1. Introduction
What were the relationships between the processes of narration, education, and interpretation, in the ancient world? In order to begin to formulate an answer to this question, I wish to foreground a fact so basic that it often goes unnoticed: stories frequently depict the acts of reading and/or interpreting stories; many narratives are themselves concerned with proper modes of narrative interpretation. I contend that such scenes work rhetorically to inculcate particular kinds of hermeneutical skills in their audiences, and thus can be read as pedagogical scenarios vis-à-vis implied readers.
Since the mid-twentieth century, scholars have shown a great deal of interest in ancient pedagogical perspectives and practices. While some scholars identify intersections between ancient narratives and formal Greek rhetorical training,Footnote 1 others address the many canonical references to Jesus as a teacher (διδάσκαλος),Footnote 2 and still others ask what references to reading in ancient texts might tell us about literacyFootnote 3 and/or readership(s)Footnote 4 in the ancient world. Few scholars, however, have considered how ancient narratives often draw attention to their own narrativity and interpretability, and thereby prove pedagogically powerful for their implied readers.Footnote 5 I suggest that we shift our attention from extratextual reconstruction of ancient pedagogical practices, and from intratextual explorations of teaching-related dynamics within specific narratives, to the performative space between text and reader in which pedagogy is enacted and practised. My premise is that scenes of narrative interpretation within narratives function rhetorically to promote a particular vision of narratives; that is, narrated scenes of characters interpreting narratives function not only as objects of hermeneutical inquiry, but as participants in ongoing discussions about textual representation and interpretation, and as active agents of readerly transformation.
Recently, classicists have been working to ‘render the constituent elements of the [ancient] pedagogical scenario open to negotiation’.Footnote 6 This is a useful corrective to a problematic tendency in New Testament scholarship: although most New Testament scholars recognise that we should not assume a homogeneous continuity between modern views on education and the ways that education functioned in the first century ce, many still reinscribe modern conceptions even as they try to challenge others’ anachronistic assumptions. Pieter Craffert and Pieter Botha are a case in point: they argue that the view that Jesus was literate is ‘bad history’Footnote 7 because ‘the evidence for “elementary” schooling in first-century Palestine is extremely thin’.Footnote 8 Certainly, they are right that Jesus was not an elite child, tutored and trained by a paidagogos.Footnote 9 Nevertheless, in their reconstruction of what they dub ‘peasant pedagogy’ Craffert and Botha conflate ‘literacy’ with ‘schooling/education’ and imply that learning takes place only formally, in a school building, with an adult who teaches children (so-called ‘elementary’ school).Footnote 10 Considering ancient narratives themselves as pedagogical scenarios helps to destabilise the valorisation of modern education-related binaries (e.g. teacher/student, knowledge/ignorance, adult/child, body/mind) that persists in certain strands of New Testament scholarship.
In the following pages, I begin by introducing the contemporary notion of narrative reflexivity and situating that concept within the broader literary sub-field of rhetorical narratology. Then, I turn to Acts 8.26–40 – in which an Ethiopian eunuch reads Scripture and ultimately becomes a Christ-follower – as a brief case study in order to demonstrate how narrative reflexivity can help us to think in fresh ways about the pedagogical force of ancient narratives. Specifically, I will argue that this story in Acts reflexively commends the following hermeneutical principle for its readers: because reading is not synonymous with understanding, one ought to have an authoritative interpretive guide, and embrace a hermeneutic of hospitality towards the received narrative. Finally, I highlight several examples from ancient literature that demonstrate why my proposed reading coheres with ancient views about pedagogy and textual interpretation more broadly.
