–52 (in Russian 553–61). (c) Kateryna ZAGNITKO, ‘Zur Geschichte der Erforschung der gregorianischen Gesangsquellen in der Handschriftensammlung in Lemberg’, 669–81 (in Russian 683–93).

26050. Liturgia ed evangelizzazione. La Chiesa evangelizza con la bellezza della liturgia. Atti del Congresso Roma 25–27 febbraio 2015 (Soveria Mannelli, Catanzaro: Rubbettino Editore, 2016).

26051. Musica Mediaeva Liturgica. Zborník príspevkov z muzikologickej konferencie konanej dňa 3.–4. júna 2015, ed. Rastislav ADAMKO (Ružomberok, 2015):

(a) Robert KLUGSEDER, ‘Stredoveké hudobné rukopisy v Rakúskej národnej knižnici (ÖBN), Viedeň Medieval Musical Manuscripts in the Austrian National Library Vienna’, 131–44.

Chant journals

26052. Beiträge zur Gregorianik, 61 (2016), ed. Christian DOSTAL, Johannes Berchmans GÖSCHL, Cornelius POUDEROIJEN, Franz Karl PRASSL, Heinrich RUMPHORST, Stephan ZIPPE (Regensburg: ConBrio Verlagsgesellschaft):

(a) Franco ACKERMANS, Luigi AGUSTONI (†), Inga BEHRENDT, Rupert FISCHER (†), Johannes Berchmans GÖSCHL, Liobgid KOCH, Josef KOHLHÄUFL, Stefan METZ, Daniel RÖSLER, Heinrich RUMPHORST, Gregor SCHULLER, Anton STINGL jun., Stephan ZIPPE, ‘Vorschläge zur Restitution von Melodien des Graduale Romanum. Teil 38’, 11–47. (b) Heinrich RUMPHORST, ‘Beobachtungen zum Tractus Veni sponsa Christi’, 49–61. (c) Johannes Berchmans GÖSCHL, ‘Luigi Agustoni und der Gregorianische Choral’, 63–8. (d) Heinrich RUMPHORST, ‘Veränderung der Textquellen in den Kompositionen des gregorianischen Messpropriums. Vortrag beim Kongress der AISCGre in Lugano 2015’, 69–95. (e) Nicola ZANINI, ‘Luigi Agustoni: Eine Leidenschaft für die Liturgie’, 97–107. (f) ‘Index der bisher restituierten Gesänge’, 140–7.

26053. Beiträge zur Gregorianik, 62 (2016), ed. Christian DOSTAL, Johannes Berchmans GÖSCHL, Cornelius POUDEROIJEN, Franz Karl PRASSL, Heinrich RUMPHORST, Stephan ZIPPE (Regensburg: ConBrio Verlagsgesellschaft):

(a) Franco ACKERMANS, Luigi AGUSTONI (†), Inga BEHRENDT, Rupert FISCHER (†), Johannes Berchmans GÖSCHL, Liobgid KOCH, Josef KOHLHÄUFL, Stefan METZ, Daniel RÖSLER, Heinrich RUMPHORST, Gregor SCHULLER, Anton STINGL jun., Stephan ZIPPE, ‘Vorschläge zur Restitution von Melodien des Graduale Romanum. Teil 39’, 9–37. (b) Heinrich RUMPHORST, ‘Beobachtungen zu der Communio Qui biberit aquam und Parallelfällen von Evangeliencommuniones’, 39–47. (c) Franz Karl PRASSL, ‘Gregorianische Komposition vor dem Hintergrund patrisitischer Exegese’, 49–64. (d) Stefan ENGELS, ‘Die Texte des Proprium Missae: Wie übersetze ich sie richtig?’, 65–9. (e) Jun NISHIWAKI, ‘Compunctio: Über ein Schlüsselwort zum Verständnis des liturgischen Singens in der Karolingerzeit’, 71–8.

26054. Études grégoriennes, 43 (2016). Revue annuelle publiée sous la direction de Patrick HALA o.s.b. mise en page par Patrick HALA et Arnaud de CASTELBAJAC o.s.b. (Solesmes: Les Éditions de Solesmes, 2016):

(a) Véronique DUBOIS, ‘Le tonaire noté du manuscrit de Gaillac, Paris, BNF Lat. 776. Édition des incipit et des mélodie des formulaires’, 1–102. (b) David HILEY, ‘The antiphons composed by Hucbald of Saint-Amand for the feast of St Andrew’, 103–19. (c) Patrick HALA, ‘La restauration du plain-chant dans l’église anglicane (1888–1901): Solesmes et la fondation de la Plainsong & Mediæval Music Society’, 121–64. (d) Jean CLAIRE†, ‘Le latin et le chant grégorien’, 165–75. (e) [La rédaction], ‘Distinction des syllabes dans les mots latins’, 177–84. (f) Paul BLANCHON-LASSERVE†, ‘Voyage paléographique (redigé par Paul BLANCHON-LASSERVE et dom Amand MÉNAGER): Quatre mois en Allemagne et en Autriche – (suite) [Dom BLANCHON-LASSERVE] 24 juin – 14 juillet 1914’, 185–226.

26055. Tijdschrift voor gregoriaans, 41 (2016), Redactie: Arnoud HEERINGS, Gerrit van OSCH, Marcel ZIJLSTRA, uitgave van de Stichting Amici Cantus Gregoriani, Administratie J. KWAST, Driebergen-Rijsenburg:

(a) Marcel ZIJLSTRA, ‘Het Paasspel van Rijnsburg’, 14–27. Includes the complete edition of the Easter play from NL-DHk 71 J 70. (b) Franco ACKERMANS, ‘De communio Ego sum pastor bonus’, 43–6. (c) Marcel ZJLSTRA, ‘Een Nederlands paasspel’, (2) 55–60, (3) 79–81. (d) Leo LOUSBERG, ‘Functies van microtonaliteit in Gregoriaans’, 82–90.

Collections of essays, dictionaries

26056. Ars musica and its contexts in medieval and early modern culture. Essays in honour of Elżbieta Witkowska-Zaremba, ed. Paweł GANCARCZYK (Warsaw: Liber Pro Arte, 2016):

(a) Michael BERNHARD, ‘The Tractulus metricus de musica in the Melk codex 950 of the year 1462’, 29–59. (b) Anna Maria BUSSE BERGER, ‘Reformy notacyjne Francona z Kolonii: aprobata i sprzeciw’, 61–71. English summary ‘Franco's notational reforms: acceptance and resistance’, 71. (c) Klaus-Jürgen SACHS, ‘Musica theorica und practica bei Gaffurio’, 73–85. (d) Błażej MATUSIAK, ‘Śpiewak, znawca muzyki i liturgista. Obraz kantora w pismach dominikańskich XIII wieku’, 105–14. English summary ‘Singer, music theorist and liturgist. Depiction of the cantor in 13th-century Dominican sources’, 114–15. (e) Jakub KUBIENIEC, ‘Nauka muzyki choralnej u Panien Staniąteckich w XVIII wieku’, 117–28. English summary ‘The learning of musica choralis at the Benedictine Nuns Abbey of Staniątki in the 18th century’, 128–9. (f) Barbara HAGGH-HUGLO, ‘Libelli, compilations of hagiography, and official propria: neglected but useful sources of liturgy and music’, 153–69. Concerns B-Br 7524–7525 B (4 facsimiles), B-Br 20611 (1 facsimile). (g) Konstantin VOIGT, ‘Accumulating intertextual meaning through sound: the offertory Ascendens Ihesus from the Codex Calixtinus and its model chant Stetit angelus’, 171–83. (h) David HILEY, ‘From the Danube to Vistula: oberservations on manuscript 1304 of the Muzeum Narodowe in Warsaw, a South German breviary of the early thirteenth century’, 185–203. Concerns PL-Wm 1304, includes a facsimile of fol. 68v with neumatic notation. (i) Ágnes PAPP, ‘Syllabisch versus melodisch. Archaisierung und Reduzierung in der Theorie und Praxis der Differentiae?’, 205–21. (k) Gábor KISS, ‘Quem celestis armonia. . . Recent data on a St Stephen Alleluia and on the Hungarian-Polish relationships’, 223–36. (l) Zsuzsa CZAGÁNY, ‘Böhmische “Zutaten” im Waradiner Sequentiar’, 237–45. Concerns fragments of a Gradual from Oradea, Romania (in German Großwardein, in Hungarian Nagyvárad) in Győr (H-Gm 54.1.4; H-Gegyházmegyei kincstár és könyvtár s. n.), Budapest (H-Ba T 300; H-Bn Inc. 442), Sárospatak (H-SA 1043; R 195) and Bratislava (SK-BRa Modra 5194). (m) Lenka HLÁVKOVÁ, ‘Credo settings in cantus fractus in Bohemian sources. A preliminary report on a neglected ars nova repertory’, 247–54. (n) Alexander RAUSCH, ‘Hymnen des Spätmittelalters und der Frühen Neuzeit für die Verehrung des Hl. Grabtuchs und der Veronika’, 271–82. (o) ‘Publications of Elżbieta Witkowska-Zaremba’, 515–23.

