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Maids, Clerks, and the Shifting Landscape of Labor Relations in Rio de Janeiro, 1830s–1880s

Published online by Cambridge University Press:  10 January 2018

Henrique Espada Lima*
Affiliation:
Departamento de História, Universidade Federal de Santa Catarina – UFSC, CEP: 88040–900, Florianópolis Santa Catarina, Brazil
Fabiane Popinigis*
Affiliation:
Departamento de História, Universidade Federal Rural do Rio de Janeiro – UFFRJ, CEP: 23890–000, Seropédica Rio de Janeiro, Brazil
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Abstract

This article focuses on the lives of workers in small commerce and in domestic service in nineteenth-century Rio de Janeiro. It seeks to understand both what united and what differentiated maids (criadas) and clerks (caixeiros), two types of laborers whose lives and work had much in common, and two categories of labor that, although ubiquitous, are frequently overlooked in Brazilian labor history. We consider how, together, class, gender, and race shaped the divergent trajectories of criadas and caixeiros over the course of the nineteenth century, and what the legal disputes in which they were involved during that period can teach us about the shifting dynamics in labor relations in a society marked by both slavery and labor dependency more broadly. As sources for this analysis, we draw on documents produced by legal proceedings from the 1830s through the 1880s, in which men and women involved in petty commerce and domestic service presented their cases before the courts to claim their unpaid wages.

Information

Type
Research Article
Copyright
© Internationaal Instituut voor Sociale Geschiedenis 2018 
Figure 0

Figure 1Map of Rio de Janeiro.

Figure 1

Figure 2This plate, entitled “Slave Market” was originally painted by the British officer Henry Chamberlain (1796–1843), who visited Rio de Janeiro in 1819 and 1820. It depicts the surroundings of the Valongo, the famous docks were the Africans who survived the Middle Passage were sold in the markets as slaves. Around the commercial area of the Valongo and Rio’s waterfront, many of the stories discussed in this article unfolded. Chamberlain’s description reads: “The Plate represents an elderly Brazilian examining the Teeth of a Negress previous to purchase, whilst the Dealer, a Cigano, is vehemently exercising his oratory in praise of her perfections. The Woman looking on is the Purchaser’s Servant Maid, who is most frequently consulted on such occasions.” Views and Costumes of the City and Neighbourhood of Rio de Janeiro, Brazil, from Drawings taken by Lieutenant Chamberlain, Royal Artillery, during the years 1819 and 1820, with descriptive explanations (London, 1822).

Figure 2

Figure 3This cartoon, drawn by Angelo Agostini (1843–1910), is originally from Revista Illustrada, a magazine printed by the famous illustrator and publisher in Rio de Janeiro between 1876 and 1898. The image’s original context is a series of ironic cartoons about the reaction of Rio’s small business owners to the introduction of a “Consumer’s Cooperative” in the city. It depicts an everyday scene from inside a small dry goods store: on the left, the shop owner, very likely Portuguese, ponders the profits that he could have made by using tempered weights in his shop scales. On the right, a young caixeiro weights some flour or sugar while a woman drinks a glass of spirit (cachaça). Another patron watches the scene and laughs. She is wearing a piece of fabric tied around her head in a fashion that was common among quitandeiras, women of African descent (both free and enslaved) who used to work selling prepared food and vegetables in the city’s streets. Both pictures repeat common stereotypes about the habits and mores of Portuguese shop-owners and black women. Revista Illustrada, Anno I, n. 20, Rio de Janeiro, May 27, 1876. p. 8.