2. Narrative Rhetoricity, Narrative Reflexivity and Ancient Narratives
The literary sub-field of rhetorical narratology melds ‘narratology's tools for analyzing texts and rhetoric's tools for analyzing the interplay between texts and contexts in order better to understand how audiences experience narratives’.Footnote 11 The fundamental premise of a rhetorical approach to narrative is that, as James Phelan puts it, ‘[n]arrative is a rhetorical action in which somebody tries to accomplish some purpose(s) by telling somebody else that something happened’.Footnote 12 At least one function of the rhetorical act of telling a story is to shape the ‘somebody else’ to whom one tells the tale into a particular kind of storyhearer.Footnote 13 Relatedly, rhetorical narratologists recognise that the ‘somebody else’ to whom a narrative is told can be variously defined: different ‘audiences’ are constituted by and/or responsive to different textual cues. Therefore, rhetorical narratology ‘shifts emphasis from the author as controller to the recursive relationships among authorial agency, textual phenomena, and reader response’.Footnote 14
One textual phenomenon that has been explored in great detail with respect to post-modern narratives, but hardly at all regarding ancient narratives, is narrative reflexivity.Footnote 15 As the etymology of the word suggests, reflexivity (from the Latin reflexivus, re (‘again’) + flectere (‘to bend’)) is a turning or bending back on oneself.Footnote 16 Jeffrey Williams defines narrative reflexivity as those moments ‘when narrative refers to itself, to its own medium, mode, and process, rather than simply to other (nonlinguistic) “events”, that we normally assume constitute a narrative’.Footnote 17 Such meta-level references to the very narrativity of narrative, or to the textuality of texts, proffer models of both narration and interpretation; they ‘constitute the answer of a text to the question “How should we interpret you?”’Footnote 18 In so doing, moments of reflexivity promote a particular vision of what narratives can or should accomplish. Narratives thereby self-theorise and valorise their own mode of existence.
The fact that narrative reflexivity has been explored in great detail with respect to post-modern narratives, but less frequently regarding ancient narratives, raises an important methodological question: can we justify using a contemporary concept like narrative reflexivity as an analytic lens through which to read ancient narratives? For many theorists, reflexivity refers specifically to post-modern or modern ‘metafictional’ literature, which is regularly dated to the eighteenth century,Footnote 19 and, in Robert Alter's words, ‘systematically flaunts its own condition of artifice’.Footnote 20 If this is the sense in which one conceives of literary reflexivity, then it is indeed inapplicable for ancient narratives, which do not typically ‘systematically flaunt’ their artificial condition in the same overt, thoroughgoing way that a Tristram Shandy does.Footnote 21
However, I argue that the concept is useful for reading ancient narratives because, based on its core definition described above, ‘reflexivity is a basic capability of narrative exercised in every period, historical schematizations notwithstanding’.Footnote 22 Narratives from various ages and places, across diverse corpora, draw attention to their own textuality, even if they do so to differing degrees.Footnote 23 Scholars outside New Testament studies have already recognised this. Dina Stein, for example, has traced the ways that ‘self-reflexivity … operates in, and is central to, rabbinic texts’.Footnote 24 Tim Whitmarsh and other classicists have explored the various ways that the extant ancient Greek and Roman novels are both literarily ‘located squarely within this [Hellenistic] culture of … paideia’, and thematically concerned with paideia ‘within the very narrative of the novels’.Footnote 25 John Morgan traces concerns in Antoninus Diogenes’ The Incredible Things beyond Thule that he calls ‘emblematic of a profound and intellectual self-referentiality’,Footnote 26 while Richard Hunter identifies ‘the obvious self-referentiality’ of the Metamorphoses.Footnote 27
As Jonathan Culler insists, ‘[t]he self-reflexivity of literature is not, finally, a defining feature but a foregrounding of aspects of language use and questions about representation …’Footnote 28 To relegate all considerations of narrative reflexivity to overt examples of post-modern or modern ‘metafiction’ is a categorical mistake. It perpetuates a false dichotomy between ‘the referential’ and ‘the reflexive’, as though mimetic and aesthetic dimensions of narrative are mutually exclusive. This is a particularly prevalent tendency in New Testament studies, where many scholars continue to labour under the problematic impression that ‘fact’ and ‘fiction’ are stable, clearly delineated literary classifications. In short, reflexivity is ‘as old as narrative itself’.Footnote 29
The two New Testament narratives written by the author we call ‘Luke’ – the Gospel of Luke and the Acts of the Apostles – both appear to be quite aware of their textuality. Both Luke and Acts begin as no other New Testament narrative does, with formal Hellenistic prologues.Footnote 30 The Gospel famously begins with a reference to the author's own writing process:
Since many have undertaken to set down an orderly account/narrative (διήγησιν) of the events that have been fulfilled among us, just as they were handed on to us by those who from the beginning were eyewitnesses and servants of the word, I too decided, after investigating everything carefully from the very first, to write (γράψαι) an orderly account for you, most excellent Theophilus, so that you may know the truth concerning the things about which you have been instructed (Luke 1.1–4).