26057. BMB. Bibliografia dei manoscritti in scrittura beneventana 24. Dati relative a pubblicazioni apparse dal 1990, raccolti dal 13 novembre 2015 al 1° novembre 2016 da Laura ALBIERO, Maria Gabriella CRITELLI, Paola ERRANI, Nicoletta GIOVÉ, Valentina LONGO, Marco PALMA, Anna PANNEGA, Leda RUGGIERO, Valerio SANZOTTA, Silvia SCIPIONI, Maddalena SPARAGNA, Gaia Elisabetta UNFER VERRE, Matteo VILLANI. Progetto e relizzazione della base dati di Antonio CARTELLI (Rome: Viella, 2016):

(a) Nicola TANGARI, ‘Un frammento della Passio Andreae apostoli in scrittura beneventana presso l'Archivio Storico Capitolino di Roma’, 111–19. (b) Nicola TANGARI, ‘Un nuovo antifonario palinsesto in scrittura e notazione beneventana: Napoli, Biblioteca Nazionale “Vittorio Emmanuele III”, V C 14’, 121–6.

26058. A Companion to Hildegard of Bingen, ed. Debra L. STOUDT, George FERZOCO, Beverly Mayne KIENZLE, Brill's Companions to the Christian Tradition 45 (Leiden: Brill, 2014):

(a) Felix HEINZER, ‘Unequal Twins: Visionary Attitude and Monastic Culture in Elisabeth of Schönau and Hildegard of Bingen’, 85–108. (b) Tova LEIGH-CHOATE, William T. FLYNN, Margot E. FASSLER, ‘Hearing the Heavenly Symphony: An Overview of Hildegard's Musical Oeuvre with Case Studies’, 163–92. (c) Tova LEIGH-CHOATE, William T. FLYNN, Margot E. FASSLER, ‘Hildegard as Musical Hagiographer: Engelberg, Stiftsbibliothek Ms. 103 and Her Songs for Saints Disibod and Ursula’, 193–220.

26059. Les corpus de l'oralité, ed. Mondher AYARI, Antonio LAI (Delatour France: Sampzon, 2013):

(a) Jacques VIRET, ‘L'oralité retrouvée d'un corpus. Chanter le grégorien aujourd'hui’, 95–122. (b) Marcel PÉRÈS, ‘Le chant vieux-romain révélerait-il le “corpus de l'oralité di chant grégorien”?’, 123–40. (c) Damien POISBLAUD, ‘La restauration du chant grégorien: comment imaginer des sons à partir de l’écrit?’, 141–54.

26060. Manuscripts and Medieval Song: Inscription, Performance, Context, ed. Helen DEEMING and Elizabeth Eva LEACH (Cambridge: Cambridge University Press, 2015).

Review. Eva M. MASCHKE, Plainsong & Medieval Music, 25/2 (2016), 229–39.

Ten selected manuscripts are introduced: F-Pn lat. 1154; F-Pn fr. 1586; GB-Cu Gg.5.35; GB-Lbl Egerton 274; D-HEu Pal. germ. 848; GB-Lbl Add. 36881; F-Pn lat. 22249, 3545 and 3719; D-Mbs Clm 4660, 4660a; F-Pn n. a. fr. 13521 (La Clayette); GB-Ob Douce 308.

26061. Lexicon Musicum Latinum Medii Aevi. Wörterbuch der lateinischen Musikterminologie des Mittelalters bis zum Ausgang des 15. Jahrhunderts – Dictionary of Medieval Latin Musical Terminology to the End of the 15th Century, ed. Michael BERNHARD (Munich: Verlag der Bayerischen Akademie der Wissenschaften. In Kommission bei dem Verlag C. H. Beck, Munich, 1992–).

(a) Fascicle 16 (2015): semibrevis – sono. Collaborators Christian BERKTOLD (signa-socialis, solfa-sono), Michael BERNHARD (semibrevis-semiditonicus, seminimo-sempertonus), Calvin M. BOWER (English translation), Ruth KONSTANCIAK (editorial assistance).

(b) Fascicle 17 (2016): sono – tempus. Collaborators Daniela von ARETIN (species-systema), Christian BERKTOLD (sono-sortiso, tempus), Calvin M. BOWER (English translation), Ruth KONSTANCIAK (T – temporalis; editorial assistance).

(c) Fascicle 18 (2016): tempus – tractus. Collaborators: Daniela von ARETIN (tenorista – ternarius, tetartemoria – tinici, trabs – tractus), Christian BERKTOLD (tempus – tenor), Michael BERNHARD (to – torquens), Calvin M. BOWER (English translation), Ruth KONSTANCIAK (tertia- tertiadecima; editorial assistance).

(d) Fascicle 19 (2016): tractus-Z. Collaborators: Daniela von ARETIN (tractus – truto), Christian BERKTOLD (tuba – tympanum, V- voluvilis), Michael BERNHARD (vox – Z), Calvin M. BOWER (English translation), Ruth KONSTANCIAK (U – uva; editorial assistance).

(e) Quellenverzeichnis für Band II – Inventory of Sources for Volume II; Band II – Volume II E – Z (2016). Includes a Bibliography, xii–xxii, an Inventory of Sources, xxiv–lxiii, and a List of Incipits, lxvi–lxxvii. Now the important Lexicon Musicum Latinum Medii Aevi is finished.

See 6089a, b, 7053a, 10068a, 11070a, 13079a, 14065a, 16067a, 17067a, 19045a, 20067a, 21046a, 22088a, 23075a, 25065a: Fascicles 1 (1992), 2 (1995), 3 (1997), 4 (2000), 5 (2001), 6 (2003), 7 (2004), 8 (2006), 1 [2nd augmented edition] (2006), 9 (2007), 10 (2009), 11 (2010), 12 (2012), 13 (2012), 14 (2013) 15 (2015).

26062. Qui musicam in se habet: Essays in Honor of Alejandro Planchart, ed. Anna ZAYARUZNAYA, Bonnie J. BLACKBURN, Stanley BOORMAN, Miscellanea 9 (Middleton, WI: American Institute of Musicology, 2015):

(a) Angelo RUSCONI, ‘The Old Milanese Hymn for Saint John the Baptist’, 21–40. (b) Luisa NARDINI, ‘The Masses for the Holy Cross in Some Italian Manuscripts’, 41–70. (c) James Vincent MAIELLO, ‘Updating the Alleluia at Pistoia’, 71–148. (d) James GRIER, ‘The Tropes for Saint Androchius at the Abbeys of Saint Martial and Saint Martin in Limoges’, 149–56. (e) Thomas Forrest KELLY, ‘The Office of Saint Donatus at Benevento’, 157–76. (f) Michel HUGLO†, Barbara HAGGH-HUGLO, ‘The Great Procession of St. Agatha in Florence and its Antiphon Paganorum multitudo’, 175–82. (g) Susan RANKIN, ‘Organa dulcisona doctor modulamini compta: Rhetoric and Musical in Composition the Winchester Organa’, 763–80. (h) Richard L. CROCKER, ‘Six Sets of Tropes from Nevers’, 821–6. (i) ‘Publications, Compositions, and Recordings by Alejandro Enrique Planchart’, 827–36. (k) Volume Supplement: Audio Files: Medieval Chant – Six Sets of Tropes from Nevers Sung by Richard CROCKER, transcript by Ellen Jane REIER, mastered to CD by Derek BIANCHI.

26063. Sodalitas. Studi in memoria di Don Faustino Avagliano, ed. Mariano DELL'OMO, Federico MARAZZI, Fabio SIMONELLI, Cesare CROVA, Vol. 2, Miscellanea Cassinese 86 (Montecassino: Pubblicazioni Cassinesi, 2016):

(a) Richard F. GUYG, ‘Reconstructing a Beneventan Missal: Montecassino, Archivio dell'Abbazia, Compactiones VII and XXII’, 451–72. (b) Mario IADANZA, ‘Due inni in onore di s. Lupo del ms. 5 dell'Archivio dell'Abbazia della SS.ma Trinità di Cava dei Tirreni (sec. XII)’, 491–522. (c) Thomas Forrest KELLY, ‘Fragments of a Notated Breviary in Montecassino: Compactiones V’, 535–58. (d) Katarina LIVLJANIĆ, ‘Les répons de l'office ferial dans l'antiphonaire Montecassino Archivio dell'Abbazia, ms. 542’, 559–78. (e) Nicola TANGARI, ‘Un carme di Paolo Diacono in onore di s. Benedetto nel ms. Montecassino, Archivio dell'Abbazia, 272’, 1101–18.

