AEBISCHER, PASCALE AND PRINCE, KATHRYN, Performing Early Modern Drama Today. Cambridge: Cambridge University Press, 2012. Pp. 258. £60/$99 Hb.
ANGELAKI, VICKY, The Plays of Martin Crimp: Making Theatre Strange. New York: Palgrave Macmillan, 2013. Pp. 240. £50/$85 Hb.
ASTON, ELAINE AND HARRIS, GERALDINE, A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance. Basingstoke: Palgrave Macmillan, 2012. Pp. 232. £50 Hb.
BALFOUR, MICHAEL, Refugee Performance. Bristol and Chicago: Intellect, 2012. Pp. 224. £45 Hb.
BANHAM, MARTIN, GIBBS, JAMES AND OSOFISAN, FEMI, African Theatre 11. Festivals. Woodbridge: Boydell & Brewer Ltd, 2012. Pp. 192. £18.99/$34.95 Pb.
BIRCH, ANNA AND TOMPKINS, JOANNE, eds., Performing Site-Specific Theatre: Politics, Place and Practice. Basingstoke: Palgrave Macmillan, 2012. Pp. 272. £17.99 Pb.
CAMPOS, LILIANE, Sciences en scène dans le théâtre britannique contemporain. Rennes: Presses Universitaires Rennes, 2012. Pp. 312. €17 Pb.
CARROLL, MARK, ed., The Ballets Russes in Australia and Beyond. Kent Town, South Australia: Wakefield Press, 2011. Pp. 368 + illus. AU$75.00 Hb.
CHATZICHRISTODOULOU, MARIA, Intimacy across Visceral and Digital Performance. Basingstoke: Palgrave Macmillan, 2012. Pp. 272. £50 Hb.
CHOUHAN, ANJNA AND SALTER, DENIS, eds., Lives of Shakespearean Actors V. Herbert Beerbohm, Henry Irving and Ellen Terry by their Contemporaries: Henry Irving. Biggleswade: Pickering and Chatto, 2012. Three volume set. Pp. 1,392. £245 Hb.
COCKIN, KATHARINE, ed., Lives of Shakespearean Actors V. Herbert Beerbohm, Henry Irving and Ellen Terry by their Contemporaries: Ellen Terry. Biggleswade: Pickering and Chatto, 2012. Three volume set. Pp. 1,392. £245 Hb.
COCKIN, KATHARINE, ed., The Collected Letters of Ellen Terry. Biggleswade: Pickering and Chatto, 2012. Pp. 288. £100 Hb.
CULL, LAURA, Theatres of Immanence: Deleuze and the Ethics of Performance. Houndmills: Palgrave Macmillan, 2012. Pp. 304. £55/$90 Hb.
DECKER, TODD R., Show Boat: Performing Race in an American Musical. New York: Oxford University Press, 2013. Pp. 328. £22.50/$35 Hb.
DOUBLE, OLIVER, Britain Had Talent: A History of Variety Theatre. Basingstoke: Palgrave Macmillan, 2012. Pp. 288. £52.50/$80 Hb; £17.99/$28 Pb.
DUGGAN, PATRICK, Trauma-Tragedy: Symptoms of Contemporary Performance. Manchester: Manchester University Press, 2012. Pp. 240. £60 Hb.
EMELJANOV, VICTOR, ed., Lives of Shakespearean Actors V. Herbert Beerbohm, Henry Irving and Ellen Terry by their Contemporaries: Herbert Beerbohm. Biggleswade: Pickering and Chatto, 2012. Three volume set. Pp. 1,392. £245 Hb.
GIBBS, JAMES, African Theatre 11. Festivals. Suffolk and Rochester, NY: Boydell and Brewer, 2012. Pp. 156. £18.99 Pb.
GONTARSKI, S.E., ed., On Beckett: Essays and Criticism. London, New York and Delhi: Anthem Press, 2012. Pp. 350. £60 Hb.
JOHNSON, DOMINIC, Theatre & the Visual. Basingstoke: Palgrave Macmillan, 2012. Pp. 96. £5.99/$9.50 Pb.
JONES, STANLEIGH H., The Bunraku Puppet Theatre of Japan: Honor, Vengeance, and Love in Four Plays of the 18th and 19th Centuries. Honolulu: University of Hawaii Press, 2013. Pp. 336. £54.95/$65 Hb; £24.95/$29 Pb.
LIN, ERIKA T., Shakespeare and the Materiality of Performance. New York: Palgrave Macmillan, 2012. Pp. 256. £55/$85 Hb.
MCDONALD, RUSS, NACE, NICHOLAS D. AND WILLIAMS, TRAVIS D., eds., Shakespeare Up Close: Reading Early Modern Texts. London: Arden. Pp. 416. £18.99 Pb.
MACFAUL, TOM, Problem Fathers in Shakespeare and Renaissance Drama. Cambridge: Cambridge University Press, 2012. Pp. 264. £60/$99 Hb.
MARTIN, CAROL, Theatre of the Real. Basingstoke: Palgrave Macmillan, 2013. Pp. 216. £50/$80 Hb.
MILLING, JANE, Modern British Playwriting. The 1980s: Voices, Documents, New Interpretations. London: Methuen Drama, 2012. Pp. 352. £16.99 Pb.
MOSELEY, NICK, Meisner in Practice. London: Nick Hern Books, 2012. Pp. 240. £12.99 Pb.
NICHOLSON, STEVE, Modern British Playwriting. The 1960s: Voices, Documents, New Interpretations. London: Methuen Drama, 2012. Pp. 352. £16.99 Pb.
NIELSEN, LARA D. AND YBARRA, PATRICIA A., Neoliberalism and Global Theatres: Performance Permutations. Houndmills: Palgrave Macmillan, 2012. Pp. 328. £55/$90 Hb.
PATTIE, DAVID, Modern British Playwriting. The 1950s: Voices, Documents, New Interpretations. London: Methuen Drama, 2012. Pp. 352. £16.99 Pb.
PAVIS, PATRICE, trans. Anderson, Joel, Contemporary Mise en Scène: Staging Theatre Today. London and New York: Routlledge. Pp. 358. £26.99 Pb.
ROCHE, ANTHONY, Brian Friel: Theatre and Politics. Basingstoke: Palgrave Macmillan, 2012. Pp. 248. £55/$95 Hb; £18.99/$29 Pb.
SHEPHERD, SIMON, Direction. Basingstoke: Palgrave Macmillan, 2012. Pp. 248. £22.99 Pb.
SNOW, JACKIE, Movement Training for Actors. London: Methuen Drama, 2012. Pp. 224. £24.99 Pb.
TAIT, PETA, Wild and Dangerous Performances: Animals, Emotions, Circus. Basingstoke: Palgrave Macmillan, 2012. Pp. x + 229 + 21 illus. £53.00 Hb.
TOMPKINS, JOANNE AND BIRCH, ANNA, Performing Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan, 2012. Pp. 272. £55/$90 Hb; £17.99/$28 Pb.
UNSWORTH, THOMASINA, Becoming an Actor. London: Nick Hern Books, 2012. Pp. 288. £10.99 Pb.
WRIGHT, ADRIAN, West End Broadway: The American Musical in London, 1939–1972. Boydell, 2012. Pp. 376. £25/$45 Hb.
YOUNG, HARVEY, The Cambridge Companion to African American Theatre. Cambridge: Cambridge University Press, 2012. Pp. 313. £55/$90 Hb; £18.99/$29.99 Pb.