At the beginning of the book of Acts, the text again refers to its own textuality: ‘I wrote (ἐποιησάμην) the first book (λόγον), Theophilus, about all that Jesus began both to do and to teach …’ (1.1).Footnote 31 The opening frames of the narratives explicitly refer to their own literary constructedness.
Once the third-person narration gets underway, instances of reflexivity are more implicit, but nevertheless are present (e.g. scenes in which characters read, and/or discuss reading and interpretation). In the Gospel, for example, Jesus inaugurates his public ministry by reading and interpreting the Hebrew Bible.Footnote 32 Later, Jesus asks others how they read and understand the Scriptures (e.g. 10.25–37), and he interprets his own spoken stories, the parables, for his disciples (e.g. 8.11–15). At the end of Luke's Gospel, the risen Jesus ‘interpret[s] all the Scriptures’ (διερμήνευσεν … ἐν πάσαις ταῖς γραφαῖς) for two disciples on the road to Emmaus (24.27). In Acts, the ‘open-minded’ (εὐγενής)Footnote 33 Bereans are praised for ‘daily examining/investigating’ (καθ᾿ ἡμέραν ἀνακρίνοντες) the Scriptures to test the veracity of Paul's teachings (17.11). This latter example is one of six Lukan scenes that depict a character reading a written text, either through mention of the text itself, or through employment of the usual Greek word for reading, ἀναγι(γ)νώσκω.Footnote 34
To focus our consideration of these dynamics further, let us turn now to another of those six scenes, the story in Acts 8.26–40.
3. Acts of Interpretation: Acts 8.26–40 as Pedagogical Primer
My argument is that this scene, read as a moment of narrative reflexivity, commends the following hermeneutical directive: because reading does not always lead to the right understanding, readers need an authoritative interpretive guide, and ought to adopt a posture of humble hospitality towards the received narrative. This comprises a kind of ‘reading theory’, constructed by the Lukan narrator, that applies not only to the Hebrew Scriptures as evidenced in the pericope, but also to the Lukan account itself.
The precipitating event of Acts 8.26–40 is that an angel appears to the evangelist Philip and instructs him to go south on the road towards Gaza (8.26). Obeying (8.27),Footnote 35 Philip happens upon an Ethiopian eunuch in a chariot, reading aloud (following the ancient custom) from the Isaianic scroll.Footnote 36 In first-century Palestine, a label of ‘Ethiopian eunuch’ would have been a clear indication that this character is not a Jew, but an outsider.Footnote 37 The fact that he is returning from having gone to Jerusalem ‘to worship’ (8.27), and the detail that he is already reading Scripture before he meets Philip (8.28), together indicate that the eunuch is interested in Israel's religion and its sacred story. Nevertheless, according to the narrative rhetoric, interest alone is insufficient. Luke is concerned with right reception of the narrative.
This concern becomes clear from even a cursory look at a scene from the Gospel that scholars routinely compare to the Ethiopian eunuch passage: Jesus’ first public sermon in Nazareth, found in Luke 4.16–30. There, while ‘the eyes of all’ (πάντων οἱ ὀφθαλμοί) in the synagogue are fixed on him (4.20), Jesus reads aloud from the scroll of Isaiah and declares, ‘Today this Scripture has been fulfilled in your hearing’ (lit. ‘in your ears’, ἐν τοῖς ὠσὶν ὑμῶν, 4.21).Footnote 38 As Mark Coleridge writes, Luke's Jesus is the ‘prime interpreter’: throughout the Gospel, he will ‘not only embody God's salvation but interpret its surprising ways; that is, interpret himself’.Footnote 39 At first, the people receive Jesus’ teaching as ‘words of grace’ (τοῖς λόγοις τῆς χάριτος, 4.22), but when Jesus then interprets the Elijah–Elisha narrative in such a way as to indict his hearers (4.23–7),Footnote 40 they reject his interpretation, ultimately rejecting Jesus himself. Filled with rage, they attempt to drive him off a cliff (4.28–9).