26064. Plainsong & Medieval Music, 25/1 (2016):

Barbara HAGGH-HUGLO, Foreword, 1: This special issue of Plainsong and Medieval Music honours the memory of Michel Huglo (1921–2012) with four articles that result from two sessions of papers held on 11 May 2013 at the 48th International Congress on Medieval Studies at the University of Western Michigan. Titled ‘Chant and Liturgy: Papers in Memory of Michel Huglo’, the sessions were organised by Anna GRAU, Cathy ELIAS and Daniel DI CENSO:

(a) Terence BAILEY, ‘A guide to the responsories of the Ambrosian Office’, 5–26. (b) William Peter MAHRT, ‘Responsory prosae and the post-Christmas “Choir Solemnities” at Salisbury Cathedral’, 27–36. (c) Emma HORNBY, Rebecca MALOY, ‘Melodic in Old Hispanic chant’, 37–72. (d) Michael Lee NORTON, ‘Further throughts on Graz 807 and Vienna 13314’, 73–91. (e) Zoe SAUNDERS, Barbara HAGGH HUGLO, ‘Bibliography of Michel HUGLO 2005–2012, with earlier addenda or corrigenda and later posthumous publications’, 93–101. (f) Jerome F. WEBER, ‘Recent recordings of plainchant’, 103–6.

26065. Plainsong & Medieval Music, 25/2 (2016):

(a) John HAINES, ‘The lost song of German epic’, 115–37. (b) Mary Channen CALDWELL, ‘A medieval patchwork song: poetry, prayer and music in a thirteenth-century conductus’, 139–65. (c) Christopher MACKLIN, ‘Stability and change in the composition of a “Plague Mass” in the wake of the Black Death’, 167–89. Concerns the Recordare domine Mass based on fifty-seven manuscripts.

26066. Rivista internazionale di musica sacra, Nuova serie 37/1–2 (2016), ed. Giacomo BAROFFIO (Lucca: LIM Editrice):

(a) Giacomo BAROFFIO, ‘Apologia per una manutenzione degli edifice intellettuali’, 13–21. (b) Francesca MELLACE, ‘Frammenti in notazione beneventana negli archive e nelle biblioteche di Bologna’, 39–150. Concerns 13 fragments, 1 in I-Bas, 3 in I-Bu, and 10 in I-Bc, including 8 facsimiles. (c) Giampaolo MELE, ‘Ymnum Sancti Benedicti composuit. Su Cipriano di Montecassino e l'inno Christe sanctorum decus atque virtus’, 151–89. (d) Brusa GIONATA, ‘Hymnarium Brixinense – Tabula’, 191–202. (e) Giacomo BAROFFIO, Eun Ju Anastasia KIM, ‘Il canto liturgico nei monasteri di Subiaco: qualche appunto’, 203–18. (f) Michael Scott CUTHBERT, Nicola TANGARI, ‘Identificazioni di composizioni vocali italiane e internazionali in alcuni manoscritti liturgici del tardo Trecento’, 219–227. (g) Nadia MASINI, ‘In memoria di P. Anselmo Susca OSB – Padre Anselmo Susca (1929–2012), vita e opera’, 229–32, 233–7. Includes a bibliography, 235–7. (h) Maria Antonietta CAROLA, ‘La direzione del canto gregoriano’, 239–54. Abstract of the ‘tesi di Diploma Academico di 1° livello in Direzione di Coro e Composizione Corale’, Conservatorio di Musica ‘E. R. Duni’ di Materna (2010/2011). (i) Alberto TURCO, ‘La modalità negli Exsultet pugliese’, 255–67. Concerns the Exultet rolls in Bari and Troia. (k) Patrizia DURANTE, ‘Le versioni melodiche negli Uffici locali. La tradizione della Chiesa gallipolitana’, 269–89. Includes 6 facsimiles of I-GALbiblioteca diocesana. (l) Nadia MASINI, ‘Stato della ricerca sui codici liturgico-musicali in Basilicata: studio propedeutico a un censimento delle fonti musicali’, 305–76. Includes 19 facsimiles.

26067. Vox Antiqua, 6 (I/2015) Commentaria de Cantu Gregoriano, Musica antiqua, Musica sacra et Historia liturgica – International Journal of Gregorian Chant, Early Music, Sacred Music & Liturgical History, Journal of the Cantus Gregoriani Helvetici Cultores, Società svizzera studi di Canto gregoriano, ed. Giovanni CONTI, Marco FERRERO (Lugano: Quilisma Press, 2016):

(a) Agnieszka BUDZIŃSKA-BENNETT, ‘“You must follow me” – Reworking Manere vivere into Serena vírginum’, 47–75. Concerns the so-called conductus-motet. (b) Enrico DEMARIA, ‘Musiche liturgiche per la Sindone tra Torino e la Savoia: il Proprium Missae’, 77–158. Concerns the Holy Shroud of Turin.

26068. Zenetudományi Dolgozatok, 2011. In memoriam Dobszay László, ed. Gábor KISS, Zsuzsa CZAGÁNY and Ágnes PAPP (Budapest: MTA BTK Zenetudományi Intézet, 2012):

(a) [Gábor KISS,] ‘Praefatio’, 9–10. – Péter HALÁSZ, ‘Recollectio’, 11–14. – Zsuzsa CZGAGÁNY, ‘Commemoratio brevis’, 15–16. Concerns László Dobszay. (b) David HILEY, ‘Collatum miseris – egy kevéssé ismert anglai Szt. Jakab-offícium’, 19–31. Summary in English ‘Collatum miseris: a little known English office for St. James’, 32. Concerns GB-Ob Rawl. A 416 (includes a facsimile of f. 128v) and US-Cn 12, 6. (c) Charles BREWER, ‘Szt. Kinga (1234–1292) a 13. századi Közép-Európa zenei életében’, 33–46. Summary in English ‘Saint Kinga and the Musical Life of Central Europe in the Thirteenth Century’, 47. Concerns fragments of ars antiqua polyphony from Stary Sącz, Poland. (d) Gábor KISS, ‘Késő kozépkori periférikus miseforrásaink és az esztergomi hagyomány’, 49–80. Summary in English ‘Peripheral Mass sources from late medieval Hungary and their relationship to the Strigonian tradition’, 81. Includes facsimiles from H-Bn clmae. 172b (f. 169v) and H-Efkö I. 3 (Ulászo Graduale, f. 17). (e) Ágnes SZASZOVSZKY, ‘A Veszprémi pontifikále templomszentelési ordója’, 84–95. Summary in English ‘The Dedication Service in the Pontifical from Veszprém’, 96. Concerns H-Bn clmae. 317. Includes a facsimile of f. 60. (f) Andrea KOVÁCS, ‘A segesvári psalterium’, 97–107. Summary in German ‘Der Schässburger Psalter’, 108. Concerns RO-SIGHIŞOARAbiblioteca documentara 20679. Includes a facsimile. (g) Barbara HAGGH-HUGLO, ‘Késő középkori vesperás és mise a mai egyházi gyakorlatban? Két esettanulmány’, 109–20. Summary in English ‘Late-Medieval Vespers and Masses in the Modern Church? Two Case Studies’, 121. (h) Zsuzsa CZAGÁNY, ‘Töredék, kódex, rítus, hagyomány. A Zalka Antifonále győri és modori töredékeinek tanúsága’, 123–40. Summary in German ‘Fragment, Kodex, Ritus, Tradition. Fragmente des Antiphonale Waradiense in Győr und Modra’, 141. Includes facsimiles. (i) Ilona FERENCZI, ‘Az első “magyar énekeskönyv” – a Psalterium Strigoniense mint a protestáns graduálok forrása’, 143–8. Summary in German ‘Das erste “ungarische Gesangbuch” – das Psalterium Strigoniense, als Quelle der protestantischen Gradualen’, 149. Includes a facsimile of the Psalterium Strigoniense 1515. (k) Franz Karl PRASSL, ‘A gregoriánum a II. Vatikáni Zsinat előtt, alatt és után a római rendeletek tükrében’, 189–96. Summary in German ‘Gregorianik am Scheideweg. Das Zweite Vatikanum und die Liturgiereform’, 197.

