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Vision, eye movements, and natural behavior

Published online by Cambridge University Press:  01 January 2009

MICHAEL F. LAND*
Affiliation:
Department of Biology and Environmental Science, University of Sussex, Brighton, UK
*
*Address correspondence and reprint requests to: Michael F. Land, Department of Biology and Environmental Science, University of Sussex, Brighton BN1 9QG, UK. E-mail: m.f.land@sussex.ac.uk
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Abstract

Historically, the principal function of vision has been to provide the information needed to support action. Visually mediated actions rely on three systems: the gaze system responsible for locating and fixating task-relevant objects, the motor system of the limbs to carry out the task, and the visual system to supply information to the other two. All three systems are under the control of a fourth system, the schema system, which specifies the current task and plans the overall sequence of actions. These four systems have separate but interconnected cortical representations. The way these systems interact in time and space is discussed here in relation to two studies of the gaze changes and manipulations made during two ordinary food preparation tasks. The main conclusions are that complex action sequences consist of a succession of individual object-related actions, each of which typically involve a turn toward the object (if needed), followed by fixation and finally manipulation monitored by vision. Gaze often moves on to the next object just before manipulation is complete. Task-irrelevant objects are hardly ever fixated, implying that the control of fixation comes principally from top-down instructions from the schema system, not bottom-up salience. Single fixations have identifiable functions (locating, directing, guiding, and checking) related to the action to be taken. Several variants of the basic object-related action scheme are discussed, including single-action events in ball sports involving only one anticipatory gaze shift, continuous production loops in text and music reading, and storage–action alternation in copying tasks such as portrait sketching.

Information

Type
Natural Tasks
Copyright
Copyright © Cambridge University Press 2009
Figure 0

Fig. 1. (Color online) (A) Relations of the schema, gaze, visual, and motor systems during the performance of a visually controlled action. (B) The regions of the left macaque cortex known to be involved in the control of the systems outlined in A. The schema system is mainly associated with the DLPFC, the gaze system with the FEFs and the lateral intraparietal cortex, the motor system with the frontal premotor and motor cortices and parts of the parietal cortex, and the visual system with occipital and much of the temporal lobes.

Figure 1

Fig. 2. (A) Scan path showing the first 26 fixations made by the author while filling a kettle prior to making a cup of tea. The record lasts about 13 s. The kettle is first inspected; three saccades to the sink before walking to it with the kettle, removing lid at the same time; selecting tap; one (irrelevant) fixation to sink tidy then watching water stream into kettle. From Land et al. (1999). (B) Scan path showing 15 fixations during part of a sandwich-making session. Bread viewed on plate; peanut butter jar selected (one irrelevant fixation on drink bottle), lifted and lid removed with one view back to plate; knife selected and used to scoop out butter, which is conveyed to bread and spread. From a video by Mary Hayhoe: excerpts in Hayhoe et al. (2003).

Figure 2

Fig. 3. (A) The relative timings of body movements, fixations on particular objects, and manipulation of those objects by the hands during the first 70 s of a tea-making session. There is a strong tendency for body movements (when made) to precede initial fixations, which precede manipulations. This is most clearly seen 0.05 and 0.35 s into the record. (B) Average relative timings of trunk movements, fixations on particular objects (which may involve several individual fixations), and manipulation of those objects. The data represent 94 object-related actions from three subjects. Typical actions last about 3 s (extended waiting periods, such as watching for the kettle to boil, have been excluded). Note that trunk movements (when present) precede fixations, which precede manipulation, by about 0.6 s in each case. Similarly, fixation moves on to the next object about 0.6 s before manipulation is complete. There are wide variations in timing (histograms), with manipulation sometimes preceding gaze fixation. From Land et al. (1999).

Figure 3

Fig. 4. Flow diagram, based on Fig. 1A, illustrating the interactions between the schema, gaze, visual, and motor systems during an object-related action. Note that in some cases, no action is involved, but information is stored for future use (as in a locating or look-ahead fixation). Details in the text.

Figure 4

Fig. 5. Four variants of the basic control pattern of Fig. 1A, represented here as a single-action event. In a continuous production loop, information is fed semicontinuously into a loop that produces a continuous output. Storage–action alternation is a two-stage process where acquisition of information and its use are separated in time, and this is typical of copying tasks. Multiple-action sequences are found in extended tasks such as making tea or sandwiches where many different actions follow each other.

Figure 5

Fig. 6. (A) In cricket, the ball bounces once, and information from the bounce point is crucial if the batsman is to make a scoring stroke. From the time from delivery to bounce (t0) and the location of the bounce (measured from the declination angle ϕ as seen by him), he can determine the time from bounce to bat (t1) and the height at which it will reach the bat (h). These two variables (t1 and h) are sufficient for the production of a well-timed shot. (B) Location of the vertical direction of gaze and of ball position relative to the batsman’s head during the progress of the ball down the pitch. About 150 ms after the delivery (from a bowling machine in this case), the batsman takes his eyes off the ball and makes a downward saccade to the estimated bounce point and waits for the bounce (in this case for about 180 ms, but for a fast ball that bounces early, this delay will be much shorter). A good batsman will estimate the bounce point from the vertical decent speed of the ball before he makes the saccade. Note that by observing the delivery and the bounce, the batsman can obtain t0 and ϕ. Modified from Land and McLeod (2000).

Figure 6

Fig. 7. (A) A pianist playing a Bach minuet, showing the alternation of gaze between the upper and lower halves of the stave. From Weaver (1943). (B) A professional pianist playing a Scarlatti sonata, showing a similar alternation. In this case, the time from observing a note to playing it was about 0.8 s. The two filled circles are fixations after which the pianist looked briefly down to the keys (about 30 deg below) and then back to the score with no disruption of the alternation pattern. From Furneaux and Land (1999).

Figure 7

Fig. 8. (A) The cycle of looks from model to drawing when making a portrait sketch. The artist makes a saccade from sketch to model (1–2), makes one to four fixations on the model, finishing at (3), before transferring the final gaze point to the corresponding point on the sketch (4). This point usually corresponds to the end point of the next line he draws. Thereafter, gaze moves around the sketch (5). It appears that nothing predicts the start point of the line, which must therefore come from the artist’s internal plan. (B) Timing of events in the cycle, derived by averaging all 25 cycles. The next line is typically started about 0.1 s after gaze has moved back from the sitter, but there is much variation in the timing. Modified from Land (2006).