It is unsurprising that this Nazareth episode from Luke 4 has so often been compared to the Ethiopian episode of Acts 8: both cases explicitly mention reading and the literal presence of the scroll of Isaiah, both episodes draw attention to reception of the message, and both emphasise the presence of the Holy Spirit. However, there is a crucial difference between Luke 4 and Acts 8 that scholars generally overlook: though the eunuch and Jesus are both described as readers (Luke 4.16–17; Acts 8.28, 30, 32), and though both read passages from the scroll of Isaiah, the eunuch is unlike Jesus insofar as he cannot understand the reading without proper assistance. Philip inquires: ‘Do you understand what you are reading?’ (8.30; NB: the wordplay in Greek: γινώσκεις ἀναγινώσκεις),Footnote 41 and the eunuch responds with a question of his own: ‘How can I, unless someone guides (ὁδηγήσει) me?’ (8.31).
Philip, not the eunuch, is the proper foil to Luke's Jesus. Philip, not the eunuch, follows the Spirit's guidance into the wilderness (ἔρημος) in Acts 8.26 and 29, just as Jesus is led by the Holy Spirit into the wilderness (ἔρημος) in Luke 4.1. Philip interprets Isaiah's account christologically in Acts 8.35, just as Jesus refers to himself as the embodiment of Isaianic prophecy in Luke 4.21. Philip miraculously disappears from the scene (8.39), much like Jesus mysteriously escapes the murderous crowd in Luke 4.30. Philip, not the eunuch, is the authoritative interpreter of the scriptural tradition.Footnote 42 Just as the scholastic dialogues in the Gospels feature Jesus as pedagogue and the questioner as learner,Footnote 43 by portraying Philip in the role of teacher, Luke effectively moves forward the teaching ministry of Jesus. The eunuch is only a model reader insofar as he seeks and rightly receives the interpretive guidance proffered by the representative of the Gospel: Philip.
And accept it he does. In contrast to the people in Nazareth, who ultimately respond with rage to Jesus’ interpretation of Hebrew Bible narratives, the eunuch invites Philip to get in and sit beside him (8.30). Wayne Booth might say that the eunuch asks Philip to ‘keep company’ with him and with the text.Footnote 44 As John Weaver highlights, this reflects an important virtue:
The eunuch exhibits the ancient virtue of hospitality, which results in Philip accompanying and guiding him to a Christological reading of Isaiah 53 … Hospitality was often associated with the reception of new knowledge and insight in the ancient world, and, elsewhere in Luke-Acts, the disposition for hospitality is determinative of insight into the wisdom and plan of God.Footnote 45
Indeed, after asking for and accepting Philip's interpretive guidance (8.34), the eunuch asks for and accepts baptism (8.36), and finally ‘goes on his way rejoicing’ (8.39) at the reception of his new knowledge and insight into God's plan.
The scene depicts two stages of hospitality: first, the eunuch's invitation to Philip to join him in the chariot and, second, his joyful reception of Philip's authoritative interpretation of the Isaianic text. This pattern is reflected more broadly over the course of the narrative of Luke-Acts in Luke's shifting uses of the term usually translated as ‘receive’ or ‘welcome’: δέχομαι.Footnote 46 A verb of hospitality, δέχομαι typically refers in the Gospel to welcoming a person (2.28; 9.5, 48, 53; 10.8–10; 16.4, 9), as the eunuch does when he welcomes Philip into his chariot. In Acts, the uses of δέχομαι shift from references to welcoming other people to references to welcoming ‘living messages’ (7.38), the ‘word of God’ (8.14; 11.1), the ‘message’ (17.11) and ‘letters’ (22.5; 28.21).Footnote 47 For Luke, receiving God's people and receiving God's word are both matters of hospitality.