26069. Zenetudományi Dolgozatok 1978–2012. 35 éves jubileumi kötet, ed Gábor KISS (Budapest: MTA BTK Zenetudományi Intézet, 2014):

(a) Gábor KISS, ‘Kutatás és gyűjteménygondozás a régi zenetörténet’, 17–32. Concerns ‘Research and Archival Work in the Field of Early Music History’. (b) Andrea KOVÁCS, ‘A középkori magyarországi Szent Anna-kultusz’, 33–44. Concerns ‘Die Verehrung der heiligen Anna im ungarischen Mittelalter’. (c) Zsuzsa CZAGÁNY, ‘Töredék, kódex, rítus, hagyomány – II. A Váradi Szekvencionále újonnan előkerült darabja’, 45–56. Concerns ‘Das Waradiner Sequentiar’. Fragments see 26056l. (d) Gábriel SZOLIVA, ‘Kései esztergomi antifonák az Oláh-pszaltériumban’, 57–76. Concerns ‘Antiphons of the Late Medieval Esztergom Use in the Oláh-psalter’ (Psalterium Strigoniense 1523). (e) Ilona FERENCZI, ‘A gregoriánkutatás mostohagyermeke: az anyanyelvű gregorián. A magyar nyelvű graduálok katalógusa’, 77–82. Concerns ‘Das Stiefkind der Gergorianikforschung: die muttersprachliche Gregorianik’. (f) Ilona FERENCZI, ‘Variáns vagy hiba? Mit, miért és hogyan egészítsünk ki vagy javítsunk? A legelső kéziratos gradual kiadása elé’, 83–98. Concerns ‘Variante oder Fehler? Was muss man, warum und wie ergänzen oder verbessern?’.

26070. Zenetudományi Dolgozatok, 2013–2014. Jubilemi kötet a Zenetudományi Intézet 40 éves fennállása alkalmából, ed. Gábor KISS (Budapest: MTA BTK Zenetudományi Intézet, 2016):

(a) Zsuzsa CZAGÁNY, Ágnes PAPP, ‘Késő középkori zeneelmélet és a gregorián gyakorlat – A Hollandrinus-traktátusok zenei hátországa’, 13–34. Concerns ‘Choralpraktische Voraussetzungen und Grundlagen der Traditio Iohannis Hollandrini’. (b) Gábor KISS, ‘Quem celestis armonia. . . – Újabb adalékok egy Szt. István-alleluiához’, 35–45. Concerns ‘Quem celestis armonia. . . – Recent data on St Stephen Alleluia’. (c) Krisztina RUDOLF, ‘Tropizált traktuskompozíciók a XV. százaban – A Laus tibi Christe – Filio Mariae traktus megjelenési formái cseh, lengyel és magyar forrásokban’, 46–69. Concerns ‘Tropierte Traktusgesänge im 15. Jahrhundert – Erscheinungsformen von Laus tibi Christe – Filio Mariae in böhmischen, polnischen und ungarischen Quellen’. (d) Gábriel SZOLIVA, ‘“Proles de caelo prodiit. . .” – Adalékok egy ferences himnusz történetéhez’, 70–82. Concerns ‘“Proles de caelo prodiit. . .” – The First Vespers Hymns of the Office of Saint Francis of Assisi and its History in Hungary’. (e) Gabriella GILÁNYI, ‘Újhelyi processzionále? – Az Országos Széchényi Könyvtar Oct. Lat. 794-es jelzetű forrásának azonosítása’, 83–114. Concerns ‘The Processional Oct. Lat. 794 of the Budapest National Széchényi Library – A Re-identification’. (f) Ilona FERENCZI, ‘A Magyar nyelvű graduálok új szövegcsoportja: az apostolic intenciók’, 115–26. Concerns ‘Neue Textgruppe in den Gradualen ungarischer Sprache: die apostolischen Intentionen’.

26071. Die Lorcher Chorbücher. Aufsätze zur Sonderausstellung “500 Jahre Lorcher Chorbücher” im Kloster Lorch vom 13.9. bis 14.10.2012. Im Auftrag der Stadt Lorch, ed. Simon M. HAAG (Heidelberg, Ubstadt-Weiher, Basel: verlag regionalkultur, 2016):

(a) Simon M. HAAG, ‘Lorcher Buchkunst – Vor 500 Jahren entstanden die Chorbücher’, 85–92. (b) Bernhard THEINERT, ‘Die Lorcher Chorbücher zum Klingen bringen’, 147–64. (c) ‘Blätter aus den Lorcher Chorbüchern’, 165–239. Includes 37 facsimiles.

Concerns D-Sl Cod. mus. I. 63 (Antiphoner), I. 64 (Antiphoner), I. 65 (Gradual) from Benedictine abbey Lorch, Württemberg.

26072. Thomas FALMAGNE, Alison STONES with collaboration of Christelle CAZAUX-KOWALSKI and Yolanta ZAŁUSKA, Les manuscrits de l'abbaye de Cadouin ([Périgueux:] Archives départementales de la Dordogne, 2015. Exhibition catalogue.

Review. Judith H. OLIVER, Cîteaux, 67 (2016), 168–70.

Articles in periodicals and Festschriften

26073. Jesse D. BILLETT, ‘The Divine Office and the Secular Clergy in Later Anglo-Saxon England’, England and the Continent in the Tenth Century: Studies in Honour of Wilhelm Levison (1876–1947), ed. Conrad LEYSER, David W. ROLLASON, Hannah WILLIAMS, Studies in Early Middle Ages 37 (Turnhout: Brepols, 2010), 429–72.

26074. Jan CIGLBAUER, ‘Habent sua fata libelli. Das Lübecker Troparium und mögliche musikalische Interessen des Simon Batz von Homburg’, Archiv für Musikwissenschaft, 73 (2016), 220–40. Concerns D-LÜh theol. lat. 2°16.

26075. Stanislav ČERVENKA, ‘Die einstimmigen lateinischen Messgesänge in der Reformations- und Gegenreformationszeit in Mähren und deren liturgischer Betrieb – Latin Mass Plainchant in Moravia in the Time of Czech Reformation and Counter-Reformation and their Liturgical Practice’, Musicologica Brunensia, 51/1 (2016), 47–61. Abstract in English, 47. Concerns two utraquist graduals from the beginning of the sixteenth century (CZ-OSbiskupstvi, fond odry 801112 / 20 / 0250 / a – CZ-OLu M II 398) and two Catholic graduals from the end of the fifteenth century (CZ-R R 627 – CZ-VELKÁ BÍTEŠměstské muzeum C 1/7). Available online at https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/135659/1_MusicologicaBrunensia_51–2016–1_6.pdf?sequence=1.

26076. Zsuzsa CZAGÁNY, ‘A Zalka Antifonále utolsó lapja’, Tükröződések. Festschrift für Mária Domonkos, ed. Olga SZALAY (Budapest, 2012), 503–13. Concerns ‘Das letzte Blatt des “Zalka”-Antiphonars’ (H-Gc s. n.).

26077. Annie DENNERY, Brigitte ARNAUD, ‘Ce que chantent les manuscrits: la restitution du rythme dans les proses et les hymnes du chant liturgique occidental (XIIe-XIIIe siècles), à travers l'exemple de l'office de la Couronne (BnF ms. latin 1028)’, Le Jardin de Musique, 6.2 (2010) (Paris: Association Musique Ancienne en Sorbonne, Institute de Recherche en Musicologie IReMus, UMR 8223, Paris-Sorbonne/CNRS, 2014), 5–23. Concerns the office of the Holy Crown of Thorns.

26078. Joseph DYER, ‘Reconciliation, Blessing, and Commemoration in the Holy Thursday Liturgy of Medieval Rome’, Archiv für Liturgiewissenschaft, 56 (2014), 16–48.

26079. Owain Tudor EDWARDS, ‘The Office of St David in Paris, Bibliothèque Nationale, MS Lat. 17294’, St David of Wales: Cult, Church and Nation, ed. J. Wyn EVANS and Jonathan M. WOODING, Studies in Celtic History 24 (Woodbridge: Boydell Press, 2007), 233–52.

26080. Ute EVERS, ‘Quem queritis lutherisch – ein fakultativer Teil der Osterliturgie im Reformationsprozess’, Jahrbuch für Liturgik und Hymnologie, 55 (2016), 161–73. Concerns D-ERu 141, D-LEm Becker-Sammlung II 1 2° 1, D-NAUd I-VIII and D-Wa VII B 203.

26081. Ilona FERENCZI, ‘Graduale Ecclesiae Hungaricae Epperienesis, 1635. Isoliert gebliebene Bemühungen um die Erschaffung einer Kirchenmusik ungarischer Sprache’, Jahrbuch für Liturgik und Hymnologie, 55 (2016), 216–28. Concerns H-Bn Fol. Hung. 2153. Includes 4 facsimiles.

