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AMERICAN WAR RELIEF, CULTURAL MOBILIZATION, AND THE MYTH OF IMPARTIAL HUMANITARIANISM, 1914–17

Published online by Cambridge University Press:  28 September 2018

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Abstract

This paper reassesses American opinions and sentiments during the period of neutrality in light of the one endeavor that involved millions of Americans in the European conflict long before official U.S. belligerency: war relief. Tracing some of the “humanitarian narratives” employed in the relief campaigns for the Central Powers, the Allies, and neutral Belgium, humanitarian involvement, it will be argued, not only expressed prevalent ethnic, cultural, and political affinities, but shaped American attitudes toward the different belligerents. Contrary to contemporary claims, humanitarian pursuits were never even remotely impartial, but drew Americans onto the different sides of the war like few other endeavors. Indeed, relief work must be taken serious as a force of “cultural mobilization” (Horne), which affected American “visions of the war and its outcome.” By involving Americans actively on the different sides of the European war, it helped forge discrete moral and emotional alliances across the Atlantic. In trying to understand the complicated and acrimonious process by which Americans moved from peace to war, their relief work thus deserves attention.

Information

Type
Special Issue: Americans and WWI: 100 Years Later
Copyright
Copyright © Society for Historians of the Gilded Age and Progressive Era 2018 
Figure 0

Image 1.“Under the Stars and Stripes in Belgium,” Literary Digest, Mar. 6, 1915, 461.Frequent expressions of gratitude were crucial to the success of relief campaigns. Here: Belgian schoolchildren wave American flags after receiving toys from the United States.

Figure 1

Image 2.Winold Reiss. Charity bazar for the widows and orphans of German, Austrian, Hungarian and their Allied soldiers. (Poster). New York: Hegeman Print, 1916. Library of Congress Prints and Photographs Division; The 1916 New York Bazaar for the Central Powers featured the reproduction of a medieval town in Madison Square Garden.

Figure 2

Image 3.Cover: “Product of Kultur,” Boston [Allied] Bazaar Daily, Dec. 20, 1916; to raise empathy and funds, war relief publicity often tapped into the language and imagery of the propaganda war, in this case an ironic comment on Germany's alleged “Kultur.”