Weaver rightly emphasises the characterisation of the eunuch as hospitable; in so doing, he identifies an important feature of the Lukan narrative: in Luke-Acts, ‘reading functions to demonstrate the character of the reader’.Footnote 48 However, Weaver neglects the role of narrative in shaping Luke's readers. Narratives are not merely demonstrative; they are also formative. The story of the eunuch does not simply demonstrate hospitality. As a depiction of reading that is itself being read, the scene subtly places Luke's readers into the same learning framework as the reading eunuch, functioning as an invitation towards the emulation of his virtue.
Reading the Ethiopian eunuch scene as reflexively inculcating certain hermeneutical principles in Luke's readers coheres with the narrative rhetoric of the Lukan account more broadly. Several factors converge to support this contention.
First, if one takes Luke and Acts together as a unified whole,Footnote 49 then the Lukan narrative is book-ended by references to the importance of right readerly reception. As noted above, the Gospel begins by recognising that the writer aims, in Phelan's terms, ‘to accomplish some purpose(s) by telling somebody else that something happened’: the author writes his story ‘so that (ἵνα) you [reader(s)] might know the truth (ἐπιγνῷς … τὴν ἀσφάλειαν) concerning the things about which you have been instructed’ (1.4). As Joel Green observes, ‘Luke's concern with truth … resides above all in his interpretation of the past and the desired effect of his narration is that others will find this narration “convincing”. In other words, Luke's purpose is hermeneutical.’Footnote 50 Acts ends with a definitive indictment of the failure to understand (Acts 28.26–7, citing Isa 6.9–10):
Repeatedly, reading and (mis)recognition are associated in the Lukan narrative. We have already considered Luke 4, where Jesus ‘inaugurates his ministry with a self-reading’ – an act that is, as Stephen Moore puts it, ‘small wonder’, since throughout Luke, Jesus ‘is the object of blindness or insight, reading or misreading’.Footnote 51 Reading and recognition are also related in Acts; for example, in Acts 13.26–9, Paul indicts the Jerusalem Jews who ‘do not recognise’ (ἀγνοέω, lit.: ‘to not know’) the words of the prophets ‘that are read every Sabbath’ (τὰς κατὰ πᾶν σάββατον ἀναγινωσκομένας).Footnote 52
Second, it is significant that the Greek word typically translated as ‘guide’ in the eunuch's question of Acts 8.31 – ὁδηγέω – derives from the combination of two words: ὁδός (‘the road/way’) and ἄγω (‘to lead’); the eunuch asks Philip to lead him along the way.Footnote 53 The fact that Luke prefers the term ὁδός (‘the Way’) for the Christian movement,Footnote 54 rather than some form of Xριστιανός (‘Christian’),Footnote 55 or the more common New Testament term ἐκκλησία (‘church’/‘assembly’),Footnote 56 suggests a deeper dimension to the eunuch's request.Footnote 57 The eunuch is not merely asking for help with deciphering what he reads, as though he cannot understand an encyclical or a Roman decree. Luke's narration casts the eunuch's request for assistance interpreting the Scriptures as a request for Philip to guide him along the right path – what Luke elsewhere calls τὴν ὁδὸν τοῦ κυρίου, ‘the Way of the Lord’ (Acts 18.25).
My reading of Acts 8.26–40 can be summarised as follows: the story of the Ethiopian eunuch provides a narrative articulation of what the proper response should be (according to the Lukan narrator) when one receives authoritative interpretive guidance from a representative of the Gospel – a hermeneutic of hospitality. Read as a moment of narrative reflexivity, the scene calls upon readers to respond similarly to the authoritative interpretation of prior Jesus traditions that Luke himself offers in the λόγος to which he refers in Luke 1.4 and Acts 1.1. Just as Philip must guide the Ethiopian eunuch (i.e. lead him along the Way), so too does Luke try to guide Theophilus (and, by extension, other readers). The eunuch responds in the same way as those in the synagogue initially did, like ones hearing ‘words of grace’ (τοῖς λόγοις τῆς χάριτος, Luke 4.22),Footnote 58 and he goes on his way rejoicing (8.39); by extension, the Lukan narrator subtly appeals to his readers to accept his authoritative interpretation of events as τοῖς λόγοις τῆς χάριτος, and to respond like the eunuch, going on the Way with faith and rejoicing.