26082. Eva FERRO, ‘“Suavissime universorum domine”. Eine “konstanzische” Maria Magdalena-Historia in Hirsau?’, Archiv für Liturgiewissenschaft, 56 (2014), 49–74.

26083. Gabriella GILÁNYI, ‘Retrospective or not? Pauline Introits in 18th-century Hungary’, Der Paulinerorden. Geschichte – Geist – Kultur, ed. Gábor SARBAK (Budapest: Szent István Társulat, 2010), 503–10.

Review. Ilona FERENCZI, Jahrbuch für Liturgik und Hymnologie, 55 (2016), 273.

26084. James GRIER, ‘Editing the Divine Office’, Early Music Editing: Principles, Historiography, Future Directions, ed. Theodor DUMITRESCU. Karl KÜGLE and Marnix van BERCHUM, Epitome musical (Turnhout: Brepols, 2013), 31–48.

26085. Barbara HAGGH, ‘Between Council and Crusade: The Ceremonial of the Order of the Golden Fleece in the Fifteenth Century’, Staging the Court of Burgundy, ed. Wim BLOCKMANS, Till-Holger BORCHERT, Nele GABRIËLS, Johan OOSTERMAN, Anne van OOSTERWIJK (Turnhout: Brepols, 2013), 51–8.

26086. Ulrike HASCHER-BURGER, ‘Notation, Devotion und Emotion in spätmittelalterlichen Andachtsbüchern aus dem Kloster Medingen’, Musica Disciplina, 55 (2010), 33–73.

26087. Thomas Forrest KELLY, ‘New Sources of the Beneventan Exultet’, Sleuthing the Muse: Essays in Honor of William F. Prizer, ed. by Kristine K. FORNEY and Jeremy L. SMITH (Hillsdale, NY: Pendragon, 2012), 3–12.

26088. Emma HORNBY, Rebecca MALOY, ‘Biblical commentary in the Old Hispanic liturgy: a Passiontide case study’, Early Music, 44/3 (2016), 383–94. Concerning particularly E-L 8 and I-VEcap LXXXIX.

26089. Gábor KISS, ‘Tridentinum előtt és után- A magyarországi pálosok ordinarium-hagyománya’, Zenetudományi Dolgozatok, 2009, 97–133. Concerns ‘Vor- und nach der Reform von Trient. Die Ordinarium-Tradition der ungarischen Pauliner’.

26090. Gábor KISS,’Az Ulászló-graduále utóélete az újabb kutatások fényében’, Magyar Egyházzene 20/3 (2012–2013), 315–22. Concerns ‘The later history of the Graduale Wladislai in the light of recent studies’, H-Efkö I. 3.

26091. Robert KLUGSEDER, ‘Die Passauer Antiphonar-Handschriften der Kirnberger Bibliothek im Diözesanarchiv Wien’, Passauer Jahrbuch, 58 (2016), 89–102. Concerns A-Wda D-4, C-10, C-11.

26092. Kinga KÖRMENDY, ‘Ulászló–graduále: kérdések és lehetséges válaszok’, Ars Hungarica 29/1–2 (2013), 114–23. Concerns ‘The Graduale Wladislai: questions and possible answer’, H-Efkö I. 3.

26093. Andrea KOVÁCS, ‘A középkori magyar sequentionale’, Omnis creatura significans. Tanulmányok Prokopp Mária 70. születésnapjára / Essays in honour of Mária Prokopp (Budapest: Centrart Egyesület, 2009), 359–67. Concerns ‘The medieval Hungarian sequentionale’.

26094. Andrea KOVÁCS, Miklós István FÖLDVÁRY, ‘Egy ismeretlen Szent Gellért-offícium’, Magyar Könyvszemle, 126 (2010), 1–23. Concerns ‘Ein unbekanntes St. Gerhard-Offizium’ in HR-Zu MR 29.

26095. Remo LOMBARDI, ‘Un gruppo di codici liturgico-musicali della Biblioteca Queriniana e il monastero di Santa Caterina a Brescia’, Philomusica on-line 15/1 (2016), 111–252.

26096. Shin NISHIMAGI, ‘Le vocabulaire relatif à la portée musicale. À propos des letters R et S dans un manuscrit de Saint-Claude (XIe siècle)’, Gazette du livre médiéval, 59.2 (2012), 22–30. Concerns F-SCL 2, see RISM B III 1 (1961), 131, and RISM B III 6 (2003), 239–40.

Review. Albert DEROLEZ, Scriptorium, 69 (2015), 92*–93* (no. 202).

26097. Ágnes PAPP, ‘Scipio álma és a zsoltárdifferenciák rangsora’, Zenetudományi Dolgozatok 2008 (Budapest: MTA Zenetudományi Intézet, 2009), 93–113. Concerns ‘Scipio's dream and the hierarchy of the psalm differentiae’.

26098. Ágnes PAPP, ‘A középkori “magyar” zsoltártónus. A częstochowai pálos kantuále tonáriusának zsoltározási mintapéldái’, Zenetudományi Dolgozatok 2010 (Budapest: MTA Zenetudományi Intézet, 2011), 23–55. Concerns PL-CZ R 583 (I.215).

26099. Ágnes PAPP, ‘“Toni chorales”. Rövid tonáriusok Magyarországon a középkor után’, Magyar Egyházzene, 20 (2012/2013), 299–313. Including facsimile of PL-CZ R 583 (I.215), H-Bn Oct. Lat. 794, H-Kf 302 (215), and the so-called Öreg Gradual, printed 1636.

Available online at http://egyhazzene.hu/wp-content/uploads/2013/10/299–313-Papp-Ágnes.pdf.

26100. Ágnes PAPP, ‘Tonar und differentiae: Geschichte, Funktion, Deutungen’, Studia Musicologica Academiae Scientiarum Hungaricae, 56 (2015).

26101. Ágnes PAPP, ‘Der Tonus peregrinus in der Theorie und Praxis. Eine Gegenüberstellung von spätmittelalterlicher [sic] musiktheoretischer [sic] Kompendien und Choralhandschriften’, Musicologica Brunensia, 51 (2016), 113–32. Summary in English ‘The Tonus peregrinus in Theory and Praxis. Comparing Evidences of Late Medieval Theoretical Treatises and Chant Books’, 113–14. Available online at https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/135664/1_MusicologicaBrunensia_51–2016–1_11.pdf?sequence=1.

26102. Günther Michael PAUCKER, ‘Liturgical Chant Bibliography 21, 22, 23, 24, 25’, Plainsong & Medieval Music, 21/2 (2012), 175–200; 22/2 (2013), 195–236; 23/2 (2014), 201–39; 24/2 (2015), 189–224; 25/2 (2016), 191–228.

LCB 1–5 (1992–1996) by Peter Jeffery see 6131, LCB 6–20 (1997–2016) by Günther Michael Paucker see 11129, 16106 and 21081.

26103. Matthew PEATTIE, ‘Chant notation in transcription and translation’, Early Music, 44/1 (2016), 125–40 (Abstract 187).

26104. Franziska SCHNOOR, ‘Der Versprolog Hoc quoque Gregorius im Hartker-Antiphonar’, Cantare amantis est. Festschrift 10 Jahre Haus für Gregorianik, ed. Christian SCHULER, Severin PUTZ, Gregor BAUMHOF (St Ottilien: EOS-Editions, 2016), 57–65. Concerns CH-SGs 390–391. The publication concerns the Haus für Gregorianik in Munich.

26105. Alba SCOTTI, Michael KLAPER, ‘Redaktion und Liturgisierung. Zu den Psalmtonangaben in der Überlieferung der Gesänge Hildegards von Bingen’, Die Musikforschung, 70 (2017), 2–22. Includes facsimiles of B-DEa 9, D-WIl 2 and CH-EN 103.

26106. Stefania VITALE, ‘Il canto liturgico nella Cattedrale di Brescia all'inizio del Cinquecento. Il Messale queriniano B.II.2’, Philomusica on-line, 15/1 (2016), 51–110.

26107. Miriam WENDLING, ‘Die Überlieferung von Frutolf von Michelsbergs Breviarium de Musica. Eine neue Quelle und weitere Fragen’, Die Musikforschung, 69 (2016), 265–8. Concerns the bifolio D-Mbs Clm 29770/2.

26108. Elżbieta WITKOWSKA-ZAREMBA, ‘Teoria chorałowa w Europie Środkowej: Traditio Iohannis Hollandrini’, Muzyka 57 (2012), 219–24.

