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Alexander Seton, First Earl of Dunfermline: his library, his house, his world

Published online by Cambridge University Press:  21 April 2015

Peter Davidson*
Affiliation:
Chair in Renaissance Studies, School of Divinity, History and Philosophy, University of Aberdeen, AB24 3FX, UK. Email: peter.davidson@abdn.ac.uk
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Abstract

This article re-considers Alexander Seton, First Earl of Dunfermline (1555–1622) in his cultural context, particularly in the light of the recently-discovered inventory of his private library. This sophisticated collection of continental books, with strong holdings in art, architecture and Catholic apologetics, offers new information on the intense private Catholicism of a statesman who conformed outwardly to Protestantism. The inventory casts light also on his work of building and decoration at Pinkie House, Musselburgh. The article concludes by raising the possibility of some kind of continuance at Pluscarden Priory in Moray after the reformation and under Seton’s protection, and that Seton’s daughter Sophia may have built a freestanding Catholic chapel on her marriage to David Lindsay, first Lord Balcarres.

Information

Type
Research Article
Copyright
© Trustees of the Catholic Record Society 2015. Published by Cambridge University Press 
Figure 0

Figure 1 Pinkie House, Musselburgh, Garden Front, c. 1613, Copyright-free; Creative Commons.

Figure 1

Figure 2 Donato Bramante, Palazzo Cancelleria, Rome, Finished c. 1555. Public Domain.

Figure 2

Figure 3 Ceiling of the Long Gallery, Pinkie House, Musselburgh, 1613. The panel with the emblem NIHIL AMPILIUS OPTO has a likeness of Seton as the temperate philosopher of the emblem. Photograph by courtesy of Professor Michael Bath

Figure 3

Figure 4 Tabernacle (Aumbry), Pluscarden Abbey, Moray. Photograph by courtesy of Dr Stephen Holmes

Figure 4

Figure 5 Tabernacle, Balcarres Chapel, Balcarres House, Fife. Photograph by kind permission of The Rt. Hon. The Earl of Crawford and Balcarres.