4. Ancient Pedagogy, Psychagogy and Textual Interpretation
These contentions would find an easy home in ancient philosophical theorising about both education and textual interpretation. It is well known that many ancient theorists believed words have the power to shape the soul of the reading self – that is, words function psychagogically. Roman Stoic and Epicurean philosophers in particular were concerned with psychagōgein, or the leading of the soul, and this became an important trope in Hellenistic Judaism as well.Footnote 59 Plato, for example, has Socrates define rhetoric as the art of ‘leading the soul through words’ (ψυχαγωγία τις διὰ λόγων),Footnote 60 and again later: ‘the function of speech is to lead souls’ (λόγου δύναμις τυγχάνει ψυχαγωγία οὖσα).Footnote 61
This concern for the soul-forming power of words is not limited to a specific genre like poetry, oratory or epistolary literature.Footnote 62 Dionysius of Halicarnassus emphasises that when he writes history, he is sure to include
infinite examples of virtue (ἀρετάς) in men whose superiors, whether for piety or for justice or for life-long self-control or for warlike valour, no city, either Greek or barbarian, has ever produced.Footnote 63
Conversely, Appian insists that his historical narrative is ‘well worth the study (ἀξιοθαύμαστα) of those who wish to know the measureless ambition of men, their dreadful lust of power, their unwearying perseverance, and the countless forms of evil’.Footnote 64 In addition to the stated goals of historians such as Dionysius and Appian, poets such as Horace aimed to
speak words at once both pleasing and helpful to life (aut simul et iucunda et idonea dicere vitae) … at once delighting and instructing the reader (lectorem delectando pariterque monendo).Footnote 65
Though many scholars have discussed the ‘entertainment value’ of ancient novelistic texts,Footnote 66 these stories, too, could function as ‘an educational introduction to ethical philosophy and a protreptic to virtue’.Footnote 67 Even Lucian, who asserts in the preface to his satirical A True Story that he tells nothing but lies,Footnote 68 insists that his text is not a trivial ‘psychagogy’ (τὴν ψυχαγωγίαν) based only on ‘wit and cleverness’ (τοῦ ἀστείου τε καὶ χαρίεντος),Footnote 69 but a prompt for substantive speculation (θεωρίαν).Footnote 70 The view that texts could function pedagogically, as a call to imitate the virtues and eschew the vices demonstrated therein, appears across generic lines in ancient literature.
In addition, many ancient writers insisted that authoritative guidance is necessary when interpreting texts.Footnote 71 Plutarch advises that while poetry can nourish the soul, it can also be ‘perturbing and misleading, unless listening finds proper instruction (παιδαγωγίας ὀρθῆς)’.Footnote 72 The ‘beginning of education’ (ἀρχὴ … παιδεύσεως)Footnote 73 is therefore to ‘train oneself to seek and welcome what is useful within the pleasurable’ when approaching texts.Footnote 74 Plutarch is concerned about the education of youths, but the Greek concept of παιδεία clearly attests to a broader conception of education as enculturation that continued into adulthood.Footnote 75 More specifically, the convictions cited above that texts have the power to inculcate virtue or vice attest that for at least some ancient theorists, reading alone cannot always suffice as a positive pedagogue, even for adults. As Craffert and Botha rightly insist, ‘[l]earning to read is not the same as learning from reading’.Footnote 76
My point here can be simply put: reading the Ethiopian eunuch story as a moment of narrative reflexivity that implicitly calls upon Lukan readers to emulate the eunuch's need for guidance and his hermeneutical hospitality is consistent with long-standing traditions of pedagogical and hermeneutical theorising in antiquity.
5. Conclusion
Recognising with Paul de Man that every narrative can be read as ‘the allegory of its own reading’ can sensitise us to a story's salient yet subtle features of self-consciousness.Footnote 77 The foregoing discussion has drawn insights regarding reflexivity from contemporary literary theory into dialogue with recent work on education and textual interpretation in the ancient world. Reading Acts 8.26–40 as a self-reflexive pedagogical scene illuminates the manifold ways in which not only the Lukan narrative, but ancient narratives more broadly, rhetorically shape their readers qua readers.