26109. Alexander ZERFASS, ‘Das Responsorium des Stundengebets in seiner Beziehung zur Psalmodie. Überlegungen zum Ursprung und Charakter einer liturgischen Gattung’, Archiv für Liturgiewissenschaft, 56 (2014), 1–15.

26110. Markus ZIMMER, ‘Das Engelberger Benediktiner Antiphonar von 1943’, Musik und Liturgie, 139/4 (2014), 14–17. See 25034.

26111. Jiří ŽŮREK, ‘Utrakvistický sanktorál v českých graduálech 16. stoleti’, Listy filosofické, 136 (2013), 315–41. Concerns ‘Utraquist sanctoral in the Czech graduals of 16th century’.

Review. Pavel SPUNAR, Scriptorium, 69 (2015), 134* (no. 300).

Index of names

(R = Review)

Ackermans, F. 26052a 26053a 26055b

Adam, D. 13003

Adamko, R. 26051

Agustoni, L. 26052a 25053a, c, e

Albiero, L. 26019 26057

Alekseeva, G. 26049

Allegri, G. 26048k

Altstatt, A. 24030R 24031R

Alzati, C. 26036

Anderson, M. A. 26020

Andrault-Schmitt, C. 26041

Aretin, D. von 26061b, c, d

Arewschatjan, A. 26049

Arnaud, B. 26077

Avagliano, F. 26063

Ayari, M. 26059

Bailey, T. 26021 26064a

Balther of Säckingen 26006 26006a, b

Bannwart, R. 26031

Baroffio, G. 25059R 26022 26038R 26066 26066a, e

Bärsch, J. 24008R

Batoff, M. 26023

Batz, S. 26074

Baumhof, G. 26104

Becker, H. 26001

Behrendt, I. 26052a 25053a

Berchum, M. van 26084

Bereza, S. 26024

Berger, C. 25016R

Bergsagel, J. 26044

Berktold, C. 26061a, b, c, d

Bernhard, M. 26015 26015g 26016 26056a 26061 26061a, c, d

Bianchi, D. 26062k

Billett, J. D. 26040a 26073

Blackburn, B. J. 26062

Blanchon-Lasserve, P. 26054f

Blasina, J. 26025 26048e

Blockmans, W. 26085

Bolgia, C. 26040

Boorman, S. 26062

Borchert, T.-H. 26085

Bower, C. M. 26015f 26061a, b, c, d

Boynton, S. 26013 26032

Bragt, J. van 26026

Brewer, C. 26068c

Brink, D. 26027

Bruno of Cologne 26001

Budińska-Bennett, A. 26067a

Busse Berger, A.-M. 26056b

Caldwell, M. C. 26044f 26065b

Carola, M. A. 26066h

Cartelli, A. 26057

Castelbajac, A. de 26054

Castro Sánchez, J. 26007

Cazaux-Kowalski, C. 26041a 26047a 26072

Červenka, S. 26075

Chircev, E. 26049

Ciglbauer, J. 26074

Claire, J. 26054d

Cochelin, I. 26013

Colette, M.-N. 26041b

Comploi, F. 26003

Conti, G. 26067

Corrigan, V. 26011 26012

Critelli, M. G. 26057

Crocker, R. L. 26062h, k

Crova, C. 26063

Cuthbert, M. S. 26066f

Cyprian of Montecassino 26066c

Czagány, Z. 26006 26015d, e 26056l 26068 26068a, h 26069c 26070a 26076

Czernin, M. 26049

Deeming, H. 26060

Dell'Omo, M. 26063

Demaria, E. 26067b

Dennery, A. 26077

Depreux, P. 26041

Derolez, A. 25099R 26096R

DiCenso, D. 26064

Dillon, E. 26043

Dobszay, L. 26068 26068a

Dolerez, A. 25099R

Domonkos, M.

Dostal, C. 26052 26053

Dubois, V. 26054a

Dumitrescu, T. 26084

Dunnahoe, S. 26044R

Durante, P. 26066k

Dyer, J. 26078

Edwards, O. T. 26044g 26079

Elias, C. 26064

Elizabeth of Schönau 26058a

Engels, S. 26053d

Errani, P. 26057

Evans, J. W. 26079

Evers, U. 26080

Falmagne, T. 26072

Fassler, M. E. 26058b, c

Fedeles, T. 26004

Ferenczi, I. 20008R 23029R 24105R 26004R 26068i 26069e, f 26070f 26081 26083R

Ferrero, M. 26067

Ferro, E. 26082

Ferzoco, G. 26058

Fischer, R. 26052a 25053a

Flynn, W. T. 26058b, c

Földváry, M. I. 26094

Forney, K. K. 26087

Franco of Cologne 26056b

Franz, A. 26001

Frutolf of Michelsberg 26107

Gabrielli, G. 26003

Gabriëls, N. 26085

Gaffurius, F. 26056c

Gancarczyk, P. 26056

García Ruiz, E. 26007

Gemmingen, H. von 26042

Gerlach, O. 26049

Ghiglione, N. 26028

Gilanyi, G. 26070e 26083

Gionata. B. 26066d

Giové, N. 26057

Göschl, J. B. 26052 26052a 26053 25053a, c

Grau, A. 26064

Grier, J. 26062d 26084

Gros i Pujol, M. 26002

Guhl-Miller, S. 26048f

Gusseinowa, Z. 26049

Guyg, R. F. 26063a

Haag, S. M. 26071 26071a

Hachayanz, A. 26049

Haggh Huglo, B. 24005R 24044R 25001R 25007R 25015R 25016R 25028R 25033R 26006 26021R 26026R 26029R 26056f 26062f 26064 26064e 26068f 26085

Haines, J. 26065a

Hala, P. 26054 26054c

Halász, P. 26068a

Hankeln, R. 26006 26044b

Hartker of Saint Gall 26104

Hascher-Burger, U. 26086

Haug, A. 26008

Häußling, A. A. 19010R

Heerings, A. 26055

Heinzer, F. 26058a

Helsen, K. 13003

Hen, Y. 26040b

Hild, E. J. Stratton 26008 262046

Hildegard of Bingen 26011 26012 26058 26058a, b, c 26105

Hiley, D. 26006 26006b 26015d 26044 26044d 26054b 26056h 26068b

Hindman, S. 26032

Hirschmann, W. 26015a

Hlávková, L. 26056m

Hornby, E. 26064c 26088

Hucbald 26054b

Hughes, And. 13003

Huglo, M. 26045 26062f 26064 26064e

Iadanza, M. 26063b

Ignatenko, E. 26049

Iversen, G. 26029 26041c

Jacobsson, R. M. 26008

Jeffery, P. 26102

Johannes Hollandrinus 26015 26016 26070a 26108

Joré-Garrigues, C. 26048g

Karim, A. 26030 26048 26048b

Kauffman, D. 26048l

Kelly, T. F. 26009 26062e 26063c 26087

Kepper, J. 26046

Kienzle, B. M. 26058

Kim, Eun Ju 26066e

Kiss, G. 26056k 26068 26068a, d 26069 26069a 26070 26070b 26089 26090

Klaper, M. 26014 26014a 26105

Klarer, S. 26031

Klöckener, M. 26042a

Kluger, F. 24032R

Klugseder, R. 26010 26050a 26091

Koch, L. 26052a 25053a

Kohlhäufl, J. 26052a 25053a 26093 26094

Körmendy, K. 26092

Konstanciak, R. 26061a, b, c, d

Kovács, A. 26068f 26069b 26093 26094

Kranemann, B. 26042R

Krasnicki, T. 26048c

Kreyszig, W. K. 26048k

Kubieniec, J. 26015d 26056e

Kügle, K. 26084

Kwast, J.

Lai, A. 26059

La Spina, R. 26033R

Leach, E. E. 26060

Leigh-Choate, T. 26058b, c

Levison, W. 26073

Leyser, C. 26073

Light, L. 26032

Livljanić, K. 26063d

Lombardi, R. 26095

Longo, V. 26057

López Calo, J. 26033

Lousberg, L. 26055d

Lundberg, M. 26034

Macklin, C. 26065c

Mahrt, W. P. 26035 26048a, k 26064b

Maiello, J. V. 26062c

Maître, C. 23012R 24062R 25048R

Maloy, R. 26064c 26088

Mannaerts, P. 21040R

Marazzi, F. 26063

Maschke, E. M. 26060R

Masini, N. 26066g, l

Matusiak, B. 26056d

Matznev, S. 26049

McKitterick, R. 26040

Mele, G. 26066c

Mellace, F. 26066b

Ménager, A. 26054f

Merlin, D. 26049a

Metz, S. 26052a 25053a

Meyer, C. 24035R 26015c

Nardini, L. 26062b

Natasa, I.-G. 26049

Neijenhuis, J. 24032R

Nilsson, A. M. 26044c

Nishimagi, S. 26096

Nishiwaki, J. 26053e

Norton, M. L. 26064d

Olah, M. 26005

Oliver, J. H. 26072R

Olkinuora, J. 26049

Oosterman, J. 26085

Oosterwijk, A. van 26085

Osborne, J. 26040

Osch, G. van 26055

Paep, J. 26004

Palma, M. 26057

Pancza, D. 26049

Pannega, A. 26057

Papp, Á. 26015e 26056i 26068 26070a 26097 26098 26099 26100 26101

Parfentjew, N. 26049

Parfentjewa, N. 26049

Paucker, G. M. 26102

Paulus diaconus 26063e

Peattie, M. 26009 26048m 26103

Pérès, M. 26059b

Petersen, N. H. 26044a

Pfisterer, A. 26049a

Pham, C. 26048

Pischlöger, M. 26049

Planchart, A. 26062 26062i

Pohánka, É. 26004

Poisblaud, D. 26059c

Pörnbacher, M. 26006 26006a

Pouderoijen, C. 26052 26053

Praßl, F. K. 26052 26053 26053c 26068k

Prizer, W. F. 26087

Prokopp, M. 26093

Putz, S. 26104

Rankin, S. 26043a 26062g

Ransom, L. 26043

Rausch, A. 26056n

Reier, E. J. 26062k

Renwick, W. 26048n

Riis, T. 26044

Roland, P. 26046

Rollason, D. W. 26073

Ropchock, A. 26048h

Rösler, D. 26052a 25053a

Rudolf, K. 26070c

Ruggiero, L. 26057

Rumphorst, H. 26052 26052a, b, d 26053 25053a, b

Rusconi, A. 26062a

Sachs, K.-J. 26015b 26056c

Saints, generally 26027 26044 26111

Saints [names in Latin]

Andreas, apostolus 26054b 26057a

Androchius 26062d

Anna 26020 26069b

Benedictus 26063e 26066c

Canutus rex 26044a, b

Catharina Virgo, Martyr Alexandria 26025 26048e

Cunigunda Regiae Hungariae Princeps (Kinga) 26068c

David 26044g 26079

Disibodus 26058c

Donatus 26062e

Eric 26044c

Franciscus 26070d

Fridolinus 26006 26006a, b

Gerardus episcopus (Szent Gellért) 26094

Jacobus 26068b

Johannes Baptista 26062a

Lupus 26063b

Maria Magdalena 26082

Mildred 26044f

Oswinus 26044e

Stephanus, Hungarorum rex 26056k 26070b

Thomas Becket 26044d

Ursula 25058c

Veronica 26056n

Sanzotta, V. 26057

Sarbak, G. 26083

Saulnier, D. 25027R 26032R

Saunders, Z. 26064e

Schmidt, T. 26020R

Schnoor, F. 26104

Schuler, C. 26104

Schuller, G. 26052a 25053a

Scipioni, S. 26057

Scotti, A. 26105

Simonelli, F. 26063

Smith, J. L. 26087

Sodi, M. 26022 26036

Sparagna, M. 26057

Spira, J. E. de 26004

Spunar, P. 26111R

Steinauer, J. 26042

Stingl, A. jun. 26052a 25053a

Stones, A. 26072

Stoudt, D. L. 26058

Susca, A. 26066g

Suski, A. 26022

Swanson, B. 26048 26048i

Szalay, O. 26076

Szaszovszky, A. 26068e

Szoliva, G. 26005 26069d 26070d

Takal-Raszczenko, M. 26049

Tangari, N. 26057a, b 26063e 26066f

Teslia, T. 26049

Theinert, B. 26071b

Thibault-Dubois, V. 26037

Tonioli, A. 26036

Torelli, D. 26003

Török, J. 26004

Toy, J. 26044d

Traub, A. 26014 26014b

Turco, A. 24003R 26017 26038 26066i

Uder, M. 25031R

Unfer Verre G. E. 26057

Vijvoda, R. 26039

Villani, M. 26057

Viret, J. 26059a

Vitale, S. 26106

Voigt, K. 26056g

Ward, A. 25037R

Weber, J. F. 26064f

Weber, P. 26014 26014c

Weber, T. 26046

Wendling, M. 25025R 26107

Weyer, C. 26048d

Williams, H. 26073

Winterburger, J. 26049a

Wissemann-Garbe, D. 25061R 25062R

Witkowska-Zaremba, E. 26015 26015g 26016 26056 26056o 26108

Wooding, J. M. 26079

Yri, K. 25012R

Zagnitko, K. 26049

Załuska, Y. 26072

Zanini, N. 26052e

Zayarudznaya, A. 26062

Zerfaß, A. 22002R 26001 26007R 26109

Zijlstra, M. 26055 26055c

Zimmer, M. 26110

Zippe, S. 26052 26052a 26053 25053a

Zühlke, H. 26008

Žůrek, J. 26111

Index of subjects

Alleluia 26056k 26062c 26070b

Ambrosian chant 26028 26064a

Anglican chant 26054c

Anglo-Saxon England see England

Antiphon 26054b 26062f 26069d

Antiphonale Monasticum 26110

Antiphonale Pataviense 1519 26049a

Antiphoner 26003 26057b 26063d 26068h 26076 26091

Antiquity 26014a

Ars antiqua 26068c

Ars nova 26056m

Benedictine monks 26110

Beneditine nuns 26056e

Benevento 26039 26057a, b 26062e 26063a

Beneventan chant 26009 26024 26087

Bible 26032 26088

Bibliography 26056o 26061e 26064e 26066g 26102

Bohemia 26056l, m 26070c 26111

Brescia 26095 26106

Bressanone (Brixen) 26066d

Breviary 13003 26056h 26063c

Burgundy 26085

Byzantium and the West 26048b 26049b

Cadouin, Cistercian abbey 26072

Cantus fractus 26056m

Carolingian music 26048c 26053e

Carthusian monks 26001

Christmas 26064b

Circumcision, Feast of the

Cistercian monks 26047a 26072

Cluny, Benedictine abbey 26013

Communion 26008 26053b 26055b

Como 26019

Compunctio 26053e

Conducting 26066h

Conductus 26048f 26065b 26067a

Coniunctae 26015d

Council of Trent 26089

Council, Second Vatican 26068k

Credo 26036 26056m

Dalmatia 26039

Dedicating churches 26068e

Differentiae 26056i 26097 26100

Divine Office 26001 26006 26018 26027 26040a 26044 26048e 26062e 26063d 26064a 26066k 26068b 26070d 26073 26077 26084 26094 26109

Dominican friars 26056d

Dubrovnik 26039

Easter play 26023 26055a, c 26080

Editing 26069f 26084

Einsiedeln, Benedictine abbey 26031

Ekphonetic notation see Notation, E.

Engelberg, Benedictine abbey 26110

England 26040 26073

Esztergom 26005 26068d, i 26069d

Exultet, Exultet roll 26066i 26087

Florence 26062f

Formulae 26024 26054a

France 26008

Franciscan friars 26003

Frankish liturgy 26040b

Fribourg, Saint-Nicolas 26042

German epic 26065a

Germany 26023 26056h

Gloria 26029

Golden Fleece, Order of the 26085

Gradual (liturgical book) 26017 26041a, b, c 26090 26110

Gregorian chant 26038 26052c 26054d 26068k

Hirsau, Benedictine abbey 26082

Historiae 26006 26027 26044b

Holy Cross 26021 26062b

Holy Crown of Thorns 26077

Holy Shroud of Turin 26056n 26067b

Holy Week

Maundy Thursday 26078

Good Friday 26030

Hungary 26004 26005 26056k 26068d, e, h, i 26069 26070 26081 26083 26089 26090 26093 26094 26098 26099

Hymn, Hymnary 26007 26048h 26056n 26062a 26063b 26066c, d 26070d 26077

Introit 26008 26083

Italy 26022 26062b 26066f

Konstanz 26082

Libelli 26056f

Liber ordinarius 26010

Liturgical drama see Medieval Drama

Liturgy 26035 26040a, b 26050 26088

Lorch, Württemberg, Benedictine abbey 26071

Lübeck 26074

Lutheran church 26048h 26080

Mass 26062b 26065c 26068d, g 26075

Mass of Toulouse see F-TLm 94

Medieval drama 26023 26055a, c 26080

Medingen, Dominican nuns abbey 26086

Melisma 26048a

Microtonal nuances 26055d

Middle Ages 26032

Milan 26036 26062a

Missal 26022 26063a 26106

Missale Quiqueecclesiense 26004

Modality 26049b 26066i

Modal rhythm 26048f

Moravia 26075 26111

Motet 26067a

Mozarabic chant 26007 26064c 26088

Musica enchiriadis 26014

Neums see Notations

Nevers 26062h

Notations, generally 26086 26103

Notations, special kinds of Staff 26008

Notations, neumatic (generally) 26048m

Notations, neumatic (regions)

Aquitanian 26047a

Beneventan 26057b 26066b

Paleofrankish 26048d

Notre Dame school 26048f 26067a

Offertory 26008 26056g

Office see Divine Office, and Index of names: Saints

Olah Psalter see Psalterium Strigoniense 1523

Old Roman chant 26059b

Oradea (Nagyvárad, Großwardein) 26056l 26069c

Oral tradition 26059a, b, c

Ordinary chants 26089

(see Credo, Gloria, Sanctus)

Ordo cantus officii 26018

Öreg gradual 26099

Organum 26048f 26062g

Origins, chant 26048c

Pange lingua 26048h

Park, Premonstratensian abbey 26026

Passau 26010 26091

Passiontide 26088

Pauline order 26083 26089 26098

Pécs 26004

Performance practice 26031

Pistoia 26062c

Plague Mass 26065c

Plainsong and Mediaeval Music Society 26054c

Poland 26056e, k 26070c

Polyphony 26034 26048f, g, k 26067a 26068c

Pontifical 26068e

Prints, old liturgical 26004 26005 26049a 26068i 26099

Processional 26070e

Processional chants 26062f

Proper chants 26052d 26053d 26067b

(see Alleluia, Communion, Introit, Offertory, Tract)

Prosa 26064b

Prosula 26041b

Psalmody 26015f 26048i 26097 26109

Psalm-tones 26034 26098 26099 26101 26105

Psalter, liturgical 26068f

Psalterium Strigoniense 1515 26068i

Psalterium Strigoniense 1523 26005 26069d

Recordings 26064f

Renaissance 26032

Reproaches 26030

Responsory 26063d 26064a, b 26109

Restitution of Gregorian chant melodies 26052a 25053a

Restoration of Plainchant 26054c 26059c

Rijnsburg 26055a

Rome 26040b 26078

Säckingen 2006

Sacramentary 26022

Saint-Cyr, Maison Royale de Saint-Louis 26048l

Saint Gall, Benedictine abbey 26104

Saint Martial, Benedictine abbey (Limoges) 26062d

Saint Martin, Benedictine abbey (Limoges) 26062d

Saint-Yrieix, Benedictine abbey 26041

Sanctus 26048b

Salisbury 26064b

Sarum Use 26048n 26064b

Scandinavia 26044

Semiology 26052 25053

Sequence 26002 26041b 26056l 26069c 26077 26093

Solesmes, Benedictine abbey 26054c

Spain 26006 26033

Staff notation see Notation, special kinds of

Staniątki, Benedictine nuns abbey 26056e

Subiaco, Benedictine abbey 26066e

Technology in chant studies, modern 26043 26046

Theory, theorists 26015 26016 26056a, b, c, d, e, i 26061 26061a, b, c, d 26070a 26101 26107 26108

Tonary 26015f 26037 26054a 26098 26100

Tonus peregrinus 26034 26101

Tract 26052b 26070c

Trecento 26066f

Trier 26027

Trisagion 26048b

Trogir 26039

Trope 26008 26029 26041c 26062d, h 26070c

Troper 26002 26074

Turin 26056n 26067b

Ulászló Gradual see H-Efkö I.3

Utraquist liturgy 26111

Vespers 26068g 26070d

Veszprém 26068e

Vic 26002

Visitatio sepulchri see Easter play

Winchester 26062g

York 13003

Zadar 26039

Index of manuscripts

A-Gu 807 26064d

A-HALf 30 26003

A-M 950 26056a

A-Wda KB D-4, C-10, C-11 26091

A-Wn different mss 26051a

A-Wn 13314 26064d

B-Br 7524–7525 B 26056f

B-Br 20611 26056f

B-DEa 9 26012 26105

CH-E 729 26006

CH-EN 103 26058c 26105

CH-Fstaatsarchiv CSN III.3.21 26042a

CH-Sk 29 26008

CH.SGs 390–391 26018 26104

CZ-OLu M II 398 26075

CZ-OSbiskupstvi, fond odry 801112 / 20 / 0250 / a 26075

CZ-R R 627 26075

CZ-VELKÁ BÍTEŠměstské muzeum C 1/7 26075

D-DÜl D 1 26048d

D-ERu 141 26080

D-HEu Pal. germ. 848 26060

D-KAg 65/429 26006

D-KIu S. H. 8 A 8°.

D-LEm Becker-Sammlung II 1 2° 1 26080

D-LÜh theol. lat. 2°16 26074

D-Mbs Clm 4660, 4660a 26060

D-Mbs Clm 29770(2 26107

D-NAUd I-VIII 26080

D-Sl Cod. mus. I. 63, 64, 65 (Lorcher Chorbücher) 26071

D-Wa VII B 203 26080

D-WIl 2 26011 26012 26105

E-L 8 26088

E-SC s.n. ‘Codex Calixtinus’ 26056g

E-VI 106 26002

F-AB 7 26008

F-AUT 183 26008

F-CA 72 (73) 26008

F-CAD different mss 26047a 26072

F-G 338 Rés. (CGM 79) 26001

F-G 467 Rés. (CGM 124) 26001

F-G 867 (CGM 91) 26001

F-LA 263 26008

F-Pn fr. 1586 26060

F-Pn lat. 776 26037 26054a

F-Pn lat. 903 26041a, b, c

F-Pn lat. 1028 26077

F-Pn lat. 1107 26008

F-Pn lat. 1154 26060

F-Pn lat. 3545 26060

F-Pn lat. 3719 26060

F-Pn lat. 13875 26013

F-Pn lat. 17294 26079

F-Pn lat. 22249 26060

F-Pn n. a. fr. 13512 (Ms La Clayette) 26060

F-Pn n.a. lat. 1235 26008

F-PR 12 26008

F-R 250 (A. 233) 26008

F-SCL 2 26096

F-SPCc II 824 (2 HYMN 9) 26001

F-SPCc II 828 26001

F-TLm 94 (Mass of Toulouse)

F-Vm Ms. Mm. 55 26048l

F-VN 10 26008

GB-Ccc 473 26062g

GB-Cu Gg. 5.35 26060

GB-Lbl Add. 15102 26012

GB-Lbl Add. 36881 26060

GB-Lbl Egerton 274 26060

GB-Llp Sion College L 1 13003

GB-Ob Bodley 775 26062g

GB-Ob Douce 308 26060

GB-Ob Rawl. A 416 26068b

GB-Occc 134 26044e

H-Ba T 300 26056l 26069c

H-Bn c.l.m.ae. 172b 26068d

H-Bn c.l.m.ae. 317 26068e

H-Bn Fol. Hung. 2153 26081

H-Bn Inc. 442 26056l 26069c

H-Bn Oct. Lat. 794 26070e 26099

H-Efkö I. 3 (Ulászló Graduale) 26068d 26090 26092

H-G fragments of Zalka Antifonále 26068h

H-Gc s. n. Zalka Antifonále 26076

H-Gegyházmegyei kincstár és könyvtár s. n. 26056l 26069c

H-Gm 54.1.4 26056l 26069c

H-Kf 302 (215) 26099

H-SA 1043; R 195 26056l 26069c

HR-Zu MR 29 26094

I-Bas fragment fondo Demaniale 82–3324 26066b

I-Bc different fragments 26066b

I-Bu different fragments 26066b

I-BA Exultet roll 26066i

I-BRq different mss 26095

I-BRq B.II.2 26106

I-BV 40 26009

I-CDTb 5 26063b

I-GALbiblioteca diocesana different mss 26066k

I-Ma Trotti 414 26028

I-MC 272 26063e

I-MC 542 26063d

I-MC Compactiones V 26063c

I-MC Compactiones VII 26063a

I-MC Compactiones XXII 26063a

I-Nn V C 14 26057b

I-Rasc fragment 26057a

I-Rvat Pal. lat. 1342 26014

I-SSBc s. n. 26001

I-TROad Exultet roll 26066i

I-VEcap LXXXIX 26088

NL-DHk 71 J 70 26055a

PL-CZ R 583 (I.215) 26098 26099

PL-STk fragments 26068c

PL-Wm 1304 26056h

RO-SIGHIŞOARAbiblioteca documentara 26068f

S-Sr MPO Fr 29700 26044b

SK-BRa Modra fragments 26068h

SK-BRa Modra 5194 26056l 26069c

UA-LV different mss 26049c

US-Cn 12, 6 26068b